Popularity: 11 (history)
Director: | Jaume Collet-Serra |
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Writer: | Adam Sztykiel, Rory Haines, Sohrab Noshirvani |
Staring: |
Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods—and imprisoned just as quickly—Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world. | |
Release Date: | Oct 19, 2022 |
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Director: | Jaume Collet-Serra |
Writer: | Adam Sztykiel, Rory Haines, Sohrab Noshirvani |
Genres: | Adventure, Action, Science Fiction |
Keywords | superhero, demon, dc extended universe (dceu), anti hero, superhero team, lightning, based on comic, duringcreditsstinger |
Production Companies | New Line Cinema, Warner Bros. Pictures, Flynn Picture Company, Seven Bucks Productions, DC Films |
Box Office |
Revenue: $393,452,111
Budget: $200,000,000 |
Updates |
Updated: Aug 11, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dwayne Johnson | Black Adam / Teth Adam |
Aldis Hodge | Hawkman / Carter Hall |
Noah Centineo | Atom Smasher / Al Rothstein |
Sarah Shahi | Adrianna Tomaz |
Quintessa Swindell | Cyclone / Maxine Hunkel |
Marwan Kenzari | Ishmael / Sabbac / King Ahk-Ton |
Mo Amer | Karim |
Bodhi Sabongui | Amon Tomaz |
Pierce Brosnan | Dr. Fate / Kent Nelson |
James Cusati-Moyer | Samir |
Jalon Christian | Hurut |
Benjamin Patterson | Skinny Teth Adam |
Odelya Halevi | Shiruta |
Uli Latukefu | The Champion |
Jennifer Holland | Emilia Harcourt |
Henry Winkler | Uncle Al |
Chaim Jeraffi | Djau |
Sharon Gee | Mrs. Farmer |
Stephan Jones | Commander |
A. Manuel Miranda | Ancient Mine Soldier |
Djimon Hounsou | Wizard |
Raj Kala | Wizard #1 |
E. Lloyd Napier | Wizard #2 |
Kiara Rashawn | Wizard #3 |
Onye Eme-Akwari | Wizard #4 |
Sanna Erica | Wizard #5 |
Vince Canlas | Wizard #6 |
Tonea Stewart | Wizard #7 |
Meghna Nagarajan | Apartment Resident |
Patrick Sabongui | Rami |
Alex Parkinson | Chauffeur |
Joseph Gatt | Intergang Squad Leader |
Kamen Casey | Intergang Pilot #2 |
Dennis Dawson | Intergang Pilot #3 |
Mike Senior | Intergang Pilot #4 |
Jermaine Rivers | Intergang Sniper |
Regina Ting Chen | Helicopter #1 Pilot #1 |
Sekou Laidlow | Helicopter #2 Pilot #1 |
Cameron Moir | Helicopter #2 Pilot #2 |
Donny Carrington | Checkpoint Mercenary #1 |
Boone Platt | Checkpoint Mercenary #2 |
Philip Fornah | Squad Mercenary #1 |
Derek Russo | Squad Mercenary #2 |
Angel Rosario Jr. | Squad Mercenary #3 |
Tang Nguyen | Squad Mercenary #13 |
Christopher Matthew Cook | Stairwell Mercenary #1 |
Natasha Ellie | Stairwell Mercenary #2 |
Daniel Danca | Stairwell Mercenary #3 |
Yssa Mei Panganiban | Stairwell Mercenary #4 |
Ben Jenkin | Intergang Mercenary #8 |
Viola Davis | Amanda Waller (uncredited) |
Henry Cavill | Clark Kent / Superman (uncredited) |
Natalie Burn | Revolutionary Mercenary #1 (uncredited) |
Maurice T. Johnson | Ancient Slave (uncredited) |
Tre Ryan | Mercenary (uncredited) |
Vanessa Vega Rivera | Khandaqi Resident (uncredited) |
Name | Job |
---|---|
Deborah La Mia Denaver | Makeup Designer, Makeup Department Head |
Jan Philip Cramer | Head of Animation |
Dan Cox | Visual Effects Supervisor |
Eric McLeod | Unit Production Manager |
D.J. Phillips | Second Assistant "C" Camera |
Ryan Konig | Actor's Assistant |
C.C. Beck | Characters |
Bill Parker | Characters |
Michael L. Sale | Editor |
John Lee | Editor |
Heather Benson | Special Effects Makeup Artist |
Amani Durrani | Makeup Artist |
Kelcey Fry | Makeup Supervisor |
Para Malden | Makeup Artist |
Sarah Mays | Makeup Artist |
Bill McCoy | Makeup Artist |
Mazena Puksto | Makeup Artist |
Bjørn Rabben | Makeup Artist |
Amanda Sprunger | Makeup Artist |
Haile Werntz | Makeup Artist |
Darryl Garcia Jr. | Set Costumer |
Stacy Horn | Costume Supervisor |
Tiffany McKitrick | Set Costumer |
Joanie Ming | Set Costumer |
Natasha Romanow | Set Costumer |
Susan Strubel | Set Costumer |
Carolina Wong | Set Costumer |
Tom Meyer | Production Design |
Christopher Battaglia | Sound Effects Editor |
Bill R. Dean | Supervising Sound Editor, Sound Designer |
Ando Johnson | Sound Effects Editor |
Erick Ocampo | Sound Designer |
Diego Perez | Sound Effects Editor |
Ann Scibelli | Sound Designer |
D. Chris Smith | Sound Effects Editor |
Greg ten Bosch | Sound Effects Editor |
Tim Walston | Sound Editor |
David Werntz | Sound Designer |
William Wright Anderson | Visual Effects Producer |
Fabricio de Vasconcellos Baessa Antonio | Visual Effects Supervisor |
Austin Beaulier | Visual Effects |
Jev Belyaev | Visual Effects |
Marlon Victor Bondoc | VFX Artist |
Jeff Bruneel | Visual Effects Supervisor |
Zachary Goodson | VFX Artist |
