Popularity: 9 (history)
Director: | James Foley |
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Writer: | E.L. James, Niall Leonard |
Staring: |
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together. | |
Release Date: | Feb 08, 2017 |
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Director: | James Foley |
Writer: | E.L. James, Niall Leonard |
Genres: | Drama, Romance |
Keywords | based on novel or book, eroticism, sequel, dreary, boat, kiss, bdsm |
Production Companies | Universal Pictures, dentsu, Fuji Television Network, Michael De Luca Productions, Perfect World Pictures |
Box Office |
Revenue: $381,545,846
Budget: $55,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Dakota Johnson | Anastasia Steele |
Jamie Dornan | Christian Grey |
Eric Johnson | Jack Hyde |
Eloise Mumford | Kate Kavanagh |
Bella Heathcote | Leila |
Rita Ora | Mia Grey |
Jennifer Ehle | Carla |
Luke Grimes | Elliot Grey |
Victor Rasuk | José |
Max Martini | Taylor |
Bruce Altman | Jerry Roach |
Kim Basinger | Elena Lincoln |
Marcia Gay Harden | Grace Trevelyan Grey |
Andrew Airlie | Carrick Grey |
Robinne Lee | Ros Bailey |
Amy Price-Francis | Liz |
Fay Masterson | Mrs. Jones |
Dylan Neal | Bob |
Ryker Brown | 4-Year-Old-Christian |
Logan Brown | 4-Year Old Christian |
John Callander | Pimp |
Carmen Dollard | Christian's Birth Mom |
Ellen Ewusie | Gallery Guest |
Elizabeth McLaughlin | Gallery Owner |
Albert Nicholas | Waiter |
Stephan Miers | Hairdresser |
Michael Meneer | Auctioneer |
Michael St. John Smith | Auction Bidder |
Derek Green | Auction Bidder |
Michelle Harrison | Auction Bidder |
Mark DeCarlo | News Anchor |
Bill Dow | Willis |
Ashleigh LaThrop | Hannah |
Stephanie Florian | News Reporter |
Julia Dominczak | Gretchen |
Shiraine Haas | Gwen |
Colin Lawrence | Penthouse Restaurant Customer |
Lucia Walters | Penthouse Restaurant Customer |
Brooke Johnston | Whispering Gallery Lady |
Paniz Zade | Salon Receptionist |
Carmel Amit | Whispering Guest at Masked Party |
Isaiah Dobbs | Flower Delivery Man |
José James | Gala Crooner |
Otis Brown | Band Member |
Aaron Parks | Band Member |
Josh Hari | Band Member |
Rob Compton | Yacht Captain |
Peter Boulanger | Fire Choreographer |
Neezar Joseph | Fire Breather |
Ryan Mellors | Juggler |
Chris Murdoch | Juggler |
Name | Job |
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Danny Elfman | Original Music Composer |
Richard Francis-Bruce | Editor |
Laray Mayfield | Casting |
Carolyn A. Loucks | Set Decoration |
Brittani Ward | Casting Associate |
Doane Gregory | Still Photographer |
Matt Cavanaugh | First Assistant Sound Editor |
Frédéric North | Pilot |
John Schwartzman | Director of Photography |
Fraser Corbett | Stunt Double |
James Foley | Director |
E.L. James | Novel |
Julie Schubert | Casting |
Jeff Sanca | Stunt Driver |
Steve Bartek | Orchestrator |
Garson Yu | Title Designer |
Guy Bews | Stunt Driver |
Janene Carleton | Stunt Driver |
Owen Walstrom | Stunt Coordinator |
Lisa Chandler | Stunts |
Ed Anders | Stunts |
Niall Leonard | Screenplay |
Nelson Coates | Production Design |
Peter Bodnarus | Art Direction |
Shay Cunliffe | Costume Design |
Kyle White | Draughtsman |
Suze Dunbar | Script Supervisor |
Sandra Montgomery | Script Supervisor |
Mickael Abbate | Researcher |
Bill Abbott | Music Editor |
Angie Rubin | Music Editor |
Janice MacIsaac | Costume Supervisor |
Katie Saunders | Costume Supervisor |
Shelly Shaw | Costume Supervisor |
Ren Boggio | Costume Coordinator |
Tara R. Hinecker | Costume Coordinator |
Phuong Chau | Ager/Dyer |
Kimberlee Iblings | Set Costumer |
Jared Slater | Aerial Camera Technician |
Phil Pastuhov | Aerial Director of Photography |
Ronald Hersey | Camera Operator |
Sasha Proctor | Steadicam Operator |
Taylor Matheson | First Assistant Camera |
Doug Lavender | First Assistant Camera |
Tyler Woeste | First Assistant Camera |
Scott Andrew Armstrong | Rigging Grip |
Bryan Litson | CG Supervisor |
Zack Mazerolle | Visual Effects Editor |
Eliza Pollack Zebert | ADR & Dubbing |
Alyson Dee Moore | Foley |
Christopher Alba | Foley |
Frank A. Montaño | Sound Re-Recording Mixer |
Jon Taylor | Sound Re-Recording Mixer |
