Returning to her home planet, an infamous bounty hunter forms an unexpected alliance with a team of unlikely heroes. Together, they battle monsters and dangerous bandits to protect a young girl who holds the key to unimaginable power. | |
Release Date: | Aug 07, 2024 |
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Director: | Eli Roth |
Writer: | Eli Roth, Joe Crombie |
Genres: | Comedy, Action, Science Fiction |
Keywords | outlaw, missing girl, based on video game, unlikely friendship, talking robot, malicious, band of misfits, mysterious power |
Production Companies | Lionsgate, Arad Productions, Picturestart, Hercules Film Fund, Gearbox Studios, 2K |
Box Office |
Revenue: $33,017,367
Budget: $115,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Cate Blanchett | Lilith |
Kevin Hart | Roland |
Edgar Ramírez | Atlas |
Jamie Lee Curtis | Tannis |
Ariana Greenblatt | Tiny Tina |
Florian Munteanu | Krieg |
Janina Gavankar | Knoxx |
Jack Black | Claptrap (voice) |
Benjamin Byron Davis | Marcus |
Olivier Richters | Krom |
Gina Gershon | Moxxi |
Ryann Redmond | Ellie |
Bobby Lee | Larry |
Sophie Popper | Child |
Haley Bennett | Lilith's Mom |
Riana Emma Balla | Young Lilith |
Steven Boyer | Scooter |
Sámuel Siffel | Kid #1 |
Lana Elizabeth Hobson-Borcván | Kid #2 |
Emma Papp | Kid #3 |
Liliána Kaizer | Kid #4 |
Samuel Tamunotoku Gbobo | Krom's Lance Soldier #1 |
Zsuzsanna Roehnelt | Krom's Lance Soldier #2 |
Deák Zsolt | Stingray Gunner |
Jeremy Wheeler | Citizen |
Harry Szovik | Crimson Lance Soldier #1 |
Ádám Zambrzyscki | Another Lance Soldier |
Zsófia Bujáki | Crimson Lance Soldier #2 |
Iliasz Shweirif | Crimson Lance Soldier #3 |
Attila Herrmann | The Vulture |
Hunter Troy Rothwell | Pickle |
Paula Andrea Placido | Bartender |
Harry M. Ford | Middle Man / Jake |
Benjamin Hoffman | Thug |
Jessica Nigri | Bartender (uncredited) |
Name | Job |
---|---|
Rogier Stoffers | Director of Photography |
Evan Henke | Editor |
Daniel Orlandi | Costume Design |
Georgi Manchev | Fight Choreographer |
Chelsea Mather | Stunt Double |
Brett Easton | Stunt Double |
Rob de Groot | Stunt Double |
Daniel Arrias | Fight Choreographer |
Jade Quon | Stunt Double |
Hugh Aodh O'Brien | Utility Stunts |
Trevor Logan | Stunts |
Benjamin Hoffman | Stunts |
James O'Donnell | Stunt Coordinator, Second Unit Director |
Brett Praed | Utility Stunts |
Ferenc Iván Szabó | Stunts |
Morag Ross | Makeup Designer |
Ildikó Molnár | Key Makeup Artist |
Yana Stoyanova | Makeup Supervisor |
Brigitta Mogony | Key Hair Stylist |
Sharisse Fine | Key Hair Stylist |
Csilla Blake-Horváth | Makeup Designer, Hair Designer |
Aaron Becker | Title Designer |
Zsuzsanna Sipos | Set Decoration |
Karl Van Moorsel | Stunt Driver |
Deák Zsolt | Stunt Driver |
Charlie Thornton-White | Stunts |
Enele Ma'afu Tauteoli | Stunts |
István Széni | Stunts |
Ákos Szalai | Stunts |
Marci Ragályi | "A" Camera Operator |
Patrick B. O'Brien | Camera Operator |
Mark Moriarty | Camera Operator |
Gusztáv Kirsch | "B" Camera Operator |
Kata Vermes | Still Photographer |
Daniel J. Lester | Assistant Costume Designer |
Eli Roth | Screenstory, Screenplay, Director |
Miguel Marquez | Production Assistant |
Richard Bennett | Storyboard Artist |
Géza Kerti | Art Direction |
Zsuzsa Kismarty-Lechner | Supervising Art Director |
Kristof Pataricza | Art Direction |
Reetu Aggarwal | 3D Artist |
Joe Crombie | Screenplay |
Trygge Toven | Music Supervisor |
Julian Clarke | Editor |
Ryan Cole | Supervising Sound Editor |
Will Files | Sound Re-Recording Mixer |
Mark Paterson | Sound Re-Recording Mixer |
Wayne Lemmer | Sound Re-Recording Mixer |
David Grimaldi | Sound Designer |
James Miller | Sound Designer |
Angelo Palazzo | Sound Designer |
Eliza Pollack Zebert | ADR Supervisor |
Polly McKinnon | Dialogue Editor |
Emma Present | Dialogue Editor |
Steve Neal | Sound Mix Technician |
Dean Sherriff | Concept Artist |
Steve McQuillan | Stunt Coordinator |
Nick Epper | Stunt Double |
László Demény | Stunt Double |
Gábor Piroch | Stunt Coordinator |
Dorottya Talpassy | Stunt Double |
Samuel J. Paul | Stunt Double |
Hajnalka Szilágyi | Stunt Double |
Kinga Barbara Tóth | Stunt Double |
Balázs Bölkény | Stunts |
Valerie Bleth Sharp | Executive In Charge Of Production |
