Popularity: 18 (history)
Director: | James Foley |
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Writer: | E.L. James, Niall Leonard |
Staring: |
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins. | |
Release Date: | Jan 17, 2018 |
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Director: | James Foley |
Writer: | E.L. James, Niall Leonard |
Genres: | Drama, Romance |
Keywords | based on novel or book, eroticism, sequel, bdsm |
Production Companies | Universal Pictures, Michael De Luca Productions, Perfect World Pictures |
Box Office |
Revenue: $371,985,018
Budget: $55,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dakota Johnson | Anastasia Steele |
Jamie Dornan | Christian Grey |
Eric Johnson | Jack Hyde |
Eloise Mumford | Kate Kavanagh |
Rita Ora | Mia Grey |
Luke Grimes | Elliot Grey |
Victor Rasuk | José |
Max Martini | Taylor |
Jennifer Ehle | Carla |
Kim Basinger | Elena Lincoln |
Marcia Gay Harden | Grace Grey |
Bruce Altman | Jerry Roach |
Arielle Kebbel | Gia Matteo |
Callum Keith Rennie | Ray |
Robinne Lee | Ros Bailey |
Brant Daugherty | Sawyer |
Andrew Airlie | Carrick Grey |
Amy Price-Francis | Liz |
Fay Masterson | Mrs. Jones |
Ashleigh LaThrop | Hannah |
Tyler Hoechlin | Boyce Fox |
Kirsten Alter | Prescott |
Hiro Kanagawa | Detective Clark |
Catherine Lough Haggquist | Dr. Greene |
John Emmet Tracy | Troy Whelan (Bank Manager) |
Primo Allon | Sam (Bank Employee) |
Benita Ha | ER Nurse |
P. Lynn Johnson | Judge |
Kwesi Ameyaw | Defense Counsellor |
Marci T. House | Forensic Officer |
Dylan Neal | Bob |
Shiraine Haas | Gwen - Ros' Partner |
Michelle Harrison | Rhian Flynn |
Bill Dow | Willis SIP Editor |
Jean Corso | Gavin (Captain-Fair Lady Yacht) |
Nathan Dellemme | Bodyguard Gaston |
Maximilien Fussen | French Father on Beach |
Paul Duchart | Reverend Walsh |
Maxine Miller | Christian's Grandmother |
Ben Corns | Captain Stephen (Grey Jet) |
Anita Brown | Natalia (Stewardess) |
Lea Kovach | Receptionist |
Brendan Penny | Co-Pilot Beighley (Grey Jet) |
Brad Harder | Aspen Nightclub Waiter |
Fraser Aitcheson | Nightclub Lunk |
Lisa MacFadden | Bank Receptionist |
Todd Thomson | Surgeon |
Kai Bokenfohr | Teddy - 2 Yrs |
Gary Hudson | Elena's Ex-Husband |
Sachin Sahel | Grey I.T. Tech |
Adil Zaidi | Grey I.T. Tech |
Julie Roblet | French Beach Waitress |
Felix Tomas | Young Boy on Beach |
Allyson McHardy | Madame Butterfly Performer |
Szu-wen Wang | Madame Butterfly Performer |
Tefari Thompson | Bunker Club Waiter |
Tiara Sorensen | Bunker Club Hostess |
Sean Glass | Aspen DJ |
D.J. Kiss | Wedding DJ |
Jaclyn Jonet | Ella (uncredited) |
Laura Jacobs | Grey Receptionist (uncredited) |
Jordan Gardiner | Townsperson (uncredited) |
Tenz McCall | French Boy (uncredited) |
Name | Job |
---|---|
James Foley | Director |
E.L. James | Novel |
Richard Francis-Bruce | Editor |
Danny Elfman | Original Music Composer |
Laray Mayfield | Casting |
Carolyn A. Loucks | Set Decoration |
Marcus Viscidi | Unit Production Manager |
Mike McLeod | Construction Foreman |
Stéphane Bucher | Sound Mixer |
Chris Navarro | ADR Mixer |
Janene Carleton | Stunt Driver |
Doug Coleman | Stunt Coordinator, Second Unit Director |
Mickey Giacomazzi | Stunt Coordinator |
Doane Gregory | Still Photographer |
Alar Kivilo | Additional Director of Photography |
Garson Yu | Title Designer |
John Schwartzman | Director of Photography |
Whitney Coleman | Stunts |
Sally Potters | Production Coordinator |
Tom Brown | Music Arranger |
Allan Padelford | Stunt Driver |
Owen Walstrom | Stunt Coordinator |
Niall Leonard | Screenplay |
David S. Clark | Editor |
Nelson Coates | Production Design |
Corinne Renard-Bendjadi | Casting |
