Popularity: 9 (history)
Director: | Wes Ball |
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Writer: | T.S. Nowlin, James Dashner |
Staring: |
Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all. | |
Release Date: | Sep 09, 2015 |
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Director: | Wes Ball |
Writer: | T.S. Nowlin, James Dashner |
Genres: | Adventure, Action, Science Fiction, Thriller |
Keywords | based on novel or book, resistance, maze, post-apocalyptic future, dystopia, infection, on the run, escape, zombie, storm, disease, desert, sewer, antidote, corporation, virus, runner, city ruin, immunity, based on young adult novel |
Production Companies | 20th Century Fox, The Gotham Group, Temple Hill Entertainment, TSG Entertainment |
Box Office |
Revenue: $312,296,056
Budget: $61,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dylan O'Brien | Thomas |
Kaya Scodelario | Teresa Agnes |
Thomas Brodie-Sangster | Newt |
Giancarlo Esposito | Jorge |
Ki Hong Lee | Minho |
Dexter Darden | Frypan |
Rosa Salazar | Brenda |
Patricia Clarkson | Ava Paige |
Aidan Gillen | Janson |
Barry Pepper | Vince |
Nathalie Emmanuel | Harriet |
Alexander Flores | Winston |
Jacob Lofland | Aris Jones |
Lili Taylor | Mary Cooper |
Alan Tudyk | Blondie |
Terry Dale Parks | Carl (Masked Man) |
Kathryn Smith-McGlynn | Dr. Crawford |
Matthew T. Metzler | Barkley |
Jenny Gabrielle | Ponytail |
David House | Soldier |
Lora Martinez-Cunningham | Thomas' Mother |
Luke Gallegos | Young Thomas |
Shawn Prince | David |
Jeremy Becerra | Riley |
Matthew Page | Harold (Soldier) |
Alex Knight | Aide |
Marc Comstock | Med Tech |
John Trejo | M3 Soldier |
Katherine McNamara | Sonya |
Tatanka Means | Joe |
Ryan Jason Cook | Nurse |
James Burnett | Rebel Sentry |
Morse Bicknell | Doctor |
Adriana Acosta | Glader (uncredited) |
Brian Barela | Bunker Soldier (uncredited) |
Laramie Cooley | Abigail (uncredited) |
Jetto Dorsainville | WCKD / Bunker Militia (uncredited) |
Andrea Good | Ash People (uncredited) |
Carma Harvey | Scavenger (uncredited) |
Gary Hood | Glader (uncredited) |
Keith Jardine | Scavenger Guard (Jim) (uncredited) |
Jess King | WCKD Soldier (uncredited) |
Martin Palmer | Rave Party Guest (uncredited) |
Frank Powers | Soldier (uncredited) |
Ben Pronsky | Additional Voices (voice) (uncredited) |
James Tyler Robinson | Glader (uncredited) |
Gonzalo Robles | Hazmat Soldier (uncredited) |
Bryce Romero | Jack (uncredited) |
Diego Romero | Scavenger Guard (uncredited) |
J. Nathan Simmons | Ash Mob Evacuee (uncredited) |
Kaelee Vigil | Civilian (uncredited) |
Alexander Wagenman | Kid on Train (uncredited) |
Richard Daniel Williams | Right Arm Militia (uncredited) |
John Christian Love | Surveillance Room Attendant |
Kelly V. Lucio | Glader / Rescued Glader (uncredited) |
Tureygua Inaru | Glader |
Name | Job |
---|---|
Ilram Choi | Stunts |
Sanja Milković Hays | Costume Design |
T.S. Nowlin | Screenplay |
Irena Stepić | Assistant Costume Designer |
Tom Woodruff Jr. | Makeup Designer |
Isaac Hamon | Stunt Coordinator |
Ron Bartlett | Sound Re-Recording Mixer |
Mark Aaron Wagner | Stunts |
John Paesano | Original Music Composer |
Dan Brown | Stunts |
Steve DeCastro | Stunts |
Ed Duran | Stunts |
Timothy Eulich | Stunts |
Tait Fletcher | Stunts |
Glenn Foster | Stunts |
Mark Ginther | Stunts |
Adam Hart | Stunts |
Jess King | Stunts |
Kara Petersen | Stunts |
Mark Rayner | Stunts |
Alice Rietveld | Stunts |
Torrey Vogel | Stunts |
George Cottle | Stunt Coordinator |
Dan Zimmerman | Editor |
Daniel T. Dorrance | Production Design |
Gyula Pados | Director of Photography |
James Dashner | Novel |
Beth Day | Casting Associate |
Liz Ludwitzke | Casting Associate |
Andrew Max Cahn | Supervising Art Director |
Billy W. Ray | Art Direction |
Kelly Berry | Set Decoration |
Vicki M. McWilliams | Art Department Coordinator |
Nava R. Sadan | Costume Supervisor |
Gina G. Aller | Costume Supervisor |
Rosanna Dill | Set Costumer |
Ashley Edwards | Set Costumer |
Kari King | Set Costumer |
Lora McKenny | Set Costumer |
Katie L. Murphy | Set Costumer |
Steve Gehrke | Script Supervisor |