Lisa C. Satriano | First Assistant Director |
Josy Capkun | Second Assistant Director |
Dora Takacs | Third Assistant Director |
Gábor Perei | Stunts |
Ádám Szabó | Stunts |
Craig Henighan | Sound Re-Recording Mixer, Supervising Sound Editor |
Brandon Proctor | Sound Re-Recording Mixer |
Andrew Menzies | Production Design |
Linda Flowers | Hair Department Head |
Bill Corso | Makeup Department Head |
Scott Stokdyk | Visual Effects Supervisor |
Noon Orsatti | Stunt Coordinator, Second Unit Director |
Victoria Thomas | Casting |
Steve Jablonsky | Original Music Composer |
Freddy Bouciegues | Stunt Coordinator |
Laura Vörtler | Stunt Double |
Jason Lei Howden | Digital Compositor |
Name | Title |
---|---|
Paris Kassidokostas-Latsis | Executive Producer |
Jean-Luc De Fanti | Executive Producer |
Terry Dougas | Executive Producer |
Ari Arad | Producer |
Strauss Zelnick | Executive Producer |
Ethan Smith | Executive Producer |
Louise Rosner-Meyer | Executive Producer |
Emmy Yu | Executive Producer |
Lucy Kitada | Executive Producer |
Avi Arad | Producer |
Erik Feig | Producer |
Randy Pitchford | Executive Producer |
Tim Miller | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 46 | 24 |
2024 | 5 | 38 | 69 | 25 |
2024 | 6 | 39 | 56 | 26 |
2024 | 7 | 64 | 122 | 37 |
2024 | 8 | 225 | 451 | 102 |
2024 | 9 | 1715 | 4015 | 873 |
2024 | 10 | 543 | 1161 | 384 |
2024 | 11 | 279 | 416 | 186 |
2024 | 12 | 202 | 362 | 153 |
2025 | 1 | 166 | 257 | 104 |
2025 | 2 | 98 | 136 | 21 |
2025 | 3 | 34 | 122 | 3 |
2025 | 4 | 15 | 17 | 11 |
2025 | 5 | 14 | 16 | 12 |
2025 | 6 | 14 | 19 | 11 |
2025 | 7 | 9 | 11 | 7 |
2025 | 8 | 8 | 10 | 7 |
2025 | 9 | 9 | 13 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 348 | 704 |
Year | Month | High | Avg |
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2025 | 8 | 210 | 677 |
Year | Month | High | Avg |
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2025 | 7 | 187 | 665 |
Year | Month | High | Avg |
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2025 | 6 | 118 | 610 |
Year | Month | High | Avg |
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2025 | 5 | 179 | 575 |
Year | Month | High | Avg |
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2025 | 4 | 48 | 490 |
Year | Month | High | Avg |
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2025 | 3 | 115 | 401 |
Year | Month | High | Avg |
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2025 | 2 | 108 | 445 |
Year | Month | High | Avg |
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2025 | 1 | 61 | 256 |
Year | Month | High | Avg |
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2024 | 12 | 19 | 69 |
Year | Month | High | Avg |
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2024 | 11 | 17 | 80 |
Year | Month | High | Avg |
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2024 | 10 | 32 | 110 |
Year | Month | High | Avg |
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2024 | 9 | 4 | 22 |
Year | Month | High | Avg |
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2024 | 8 | 2 | 22 |
Never played the game, enjoyed the film. I have heard of the video game that <em>'Borderlands'</em> is based upon, though my knowledge of it doesn't extend past that one and only fact. I knew nothing else about it, so I can't comment on this in regards how well it adapts the game. As a movie thou ... gh, I did get the required enjoyment from it. Sure the story could've been greater, but what's produced kept me watching all the way through - it's a watchable flick. I did like the cast and characters, all of whom I found suitably interesting. Cate Blanchett is good fun in the lead role, Kevin Hart is perhaps a tad underused but satisfactory nonetheless, while Ariana Greenblatt impresses. Jack Black is the one I enjoyed most, admittedly that's no surprise given I am a fan of that guy as an actor. I will say that his character is the opposite of Hart's Roland, in that I think the filmmakers should've utilised him less - he does get a bit too much screen time for a side character. However, as it's Black voicing Claptrap I can't possibly say I didn't like seeing him. <i>*now looks to see how this has been received thus far*</i> Well, shit. Granted, I do see the <em>'Guardians of the Galaxy'</em> attempted resemblance.