Brandon Hines | VFX Artist |
Nikos Kalaitzidis | Visual Effects Supervisor |
Zachary Kinney | VFX Artist |
Pier Lefebvre | Visual Effects Supervisor |
Justin O'Neal Miller | Art Direction |
John Lindstein | VFX Artist |
Matthew McDonald | VFX Artist |
Rob Meyers | VFX Artist |
James Milligan | Visual Effects Producer |
Chris Morley | Visual Effects Supervisor |
Karen M. Murphy | Visual Effects Producer |
Gabriela Pruszkowska | VFX Artist |
Cliff Welsh | Visual Effects Supervisor |
Sarah Delucchi | Art Direction |
Kevin Gilbert | Art Direction |
Mike Stassi | Art Direction |
Larry Dias | Set Decoration |
Robert Aguirre | Assistant Art Director |
Yuri Bartoli | Supervising Art Director |
Virginia Berg | Assistant Art Director |
David Chow | Set Designer |
Amanda Cornell | Set Decoration Buyer |
Anne Costa | Assistant Art Director |
Allen Coulter | Set Designer |
Tim Croshaw | Set Designer |
Brett Fahle | Set Dresser |
Nick Forman | Set Dresser |
Ryan Heck | Set Designer |
Scott Herbertson | Set Designer |
Mark Keever | Set Dresser |
Bria Kinter | Set Designer |
Blade Ladish | Set Dresser |
Silvia Mahapatra | Set Designer |
Richard F. Mays | Set Designer |
Daniela Medeiros | Set Designer |
Joseph Ramiro | Set Designer |
Shari Ratliff | Set Designer |
Emma Sparer | Set Designer |
Justin Trudeau | Set Designer |
Stella Vaccaro | Set Designer |
Monika van Schellenbeck | Set Decoration Buyer |
Yu Kil-won | Set Designer |
Adam Sztykiel | Writer |
Rory Haines | Writer |
Sohrab Noshirvani | Writer |
Mari Lappalainen | Art Direction, Assistant Art Director |
Suzanna Boykin | Hairstylist |
Leay Cangelosi | Hairstylist |
Midian Crosby | Makeup Effects |
Chris Diamantides | Makeup Artist, Key Makeup Artist |
Kerry Herta | Key Makeup Artist |
Jennifer Hodges | Hairstylist |
Monique Hyman | Key Hair Stylist |
Kate Loftis | Hairstylist |
Lia Malamo | Makeup Artist |
Tonilee Marrone | Makeup Artist |
Donna Martin | Makeup Artist |
Michael Shawn McCracken | Prosthetics |
Björn Rehbein | Makeup Designer |
Don Rutherford | Makeup Artist |
Kaylee Swisher | Makeup Effects |
Irenia Vail | Hairstylist |
Al Watson | Additional Hairstylist |
Darla Wigley | Special Effects Makeup Artist |
Jennifer Conroy | Unit Production Manager |
Darin Read | Post Production Supervisor |
Jarin Rossiter | Production Manager |
Rhianna Shaheen | Assistant Production Manager |
Miguel Victorio | Production Manager |
Devin Ward | Production Supervisor |
Zack Annesty | Second Second Assistant Director |
Philip Banks | Additional Second Assistant Director |
Josy Capkun | Second Unit First Assistant Director |
Nick Chambers | Additional Second Assistant Director |
Arielle DePace | Second Second Assistant Director |
Brian Avery Galligan | Second Unit First Assistant Director |
Ryan Robert Howard | Second Second Assistant Director |
Ryan J. Pezdirc | Second Assistant Director |
Robert Ratner | Second Second Assistant Director |
Nick Satriano | First Assistant Director |
Megan Schmidt | Second Assistant Director |
Jason Suhrke | Additional Second Assistant Director |
Spencer R. Williams | Additional Second Assistant Director |
Rachel Aguirre | Assistant Art Director |
Cheyenne A. Bell | Set Designer |
Richard Bennett | Storyboard Artist |
Jonathan Burdeshaw | Sculptor |
Martin Charles | Graphic Designer |
Scott T. Coppock | Costumer |
Gerald D'Onofrio | Sculptor |
Stian Dahlslett | Concept Artist |
Rob Garlow | Propmaker |
Joseph Grundfast | Conceptual Design |
Rob Hamby | Propmaker |
Jeffrey Henderson | Storyboard Artist |
Lisha Hocking | Set Decorating Coordinator |
J. Bryan Holloway | Sculptor |
John Hoskins | Construction Coordinator |
Matt Huish | Property Master |
Margaret Hungerford | Assistant Set Decoration |
Melissa Kennedy | Construction Buyer |
Zach Kilpatrick | Set Decorating Coordinator |
Jonas Kirk | Construction Coordinator |
Jared Krichevsky | Concept Artist |
Ray Lai | Prop Designer |
Victor James Martinez | Character Designer |
David Masson | Concept Artist |
Robert McKinnon | Concept Artist |
Steven Melton | Property Master |
Jim Meyer | Propmaker |
David Moreau | Concept Artist |
Christina Myal | Graphic Designer |
Luca Nemolato | Concept Artist |
Alex Nice | Conceptual Illustrator |
Erin Ochi | Art Department Coordinator |
Andrea Onorato | Conceptual Illustrator |
Paul Ozzimo | Conceptual Illustrator |
Frank Piercy | Paint Coordinator |
Jose F. Garcia Pineda | Propmaker |
Manuel Plank-Jorge | Concept Artist |
Dan Riker | Armorer |
Kat Rodriguez | Assistant Property Master |
Christian Scheurer | Concept Artist, Conceptual Design |
Walter Schneider | Set Designer |