Isaac Hai Swee Tan | Animation |
Victor Huang | Animation |
Craig Young | Animation |
Shaun Friedberg | Animation Director |
Leon Woud | Animation Director |
Jade Mansueto | Animation Director |
Aaron Gilman | Animation Supervisor |
Ken Barthelmey | Creature Design |
Chloe Feodoroff | Visual Effects Coordinator |
Drew Nielsen | Visual Effects Coordinator |
Keith O'Hara | Visual Effects Coordinator |
Margaux Peach | Visual Effects Coordinator |
Jeremy Hollis | Visual Effects Coordinator |
Jana Jungk | Visual Effects Coordinator |
Rolf Fleischmann | Visual Effects Editor |
Steve Dubin | Visual Effects Producer |
Scott Puckett | Visual Effects Producer |
Jason Chen | Visual Effects Producer |
Martin Wiseman | Visual Effects Producer |
R. Christopher White | Visual Effects Supervisor |
Geordie Sheffer | Hair Department Head |
Janessa Bouldin | Hairstylist |
Reyna Robinson | Hairstylist |
Delana Veirs | Hairstylist |
Betty D. Lawson | Hairstylist |
Teri Ann Uccan | Hairstylist |
Megan Daum | Key Hair Stylist |
Karen McDonald | Makeup Department Head |
Sara Roybal | Makeup Artist |
Frieda Valenzuela | Makeup Artist |
Jon Shroyer | Makeup Artist |
Daniel Casillas | Makeup Effects |
Jerrad Gray | Makeup Effects |
Leonard MacDonald | Makeup Effects |
Dave Snyder | Makeup Effects |
Thomas E. Surprenant | Makeup Effects |
Richard K. Buoen | Conceptual Design |
Bill Holmquist | Construction Coordinator |
Jeff Carson | Music Editor |
Charles Martin Inouye | Music Editor |
Michael Kelem | Helicopter Camera |
David J. Thompson | Steadicam Operator |
Richard Foreman Jr. | Still Photographer |
James R. Tynes | Gaffer |
Sharla Cipicchio | First Assistant Camera |
Daniel Bombell | First Assistant Camera |
Kingslea Bueltel | First Assistant Camera |
Dan O'Connell | Foley |
John T. Cucci | Foley |
Ai-Ling Lee | Supervising Sound Editor, Sound Designer |
Lee Gilmore | Sound Effects Editor |
Bob Kellough | Sound Effects Editor |
Shayna Brown | Sound Re-Recording Mixer |
P.J. Burch | First Assistant Editor |
David Zimmerman | First Assistant Editor |
Brian Malone | Rigging Grip |
David Greene | Special Effects Coordinator |
Tim Gomillion | Sound Recordist |
Brett Andrews | Property Master |
Richard E. Hollander | Visual Effects Supervisor |
Justin Muller | First Assistant Director |
John M. Morse | Second Assistant Director |
Kevin Abercrombie | Stunts |
Cody Banta | Stunts |
Damien Bray | Stunts |
Matthew Lee Christmas | Stunts |
Tom Crisp | Stunts |
Shane Daniels | Stunts |
Chris Donaldson | Stunts |
Anthony Genova | Stunts |
Tommy Goodwin | Stunts |
Greg Harris | Stunts |
Alex Kingi | Stunts |
Horace Knight Jr. | Stunts |
Ivor Shier | Stunts |
Ryan Staats | Stunts |
Brent Steffensen | Stunts |
Bryan Thompson | Stunts |
Frank Torres | Stunts |
Jay Torrez | Stunts |
Saleem Watley | Stunts |
Christie Hayes | Stunts |
Bjarne Sletteland | Art Direction |
Patrick Scalise | Assistant Art Director |
Brooke Peters | Set Designer |
Siobhan Roome | Set Designer |
Derrick Ballard | Set Designer |
Julian Scalia | Art Department Assistant |
Stephen P. Durante | Leadman |
Severino Gonzales | On Set Dresser |
Linda R. Gore | Set Dresser |
Graham Griswold | Set Dresser |
Lonam Fogleman | Set Dresser |
Ethan Scroggins | Set Dresser |
Paul Mugavero | Set Dresser |
Dale Lotreck | Set Dresser |
Walter E. Myal | Second Second Assistant Director |
Paul Ledford | Production Sound Mixer |
Kevin Maloney | Boom Operator |
David McKimmie | Post Production Supervisor |
John A. Larsen | Supervising Sound Editor |
Kurt Kornemann | Key Grip |
Maria Bentfield | Key Costumer |
Wynema Chavez | Ager/Dyer |
Jesse Trevino | Ager/Dyer |
Jonathon Slator | Location Manager |
Forrest A. Haag | Assistant Property Master |
Liz Probst | Payroll Accountant |
Elizabeth Gabel | Extras Casting |
Patrick A. Reynolds Jr. | Transportation Coordinator |
Wolf Schneider | Unit Publicist |
Vanessa Lapato | ADR Supervisor |
John Murray | Foley Supervisor |
Matthew Harrison | Foley Editor |
Scott Curtis | Foley Editor |
Galen Goodpaster | First Assistant Sound Editor |
David Wolowic | Assistant Sound Editor |