10 minutes is and the acting is already bothering me. Why are they all smiling like it's all a joke, totally does not fit the background or mood of the set. How can a movie with such complex and elaborate set, costume design and background can have such a bland, forgettable character with such a bor ... ing storyline? I suppose it is not the fault of the movie because it follows the story of a video game? Yet it remains true. I think there's too many characters and not enough time to explore each character. They could have just pick one or two characters for this movie and then add a bit more on the next sequel.
Oh come on - it's not that bad! True, there isn't an original thought in it's hundred minute duration and it does look like a very poor relation to a video-game, but it's "Mad Max" meets "Buck Rogers" vibe just about entertained me. It's all about "Lilith" (Cate Blanchett) who is a renowned bounty h ... unter charged by gazillionaire "Atlas" (Edgar Ramirez) with finding his kidnapped daughter "Tina" (Ariana Greenblatt). Thing is, she's already been rescued by "Roland" (Kevin Hart) and is in no great rush to return to the loving arms of daddy. Whilst trying to track her down, "Lilith" encounters the true star of the film - the robot "Claptrap", a sarcastic pile of scrap who decides to help out whether she likes it or not, so off they go a-child-hunting. Yep - it proceeds exactly as you'd expect, except for the frankly bamboozling contribution of Jamie Lee Curtis (and her red glasses) who does look like she's enjoying herself on set but, like Blanchett, is just a complete fish out of water as the banal dialogue and set-piece combat scenes pass the entire project into the hands of the CGI developers. This is nothing at all special or memorable, just a predictable action enterprise that takes "Robot Wars" to the desert, but if you aim low and take it in the spirit it's clearly intended then it's a perfectly watchable summer adventure.
I just have a question on what world Hollywood is living in to believe this would be in any way a success. We've have how many writer strikes for better pay and this is the outcome for people supporting them? Nah, sorry I'm not a borderlands fan game wise, its simply not my cup of tea but I can s ... ee the appeal that so many love about it especially with friends. However I am still familiar with the characters and seeing this film completely destroy them is a slap to the face. If you aren't going to respect the lore/source of whatever book or game you're taking it from don't make it at all. PS - Kevin Hart as Roland? Really? How many drugs are legal in Cali?
This is one of the worst movies I have ever seen. To preface, I want to clarify that I know nothing about the Borderlands video games—I’ve never played them, and I have no bias against them. However, I approached this movie with some trepidation, knowing Eli Roth's track record with handling other I ... Ps has been less than stellar. From the outset, Borderlands feels like a blatant attempt to rip off Guardians of the Galaxy. The influence is undeniable, but Roth clearly missed what made Guardians so special. Borderlands is one dance-off scene short of being a direct copy, but even if Roth had included a dance-off, he probably would have cast an Australian Olympic breakdancer—an ill-fitting choice emblematic of how off-target this film is. The movie throws the audience into a barrage of nonsensical twists and turns that lack coherence or purpose. The narrative seems to be constantly shifting, yet never in a way that feels organic or meaningful. The lack of a coherent plot makes it difficult to stay invested, and the film quickly becomes tedious. Another glaring issue is the film's failure to create any meaningful connection between its main characters. In Guardians of the Galaxy, the chemistry among the team is a driving force, making their adventures feel both exciting and emotionally resonant. In contrast, Borderlands completely misses this mark. The characters are paper-thin, with little to no development, and their interactions lack the spark needed to make the audience care about their journey. Visually, the film also disappoints. The aesthetic choices, from the set design to the visual effects, fail to create a compelling or immersive world. The film’s attempt to capture the wild, chaotic energy of the Borderlands universe falls flat, resulting in a bland and uninspired visual experience. Overall, Borderlands is a truly boring movie, devoid of character development, narrative coherence, or visual appeal. It’s a film that not only fails to honor the spirit of its source material but also fails to stand on its own as an entertaining piece of cinema. Eli Roth’s attempt to capture the magic of Guardians of the Galaxy is misguided and ultimately unsuccessful, resulting in a forgettable and frustrating experience. This movie serves as a reminder that simply mimicking successful formulas without understanding what makes them work is a recipe for disaster.
Brittle, boring and badly miscast, there is little to like in Borderlands. Once witty, satirical, over the top and above all else, a colourfully fun gaming experience, in my view this film mirrors, what the Borderlands franchise has become. Dull, humourless, uninspiring, wooden exposition, that v ... acuously apes what once was. For my money too, much of the cast just don't fit this kind of over the top action genre. As a result a good number of performances feel more than a little awkward. Any upside? Decent production values, I guess..... In summary, very little to like here. Bland, brittle exposition with a Borderlands make over, minus all the good things that made the original Borderlands games franchise, so appealing.
After reading all the bad reviews (some here) of Borderlands, I decided to give it a watch. To be brutally honest, I actually enjoyed it. It’s definitely not a movie I’d watch again, but it was entertaining enough that if forced to choose, I’d rather watch it again over any of the Ant-Man films. Mic ... hael Douglas and Paul Rudd just don’t do sci-fi well—especially Paul Rudd. I thought Cate Blanchett’s performance wasn’t bad at all, and frankly, some of the reviews here seem like pure trolling.