Popularity: 8 (history)
Director: | Alex Garland |
---|---|
Writer: | Alex Garland |
Staring: |
Caleb, a coder at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. | |
Release Date: | Jan 21, 2015 |
---|---|
Director: | Alex Garland |
Writer: | Alex Garland |
Genres: | Science Fiction, Drama |
Keywords | android, distrust, manipulation, robot, existentialism, critical, man vs machine, technology, laboratory, consciousness, human android relationship, dancing, artificial intelligence (a.i.), deception, power outage, lockdown, intense, friendship, isolation, norway, surveillance camera, female cyborg |
Production Companies | Scott Rudin Productions, DNA Films, Film4 Productions, IAC Films |
Box Office |
Revenue: $36,869,414
Budget: $15,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Domhnall Gleeson | Caleb |
Alicia Vikander | Ava |
Oscar Isaac | Nathan |
Sonoya Mizuno | Kyoko |
Corey Johnson | Jay |
Claire Selby | Lily |
Symara A. Templeman | Jasmine |
Gana Bayarsaikhan | Jade |
Tiffany Pisani | Katya |
Elina Alminas | Amber |
Chelsea Li | Office Girl (uncredited) |
Dan Pappaspanos | Office Worker (uncredited) |
Name | Job |
---|---|
Alex Garland | Writer, Director |
Rob Hardy | Director of Photography |
Mark Day | Editor |
Geoff Barrow | Original Music Composer |
Ben Salisbury | Original Music Composer |
Francine Maisler | Casting |
Nicolas Becker | Foley |
Peter Burgis | Foley |
Glenn Freemantle | Supervising Sound Editor, Sound Designer |
Mark Digby | Production Design |
Katrina Mackay | Art Direction |
Michelle Day | Set Decoration |
Sian Grigg | Makeup Department Head |
Ray Marston | Wigmaker |
Ketan Waikar | Assistant Art Director |
Niv Adiri | Sound Re-Recording Mixer |
Ian Tapp | Sound Re-Recording Mixer |
Rob Mayor | Animatronic and Prosthetic Effects |
Nicolas Hernandez | CG Supervisor |
Benjamin Carlson | VFX Production Coordinator |
Steve Street | VFX Supervisor |
Tim Field | Visual Effects Producer |
Fay McConkey | Visual Effects Producer |
Stuart Nelhams | Visual Effects Editor |
Collette Nunes | Visual Effects Editor |
Xinyi Puah | Visual Effects Editor |
Sara Bennett | Visual Effects Supervisor |
John Lockwood | Visual Effects Supervisor |
Andrew Whitehurst | Visual Effects Supervisor |
Stuart Howell | Second Unit Cinematographer |
Jeremy Braben | Helicopter Camera |
Aimee Spinks | Still Photographer |
Nicole Young | Costume Supervisor |
Todd Kleparski | Digital Intermediate |
Tom Cairns | Digital Intermediate |
Tim Drewett | Digital Intermediate |
François Kamffer | Digital Intermediate |
Steve Owen | Digital Intermediate |
Jamie Welsh | Digital Intermediate |
Yann McCullough | Music Editor |
San Davey | Script Supervisor |
Sarah Clark | Unit Publicist |
Hermione Byrt | First Assistant Editor |
Neill Gorton | Animatronic and Prosthetic Effects |
Denis Schnegg | Supervising Art Director |
Mark Williams Ardington | CG Supervisor |
Paul Norris | 2D Supervisor |
Jarle Tangen | Line Producer |
Richard Durant | Conceptual Design |
Walter Donohue | Thanks |
Gia Milinovich | Thanks |
Andrew O'Hagan | Thanks |
Peter Gleaves | ADR Mixer |
Bobby Johanson | ADR Mixer |
Michael Rivera | ADR Recordist |
Mike Tehrani | ADR Recordist |
Lauren Doss | Art Department Assistant |
Laura Savage | Art Department Assistant |
Tim Orlik | Assistant Accountant |
Erline O'Donovan-Clarke | Assistant Editor |
Nick Freemantle | Assistant Sound Editor |
Simon Ashdown | Sound Editor |
Stephane Malenfant | Boom Operator |
Tom Storey | Camera Trainee |
Andrea Fishburn | Camera Trainee |
George Ausburger | Carpenter |
Jason Htay | Carpenter |
Dan Marsden | Carpenter |
Seb Palmer | Carpenter |
Steve Patterson | Carpenter |
Paul Rigby | Carpenter |
Tom Symes | Carpenter |
Melissa Kostenbauder | Casting Associate |
Kathy Driscoll-Mohler | Casting Associate |
Pål Tangen | Catering |
Arthur Pita | Choreographer |
Kouji Tajima | Concept Artist |
Oliver Cubbage | Concept Artist |
Jessica Sinclair | Concept Artist |
Dan Crandon | Construction Manager |
Jill McCullough | Dialect Coach |
Sandra Butterworth | Dialect Coach |
Matthew Kerly | Draughtsman |
Sean Board | Dressing Prop |
Ian Cooper | Dressing Prop |
Joe Linfield | Dressing Prop |
Martin Rootes | Dressing Prop |
Chris Dudley | Driver |
Jonas F. Christiansen | Driver |
Jarle Hoel | Driver |
Merete Svarstad | Driver |
Andrew Nolan | Electrician |
Daniel Budd | First Assistant Accountant |
Jennie Paddon | First Assistant Camera |
Sally Low | First Assistant Camera |
