Popularity: 24 (history)
Director: | Sam Taylor-Johnson |
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Writer: | E.L. James, Kelly Marcel |
Staring: |
When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair -- and learns that Christian's true sexual proclivities push the boundaries of pain and pleasure. | |
Release Date: | Feb 11, 2015 |
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Director: | Sam Taylor-Johnson |
Writer: | E.L. James, Kelly Marcel |
Genres: | Drama, Romance, Thriller |
Keywords | based on novel or book, eroticism, bad smell, perversion, spanking, billionaire, rich, bdsm, woman director, baffled |
Production Companies | Universal Pictures, Trigger Street Productions, Focus Features, Michael De Luca Productions |
Box Office |
Revenue: $569,651,467
Budget: $40,000,000 |
Updates |
Updated: Jun 18, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Dakota Johnson | Anastasia Steele |
Jamie Dornan | Christian Grey |
Jennifer Ehle | Carla |
Eloise Mumford | Kate |
Victor Rasuk | José |
Luke Grimes | Elliot Grey |
Marcia Gay Harden | Dr. Grey |
Rita Ora | Mia Grey |
Max Martini | Taylor |
Callum Keith Rennie | Ray |
Andrew Airlie | Mr. Grey |
Dylan Neal | Bob |
Elliat Albrecht | Olivia |
Rachel Skarsten | Andrea |
Emily Fonda | Martina |
Anthony Konechny | Paul Clayton |
Bruce Dawson | Mr. Clayton |
Tom Butler | WSU University President |
Christine Willes | WSU Grad Speaker / Reader |
Chris Shields | WSU Professor |
Anna Louise Sargeant | Female Grad |
Megan Danso | Female Grad |
Jason Cermak | Graduation Photographer |
Brent McLaren | Computer Technician |
Steven Cree Molison | Glider Tow Pilot |
Elise Gatien | Young Woman at Bar |
Reese Alexander | Elevator Business Man |
David Orth | Savannah Hotel Waiter |
Julia Dominczak | Pig-Tailed Blonde Server |
Brandi Alexander | Flight Attendant |
Raj Lal | Elevator Businessman (uncredited) |
Matthew Hoglie | Graduate (uncredited) |
Name | Job |
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James Forrester | Production Office Assistant |
Louis Phillips | Executive In Charge Of Production |
Debra Neil-Fisher | Editor |
Lisa Gunning | Editor |
Terry Porter | Sound Re-Recording Mixer |
Kelly Oxford | Supervising Sound Editor |
Becky Sullivan | Supervising Sound Editor |
Dana Sano | Music Supervisor |
Angie Rubin | Music Editor |
Bill Abbott | Music Editor |
Sandy Walker | Set Decoration |
Chuck Zlotnick | Still Photographer |
Michael Hilow | Stunt Coordinator |
Barbara Inglehart | Costume Supervisor |
Laurel Bergman | Art Direction |
Tom Reta | Supervising Art Director |
Michael Diner | Supervising Art Director |
Mark N. Tompkins | Painter |
Peter Kohn | First Assistant Director |
David Arnold | Second Assistant Director |
Bret Kiene | Stunts |
Cara Brower | Assistant Art Director |
C. Scott Baker | Set Designer |
Patrick Dunn-Baker | Set Designer |
Geoff Wallace | Set Designer |
Tina Charad | Graphic Designer |
Roger Fires | Graphic Designer |
Eliza Hooker | Set Dresser |
Elena Dresser | Set Dresser |
Dan Sissons | Property Master |
David Crone | Steadicam Operator |
David Kurvers | Digital Imaging Technician |
Mark Noda | Production Sound Mixer |
Kurtis Reeves | Costume Coordinator |
Ivan Lehner | Set Costumer |
Victoria Down | Key Makeup Artist |
Vanessa Giles | Assistant Makeup Artist |
Sanna Seppanen | Key Hair Stylist |
Danna Rutherford | Key Hair Stylist |
Codey Blair | First Assistant Hairstylist |
Stuart Haggerty | Gaffer |
Niall Fraser | Best Boy Electric |
Sean Oxenbury | Rigging Gaffer |
Mike Kirilenko | Key Grip |
Drew David | Best Boy Grip |
Russell Hawkes | Dolly Grip |
Bryce Munro | Key Rigging Grip |
James Kohne | Grip |
Kirk Johns | Location Manager |
W. Robert Millar | Assistant Location Manager |
Elaine Fleming | Production Coordinator |
Cheryl Kurk | Production Accountant |
Brenda McClellan | Payroll Accountant |
Diana Ascher | Post Production Accountant |
