Popularity: 4 (history)
Director: | Paul W. S. Anderson |
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Writer: | Paul W. S. Anderson, Shinji Mikami |
Staring: |
When a virus leaks from a top-secret facility, turning all resident researchers into ravenous zombies and their lab animals into mutated hounds from hell, the government sends in an elite military task force to contain the outbreak. | |
Release Date: | Mar 15, 2002 |
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Director: | Paul W. S. Anderson |
Writer: | Paul W. S. Anderson, Shinji Mikami |
Genres: | Action, Science Fiction, Horror |
Keywords | biological weapon, quarantine, amnesia, undercover, dystopia, mutant, hologram, flashback, conspiracy, zombie, special forces, based on video game |
Production Companies | Constantin Film, Impact Pictures, Davis Films, New Legacy Film |
Box Office |
Revenue: $102,984,862
Budget: $33,000,000 |
Updates |
Updated: Aug 16, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Milla Jovovich | Alice |
Michelle Rodriguez | Rain Ocampo |
Eric Mabius | Matt Addison |
James Purefoy | Spence Parks |
Martin Crewes | Chad Kaplan |
Colin Salmon | James "One" Shade |
Pasquale Aleardi | J.D. Salinas |
Heike Makatsch | Dr. Lisa Addison |
Ryan McCluskey | Mr. Grey |
Indra Ové | Ms. Black |
Oscar Pearce | Mr. Red |
Anna Bolt | Dr. Green |
Joseph May | Dr. Blue |
Robert Tannion | Dr. Brown |
Jaymes Butler | Clarence |
Stephen Billington | Mr. White |
Fiona Glascott | Ms. Gold |
Liz May Brice | Medic |
Torsten Jerabek | Commando 1 |
Marc Logan-Black | Commando 2 |
Michaela Dicker | Red Queen |
Jason Isaacs | Dr. William Birkin (uncredited) |
Name | Job |
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Tom Holkenborg | Additional Music |
Paul W. S. Anderson | Director, Writer |
Suzanne M. Smith | Casting |
Ingeborg Heinemann | Art Department Coordinator |
Jörg Widmer | Steadicam Operator |
Volkhart Buff | Stunt Coordinator |
Alexander Berner | Editor |
Marco Beltrami | Original Music Composer |
Gerd Nefzer | Special Effects Supervisor, Special Effects Coordinator |
Christine Rothe | Production Executive |
Barrie Gower | Prosthetics |
Colin Jackman | Sculptor |
Noemi Hampel | Foley Editor |
Sammi Davis | Production Coordinator |
Bharat Nalluri | Second Unit Director |
Babette Schimanek | Stunts |
Frank Guhn | Set Medic |
Silvia Tollmann | Unit Production Manager |
Liz Gallacher | Music Supervisor |
Stefan Busch | Supervising Sound Editor |
Hasso von Hugo | Key Makeup Artist |
Jan Sebastian Ballhaus | First Assistant Director |
Philip Elton | Draughtsman |
Chris Coxon | Animatronics Designer |
Claudia Maria Braun | Costume Assistant |
Renate Siegl | Negative Cutter |
Simon Emanuel | Second Assistant Director |
David Johnson | Camera Operator, Director of Photography |
Robyn Ray | Casting |
Richard Bridgland | Costume Design, Production Design |
Albert Botha | Line Producer |
Jörg Baumgarten | Art Direction |
Penny Crawford | Set Decoration |
Björn Rehbein | Hairstylist |
Friderike Roessler | Hairstylist |
Valeska Schitthelm | Hairstylist |
Christina Smith | Makeup Artist |
Anete Conrad | Assistant Art Director |
Pauline Fowler | Animatronic and Prosthetic Effects |
Martin Gaskell | Animatronic and Prosthetic Effects |
Tony Reading | Supervising Art Director |
Ulf Sturhann | Construction Coordinator |
Philipp Hübner | Leadman, Carpenter |
Marion Gerhardt | Location Scout |
Ravi Bansal | Production Illustrator |
Adam Quinn | First Assistant Camera |
Rolf Konow | Still Photographer |
Warnar Van Eeden | Choreographer |
Susen Jarmuske | Driver |
Andy Garner | Makeup Effects |
Christine Jahn | Post Production Supervisor |
Mirjam Weber | Production Office Assistant |
Danny Hunter | Property Master |
René Bellmann | Stunts |
John Kurlander | Technical Supervisor |
Francois Frey | Unit Publicist |
Paul Elman | Visual Effects Editor |
Caroline Sax | Script Supervisor |
Andreas Lautil | Color Timer |
Franziska Schmidt-Kärner | First Assistant Editor |
Udo Kowalczyk | Best Boy Electric |
David Reppen | Electrician |
Edgar Auell | Gaffer |
Helga Ploiner | Production Accountant |
Muriel Gérard | Production Manager, Visual Effects Coordinator |
Ian Frost | Researcher |
Alois Unger | Boom Operator |
Marco Raab | Sound Designer |
Frank Casaretto | Sound Editor |
Roland Winke | Sound Mixer |
Michael Kranz | Sound Re-Recording Mixer |
Phil Bignell | 3D Supervisor |
Richard Yuricich | Visual Effects Producer |
Astrid Kühberger | Art Department Manager |
John Charles | Software Engineer |
Norbert Zich | Dolby Consultant |