Nick Heckstall-Smith | First Assistant Director |
Peter Hanson | Foley Editor |
Glen Gathard | Foley Mixer |
Lee Walters | Gaffer |
Tiffany M. Carpenter | Graphic Designer |
Andrew Tapper | Graphic Designer |
Tom Stansfield | Grip |
Sam Phillips | Key Grip |
Ross Busby | Lighting Technician |
Saba Kia | Location Assistant |
Alex Gladstone | Location Manager |
Philip Lobban | Location Scout |
Charlotte Rogers | Makeup Artist |
Rolf Martens | Sound Mix Technician |
Stephen McClure | Modeling |
Jerry Crozier-Cole | Musician |
Joby Burgess | Musician |
Gareth Parry | Online Editor |
Clare St. John | Post Production Supervisor |
Darren Howton | Electrician |
Danny McGee | Electrician |
Simon Purdy | Electrician |
Rebecca Cronshey | Producer's Assistant |
Agnes Meath Baker | Producer's Assistant |
Nuala Alen-Buckley | Production Accountant |
Rory Johnston | Production Assistant |
Vivien Kenny | Production Assistant |
Samantha Black | Production Coordinator |
Tor Arne Øvrebø | Production Manager |
Mitch Low | Production Sound Mixer |
Gustav Hoegen | Props |
Philip O'Connell | Props |
Emma Field-Rayner | Property Buyer |
Andrea Bond | Scenic Artist |
Clare Holland | Scenic Artist |
Nigel Kirk | Scenic Artist |
Matthew Parsons | Scenic Artist |
Joe Vassallo | Scenic Artist |
Simon Hutchings | Scenic Artist |
Rupert Coulson | Scoring Mixer |
Bruce Gordon | Sculptor |
Tim Morris | Second Assistant Camera |
Ray Kenny | Second Assistant Director |
Tonje S. Rolland | Second Assistant Director |
Ben Barker | Sound Designer |
Danny Freemantle | Sound Effects Editor |
David Gray | Standby Rigger |
Keith Weir | Storyboard Artist |
Heather Phillips | Stunts |
Gayle Dickie | Third Assistant Director |
Richard von Løwensprung | Driver |
Sara Desmond | Unit Production Manager |
Adam McGrady | Video Assist Operator |
Stuart Farley | CG Supervisor |
Steve Muangman | Compositing Supervisor |
Neil Alford | Compositor |
Vasco Cerqueira | Compositor |
Luka Leskovšek | Compositor |
Camille Paleni | Compositor |
Richard Stay | Compositor |
Iyi Tubi | Compositor |
Sukumaran Lalithambika Vijin | Compositor |
Simon Gustafsson | Concept Artist |
Sauyan Wong | I/O Manager |
Izzy Field | Data Wrangler |
Asa Shoul | Digital Colorist |
Adam Broderick | Digital Compositor |
Francesco Cosatti | Digital Compositor |
Gabriele Filippelli | Digital Compositor |
Clement Gharini | Digital Compositor |
Henning Glabbart | Digital Compositor |
Sarah Iduwe | Digital Compositor |
Charlotte Merrill | Digital Compositor |
James Moxon | Digital Compositor |
Thomas R. Steiner | Digital Compositor |
Alex Smith | Digital Supervisor |
Kate Porter | Compositing Lead |
Francisco Palomares Pozas | Compositing Lead |
Michael Ranalletta | Compositing Lead |
Eleanor Sutton | Compositing Lead |
Helga Victoria | Lighting Artist |
Alex James Macieira | Matchmove Supervisor |
Matthew Salisbury | Matchmove Supervisor |
Pasquale Riefoli | Pipeline Technical Director |
Neil Roche | Rigging Supervisor |
Varun Hadkar | Visual Effects |
Will Lucas | Visual Effects |
Eliot Speed | Visual Effects |
Tolga Ari | VFX Artist |
Martin Bohm | VFX Artist |
Alistair Darby | VFX Artist |
Kimberley Dunne | VFX Artist |
Finella Fan | VFX Artist |
James Guy | VFX Artist |
David Jones | VFX Artist |
Duncan Kinnaird | VFX Artist |
Owen McGonigle | VFX Artist |
Chris Ritvo | VFX Artist |
Joe Tarrant | VFX Artist |
Jonathan Webber | VFX Artist |
Alexis Lemonis | VFX Artist |
Michelle Kuginis | Visual Effects Coordinator |
Gretel Ng | Visual Effects Coordinator |
Mariangela Suma | Visual Effects Coordinator |
Richard Diver | Visual Effects Editor |
Tina Richardson | Visual Effects Editor |
Nick Drew | Executive Visual Effects Producer |
Darcie Tang | Visual Effects Producer |
Gillian Dodders | Dialogue Editor, ADR Editor |
Nick Thomas | Property Master |
Russell Darling | Visual Effects |
Jay Patel | Digital Imaging Technician |
Sammy Sheldon | Costume Design |
Andy Bennett | Stunt Coordinator |
Kazuo Ishiguro | Thanks |
Chris Menges | Thanks |
Dr Adam Rutherford | Thanks |
Per Henry Borch | Location Manager |
Pablo Verdejo | Stunts |
Matt Curtis | Title Designer |
Ricardo Ferreira | Digital Compositor |
Kate-Beth Walling | Costume Assistant |
Caroline Levy | Line Producer |
Dave Wells | Best Boy Grip |
Name | Title |
---|---|
Eli Bush | Executive Producer |
Tessa Ross | Executive Producer |
Scott Rudin | Executive Producer |
Andrew Macdonald | Producer |
