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Ghost World Poster

Ghost World

Accentuate the negative.
2001 | 111m | English

(131292 votes)

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Popularity: 1 (history)

Details

Two quirky, cynical teenaged girls try to figure out what to do with their lives after high school graduation. After they play a prank on an eccentric, middle aged record collector, one of them befriends him, which causes a rift in the girls’ friendship.
Release Date: Jul 20, 2001
Director: Terry Zwigoff
Writer: Daniel Clowes, Terry Zwigoff
Genres: Comedy, Drama
Keywords female friendship, based on comic, high school graduation, best friend, high school friends, cynical, social outcast, art class, record collector, plaster, personal ad, blues music, nunchaku, prank telephone call, aftercreditsstinger, depressing
Production Companies Granada Productions, Capitol Films, Mr. Mudd, Jersey Shore, Advanced Medien
Box Office Revenue: $8,800,000
Budget: $7,000,000
Updates Updated: Dec 14, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Thora Birch Enid
Scarlett Johansson Rebecca
Steve Buscemi Seymour
Brad Renfro Josh
Illeana Douglas Roberta Allsworth
Bob Balaban Enid's Dad
Stacey Travis Dana
Charles C. Stevenson Jr. Norman
Dave Sheridan Doug
Tom McGowan Joe
Debra Azar Melora
Brian George Sidewinder Boss
Pat Healy John Ellis
Rini Bell Graduation Speaker
T.J. Thyne Todd
Ezra Buzzington Weird Al
Lindsey Girardot Vanilla
Joy Bisco Jade
Venus DeMilo Thomas Ebony
Ashley Peldon Margaret
Chachi Pittman Phillip
Janece Jordan Black Girl
Kaileigh Brielle Martin Snotty Girl
Alexander Fors Hippy Boy
Marc Vann Angry Guy (Jerome)
James Sie Asian Guy (Steven)
Paul Keith Fussy Guy (Paul)
David Cross Pushy Guy (Gerrold)
J.J. 'Bad Boy' Jones Fred Chatman
Dylan Jones Red-Haired Girl
Martin Grey M.C.
Steve Pierson Blueshammer Member
Jake La Botz Blueshammer Member
Johnny Irion Blueshammer Member
Nate Wood Blueshammer Member
Charles Schneider Joey McCobb
Sid Hillman Zine-O-Phobia Creep
Joshua Wheeler Zine-O-Phobia Creep
Patrick Fischler Masterpiece Video Clerk
Daniel Graves Masterpiece Video Customer
Matt Doherty Masterpiece Video Employee
Joel Michaely Porno Cashier
Debi Derryberry Rude Coffee Customer
Joseph Sikora Reggae Fan
Brett Gilbert Alien Autopsy Guy
Alex Solowitz Cineplex Manager
Tony Ketcham Alcoholic Customer
Mary Bogue Popcorn Customer
Brian Jacobs Soda Customer
Patrick Yonally Garage Sale Hipster
Lauren Bowles Angry Garage Sale Woman
Lorna Scott Phyllis, the Art Show Curator
Jeff Murray Roberta's Colleague
Jerry Rector Dana's Co-Worker
John Bunnell Seymour's Boss
Diane Salinger Psychiatrist
Anna Berger Seymour's Mother
Bruce Glover Feldman (Wheelchair Guy)
Teri Garr Maxine (uncredited)
Danny Allen Adult Store Customer (uncredited)
Joan Blair Lady Slowly Crossing Street (uncredited)
Michelle McGinty Mom in Convenience Store (uncredited)
Will Forte (uncredited)
Name Job
Michael R. Miller Editor
Daniel Clowes Comic Book, Screenplay
Mary Zophres Costume Design
Alan E. Muraoka Art Direction
Charles Croughwell Stunt Coordinator
John Branagan Stunts
Kaylin Frank Music Supervisor
Tracy Bennett Still Photographer
Edward T. McAvoy Production Design
Barbara A. Hall Line Producer
Lisa Fischer Set Decoration
Ronit Ravich-Boss Script Supervisor
Dawn Massaro Second Assistant Director
Sara Scarritt Production Coordinator
William Paul Clark First Assistant Director
Toby Tucker Camera Loader
Robert Hoffman Post Production Supervisor
Michael Levine Camera Operator
Tad Driscoll Unit Production Manager
Nino Neuboeck First Assistant Camera
Susie Balaban Second Second Assistant Director
James Babineaux Best Boy Electric
Rico Priem Grip
Jack English Chief Lighting Technician
Gerard Averill Location Manager
Chris Thornton Best Boy Grip
Rick Guertin Grip
David Nims Key Grip
Edmondo Sepulveda Dolly Grip
Leo Behar Grip
James Ryder Makeup Department Head
Kris Fuller Set Dresser
Vincent Luizzi Set Dresser
John Rankin Set Dresser
Robert Lee Robinson Set Dresser
Al Magliochetti Visual Effects Supervisor
David Franklin Bergad Supervising Sound Editor
Piotr Filipowski Sound Effects Editor
Lawrence L. Commans Boom Operator
John Nutt Supervising Sound Editor
Sophie Crumb Thanks
Terry Zwigoff Director, Screenplay
Affonso Beato Director of Photography
Carole Kravetz Aykanian Editor
David Parker Sound Re-Recording Mixer
Mark Weingarten Sound
Robert Crumb Thanks
David Kitay Original Music Composer
Felipe Reinheimer Second Assistant Camera
Michael Boustead Music Editor
Chris McGeary Music Editor
Cassandra Kulukundis Casting
Name Title
Pippa Cross Executive Producer
Lianne Halfon Producer
Russell Smith Producer
Janette Day Executive Producer
John Malkovich Producer
Organization Category Person
BAFTA Awards Best Supporting Actor Steve Buscemi Nominated
Spirit Awards Best Supporting Actor Steve Buscemi Nominated
Spirit Awards Best Supporting Actress Toni Collette Won
Sundance Film Festival Best Supporting Actress Toni Collette Won
Sundance Film Festival Best Supporting Actress Tara Reid Won
Popularity Metrics