David Betancourt | ADR Mixer |
Christine Sirois | ADR Recordist |
James Ashwill | Foley Mixer |
John Guentner | Foley Mixer |
Richard Duarte | Foley Mixer |
David Clayton | Title Designer |
Loan Phan | Digital Intermediate Producer |
Lisa Tutunjian | Digital Intermediate Editor |
Wes Ball | Director |
Denise Chamian | Casting |
Phillip Leonhardt | CG Supervisor |
Name | Title |
---|---|
T.S. Nowlin | Executive Producer |
Wyck Godfrey | Producer |
Lee Stollman | Producer |
Lindsay Williams | Executive Producer |
Edward Gamarra | Executive Producer |
Ellen Goldsmith-Vein | Producer |
Joe Hartwick Jr. | Producer |
Marty Bowen | Producer |
Wes Ball | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 91 | 126 | 73 |
2024 | 5 | 83 | 111 | 52 |
2024 | 6 | 77 | 121 | 50 |
2024 | 7 | 103 | 171 | 71 |
2024 | 8 | 78 | 120 | 55 |
2024 | 9 | 53 | 75 | 37 |
2024 | 10 | 98 | 152 | 48 |
2024 | 11 | 73 | 188 | 52 |
2024 | 12 | 64 | 86 | 45 |
2025 | 1 | 62 | 73 | 50 |
2025 | 2 | 46 | 75 | 10 |
2025 | 3 | 22 | 69 | 3 |
2025 | 4 | 12 | 16 | 9 |
2025 | 5 | 10 | 12 | 8 |
2025 | 6 | 10 | 12 | 7 |
2025 | 7 | 9 | 10 | 8 |
2025 | 8 | 9 | 10 | 8 |
Trending Position
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2025 | 8 | 376 | 671 |
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2025 | 7 | 202 | 731 |
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2025 | 6 | 236 | 663 |
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2025 | 5 | 317 | 684 |
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2025 | 4 | 209 | 702 |
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2025 | 3 | 150 | 687 |
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2025 | 2 | 383 | 749 |
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2025 | 1 | 354 | 740 |
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2024 | 12 | 476 | 763 |
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2024 | 11 | 253 | 633 |
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2024 | 10 | 545 | 727 |
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2024 | 9 | 639 | 842 |
Year | Month | High | Avg |
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2024 | 8 | 622 | 808 |
It is quite an automatic instinct to compare and contrast the first installment of 2014’s ‘The Maze Runner’ with the arrival of the latest entry in director Wes Ball’s distant dystopian drama ‘Maze Runner: Scorch Trials’. The original blueprint effectively captured a unique time and place of mystiqu ... e and other morbid curiosities. The audience was craftily introduced to The Glade, a head-scratching venue out in the middle of nowhere while being surrounded by a massive maze that pretty much rendered its survivors in vulnerability and uncertainty. Well, ‘Maze Runner: Scorch Trials’ looks to revisit that same kind of mystifying aura where our young and daring protagonists face the surreal obstacles in a futuristic facility that begs for the same kind of grandiose ambivalence. Sadly, ‘Scorch Trials’ is a derivative follow-up shadow of its former pronounced presentation. This formulaic fantasy fails to provide any distinctive punch or promise to its more competent predecessor. As a post-apocalyptic Young Adult-oriented narrative ‘Maze Runner: Scorch Trials’ never really invests in its adventurous characterizations that seem to blankly react to the jittery surroundings without any genuine conviction. It certainly is not advisable to saddle a pack of imperiled individuals in a cocoon of dream-like devastation and not have them equally match the imaginative SF sensibilities of their enthralling, enveloped universe. One can speculate as to whether ‘Maze Runner: Scorch Trials’ does any justice to the James Dashner epic-driven YA novels or not. Still, there should be a sense of excitable freshness and intrigue to this eye-opening film project that comes off strangely as remote and mechanical despite the whimsical feel to its wasteland of wonderment. Sure, some will be partially engaged in the exploits of our young harried heroes bouncing from post to post in a desolate desert known as the Scorch where unpredictable