Josh Sheppard | Storyboard Artist |
Brett C. Smith | Leadman |
Daniel Soltis | Sculptor |
Aaron Sowd | Storyboard Artist |
Adam Tankell | Graphic Designer |
Joel Venti | Storyboard Artist |
Gary Jamroz-Palma | Concept Artist |
Nicole Auringer | ADR Recordist |
Bradford Bell | Sound Mix Technician |
Sean Byrne | Sound Re-Recording Mixer |
Kevin Cerchiai | Boom Operator |
Gary DeLeone | Loop Group Coordinator |
Alexandra Gallo | Utility Sound |
Scott La Rue | Boom Operator |
Micah Loken | Dialogue Editor |
Darrin Mann | Foley Mixer |
Josh Millman | ADR Recordist |
Alyson Dee Moore | Foley Artist |
Ryan Murphy | Sound Engineer |
Patricia Nedd | Foley Artist |
Whit Norris | Sound Mixer |
Jason Oliver | ADR Mixer |
Mitch Osias | Sound Effects Editor |
Abby Potts | Sound Mix Technician |
Jen Hicks Knight | Leadman |
Jamison Rabbe | ADR Mixer |
Danny Reeves | ADR Recordist |
Debby Ruby-Winsberg | ADR Mixer |
Joe Schiff | Dialogue Editor |
Jeff Seelye | ADR Recordist |
John Sheridan | Sound Mixer |
Unsun Song | Sound Mix Technician |
Bruce Tanis | Foley Supervisor |
Matt Vowles | Sound Re-Recording Mixer |
Knox White | Boom Operator |
Allen Lee Williams III | Boom Operator |
Can Yesilyurt | Sound Mixer |
Robert Brenner | Special Effects Technician |
Anthony Delacruz | Special Effects |
Matthew Dion | Special Effects Technician |
Dino Doane | Special Effects Technician |
Skylar Gorrell | Pyrotechnician |
Roxanne Gross | Special Effects Technician |
Lindsay MacGowan | Special Effects Supervisor |
John Rosploch | Special Effects Technician |
J.D. Schwalm | Special Effects Supervisor |
Jason Sheriff | Special Effects Technician |
Aaron Barlow | Senior Animator |
Pedram Goshtasbpour | Senior Animator |
Alex Klotz | Animation |
Emil Simeonov | Senior Animator |
Arda Uysal | Animation Supervisor |
Sande Alessi | Extras Casting |
Patty Connolly | ADR Voice Casting |
Madison Landis | Location Casting |
Erik Bergrin | Textile Artist |
Alexandra Casey | Assistant Costume Designer |
Ryan Dempsey | Set Costumer |
Charlie Dicus | Set Costumer |
Perry Goyen | Costumer |
Kristen Kadel | Costumer |
Susan Lee | Costume Coordinator |
Warren Manser | Costume Illustrator |
Day Ramphal | Costumer |
Salvatore Salamone | Costumer |
Duncan Shirah | Costumer |
Lisa Smedley | Assistant Costume Designer |
Mark D. Spain | Ager/Dyer |
Gildardo Tobon | Ager/Dyer |
Henri Trinh | Costume Assistant |
Jill Bogdanowicz | Senior Colorist |
Chase Commins | Dailies Operator |
Esmeralda Fernandez | Assistant Editor |
Emily Freund | First Assistant Editor |
Laura Holeman | Digital Intermediate Producer |
Eric A. Lewy | First Assistant Editor |
Krisztian Majdik | Additional Editing |
Lindsay Tessier | Assistant Editor |
Nicholas Winkelmann | Colorist |
Carley Armstrong | Script Supervisor |
Dea Cantu | Script Supervisor |
Anna Rane | Script Supervisor |
Peter G. Adams | Additional Music |
Pete Anthony | Conductor |
James Seymour Brett | Conductor |
Harry Brokensha | Orchestrator |
Peter Cobbin | Scoring Mixer |
Barbara McDermott | Music Editor |
Stuart Michael Thomas | Additional Music |
Ronald J. Webb | Music Editor |
Kirsty Whalley | Scoring Mixer |
Reetu Aggarwal | 3D Artist |
Tosin Akinwoye | Visual Effects Technical Director |
Nick Irving Allen | Visual Effects Producer |
Jefrin Antony | VFX Artist |
Myles Asseter | Modelling Supervisor |
Patrick Bacon | Visual Effects |
Rajneesh Bahukhandi | Digital Compositor |
Luigi Baggio | Pipeline Technical Director |
Shamus Baker | Modeling |
Sam Balzer | Concept Artist |
Rohan Bansie | Modeling |
Davide Battiston | Visual Effects Compositor |
Aaron Baudin | Visual Effects Technical Director |
Rohan Bediskar | Visual Effects Supervisor |
Tarun Behal | VFX Lighting Artist |
Jo Ann Cordero Belen | Visual Effects Compositor |
Alex Berson | Visual Effects Compositor |
Romain Besnard | Visual Effects |
Youcef Bessaa | VFX Artist |
Akansha Bhagat | Matte Painter |
Manthan Bhayani | Visual Effects Compositor |
Valentina Biffi | Visual Effects Compositor |
Ben Bigiel | Modeling |
Patcha Binginapalli | Visual Effects |
Olivier Blanchet | Digital Compositor |
David Blanco Castillero | VFX Artist |
Ian Blewitt | Visual Effects Compositor |
Samuel Blouin | Digital Compositor |
Robert Bock | Visual Effects Supervisor |
Federico Bonato | Visual Effects Compositor |
Marco Bordignon | Digital Compositor |
Gaëtan Borneuf | Matte Painter |
Shawn Broes | VFX Editor |
Kevin Brosseau | Rotoscoping Artist |
Tristan Brown | Digital Compositor |
Alexander T.H. Browne | Visual Effects |
Christina Bruce | Visual Effects Technical Director |
Matthew Bullock | Modelling Supervisor |
Lersak Bunupuradah | Modeling |
