Popularity: 11 (history)
Director: | Rupert Sanders |
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Writer: | William Josef Schneider, Zach Baylin |
Staring: |
Soulmates Eric and Shelly are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right. | |
Release Date: | Aug 21, 2024 |
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Director: | Rupert Sanders |
Writer: | William Josef Schneider, Zach Baylin |
Genres: | Fantasy, Action, Horror |
Keywords | superhero, remake, back from the dead, awakening, re-imagining, soulmates, based on comic, murder, true love, dark romance, husband wife relationship, crow, revenge, death, mysterious, gloomy |
Production Companies | Davis Films, Pressman Film, FilmNation Entertainment, Occupant Entertainment, Hassell Free Productions, Electric Shadow Company, 30WEST, Maze Pictures, Ashland Hill Media Finance |
Box Office |
Revenue: $24,109,036
Budget: $50,000,000 |
Updates |
Updated: Jul 31, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Volker Bertelmann | Original Music Composer, Music Score Producer |
Ozan Tekin | Other |
Des Hamilton | Casting |
Rob Bliss | Concept Artist |
Vaclav Mottl | Line Producer |
Maya Kvetny | Casting |
Marisol Roncali | Casting |
Guy Bradley | Supervising Art Director |
Brett Hodgkinson | First Assistant Director |
Sean Guest | First Assistant Director |
Petr Matousek | Second Assistant Director |
Tomáš Bělohradský | Sound Mixer |
Kristyna Hanusova | Location Manager |
Vera Homolacova | Script Supervisor |
Steve Annis | Director of Photography |
Rob Killick | Dialogue Editor |
Michael Maroussas | Supervising Sound Editor |
Sophia Hardman | Foley Mixer |
Igor Pokorný | Sound Mixer |
Jason Swanscott | Foley Artist |
Jasper Thorn | Sound Re-Recording Mixer |
Jan Andrees | Orchestrator |
Richard Armstrong | Music Editor |
Noami Bourgeois | VFX Editor |
Traci Duran | First Assistant Editor |
Mark Adams | Additional Editor |
George Adams | First Assistant Editor |
Laura Metcalfe | Head of Production |
James Slattery | Colorist |
Michaela Dejmalova | Set Costumer |
Hana Kučerová | Costume Supervisor |
Jason Ballantine | Additional Editor |
Greg Fisher | Colorist |
David Máj | Costume Coordinator |
Daniel Pietrucha | Key Costumer |
Daniel Parker | Makeup & Hair |
William Josef Schneider | Screenplay |
Martin Sobek | Set Costumer |
Jessica Brooks | Special Effects Makeup Artist |
Jo Grover | Special Effects Makeup Artist |
Victoria Holt | Special Effects Makeup Artist |
Kati Hood | Special Effects Makeup Artist |
Deb Kenton | Makeup & Hair |
Alisa Lawson | Special Effects Makeup Artist |
Stuart Richards | Special Effects Key Makeup Artist |
David White | Special Effects Makeup Artist |
Julian Wayser | Second Unit Director |
Matej Kricner | Key Set Production Assistant |
Karel Kubis | First Assistant Director |
Tomas Bilina | Standby Art Director |
Adam Blazek | Art Department Assistant |
Marketa Bockova | Assistant Set Decoration |
Josef Borik | Assistant Property Master |
David Fryš | Property Master |
David Honz | Concept Artist |
Natálie Kalendová | Set Designer |
Karel Krejník | Standby Property Master |
Alice Linhartová | Graphic Designer |
Nikola Malenová | Graphic Designer |
Anna Marhoulová | Concept Artist |
Matej Matejicek | Construction Buyer |
Ian McCaffrey | Storyboard Artist |
Jan Seidl | Art Department Coordinator |
James Boyle | Supervising Sound Editor |
Dean Covill | ADR Mixer |
Sam Day | Assistant Sound Editor |
Pavel Kundera | Boom Operator |
Brendan Nicholson | Sound Re-Recording Mixer |
George Riley | Sound Designer, Sound Effects Editor |
Ferdinand Petrš | Utility Sound |
Michal Straka | Utility Sound |
Marjolein Verheij | Compositing Artist |
Martin Van Hassel | VFX Artist |