encounters with undesirable creatures and the regional elements are recounted with Ball’s simplistic by-the-dots direction. There will be your predictable share of over-the-top villains, outlandish yet awestruck special effects imagery and a centerpiece for youth-oriented romancing among the ruins. However, ‘Maze Runner: Scorch Trials’ should do a better job in whisking its viewers away in a bells-and-whistles story that should be convincingly subversive and challenging. Back in the Maze mold madness is Glade stud Thomas (Dylan O’Brien) and his band of fellow wanderers in Theresa (Kaya Scodelario), Minho (Ki Hong Lee), Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden). The group had learned that their ‘a-MAZE-ing’ (sorry…could not resist) past experiences had been at the devilish hands of the evil paramilitary outfit known as WCKD (as in the pronounced word ‘wicked’). The head honcho of the aforementioned WCKD is none other than diabolical diva Dr. Ava Paige (Patricia Clarkson). So now Thomas and his endangered entourage (along with a few more disposable tag-a-longs) are forced to roam in the treacherous Scorch where the ominous run-ins with the resident beastly zombie Cranks are inevitable. Of course, there are other factors working against Thomas and his Gladers. First, they must constantly hunt for their safety guaranteed in the arms of the resistance faction called The Right Hand based in mountainous terrain. Secondly, there is also the matter of an outbreak known as the Solar Flare virus that is running amok and the cure is to draw blood from those that are immune. The underhanded Janson (Aiden Gillen, from television’s ‘Game Of Thrones’) heads up the laboratory where the shifty agenda for collecting pure blood from unsuspecting hosts is hatched. So the dilemma is presented as such: should Thomas and his put-upon colleagues be the sacrificial lambs in an experimentation that could benefit the numerous lives of their exposed society? The problem, among others, is that ‘Maze Runner: Scorch Trials’ never seems to distinguish itself among the crop of other YA-related feature films that seem collectively familiar in theme and tone. The long line of impish and impulsive fare that includes ‘The Hunger Games’ film franchise and ‘Divergent’ movie series has already saturated the movie market to the point of no return. Unfortunately, this leaves little room for error for derivative knock-off films such as ‘Maze Runner: Scorch Trials’ to not only echo the same kind of entertainment value but be considered a few notches off the scale in doing so. T.S. Nowlin’s screenplay is shockingly synthetic and that is inexcusable for an escapist SF flick using Dashner’s colourful and descriptive tomes as its inspirational source. A few of the interesting supporting characters come and go while registering some servicing interest such as the dashing duo Jorge and Brenda (Giancarlo Esposito and Rosa Salazar) that befriend the Gladers en route to their destination for comfort and calmness. Gillen’s Janson is serviceable as the slimy opportunist blood baiter. Otherwise, the main performers that make up this cosmetic caper bring little to uplift this pseudo calculating landscape of imagined isolation and desperation. Somehow, the charismatic presence of both O’Brien’s Thomas and Scodelario’s Theresa seem watered down from the first film. For the second time around it is kind of a tough sell for ‘Scorch Trials’ to get the obligatory mouse to chase after the cheese in this particular misplaced maze. Maze Runner: Scorch Trials (2015) 20th Century Fox 2 hrs. 11 mins. Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Ki Hong Lee, Patricia Clarkson, Aidan Gillen, Giancarlo Esposito, Rosa Salazar, Lilli Taylor and Barry Pepper Directed by: Wes Ball MPAA Rating: PG-13 Genre: Sci-Fi Fantasy/Dystopian Drama/Young Adult Action & Suspense Critic’s rating: ** stars (out of 4 stars)