Akemi Hart | Key Hair Stylist |
Evelyne Noraz | Makeup Department Head |
Scott J. Ateah | Stunt Coordinator, Second Unit Director |
Amber Kemper | Key Hair Stylist |
Jennifer Popochock | Key Hair Stylist |
Annie Johnson | Digital Intermediate |
Stefan Sonnenfeld | Digital Intermediate, Colorist |
Jennifer Spenelli | First Assistant Editor |
Shilo Lavallee | Driver |
Mike Witherington | Driver |
Rick Wiley | Driver |
Larry Tardif | Transportation Captain |
Rick Rasmussen | Picture Car Coordinator |
David Greenbaum | Driver |
Jeremy Stanbridge | Supervising Art Director |
Renee Dombrosky | Assistant Hairstylist |
Megan Harkness | Assistant Makeup Artist |
Deja Marie Iannone | Assistant Hairstylist |
Barbara Kelly | Unit Production Manager |
Graham Stumpf | Post Production Supervisor |
Paul Barry | First Assistant Director |
Karin Behrenz | Second Assistant Director |
Kameron Bodaly | Third Assistant Director |
Philip Nee Nee | Second Assistant Director |
Amanda Petura | Third Assistant Director |
Tara Arnett | Assistant Art Director |
Loree Cameron | Graphic Designer |
Dylan Dowd | Greensman |
Doug Hardwick | Construction Coordinator |
Scott Holburn | Set Dresser |
Jan Holmsten | Construction Buyer |
Spencer Louttit | Assistant Property Master |
Jay Mitchell | Set Designer |
Shannon Murphy | Assistant Set Decoration |
D. Martin Myatt | Assistant Property Master |
Melina Neufeld | Art Department Coordinator |
Jim Ramsay | Set Designer |
Adriaan Wagner | Greensman |
Stephanie Flack | Supervising Sound Editor |
Jeff Gomillion | ADR Mixer |
Oleg Kulchytskyi | Sound Re-Recording Mixer |
Tony Wyman | Boom Operator |
Alex Burdett | Special Effects Supervisor |
Ryan Handley | Stunt Double |
Ryan Ennis | Stunts |
Alice Naigeon | Stunt Double |
Jesse Deacon | Lighting Technician |
Ian Fox | Camera Operator |
Dan Gorval | Best Boy Grip |
Randy A. Jablonka | Lighting Technician |
James M. Jackson | Assistant Chief Lighting Technician |
Michael Kelem | Aerial Director of Photography |
Todd Kristianson | Lighting Technician |
Tom Mitaux | Best Boy Electric |
Bryce Munro | Rigging Grip |
Kim Olsen | Key Grip |
Rodrigo Carcamo Parga | Second Assistant "A" Camera |
Alex Reno | Rigging Grip |
Brandon Sparkes | Lighting Technician |
Frédéric Thurot | Electrician |
Todd Turner | Rigging Gaffer |
Roger Vernon | Second Unit Director of Photography |
Jeff Zwicker | Lighting Technician |
Andrea Brown | Extras Casting |
Lana S. Krause | Costume Coordinator |
Karin Nosella | Assistant Costume Designer |
Mary Prendergast | Post Production Coordinator |
Pete Anthony | Conductor |
Hillary Holmes | Music Coordinator |
Edgardo Simone | Orchestrator |
Anna Rane | Script Supervisor |
Guy Adan | Unit Publicist |
Michael Buster | Dialect Coach |
Kohli Calhoun | Dialect Coach |
Donna Glasser-Hancock | Production Controller |
Steve Gray | Pilot |
Danny Ostir | Production Accountant |
Kathleen Whelan | Production Coordinator |
David Dowling | Property Master |
Tom Brown | Music Arranger |
Byron Brisco | Stunts |
Dane A. Davis | Supervising Sound Editor |
Charles Crivier | Key Grip |
Name | Title |
---|---|
Dana Brunetti | Producer |
Michael De Luca | Producer |
E.L. James | Producer |
Marcus Viscidi | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 79 | 117 | 63 |
2024 | 5 | 95 | 99 | 71 |
2024 | 6 | 85 | 125 | 66 |
2024 | 7 | 78 | 91 | 64 |
2024 | 8 | 70 | 121 | 57 |
2024 | 9 | 60 | 71 | 51 |
2024 | 10 | 71 | 130 | 51 |
2024 | 11 | 70 | 146 | 53 |
2024 | 12 | 70 | 81 | 50 |
2025 | 1 | 68 | 80 | 51 |
2025 | 2 | 59 | 77 | 13 |
2025 | 3 | 19 | 68 | 2 |
2025 | 4 | 11 | 13 | 9 |
2025 | 5 | 10 | 12 | 9 |
2025 | 6 | 10 | 12 | 9 |
2025 | 7 | 10 | 11 | 8 |
2025 | 8 | 9 | 11 | 7 |
2025 | 9 | 9 | 10 | 8 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 560 | 678 |
Year | Month | High | Avg |
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2025 | 8 | 194 | 651 |
Year | Month | High | Avg |
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2025 | 7 | 439 | 754 |
Year | Month | High | Avg |
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2025 | 6 | 187 | 703 |
Year | Month | High | Avg |