Victor Almela | Compositing Artist |
Béatrice Antis | Visual Effects Editor |
Cédric Battude | Compositing Artist |
Jonas Bruse | Compositing Artist |
Laura Ludovica Buccinnà | Compositing Artist |
Thomas Buiting | Visual Effects Technical Director |
Nicolas Burgers | Compositing Lead |
Jana Buryskova | Compositing Artist |
Falk Büttner | Visual Effects Supervisor |
Denis Cesek | Compositing Artist |
Miroslav Cicmanec | Compositing Artist |
Martin Cicmanec | Compositing Supervisor |
Natalie Cooke | Senior Visual Effects Supervisor |
Florian Coquaz | VFX Artist |
Mitchell Crease | Compositing Artist |
Razvan Teodor Cristea | VFX Artist |
Michelle Cullen | Visual Effects Producer |
Ulisse Dickmann | Compositing Artist |
Stojan Dimov | Modeling |
Barbara Dobrovitz | VFX Editor |
Ben Duff | Visual Effects Coordinator |
Jennifer Dzielo | Animation |
Guglielmo Emmolo | Compositing Artist |
Charles Downman | Concept Artist |
Gennaro Esposito | Modelling Supervisor |
Nick Feldman | VFX Editor |
Simon Firth | Digital Compositor |
Stephen Feltham | Compositing Artist |
Charlotte Fitzwater | Visual Effects Coordinator |
Alex Frost | Digital Compositor |
Alexandre Gaudiano | Compositing Artist |
Sinje Gebauer | Visual Effects Producer |
Florian Gellinger | Visual Effects Producer |
Heidi Kathrin Harnisch | Compositing Artist |
Laurent Buson | Fight Choreographer |
Charles Delaunay | Fight Choreographer |
Maxime Ecoiffier | Fight Choreographer |
Jacob Griffin | Stunt Coordinator |
Jindřich Klaus | Utility Stunts |
Miroslav Lhotka | Stunts |
Anna Lipoldová | Stunts |
Petr Prochazka | Stunts |
Godefroy Ryckewaert | Fight Choreographer |
Dominik Sourek | Stunts |
Birgui Tall | Stunts |
Denise Treffler | Stunts |
Tomáš Cicu | Second Assistant "B" Camera |
Mitch Buss | Techno Crane Operator |
Martin Carda | First Assistant Camera |
Orlando Duguay | "A" Camera Operator, Steadicam Operator |
Larry D. Horricks | Still Photographer |
Vladimir Kesl | Digital Imaging Technician |
Andrey Kirkov | Camera Trainee |
Pavel Kuřák | First Assistant Camera |
Slaven Pavlov | Electrician |
Patrick Lima | Dolly Grip |
Aleksandar Letić | Additional Photography |
Martin Matiášek | "B" Camera Operator, Additional Camera |
David Mestecky | Second Assistant Camera |
Pavel Proisl | Key Grip |
Jason Price | Aerial Camera Technician |
Karol Pruzinsky | Second Assistant Camera |
Jessica Radlovacki | Camera Trainee |
John Trapman | Aerial Director of Photography |
Elan Jones | Casting Associate |
Kristyna Policek | Casting Associate |
Kamil Novák | Extras Casting |
Alisa Buckley | Unit Publicist |
Marguerite Prineas | First Assistant Accountant |
Jiri Tichacek | Production Controller |
Jonas Baum | Stand In |
Seth Kleinberg | Main Title Designer |
Eva Hájková | Animal Wrangler |
Michael Franck | Pilot |
Anna Burianová | Set Production Assistant |
Will Jones | Score Engineer |
Hugh Brunt | Conductor |
Daniel Kresco | Scoring Mixer |
Clifton Harrison | Musician |
Nevin Seus | Music Editor |
Benedikt Wild | Other |
Lambert Windges | Other |
Martin Röder | Musician |
Anna Ljungberg | Musician |
Joerg Volk | Animation |
Marwin Wanek | Compositing Artist |
Onur Can Yol | Digital Compositor |
James O'Barr | Comic Book |
Robin Brown | Production Design |
Pavel Tatar | Art Direction |
Holly Thurman | Set Decoration |
Rupert Sanders | Director |
Kurt Swanson | Costume Design |
Bart Mueller | Costume Design |
Chelsea Ellis Bloch | Casting |
Adam Horton | Stunt Coordinator |
Michal Křeček | VFX Supervisor |
Kristina Hudeckova | Set Designer |
Chloë Kilby | First Assistant Editor |
Zach Baylin | Screenplay |
Molly Hassell | Unit Production Manager |
Sebastian Lauer | Visual Effects Supervisor |
Name | Title |