> The adventure expands outside the maze to seek the answers. Another teen movie in the mid series on the line of 'Divergent' and 'Hunger Games'. As an adult, I don't know what to expect from it, but entertainment was the priority. The first film was just an introduction that happened in a small ... and a single location like the film 'Cube'. Now it has outspread in a large extent with more new characters and takes a wider adventure in the wastelands. Many doubts from the previous film were cleared, yet a few need to be clarified and hoping for the next one to do that job. But anyway the suspense was this franchise's specialty, that simply reminds us the TV series 'Lost'. This second part can be compared with plenty of other post apocalyptic films, but still I liked it better than the first. The best thing was they retained the same director and he's going to be here for the next film as well. But I'm more interested in the prequel, I mean the fourth film than the third which brings an end to the story moving forward. Because the maze holds the key for many unresolved issues. So I'm anticipating the prequel trilogy than the current one to learn how it all began. Surprisingly, many new additions like zombies, bounty hunters in the mainstream boosted the film with its variety. Gives us a creepy atmosphere, along thrilling running and chasing. The twist was not that great, but kind of unpredictable, and again due to the mysteries surrounding it, it created more curious about what might happen next. 6½/10
Let's get to the point. This is bad. A dystopian future full of conspiracies in which we throw the typical ingredients thinking that, magically, would make a good movie: teenagers, zombies, a "Mad-Max"-like desert and a stupid story in which main characters and their enemies behave stupidly at ev ... ery step. Quite a forgettable one ...
I believe the adage is meant to go "Ask me no questions and I tell you no lies". _Scorch Trials_ however seemed to be trialling the new "I pose you 500 questions, I tell you no answers". But there's still some interesting things to find the further the movie goes on. It lacks the cohesion of the fir ... st movie, for sure, but there's more going on, so that tracks. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Well, if you are looking for a collection of good looking folks lurching from one perilous scenario to another - desperate to escape the clutches of the arch villain that is Aiden Gillen; then this is the film for you. If you are looking for anything remotely akin to the books that tell of the conti ... nuing adventures of "Thomas", "Newt" etc. as they attempt to defy the will of "WIKD", then get ye hence (as Shakespeare might have said) for this film has nothing for you. Gillen has all the terror-factor of Mary Poppins and whilst Dylan O'Brien, Kaya Scodelario and Thomas Brodie-Sangster; along with a seriously hammy Giancarlo Esposito look like they are having some fun with their escapade-driven flight; the dialogue is all over the place and the story lacks any sort of structure. The effects work well and the battle scenes are well put together but, ultimately, it is a sort of "Percy Jackson" version of the story; watchable but forgettable and not in the same class as the first film.
While The Scorch Trials carries over the strong directing, cinematography, and high production values from the first film, it falls short in key areas that made The Maze Runner so compelling. The character growth and connections that I appreciated in the first movie felt noticeably absent here. T ... he relationships lack depth, and new faces introduced in this installment fail to leave a lasting impression, making it harder to feel emotionally invested in their journey. The script, while fun at times, struggles with repetition. Much of the movie feels like a sequence of action-packed set pieces rather than a cohesive narrative. That said, the visuals and production design remain a highlight. The post-apocalyptic environments are well-realized, and the tension in many of the action scenes keeps things exciting. The Scorch Trials delivers on spectacle and action but sacrifices emotional connection and narrative depth in the process. While still enjoyable, it doesn’t capture the same magic as its predecessor.