Jason Sack | Associate Producer |
Joanne Smith | Associate Producer |
Allon Reich | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 103 | 208 | 57 |
2024 | 5 | 249 | 313 | 202 |
2024 | 6 | 162 | 247 | 73 |
2024 | 7 | 67 | 111 | 31 |
2024 | 8 | 48 | 95 | 30 |
2024 | 9 | 34 | 46 | 24 |
2024 | 10 | 42 | 82 | 23 |
2024 | 11 | 47 | 79 | 29 |
2024 | 12 | 40 | 70 | 32 |
2025 | 1 | 44 | 54 | 28 |
2025 | 2 | 33 | 47 | 6 |
2025 | 3 | 13 | 44 | 3 |
2025 | 4 | 10 | 13 | 7 |
2025 | 5 | 9 | 12 | 8 |
2025 | 6 | 7 | 8 | 5 |
2025 | 7 | 6 | 7 | 4 |
2025 | 8 | 6 | 8 | 5 |
2025 | 9 | 9 | 13 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 241 | 678 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 72 | 637 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 200 | 585 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 125 | 489 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 170 | 559 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 138 | 558 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 143 | 613 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 250 | 585 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 231 | 610 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 322 | 787 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 334 | 665 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 480 | 703 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 478 | 741 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 407 | 638 |
When you think you have seen everything about AI movies, Ex Machina arrives and gives a very nice perspective on the matter. The movie goes quick, not many things happen but they are clever, very well thought. The story is more focused in the moral problems of the human main character rather than ... in the awe of the creation nor the existencial problem of the AI. The cast is all great, from Vikander to Mizuno, Glee and great Oscar Isaac. A real must to watch if you are into the topic.
**Enjoyable, satisfying sci-fi** Kinda smutty, kinda creepy, kinda evil, thoroughly enjoying. OK, there's nothing mind shattering but still good fun and a nice pay off imho. For those complaining it was predictable - if you want something you CANNOT ever predict go watch Predestination http ... s://www.themoviedb.org/movie/206487-predestination Something about it hit the right chords for me, modern, start up, big loud talker, sad lonely guy.... I've seen lots of those geeks turned CEO's and they don't know what they've become. Actually more to be said about the Nathan character than the rest. Definitely worth a watch if you like dark humour and sci-fi.
Isn't it strange, to create something that hates you? Ex Machina is written and directed by Alex Garland. It stars Domhnall Gleeson, Alicia Vikander, Oscar Isaac and Sonoya Mizuno. Music is by Geoff Barrow and Ben Salisbury and cinematography by Rob Hardy. A young programmer is thrilled to b ... e selected to participate in a ground-breaking experiment involving synthetic intelligence. He's to evaluate the human qualities of a highly advanced humanoid Artificial Intelligence known as Ava... Your nutshell review is that it's a cautionary tale of science going too far, where the narrative thrust of a Turin Test becomes something far darker and troubling. This is a deliberately slow paced sci-fier, told out of a remote reinforced science institute populated by just one human and some A.I. creations. Enter Caleb (Gleeson), who doubles the human quotient and kicks starts what is a cunningly sexy, troubling and potent picture. As we are drawn into this most fascinating world, we are requested to pose ourselves the deeper questions about being human, for better or worse. This is nothing new, this has been explored in many other sci-fi pictures, but the intensity of the set-up, the performance of the actors in this intimate surround, for sure engage the patiently interested. The ending is plain daft, even irresponsible when one considers how much thought has gone into the story previously, but mostly this is a genre piece of considerable worth. 8/10
I thought the story was both interesting and believable on some levels. I have no doubt that an AI would eventually turn on a creator, especially since most creators don't think of artificial intelligence as anything other than a tool to use and dispose of. Be careful what you wish for, if you try t ... o create a life through AI, don't be surprised if it has a mind of its own.⭐⭐⭐⭐