My First Mister
Mismatched. Misguided. Unmistakably friends.
2001 | 109m | English
Popularity: 1 (history)
| Director: | Christine Lahti |
|---|---|
| Writer: | Jill Franklyn |
| Staring: |
| Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever. | |
| Release Date: | Oct 12, 2001 |
|---|---|
| Director: | Christine Lahti |
| Writer: | Jill Franklyn |
| Genres: | Comedy, Drama, Romance |
| Keywords | high school, friends, misfit, teenage girl, older man younger woman relationship, rebellious youth, gothic, opposites, divorced parents, woman director |
| Production Companies | Film Roman, ApolloMedia, Total Film Group, Firelight Films, Paramount Classics |
| Box Office |
Revenue: $595,005
Budget: $5,250,000 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Albert Brooks | Randall ("R") |
| Leelee Sobieski | Jennifer ("J") |
| Desmond Harrington | Randy |
| Carol Kane | Mrs. Benson |
| Mary Kay Place | Patty (Nurse) |
| Michael McKean | Bob |
| Rutanya Alda | Woman at Apartment |
| Natasha Braisewell | Girl in Vintage |
| Henry Brown | Jack Taylor (Salesman) |
| Gary Bullock | Mr. Smithman |
| Kevin Cooney | Doctor |
| Nic Costa | Blaine (Surfer Boy) |
| William Forward | Customer |
| John Goodman | Benjamin |
| Shawn Huff | Woman at R's Store |
| Chadwick Palmatier | Manager |
| Pauley Perrette | Bebe |
| Lisa Jane Persky | Sheila |
| Katee Sackhoff | Ashley |
| Lorna Scott | Woman in Store |
| Matthew St. Clair | Kevin |
| Chris Wylde | Waiter (Coffee House) |
| Joan Blair | Sauna Woman (uncredited) |
| Rainbow Underhill | Goth Girl (uncredited) |
| Name | Job |
|---|---|
| Christine Lahti | Director |
| Jill Franklyn | Writer |
| Cathy Sandrich Gelfond | Casting |
| Amanda Mackey | Casting |
| Kathe Klopp | Set Decoration |
| Wendy Greene Bricmont | Editor |
| Jeffrey Jur | Director of Photography |
| Roger Joseph Pugliese | Line Producer |
| Gary Kosko | Art Direction |
| Dan Bishop | Production Design |
| Steve Porcaro | Original Music Composer |
| Giovani Lampassi | Gaffer |
| Name | Title |
|---|---|
| Carol Baum | Producer |
| Jane Goldenring | Producer |
| Anne Kurtzman | Producer |
| Mitchell Solomon | Producer |
| Jon F. Vein | Co-Executive Producer |
| Margit Bimler | Executive Producer |
| Gerald Green | Executive Producer |
| Frank Hübner | Co-Producer |
| Sukee Chew | Producer |
| Robert Kurtzman | Co-Executive Producer |
| Howard Rosenman | Co-Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 8 | 10 | 5 |
| 2024 | 5 | 10 | 18 | 6 |
| 2024 | 6 | 7 | 15 | 4 |
| 2024 | 7 | 10 | 19 | 5 |
| 2024 | 8 | 7 | 13 | 3 |
| 2024 | 9 | 7 | 11 | 4 |
| 2024 | 10 | 6 | 12 | 3 |
| 2024 | 11 | 6 | 14 | 3 |
| 2024 | 12 | 5 | 13 | 3 |
| 2025 | 1 | 6 | 12 | 3 |
| 2025 | 2 | 5 | 8 | 2 |
| 2025 | 3 | 4 | 8 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 2 | 1 |
| 2025 | 11 | 4 | 8 | 0 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 2 | 6 | 0 |
| 2026 | 2 | 2 | 6 | 0 |
Trending Position
**_Love is key to let down the mask and unite_** An alienated 17 years-old girl hiding behind piercings (Leelee Sobieski) applies for a job at a swank clothing store in a Los Angeles mall and starts an interesting relationship with the 49 years-old manager (Albert Brooks). But what’s the nature o ... f their connection? The curiously titled "My First Mister" (2001) was Christine Lahti’s only directorial effort, as far as feature films go. It treads similar terrain as “Lawn Dogs” from four years earlier and does it better. Like that film, a few scenes come across a little awkward or unconvincing but, for the most part, it works and is more effective by comparison. The best of these types of movies, of course, is “Lost in Translation,” which came out two years later. Someone might balk that “Lost” takes a different direction and that’s obvious, but it doesn’t change the fact that these flicks tackle similar themes. They explore the nature of a profound connection between members of the opposite sex from different generations. Is it a spiritual connection in the sense of father/daughter or is it a romantic connection? If it’s the former, does that automatically omit any and all feelings of the latter? Needless to say, love is a powerful emotion and when a ‘love connection’ takes place, the participants have to be careful to channel such potent feelings in a positive direction. Otherwise, great destruction can occur. Be wise, my son; be careful, my daughter; and wonderful things can occur. As the proverb says, “Let love and faithfulness never leave you; bind them around your neck, write them on the tablet of your heart.” It runs 1 hour, 49 minutes, and was shot in the Los Angeles area, including Westfield Century City (mall), Venice and Santa Clarita. GRADE: B