Gaia Bussolati | Visual Effects Supervisor |
Lisieux Calandro | VFX Artist |
Claire Callway | Visual Effects Producer |
Shannon Cameron | Visual Effects Coordinator |
Eloise Cameron-Smith | Visual Effects Coordinator |
Ben Campbell | CG Supervisor |
Carrie Carnevale | Visual Effects Production Manager |
Angel Carrasco | VFX Artist |
Lesly Cazares | Visual Effects Production Manager |
Andrea Ceccarelli | Visual Effects Compositor |
Arijit Chatterjee | Visual Effects Compositor |
Lai Lok Chau | Senior Animator |
John Abraham Chempil | Digital Compositor |
Nilesh Chhadimali | VFX Artist |
Jack Chiu | Visual Effects Compositor |
Gak Gyu Choi | Senior Modeller |
Martin Cicmanec | Compositing Supervisor |
Edoardo Compagnucci | Visual Effects Technical Director |
Matt Cordero | Digital Compositor |
Aaron Cornwall | Visual Effects |
Valentin Cottenye | VFX Artist |
Jean-Michel Cristofaro | Digital Compositor |
Sean Cushing | Visual Effects Producer |
Tony D'Aurio | Animation |
Gentry Davidson | Rotoscoping Artist |
Daniel Enrique De Leon | VFX Artist |
Daniele DeMaio | Visual Effects Supervisor |
Vera Dementchouk | Matte Painter |
Etienne Devillée | Visual Effects |
Ujwal W Dhankute | 2D Supervisor |
Spencer Dinney | Visual Effects Compositor |
Chris DiPaola | Modeling |
Khizer Diwan | Modeling |
Roland Dobson | Visual Effects Compositor |
Matthew Dravitzki | Visual Effects Producer |
Nico Duce | Visual Effects Technical Director |
Peter Dudley | Digital Compositor |
Aaron Eaton | Visual Effects Supervisor |
Rodrigue El Hajj | Visual Effects Technical Director |
Amir Wahid Eleswy | CG Supervisor |
Tosh Elliott | Modelling Supervisor |
Brett Ellis | CG Supervisor |
Adam Endrodi | VFX Artist |
Cederic Estevao | Rotoscoping Artist |
Kevin Estey | Senior Animator |
Darby Faccinto | VFX Artist |
Paul Fedor | Matte Painter |
Rogiero Fernández | Visual Effects Compositor |
Fabrizio Fioretti | VFX Artist |
Paolo Forni | VFX Artist |
Jesse Forsey | Digital Compositor |
Suzanne MacLennan | Visual Effects Producer |
Emily Hoi Ying Fung | Visual Effects Technical Director |
Silvia Fusetti | Matte Painter |
James Gaczkowski | Visual Effects Technical Director |
Stephanie Gadsden | Digital Compositor |
Ramiro Galan | VFX Artist |
Stephen A. Gall | Digital Compositor |
Vikas Ganer | Visual Effects Compositor |
Nathan Gardner | Visual Effects Compositor |
Mohamed Ghouse | Visual Effects Compositor |
Martin Gorbea Sanchez | Visual Effects |
Maryna Goretti | Matte Painter |
Tarn Greenlaw | Modeling |
Guillaume Grimberghs | Visual Effects Compositor |
Francesco Grisi | Executive Visual Effects Producer |
Shreyas Gujrati | Digital Compositor |
Robert J. Hall | Digital Compositor |
Jeremy Hampton | Visual Effects Supervisor |
Donghoon Han | Visual Effects Compositor |
Heiðrún Tinna Haraldsdóttir | Digital Compositor |
David Hemphill | Visual Effects Coordinator |
Yasemin Hepguler | Digital Compositor |
Stephanie A. Hernandez | Visual Effects Coordinator |
Max Hicks | VFX Artist |
Kay Hoddy | Rotoscoping Artist |
Andrew Hofman | VFX Artist |
Glen Hombrebueno | Visual Effects Coordinator |
Mike Hsu | VFX Artist |
Vincent Ren Haur Hsu | VFX Artist |
Kimberly Huston | VFX Editor |
Sébastien Jacob | Compositing Artist |
Joni Jacobson | Executive Visual Effects Producer |
Jalal Jemison | Visual Effects Compositor |
Deokmun Jeong | VFX Artist |
Hanjoo Jeong | Visual Effects Technical Director |
Khiew Jit Chun | Modeling |
Kulbhushan Kale | Digital Compositor |
Tomas Kalhous | 2D Supervisor |
Kirill Kalitukha | Digital Compositor |
Sanjeev Kandulna | Compositing Artist |
Bonnie Kanner | Executive Visual Effects Producer |
Vivek Karmarkar | Visual Effects Compositor |
Khitish Shekhar Karua | Rotoscoping Artist |
Emad Khalili | VFX Artist |
Euna Kho | Digital Compositor |
Colton Kirkegaard | Pre-Visualization Supervisor |
Lyubomir Kirkov | Visual Effects Technical Director |
John Kitching | Digital Compositor |
Kristina Krasteva | Matte Painter |
Nicha Kumkeaw | Digital Compositor |
Charles Labbé | Compositing Supervisor |
Daniel Labossiere | Visual Effects Technical Director |
Robin Lamontagne | CG Supervisor |
Marie-Eve Lecours | VFX Artist |
Erik Lehmann | Senior Modeller |
Yuyoung Lim | VFX Artist |
Thomas Sing Wai Lo | Modeling |
Javier Lopez-Duprey | Pre-Visualization Supervisor |
Andrea Lorusso | Visual Effects Technical Director |
Fredrick Lyn | VFX Artist |
Kristina Maevskaya | Visual Effects Technical Director |
Siddharth Malviya | Visual Effects Compositor |
Ron Marelli | Visual Effects Compositor |
Tony Marioni | Digital Compositor |
Aldo Martinez Calzadilla | Modeling |