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Samuel Hadida | Producer |
Lisa Perkins | Co-Executive Producer |
Euzebio Munhoz Jr. | Co-Executive Producer |
Kelly McKee | Co-Executive Producer |
Paul W. Hazen | Co-Executive Producer |
Joe Simpson | Executive Producer |
Juliana Lubin | Executive Producer |
Henry Winterstern | Executive Producer |
Arianne Fraser | Executive Producer |
Delphine Perrier | Executive Producer |
Micah Green | Executive Producer |
Daniel Steinman | Executive Producer |
Dan Friedkin | Executive Producer |
Jay Taylor | Executive Producer |
Kwesi Dickson | Executive Producer |
Lorna Soonhee | Executive Producer |
Ryan Kavanaugh | Executive Producer |
Ken Halsband | Executive Producer |
Brett Dahl | Executive Producer |
Philipp Kreuzer | Executive Producer |
Rupert Sanders | Executive Producer |
Malcolm Gray | Executive Producer |
Jon Spaihts | Executive Producer |
Jonathan Bross | Executive Producer |
Dan Farah | Executive Producer |
Jon Katz | Executive Producer |
Jade Manuel | Associate Producer |
Joe Neurauter | Executive Producer |
Paula Paizes | Co-Executive Producer |
Sam Pressman | Executive Producer |
William Josef Schneider | Executive Producer |
Kevan Van Thompson | Executive Producer |
Simon Williams | Executive Producer |
Merrick Stoller | Associate Producer |
Molly Hassell | Producer |
John Jencks | Producer |
Victor Hadida | Producer |
Edward R. Pressman | Producer |
Johanna Watts | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 30 | 56 | 15 |
2024 | 5 | 41 | 80 | 31 |
2024 | 6 | 31 | 49 | 20 |
2024 | 7 | 36 | 71 | 20 |
2024 | 8 | 124 | 347 | 37 |
2024 | 9 | 1495 | 4065 | 140 |
2024 | 10 | 1050 | 2511 | 565 |
2024 | 11 | 406 | 659 | 263 |
2024 | 12 | 282 | 355 | 210 |
2025 | 1 | 243 | 344 | 158 |
2025 | 2 | 150 | 224 | 28 |
2025 | 3 | 46 | 190 | 3 |
2025 | 4 | 20 | 27 | 17 |
2025 | 5 | 16 | 24 | 14 |
2025 | 6 | 14 | 18 | 12 |
2025 | 7 | 12 | 14 | 9 |
2025 | 8 | 10 | 14 | 9 |
2025 | 9 | 12 | 15 | 10 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 544 | 804 |
Year | Month | High | Avg |
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2025 | 8 | 185 | 757 |
Year | Month | High | Avg |
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2025 | 7 | 333 | 672 |
Year | Month | High | Avg |
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2025 | 6 | 352 | 673 |
Year | Month | High | Avg |
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2025 | 5 | 169 | 633 |
Year | Month | High | Avg |
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2025 | 4 | 149 | 563 |
Year | Month | High | Avg |
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2025 | 3 | 93 | 553 |
Year | Month | High | Avg |
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2025 | 2 | 40 | 326 |
Year | Month | High | Avg |
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2025 | 1 | 36 | 133 |
Year | Month | High | Avg |
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2024 | 12 | 12 | 122 |
Year | Month | High | Avg |
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2024 | 11 | 34 | 150 |
Year | Month | High | Avg |
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2024 | 10 | 14 | 112 |
Year | Month | High | Avg |
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2024 | 9 | 1 | 15 |
Year | Month | High | Avg |
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2024 | 8 | 9 | 94 |