Lara Sargent | Post Production Accountant |
Graham Stumpf | Post Production Supervisor |
David S. Clark | First Assistant Editor |
David Marks | First Assistant Editor |
Julian Andraus | VFX Editor |
Karen Vassar Triest | Sound Designer |
Laura Harris Atkinson | Dialogue Editor |
Darren Sunny Warkentin | Foley Editor |
Gayle Wesley | First Assistant Sound Editor |
Thomas J. O'Connell | ADR Mixer |
Tami Treadwell | ADR Mixer |
Roger Morris | ADR Mixer |
Bill Higley | ADR Mixer |
Ryan Young | ADR Recordist |
Alex Burdett | Special Effects Coordinator |
Andrea Brown | Extras Casting |
Guy Adan | Unit Publicist |
Jess Platt | Dialect Coach |
Doug Hardwick | Construction Coordinator |
Larry Tardif | Transportation Co-Captain |
Steve Wright | Aerial Coordinator |
Hans Bjerno | Aerial Director of Photography |
Libby Umstead | Music Coordinator |
James Wright | Dolby Consultant |
Roger Vernon | Second Unit Director of Photography |
Mark Curtis | Visual Effects Supervisor |
Bryan Litson | CG Supervisor |
Sam Taylor-Johnson | Director |
E.L. James | Novel |
Kelly Marcel | Screenplay |
Anne V. Coates | Editor |
Seamus McGarvey | Director of Photography |
Francine Maisler | Casting |
Danny Elfman | Original Music Composer |
David Wasco | Production Design |
Mark Bridges | Costume Design |
Kerry Lyn McKissick | Script Supervisor |
Anna Behlmer | Sound Re-Recording Mixer |
Sandy Reynolds-Wasco | Set Decoration |
Melissa R. Stubbs | Stunt Coordinator, Stunts |
David Jobe | Foley Mixer |
Alicia Stevenson | Foley Artist |
Doc Kane | ADR Mixer |
Mark DeSimone | ADR Mixer |
Mike McLeod | Construction Foreman |
David Buckley | Additional Music |
Jason Bell | Utility Stunts |
Ellie Goulding | Original Music Composer |
Lee Gibeau | Dolly Grip |
Michelle Hunter | Assistant Costume Designer |
Name | Title |
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Michael De Luca | Producer |
E.L. James | Producer |
Dana Brunetti | Producer |
Marcus Viscidi | Executive Producer |
Jeb Brody | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 128 | 154 | 105 |
2024 | 5 | 120 | 139 | 95 |
2024 | 6 | 128 | 163 | 93 |
2024 | 7 | 147 | 200 | 121 |
2024 | 8 | 145 | 218 | 113 |
2024 | 9 | 127 | 166 | 105 |
2024 | 10 | 223 | 380 | 121 |
2024 | 11 | 156 | 206 | 122 |
2024 | 12 | 180 | 225 | 152 |
2025 | 1 | 175 | 198 | 143 |
2025 | 2 | 150 | 191 | 30 |
2025 | 3 | 34 | 155 | 3 |
2025 | 4 | 22 | 25 | 19 |
2025 | 5 | 22 | 26 | 18 |
2025 | 6 | 24 | 28 | 18 |
2025 | 7 | 24 | 29 | 20 |
2025 | 8 | 25 | 27 | 24 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 205 | 453 |
Year | Month | High | Avg |
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2025 | 7 | 146 | 566 |
Year | Month | High | Avg |
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2025 | 6 | 75 | 547 |
Year | Month | High | Avg |
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2025 | 5 | 228 | 578 |
Year | Month | High | Avg |
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2025 | 4 | 174 | 621 |
Year | Month | High | Avg |
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2025 | 3 | 239 | 639 |
Year | Month | High | Avg |
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2025 | 2 | 294 | 633 |
Year | Month | High | Avg |
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2025 | 1 | 210 | 624 |
Year | Month | High | Avg |
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2024 | 12 | 247 | 698 |
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2024 | 11 | 121 | 652 |
Year | Month | High | Avg |
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2024 | 10 | 466 | 717 |
Year | Month | High | Avg |
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2024 | 9 | 345 | 703 |
Year | Month | High | Avg |
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2024 | 8 | 290 | 712 |