Luis Martino | VFX Editor |
Kym McCann | Visual Effects Coordinator |
Mike Meaker | Visual Effects Art Director |
Chad Meire | Digital Compositor |
Peter Mercell | Digital Compositor |
Jacob Metcalf | VFX Artist |
Oscar Michell | Rotoscoping Artist |
Jacob Curtis Miller | VFX Artist |
James Milligan | Visual Effects Producer |
Deepika Mistri | Visual Effects Coordinator |
Yann Moalic | Effects Supervisor |
Yan Morin-Dubuisson | Animation |
Hugo R.A. Morris | Visual Effects Producer |
Antonio Mossucca | CG Artist |
Gabriele Motta | Compositing Supervisor |
Ryan E. Murphy | Visual Effects |
Truptesh Naik | Visual Effects Compositor |
Ross Nakamura | Compositing Supervisor |
Encho Nedevski | Compositing Artist |
Joy Nguyen | Visual Effects Coordinator |
Thomas Nittmann | Executive Visual Effects Producer |
Jack Nolan | Visual Effects Coordinator |
Karina Nunes | Visual Effects Production Assistant |
Carlos Oceguera | Animation |
Kerem Ogan | Visual Effects Compositor |
Erdem Ogel | Visual Effects Compositor |
Erik Omar | Digital Compositor |
Constanza Ortega | Visual Effects Compositor |
Anthony Vincent Papillo | Visual Effects Coordinator |
Maxime Parent-Michaud | Visual Effects Production Assistant |
Caitlin Parker | Visual Effects Production Assistant |
Tim Parsons | Visual Effects Compositor |
Yash S. Pathak | VFX Artist |
Emma Pelliciari | Visual Effects Compositor |
Francesco Pepe | Visual Effects Director |
Daniel Perez | 3D Generalist |
Maddalena Perfetti | Animation |
Monika Peulic | Visual Effects Coordinator |
Robert Pik | Compositing Supervisor |
Patrice Poissant | Visual Effects |
James Pollard | Visual Effects Compositor |
Aditya Ponguri | Visual Effects Compositor |
Michael Porterfield | Compositing Supervisor |
Taylor M. Potts | Animation |
Dale Pretorius | Digital Compositor |
Stewart Probert | Visual Effects Production Manager |
Diego Zura Puntaroni | Visual Effects Compositor |
Chris Radcliffe | Modelling Supervisor |
Prashant Raj | Digital Compositor |
Velmurugan Rajamani | Visual Effects Compositor |
Ramachari Murali | Visual Effects Technical Director |
Davee Ramos-San Diego | Digital Compositor |
Ralph Reinle | Compositing Supervisor |
Francesca Restelli | Animation |
Alessandra Restivo | Animation |
Joshua Robertson | Pipeline Technical Director |
Elisabetta Rocca | Visual Effects Producer |
Karl Rogovin | Visual Effects Technical Director |
Vinay Krishan Rohilla | VFX Artist |
Randy Ruan | Compositing Supervisor |
Ron Schab | Visual Effects Technical Director |
Robert Schajer | Visual Effects Producer |
Gerardo Schiavone | Visual Effects Compositor |
William J. Shaw | Rotoscoping Artist |
Federico Sibella | Compositing Artist |
Eric Sibley | Visual Effects Compositor |
John Can Simsek | Matte Painter |
Mykhailo Slavov | Digital Compositor |
Margo Smith | Visual Effects |
Evraam Soliman | Digital Compositor |
Wonchan Song | VFX Artist |
Pamela Souza | Visual Effects Coordinator |
Derek Spears | Visual Effects Supervisor |
Doug Spilatro | VFX Artist |
Jim Steel | Compositing Supervisor |
Matthew Wade Stokes | Visual Effects Coordinator |
Justin Strong | Visual Effects |
Vinay Sudhindran | Animation |
Greg Teegarden | Digital Effects Supervisor |
Shermaine Toh | Digital Compositor |
Imre Toke | Visual Effects Technical Director |
Lachlan Tolley | Visual Effects Compositor |
Joshua Tong | Rotoscoping Artist |
Merten Tremer | Modeling |
Jesse Turnbull | Visual Effects Technical Director |
Ankit Vajpayee | Visual Effects Compositor |
Shevina Valentina | VFX Artist |
Liciani Vargas | Compositing Lead |
Francesco Vassora | Visual Effects Technical Director |
Mathieu Vezina | VFX Artist |
Matthias Villemont | Visual Effects |
Pol Villà Trilla | Visual Effects Technical Director |
Constantin von Zitzewitz | Compositing Lead |
Jacob Wan | Visual Effects Compositor |
Ben Warner | Compositing Supervisor |
Roman Weisgerber | Digital Compositor |
Yan Weitlauff | Visual Effects Technical Director |
Ryan S. Westphal | VFX Editor |
Amy Wetzler | Matte Painter |
Albert Whitemore | Visual Effects Coordinator |
Shane Christopher Wicklund | Digital Compositor |
Dan Wilken | VFX Editor |
Sam Winkler | Visual Effects Compositor |
Hailie Yang | Visual Effects Coordinator |
Kin Yiu | Visual Effects Production Manager |
Natalie Narin Yoo | Rotoscoping Artist |
Hiromu Yoshida | VFX Artist |
Gabrielle Garam You | Rotoscoping Artist |
Riccardo Zoccarato | CG Supervisor |
William B. Lim | VFX Artist |
Roland Torda | Digital Compositor |
Duy Pham | Visual Effects |
Freddie Poole | Stunts |
Paul Story | Animation Supervisor |
Robert Chapin | VFX Artist |