I think the best plan of attack for this film is to forget all about Brandon Lee's 1994 version and treat this as a stand-alone vehicle for Bill Skarsgård to show off his ninja skills. He's "Eric" who encounters "Shellly" (FKA twigs) and is then promptly embroiled in the devilish machinations of "Ro ... eg" (Danny Huston) who ensures that his hench-woman "Marion" (Laura Birn) kills them both. Turns out, though, that "Eric" still has enough purity of soul left to return to the land of the living and so long as he is touched by true love's kiss sort of thing, will remain immortal long enough to avenge the couple. Yes, there is a crow - the embodiment of his spirit when he goes on his murderous spree, but that whole theme isn't at all developed so let's just forget about that and revert to the whole point of the film - an excuse to pack loads of slaughter, acrobatics and dark, eerie photography into all but two hours of repetitious mediocrity. The camera likes Skarsgård well enough, and there's certainly plenty of him to see here as he takes on all comers. Why were they killed though? Who is "Roeg"? Sure, you can put your own interpretation onto the story if you can be bothered, but director Rupert Sanders has almost entirely focussed on the gloomy and very wet imagery and decided against putting any meat on the bones of the story or the characters. There's a welcome paucity of dialogue throughout and FKA clearly twigged there wasn't much for her to do here so leaves much of the film to her co-star trying his best to be an amalgam of "John Wick" and "Selene" from "Underworld" (2003). It does look good but hasn't an original feather in it's body. It's nice to see Josette Simon (remember "Blake's Seven"?) on the big screen, albeit briefly, but this is really all very disappointing.
Closer to <em>'Morbius'</em> than it is to <em>'The Crow'</em>. That is... A: not even a joke, it honestly felt similar vibe-wise to that infamous <em>'Sony's Spider-Man Universe'</em> movie for large portions. B: not as big a slight as you may think, as I didn't dislike that Jared Leto flick as ... much as most others did (not saying it's good, mind). Still, this version of the highly regarded 1994 picture isn't all that, I'm afraid. it almost feels like something completely different, they could've altered a few minor things and made an entirely original film to be honest. I found the pacing to be particularly off, while the antagonist(s) are extremely plain throughout. I do have some positives. Bill Skarsgård and FKA Twigs make for a solid pairing, I sensed enough chemistry between them and both their performances are satisfactory. The music is decent, while some of the kills are creatively done and well shown onsreen. All in all, however, it's a thumbs down from me; no copyright infringement intended, Messrs Siskel and Ebert.
WOW this is awful. I remember the original Crow film with Brandon Lee (who sadly passed away making the film), which was reasonable but this so called remake, is, simply put, a cinematic train wreck. Eric (The Crow) is, it seems, not really the main character (he's elbowed aside by his drug addi ... ct, criminally linked, ex prostitute girlfriend). Apparently Eric, not to be entirely outdone however, is also a drug addict. Both he and the upcoming love interest attend a drug rehab centre, where everyone dresses like extra's from a Pink Panther movie. Oh and poor Eric's a wuss, who's bullied until he and his lady friend escape, have a tryst and are promptly croaked by some bad guys, who are after his dodgy lady friend. At this point and for reasons that seem, to say the least, far fetched, Eric is resurrected, as a mostly inept, anti hero tasked with seeking revenge. Suffice to say, this remake is filled with characters who are deeply unlikable and a central plot that's not only weak tea but make's little rational sense. Backed by a so called love story, that's about as appetising, as a two week old bowl of clam chowder. In summary, the original The Crow film from way back when is a cinematic masterpiece, when compared to this dismal retake. In my opinion, one to avoid.