Scott J. Ateah | Stunt Coordinator, Second Unit Director |
Julie Schubert | Casting |
Peter Bodnarus | Art Direction |
Jeremy Stanbridge | Supervising Art Director |
Shay Cunliffe | Costume Design |
Renee Dombrosky | Assistant Hairstylist |
Megan Harkness | Assistant Makeup Artist |
Amber Kemper | Assistant Hairstylist |
Danna Rutherford | Hair Department Head |
Graham Stumpf | Post Production Supervisor |
David Arnold | Second Unit First Assistant Director |
Paul Barry | First Assistant Director |
Karin Behrenz | Second Assistant Director |
Michael Collins | Assistant Director |
Paul Jolliot | Third Assistant Director |
Philip Nee Nee | Second Assistant Director |
Amanda Petura | Third Assistant Director |
Loree Cameron | Graphic Designer |
Dylan Dowd | Greensman |
David Dowling | Property Master |
Doug Hardwick | Construction Coordinator |
Scott Holburn | Set Dresser |
Jan Holmsten | Construction Buyer |
Craig Humphries | Assistant Art Director |
Spencer Louttit | Assistant Property Master |
Jim Magdaleno | Storyboard Artist |
D. Martin Myatt | Assistant Property Master |
Melina Neufeld | Art Department Coordinator |
Adriaan Wagner | Greensman |
Kyle White | Set Designer |
Christopher Alba | Foley Editor |
Lawrence L. Commans | Boom Operator |
Stephanie Flack | Supervising Sound Editor |
Matthew W. Kielkopf | First Assistant Sound Editor |
Frank A. Montaño | Sound Re-Recording Mixer |
Alyson Dee Moore | Foley Artist |
Christopher Moriana | Foley Artist |
Mark Noda | Sound Mixer |
Jessie Pariseau | Assistant Sound Editor |
John Sanacore | Foley Mixer |
Adam Sharpe | ADR Mixer |
Jon Taylor | Sound Re-Recording Mixer |
Mhairi Wyles-Lang | ADR Coordinator |
Alex Burdett | Special Effects Supervisor |
Georges Demétrau | Special Effects Supervisor |
Charles-Axel Vollard | Special Effects Coordinator |
Michael Hilow | Stunt Driver |
Bret Kiene | Stunt Driver |
Scott Andrew Armstrong | Rigging Grip |
Jesse Deacon | Lighting Technician |
Steven Desbrow | Aerial Director of Photography |
Antonin Drigeard | Electrician |
Jean-François Drigeard | Gaffer |
Ian Fox | Camera Operator |
Dan Gorval | Best Boy Grip |
Randy A. Jablonka | Lighting Technician |
James M. Jackson | Assistant Chief Lighting Technician |
Denis Lagrange | Underwater Director of Photography |
Taylor Matheson | First Assistant "A" Camera |
Tom Mitaux | Best Boy Electric |
Bryce Munro | Key Rigging Grip |
Kim Olsen | Key Grip |
Rodrigo Carcamo Parga | Second Assistant "A" Camera |
Luc Poullain | Pilot |
Sasha Proctor | Steadicam Operator |
Alex Reno | Rigging Grip |
Todd Turner | Rigging Gaffer |
François Vigon | Aerial Camera |
Tyler Woeste | First Assistant "B" Camera |
Adriene Wyse | Camera Loader |
Jeff Zwicker | Lighting Technician |
Andrea Brown | Extras Casting |
Ren Boggio | Costume Coordinator |
Janice MacIsaac | Costume Supervisor |
Julian Andraus | First Assistant Editor |
Sorta Lim | Post Production Coordinator |
Stephen F. Newnam | Finishing Producer |
Jennifer Spenelli | First Assistant Editor |
Bill Abbott | Music Editor |
Hillary Holmes | Music Coordinator |
Angie Rubin | Music Editor |
Dana Sano | Music Supervisor |
Anna Rane | Script Supervisor |
Guy Adan | Unit Publicist |
Michael Buster | Dialogue Coach |
Donna Glasser-Hancock | Production Controller |
Yuanchen Jiang | Title Designer |
Kathleen Whelan | Production Coordinator |
Debra Neil-Fisher | Editor |
Hailee Steinfeld | Songs |
Charles Crivier | Key Grip |
Name | Title |
---|---|
Dana Brunetti | Producer |
Michael De Luca | Producer |
E.L. James | Producer |
Marcus Viscidi | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 110 | 129 | 91 |