Jaume Collet-Serra | Director |
Bart Mueller | Costume Design |
Kurt Swanson | Costume Design |
Gary Archer | Prosthetics |
Bill Westenhofer | Visual Effects Supervisor |
Harry Cohen | Sound Designer |
Tom Ozanich | Sound Re-Recording Mixer |
Bryan O. Watkins | Sound Effects Editor |
Beat Frutiger | Supervising Art Director |
Rich Delia | Casting |
Joel Harlow | Makeup Department Head |
Adruitha Lee | Hair Department Head, Hair Designer |
Matthew W. Mungle | Prosthetics |
Cassie Russek | Key Hair Stylist |
Greg Rementer | Second Unit Director |
William Groebe | Storyboard Artist |
David Vyle Levy | Conceptual Illustrator |
Frank Casaceli | Propmaker |
Erica Arvold | Location Casting |
Terri Douglas | ADR Voice Casting |
Shayne Hartigan | Extras Casting |
Erin Rose Kelly | Casting Assistant |
Adrienne Wilson | Extras Casting Assistant |
Gabe Hilfer | Music Supervisor |
Kevin Riepl | Additional Music |
David An | VFX Editor |
Jean-Louis Darville | Visual Effects Coordinator |
Kelly Bellini | Stunts |
Deborah Rutherford | Makeup Artist |
Joe Bucaro III | Stunts |
Tanoai Reed | Stunts |
Corrina Roshea Bobb | Stunts |
Jack Kirby | Characters |
Jerry Siegel | Characters |
Kevin Houlihan | Supervising Art Director |
Nicole Marines | Stunts |
Adrienne Ballenger | Stunts |
Jessica Medina | Stunt Double |
Lorne Balfe | Original Music Composer |
Michael Keller | Sound Re-Recording Mixer |
Victor Van De Velde | VFX Artist |
Joe Shuster | Characters |
Susan Tanner | Set Supervisor |
Riki LeCotey | Set Costumer |
Guillem Rovira Vigas | Matte Painter |
Rafael E. Sánchez | Gaffer |
Zhanna Sattsaeva | Stunts |
Lawrence Sher | Director of Photography |
David Charles Warren | Stunt Double |
Michael Placencia | Stunts |
Matt LaBorde | Stunt Double |
Kode Abdo | Concept Artist |
Name | Title |
---|---|
Shelby Thomas | Co-Producer |
Darin Read | Associate Producer |
Dwayne Johnson | Producer |
Scott Sheldon | Executive Producer |
Eric McLeod | Executive Producer |
Chris Pan | Executive Producer |
Adam Schlagman | Executive Producer |
Beau Flynn | Producer |
Jennifer Conroy | Co-Producer |
Jazmyn Tanski | Associate Producer |
Dany Garcia | Producer |
Richard Brener | Executive Producer |
Walter Hamada | Executive Producer |
Geoff Johns | Executive Producer |
Hiram Garcia | Producer |
Dave Neustadter | Executive Producer |
Toby Emmerich | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 146 | 234 | 108 |
2024 | 5 | 174 | 234 | 122 |
2024 | 6 | 128 | 180 | 78 |
2024 | 7 | 105 | 189 | 70 |
2024 | 8 | 106 | 178 | 66 |
2024 | 9 | 77 | 98 | 60 |
2024 | 10 | 97 | 150 | 69 |
2024 | 11 | 86 | 135 | 58 |
2024 | 12 | 81 | 122 | 63 |
2025 | 1 | 107 | 170 | 66 |
2025 | 2 | 58 | 80 | 11 |
2025 | 3 | 19 | 80 | 3 |
2025 | 4 | 16 | 28 | 10 |
2025 | 5 | 14 | 28 | 10 |
2025 | 6 | 12 | 15 | 9 |
2025 | 7 | 10 | 12 | 9 |
2025 | 8 | 10 | 12 | 8 |
2025 | 9 | 11 | 14 | 9 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 206 | 618 |
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2025 | 8 | 67 | 423 |
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2025 | 7 | 96 | 420 |
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2025 | 6 | 153 | 553 |
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2025 | 5 | 80 | 464 |
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2025 | 4 | 146 | 520 |
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2025 | 3 | 193 | 551 |
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2025 | 2 | 195 | 678 |
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2025 | 1 | 239 | 651 |
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2024 | 12 | 119 | 604 |
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2024 | 11 | 219 | 634 |
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2024 | 10 | 326 | 591 |
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2024 | 9 | 331 | 579 |
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2024 | 8 | 205 | 457 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/black-adam-spoiler-free-review "Black Adam is far from impressive, being somewhat disappointing due to its formulaic, predictable screenplay when something different was anticipated. Lorne Balfe's epic score and a magnificent ... cast - Dwayne Johnson, Aldis Hodge, and most remarkably Pierce Brosnan are phenomenal - try to elevate the decent action and visuals, but the moderate entertainment levels don't make up for the dated narrative structure. Tiresomely heavy exposition, story with little to no creativity, and inconsistent humor make it impossible for the DCEU to take "the next step" in a truly impactful manner." Rating: C+
Well it wasn't disappointing... ...