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2025 | 5 | 303 | 741 |
Year | Month | High | Avg |
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2025 | 4 | 384 | 792 |
Year | Month | High | Avg |
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2025 | 3 | 276 | 718 |
Year | Month | High | Avg |
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2025 | 2 | 404 | 665 |
Year | Month | High | Avg |
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2025 | 1 | 610 | 827 |
Year | Month | High | Avg |
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2024 | 12 | 475 | 751 |
Year | Month | High | Avg |
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2024 | 11 | 481 | 758 |
Year | Month | High | Avg |
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2024 | 10 | 744 | 900 |
Year | Month | High | Avg |
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2024 | 9 | 877 | 912 |
Year | Month | High | Avg |
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2024 | 8 | 618 | 822 |
**The next fifty shades between an ordinary woman and a billionaire.** The film was not received well as the book was. Just like the first film, it has been another below average. Might be because of its theme. Usually this kind of films do great business, but ratings and reviews does not praise ... or encourage the film. So I doubt anybody will be bored of it, which means watchable film and instead it won't be their favourite. The story continued and this time it was not based on experiment or any kind of agreement, but mutual understanding. So the billionaire Grey and Ana's erotic adventure sustains. With the small-small developments the film goes all the way to the ending. That means, those who are watching it for the selected scenes, will surely would have a nice time. But nothing was strong as any European film on the similar theme. Apart from the weak storyline, there's nothing wrong with it. As to what this film is about, it served better. That's what I say to you not to expect full storied romance-drama. As usual the actors were good and another two films to come in the 'Fifty Shades' franchise. I hope they can be better than the first two. Overall, it is only for the selected audience, but curiosity makes everybody watch it and they all pour they perspective which is flooded with average to negative. Otherwise, it is an acceptable film. _6/10_
Ok, my fiance loves these films (but she's worse than me when it comes to sex in movies, and I'll sit through some serious crap for it) so we went to go see it on Valentines Day. And I am going to point out the problem, and I will do it by quoting the synopsis: "Anastasia must confront the ang ... er and envy of the women who came before her." Yeah, that takes all of about 5 minutes of time in the film. It's the plot of the movie...and it takes about 5 minutes total. The problem is solved really quickly, in the middle of the film, and never comes up again. It's like an after thought....but it's the plot. I've seen movies based on T and A in the past that have actually more plot focus than this. But let's be honest, you are only watching it for the BDSM (which it is also light on) so I can't even give it 10 stars for that, and I am an easy grader when it comes to most movie reviews.
<em>'Fifty Shades Darker'</em> is a surprise small improvement on its predecessor, though admittedly not anything worthy of describing as good. It felt like this one had a touch more meat on the bones, it's slightly more digestible anyway; if ignoring events last time out. The film does take the ... cheap way out mind you, focusing on two 'worse' characters which allows you to look past the iffy questions regarding the leading pair's relationship. I didn't cringe as much for this 2017 flick, which is a decent sign that I had a marginal better time. Dakota Johnson and Jamie Dornan remain a fine pair as actors, I don't have anything against those two to be honest. The side of the story involving Bella Heathcote's character did honestly interest me a little bit early on, of course it doesn't end up delivering but still. Now to see if <em>'Fifty Shades Freed'</em> continued the upward trajectory <i>(x = doubt)</i>.