Popularity History


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Reviews

Geronimo1967
6.0

Despite some decent efforts on display here, I couldn’t help but think I’d seen it all before. It’s school friends “Enid” (Thora Birch) and “Rebecca” (Scarlet Johansson) who have just finished school and have, hitherto at any rate, been determined to live together whilst they abandon education and g ... et jobs. It’s fair to say that these two women are a bit on the periphery of their community. “Enid”, especially, with her blue hair and punk affections fancies herself as a bit of an artist and has disdain for just about everyone else. To alleviate their boredom, they answer an ad in a lonely hearts type column and encounter the rather sad character that is “Seymour” (Steve Buscemi) to whom neither take much of an instant shine, but with whom “Enid” begins to become friends - without acknowledging that it was them who not only replied to his advert, but who also left him high and dry once they had seen what he looked like on their supposed date. With this friendship taking an unpredictable path and “Enid” gradually managing to distance herself from just about everyone else, it might be too late when she eventually realises the short-sightedness of her ways. At times this is quite a quirky and wittily written coming-of-age drama, but I couldn’t find enough from any of the characters here to care about. We were all selfish and opinionated at that age, with little respect for anything that didn’t meet our (not very exacting) standards, but that doesn’t necessarily make for engaging storytelling. The production seems overly designed to exacerbate the issues from their largely self-inflicted problems and poor life choices, and though Buscemi comes across as quite natural with his portrayal of a nerdy character I felt this film strived to make the bleeding obvious a more pedestrian tale of teen angst than create anything fresh or innovative. Maybe I am just too old, but this didn’t do much for me, sorry.

Feb 19, 2025
Wuchak
7.0

**_When the fun ‘n’ games of high school are over_** When two Millennials (Thora Birch and Scarlett Johannson) graduate, they find themselves facing adult questions of making a living, finding a place to live, acquiring a romantic partner and the possibility of college. They make fun of an eccent ... ric, lonely bachelor (Steve Buscemi), but one of them is intrigued and starts a relationship with him under the pretense of finding him a girlfriend. “Ghost World” (2001) is a drama that starts out quirky and fun, but takes a sobering turn in the second half. It was helmed by the director of the heralded “Crumb” and retains some residue from that documentary. Beyond the amusing bits, it can be interpreted as a scary portrayal of Millennial failure to adjust to capitalism; and possibly an omen for the entire generation. Based on the late 90s’ graphic novel, it’s essentially a meshing of “The World of Henry Orient” from the early 60s with films like “Lawn Dogs” from four years prior and the contemporaneous “My First Mister,” the latter two focusing on young females connecting with older men. What’s the nature of such relationships? Is it simply friendship that transcends the generation gap? A spiritual father/spiritual daughter thang? Or is there a romantic element? All of these movies, as well as the later “Lost in Translation,” explore these questions and reveal that there’s a thin line between them. “Lost” is easily the best o’ the bunch while this flick would place second IMHO. “Lawn Dogs” is worthwhile, but hindered by awkward and unconvincing scenes while “My First Mister” is much better, yet also hampered by a couple iffy scenes. “Ghost World,” by contrast, is never unconvincing; and it addresses the heavy issues of life. Be forewarned, though, many will find the drama tedious. While the ending is left open, it’s a mistake to interpret it in a tragic way, which has become the predominant theory (rejected by the director and writer). The person in question sees a 'miracle': A bus is patiently waited for by a certain character, which she cynically believes is never going to manifest. When it does, she learns faith, hope and perseverance. Then she proceeds forth into the great unknown. It runs 1 hour, 51 minutes, and was shot in Los Angeles (and nearby Santa Clarita to the northwest). GRADE: B

Sep 24, 2025