With a horrid script, lackluster performances, and a waste of potentially awesome characters, _Black Adam_ is an explosive, $195 million, anti-heroic dud. The DCEU is about to get way more convoluted and underwhelming than ever before if this is the future of live action DC films. **Full review:* ... * https://hubpages.com/entertainment/Black-Adam-20220-Review-A-Stale-and-Disjointed-Antihero-Kerfuffle
**Black Adam might not reinvent the wheel, but it doesn’t have to. It just wants to take you on a fun, entertaining, exciting superhero ride!** Black Adam has its haters, and I can understand why. It doesn’t necessarily break new ground in the superhero genre, but that doesn’t stop it from being ... awesome! Action-packed from start to finish. The effects are incredible. I kept myself from saying Wow out loud on multiple occasions. Dwayne Johnson’s Black Adam is absolutely ruthless, ripping armies of henchmen with ease and speed. I was worried a PG-13 rating might soften his brutality, but it did not! The action sequences looked amazing and were well done. I really liked the Justice Society characters, although they all felt a little stereotypical with a SpiderMan jokester, a wise old Professor X, and a quipping leader in the vain of Wolverine or Deadshot. Pierce Brosnan was perfect at Dr. Fate, making me wish he hadn’t been relegated to special guest star status. The movie didn’t waste a ton of time giving background on each character which was wise with so many new heroes on screen. The film had its moments of cheese but didn’t overdo it. Definitely watch the mid-credit scene. It’s stupendous! Black Adam was a fine addition to the superhero genre, and I look forward to what comes next.
> _"My powers are not a gift. They're a curse, born out of rage."_ I had a blast watching this in theaters. This was very bombastic, with a lot of cool action, but also telling a heartfelt story about Black Adam. It was very inventive how they depicted Black Adam's origin, keeping it a mystery ... up near the end. Dwayne Johnson was born to play Black Adam. He steals every scene he's in playing a badass anto-hero. Now the Justice Society, while they didn't have a backstory in the film, they each had prequel comics detailing their backstory. Which I really dig, these comics are meant to sell comics, after all. Might as well get the audience to buy the comics to get into some great stories (they are also currently doing this with The Flash). The movie actually starts right where the Doctor Fate prequel comic ends, so I don't think it's apographa. Doctor Fate played by Pierce Brosnan was a standout. He really put his all into this character. Aldis Hodge was also a standout as Hawkman. The surprise villain of Black Adam, Sabbac, was a really good addition to the Shazam! mythos. If the wizards have their own champion, why doesn't the seven deadly sins have one? Sabbac is the answer to that. Doctor Fate's battle with him was really cool. Overall, this wasn't as bad as the critics were saying, I had a fun time! Be sure to stay for the mid-credits scene!
cool movie ...
In search of the all powerful crown of "Sabbac", "Adrianna" (Sarah Shahi) unleashes "Seth-Adam" (Dwayne Johnson) from his mountain-encased tomb deep in the desert. With super-human powers akin to "Superman", he returns to his home city of "Kahndaq" which is under the control of the "Intergangs". Wil ... l he decide to help her and her son "Amon" (Bodhi Sabongui) free them from this criminal tyranny? Well what nobody had counted on are the folks from the Justice League/Brotherhood/Department - led by "Hawkman" (Aldis Hodge) and "Dr. Fate" (Pierce Brosnan) who have decided that "Adam" is a bit of an wrong-un and so bring their state-of-the-art rocket ship as well as the "Atom Smasher" (Noah Centineo) and "Cyclone" (Quintessa Swindell) to capture or destroy him. Thing is, "Adam" is the stuff of legend to these people - reputedly having defeated an ancient despotic king - but is/was he all that he seemed? Is he good or evil or both? Well, to be honest I didn't really care. This is a very well produced and technically superb creative effort, but the story is all over the place and the repetitive combat scenes just grate after a while. Johnson has charisma, we have seen it loads of times, but here he exudes none. Hodge looks great in his winged-suit but again, his character is as deep as an Ethiopian river in July. Centineo has some fun as the giant - more than a passing resemblance to Mark Ruffalo, don't you think? Otherwise the rest of this is about as derivative as it comes. Hopefully this is just a one-off, as this is nobody's finest work and is up there with "Morbius" as a superhero film too many!
_Black Adam_ is in every aspect a generic superhero movie. There is nothing that really separates this for me, besides the body count that Black Adam stacks up during the film. One thing I need to mention is the audio quality. So many lines of dialogue sound like they were recorded straight off f ... rom a cell phone. They do not match the scene at all and it was incredibly jarring throughout the entirety of the film. While I am talking about sound, in almost every fight scene the film included a badass rap song. It was cool the first time, but it got old and corny fast. The plot was very generic from all aspects. It suffers by trying to catch the audience up in the first act. The film introduces the Justice Society and Black Adam and quickly accelerates the plot to start the main conflict of the film. It felt rushed and the conflict between the JSA and Black Adam was forced, nothing about it felt genuine. The villian in this movie was so forgettable, by the time he is introduced the conflict is over. I had zero emotional attachment to anyone in this movie. The dialogue was pretty bad as well, the scenes constantly switched from serious to comedy causing both aspects to fall flat for me. The performances were okay, everyone was pretty average including Dwayne Johnson. Nothing spectacular and nothing bad enough for me to notice. Overall, I was excited for this new phase and direction of the DCEU and was left disappointed. Definitely one of the poorer movies in the franchise. **Score:** _48%_ | **Verdict:** _Average_
Best DC Movie ever !!! ...