2024 | 5 | 97 | 105 | 69 |
2024 | 6 | 107 | 145 | 75 |
2024 | 7 | 118 | 155 | 97 |
2024 | 8 | 111 | 201 | 84 |
2024 | 9 | 92 | 118 | 74 |
2024 | 10 | 110 | 187 | 77 |
2024 | 11 | 115 | 232 | 91 |
2024 | 12 | 114 | 131 | 86 |
2025 | 1 | 109 | 131 | 77 |
2025 | 2 | 98 | 150 | 23 |
2025 | 3 | 42 | 115 | 3 |
2025 | 4 | 19 | 22 | 17 |
2025 | 5 | 19 | 22 | 15 |
2025 | 6 | 17 | 20 | 15 |
2025 | 7 | 18 | 22 | 14 |
2025 | 8 | 20 | 21 | 18 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 588 | 731 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 299 | 743 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 163 | 695 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 197 | 775 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 400 | 758 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 347 | 625 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 625 | 847 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 602 | 824 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 300 | 793 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 485 | 746 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 685 | 886 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 949 | 949 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 869 | 919 |
Nice Movie ♥ ...
OK, I gave the first one 10 out of 10 stars...because I am easy and, honestly, the original didn't claim to be anything more than what it delivered. To me that earns all 10 stars. Darker I gave 1 out of 10, because the plot line that it bills itself as following takes all of 5 minutes, gets resol ... ved in the middle of the film, never comes up again, and has little sex (which is the reason why people see these things). This one I am giving 1 of 10 stars. There is actually less sex than in the sequel and far less than in the original...but look at the picture up here on IMDB, look at all the posters...it was marketed as a film about sex and there really wasn't that much. You see more in a single episode of an HBO series. And the plot, again quoting IMDB: "Anastasia and Christian get married, but Jack Hyde continues to threaten their relationship" Like with Darker, that all happens in the blink of an eye. You sneeze and you'll miss the bulk of the plot. And the sex (the reason why people actually watch this film) doesn't even serve as filler. So what you are left with is Anastasia and Christian sitting around, not having sex, trying to figure out how to fill the rest of the film. It's like watching linoleum curl on a hot day. We aren't watching it for the plot anyway, just give us the cream filling we are actually buying the ticket for, otherwise give us an actual plot. you gave us neither.
<em>'Fifty Shades Freed'</em> is the most boring of the trilogy, even if it probably is a tiny bit better than the original (no. 2 is minorly superior). I am embarrassed to admit that it gave me some goosebumps at the end, I'm such a simp for a montage, I'm afraid; Ellie Goulding's song helped, admi ... ttedly. There isn't much to note about this, at least in terms of being unique from the two movies that proceeded - very much a copy-and-paste job. I still like Dakota Johnson and Jamie Dornan, without whom I'd likely be rating this film down in the depths alongside the presumed majority. I did wonder, before and after seeing the first flick, how they managed to stretch this out across three productions. Having now seen them all, I can see they just barely managed to do so. This third release is pretty pointless, they've could've fit all this into a small chunk at the end of #2. Crazy how these films made a billion at the box office. Turns out sex does indeed sell.