Honestly, it has been a long time since I've watched such a bad movie. The script is just ... stupid and the dialogues even worse. The characters are not believable. I mean, when you watch Twilight, you just swallow the whole thing because it is fantasy and ... OK, it is just a stupid vampires st ... ory but, this is just toooooooo bad. I've not read the book but I suspect the fail is not just in the movie but that it is adapting something that is already bad from the beginning. The worst is that I kind of liked Dornan in his role in Fallen but this movie has made me realize what a short range of performing resources he has. Dakota Johnson is not too bad, though. The acting is OK, it is just that you hate such an stupid character. One more to my very narrow list of movies in which I have seriously thought stop watching by the middle of it. I wasted the second hour too, though.
My fiance is a big fan of the movies...and I only mention that because she is worse than me when it comes to sniffing out mainstream erotica. So, you know, totally hit her radar. On my end, I brought the book at LAX one night to read on a layover, and I stopped when Grey picked up his phone to ca ... ll for a helicopter and started using trucker jargon. "Breaker, breaker, two-nine..." NO! Not reading any more! I honestly didn't even want to watch the movie after encountering that. However, let's be honest, you aren't sitting down to watch the film because of dialogue or plot. You're watching it because of sex. And, out of all the movies, this one actually delivers the most on it. AND, unlike all the sequels, it doesn't claim to be about anything else. It advertises itself as a movie about kinky sex and it delivers as being a movie about kinky sex. So ten stars. It is exactly what it claims to be and delivers on that.
Now I never read the book, and the DVD of this has been sitting in a box for years until recently when, discovering it did actually get both an Oscar and a Grammy nomination, I thought I would give it a go. It's all about "Anastasia" (Dakota Johnson) who goes to interview hunky gazillionaire "Christ ... ian" (Jamie Dornan) in his plush office. A bit of flirting ensues as he makes it quite clear that he is interested - but boy, is she in for a surprise when she discovers that all belts and braces does actually having another meaning (as does butt-plug!). What now follows is, I felt, a really tame exercise in soft porn that is about as sexy as putting out the wheelie bin. Dornan is very easy on the eye, but otherwise we are all subjected to a dull, ploddingly produced series of poorly lit scenes that drag on interminably. There's no point evaluating the acting nor the script, they don't matter. This is just a poor attempt to entertain or shock or both that does neither, remotely. Titillatingly tantalising? Nah - just dull. Nice helicopter but the song didn't win either award.
<em>'Fifty Shades of Grey'</em> is exactly what I expected it to be. I was hoping it wouldn't be too cringey, but it most certainly is just that. In total fairness, it's not one I'd class as it being awfully bad, though that's only thanks to the two leads and the (now well known) music. There is ... enough chemistry between Dakota Johnson and Jamie Dornan, they are good actors so are able to alleviate the many mundane moments. The only issue I hold for either is Dornan's accent. I know him and his Northern Irish voice, so the American chatter took me out a bit. Of course this is a movie largely about the sex, I guess parts of which are OK but too much made me cringe or raise my red flag (as intended for the latter, I hope). The run time should've been trimmed, it does feel like the characters go in circles for large periods - 90min movie all day. The music is solid, to be fair. Admittedly I already knew and liked the songs from Ellie Goulding and The Weeknd, nice to link them to the movie that made them though. So all in all, not for me. I am curious to see how they managed to stretch this out for a trilogy, mind you.