Very Good Movie ...
In all honesty, I was anticipating the same old rubbish. Neither the teaser nor the people involved left me feeling optimistic. To my surprise, I got a rather well-crafted superhero film that, despite its imperfections, is still superior to the vast bulk of its genre’s offerings in recent years. Com ... ing from the DCEU, which has produced some of the most inconsistent content in recent memory, and starring Dwayne Johnson as the lead, who, apart from his charm and muscular physique, isn’t exactly known for his acting talents. In many respects, “Black Adam” had more going against it than for it. Nevertheless, thanks to director Jaume Collet-Serra, writers Adam Sztykiel, Rory Haines, and Sohrab Noshirvani, and a supporting ensemble that makes the most out of a script that is at best passable, “Black Adam” manages to stand out from the recent run of lacklustre comic book films. It manages to establish a broader universe without appearing forced while introducing some new concepts to the genre. “Black Adam’s” most distinctive characteristic is the way it refuses to settle for any clear-cut morality. It all adds up to a film that succeeds more often than not. In 2019, when the Infinity Saga ended, you couldn’t have convinced me that I’d be more interested in the DCEU than the Marvel Cinematic Universe. But fast-forward three years, and that is precisely what has happened; DCEU has produced some good content during that time (Zack Snyder’s Justice League, The Suicide Squad, Peacemaker). The future seems bright for the DCEU! ___ Rating: 6.9/10 (Good, It Gets the Job Done, Slightly Flawed)
I enjoyed the action mainly sometimes the shotty CGI took me out of it. Very surprised that a triple A title in this age would have subpar CGI at times. The story was ok, but most of the dialog was poorly written. Especially with 5he scenes the boy was in. On the tech side the video is crispy clear. ... Just gorgeous. And the audio is also great. There is a lot going on.
"Its alright." I know, its hardly a resounding endorsement but Black Adam, is just that. To be fair the super human genre is pretty formulaic by its very nature. Its simplistic narrative and story telling, often with a very pro American, globalist message, as is the case here, does not resonate t ... erribly well with a sophisticated, mature audience. So rather than pick on its predictable shortcoming's let's look at what it does do well. Firstly, I think the choice of Dwayne Johnson as the lead , is a good one. Usually associated with nice guys roles, its interesting to see him cast as someone flawed, with a darker, personality. His physicality plays well here, too. He's intimidating physically, with a strong presence that fits well with this brooding, ominous, characterisation. The action that runs the length of this film is well paced and visually spectacular, if a little repetitive. This is not a boring film, if you are in the mood for lightweight, action fare. Special effects, are unsurprisingly, of a high standard too and do breathe a little extra life, into this production. In summary, you know what you are getting when you watch these US made super human flicks. Its lightweight action fare, with a pro US, globalist message. That said, there's enough on offer here to make it mildly entertaining, nonetheless.
The worst ever movie I've ever seen. ...
Black Adam feels dated. And not like it came out at the dawn of superhero movies. Before that. Like it came out during TMNT II: Secrets of the Ooze. ...
Much watch movie :) ...
Okay movie that suffers from similar issues to other DC movies, in that it wants takes shortcuts with character development and, in the case of one character, their sacrifice feels hollow as we barely get to know them. In addition, the fight scenes, being rendered either against a green screen or v ... ia CGI, lacks any punch and thus suspense. On the plus side, I guess Dwayne Johnson was decent and as a whole it's a watchable superhero action-thriller but I doubt I'd ever revisit, and the little kernels of the now defunct DECU feel pointless, including the mid-credit cameo. **3.0/5**
it wasnt bad , thats good ...
OK, this isn't a bad movie. But, it as a bit much CGI (like everything else nowadays) and I think modern audiences are getting tired of paying out the wazoo to basically watch a video game. And then the narration. The voice is too young and though it does make sense with the plot, it is jar ... ring because basic tradition is that narrations have an older and wiser voice... Morgan Freeman, Spock, etc. So that is going to instantly set the radiance off. And then the Snyderverse is over. Period. They made no illusions about that, we have known it was over for years, there was even a massive backlash about his cut of Justice League because it was given the fans what they wanted and thus bad... because politics and politics have declared that people that are enthusiastic about anything that isn't left wing politics are evil. Because the world has gone insane. But the greater point is that people already don't care. They not only already don't care, but they were sort of told not to by the very people that made the movie. It's world is over. This world ended before it was released. Which, sucks, because Shazam was my favorite to come out of the DCEU. People aren't going to care. They aren't going to watch it and when they do it's going to come with disdain. But as far as a Superhero movie goes... come on, you're not really getting much. They aren't Chinatown, they are just popcorn munchers and nothing more, and that isn't bad. But let's call it what it is. Unless they are political like the MCU, they are just mindless action and gags. And if they are political like the MCU, they sort of stink. This is relatively politics free. It's high on adventure and so-so on action (see the above CGI comment) so you have a decent film for the genre. It just should have come out before they declared the universe dead.
The rock looks best in this movie. with his gleamingaura look. ...