Esther Fischer | Unit Manager |
Dieter Bähr | Key Grip |
Glenn König | Grip |
Patricia Ferbeck | Negative Cutter |
Louis Elman | ADR Voice Casting |
Kerstin Biermann | Assistant Production Coordinator |
Natasha Ockrent | Casting Assistant |
Matt Grimes | ADR Editor |
Bjørn Ole Schroeder | ADR Supervisor |
Elke Freitag | Costume Assistant |
Sparka Lee Hall | Costume Assistant |
Astrid Lafos | Costume Assistant |
Anette Tirler | Costume Assistant |
Sandra Stier | Negative Cutter |
James Furlong | Animation |
Vlad Holst | Animation |
Peter McDonald | Animation |
Nic Nicholas | Animation |
Simon Payne | Animation |
Mark Hodgkins | Senior Animator |
Penny Leyton | Senior Animator |
Virgil Manning | Senior Animator |
Dusan Strugar | Senior Animator |
Rachel Ward | Senior Animator |
John Hardwick | Compositing Artist |
Matt Kasmir | Compositing Artist |
Scott Marriott | Compositing Artist |
Steve Tizzard | Compositing Artist |
Sonja Mecke | Assistant Accountant |
Hannes Patry | Assistant Accountant |
Anna Schmigalla | Assistant Accountant |
Nicola zu Stolberg | Unit Publicist |
Liza Brzonskalla | Additional Wardrobe Assistant |
Almut Gramer | Assistant Makeup Artist |
Jemma Scott-Knox-Gore | Contact Lens Technician |
Ludolf Böhm | Dressing Prop |
Martin Asbury | Storyboard Artist |
Joao Gonzaga Silveira | Swing |
Peter Gleaves | ADR Mixer |
Matthew Skelding | ADR Recordist |
Joo Fürst | Foley Artist |
Philipp Sellier | Foley Mixer |
Lisa Geffcken-Reinhard | Foley Supervisor |
Sylvio Lienert | Special Effects Assistant |
Volker Lorig | Special Effects Technician |
Tabitha Dean | Visual Effects Editor |
Rainer Winkler | Assistant Electrician |
Stefan Grandinetti | Clapper Loader |
Christian Almesberger | Focus Puller |
Isabel Prochnow | Post Production Coordinator |
David Bergendahl | Assistant Location Manager |
Georg Naschke | Music Consultant |
Ernestine Kahn | Dialogue Coach |
Robin von der Leyen | Executive Assistant |
Iris Müller | Extras Casting |
Rachael Penfold | Head of Production |
Kris Wood | Playback Coordinator |
Joerg Kraft | Production Driver |
Zulfiquar Rahman | Production Runner |
Susann Pataki | Production Secretary |
Toska Hartmann | Set Runner |
Thomas Heyn | Standby Rigger |
Katrin Schrake | Stunts |
Katja Richter | Stunts |
Jana Herrmann | Stunts |
Silke Böttcher | Stunts |
Paul Goldsmith | Third Assistant Director |
Katja Jerabek | Stunts |
Shinji Mikami | Original Story |
Marilyn Manson | Original Music Composer |
Duncan Jarman | Prosthetics |
Name | Title |
---|---|
Jeremy Bolt | Producer |
Bernd Eichinger | Producer |
Mike Gabrawy | Associate Producer |
Victor Hadida | Executive Producer |
Samuel Hadida | Producer |
Paul W. S. Anderson | Producer |
Daniel S. Kletzky | Executive Producer |
Yoshiki Okamoto | Executive Producer |
Chris Symes | Co-Producer |
Robert Kulzer | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 39 | 61 | 27 |
2024 | 5 | 72 | 96 | 48 |
2024 | 6 | 47 | 101 | 28 |
2024 | 7 | 32 | 61 | 22 |
2024 | 8 | 27 | 36 | 20 |
2024 | 9 | 28 | 53 | 20 |
2024 | 10 | 22 | 33 | 15 |
2024 | 11 | 27 | 52 | 19 |
2024 | 12 | 23 | 44 | 17 |
2025 | 1 | 26 | 37 | 17 |
2025 | 2 | 18 | 30 | 4 |
2025 | 3 | 8 | 34 | 1 |
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2025 | 5 | 4 | 4 | 3 |
2025 | 6 | 4 | 5 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 4 | 4 | 3 |
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2024 | 8 | 245 | 521 |
I originally watched "Resident Evil" at a movie theater when it was first released in 2002. I hadn't played the games. There was no Rotten Tomatoes and I didn't read reviews back then so I went in blind. And I utterly enjoyed the movie: the story, the action sequences, the underground "Hive," Mila J ... ovovich and Michelle Rodriguez kicking serious ass, and more. Panned by critics (36% RT) but liked by users (67% RT), Resident Evil was one of the first examples of how mainstream critics just don't "get" horror. Movies that try to be artsy get great reviews even as key elements fall flat for the rest of us. The recent "Beach House" is a perfect example of this -- it was loved by critics (81% RT) and panned by users (28%). Unfortunately, the rest of the "Resident Evil" sequels except for a few moments, rarely captured that first movie's originality and allure. Instead, check out the writer/director's excellent previous outing "Event Horizon."
Been several years since I last watched this one and I guess it's passable but not very scary (I personally don't find zombies all that frightening) and the CGI creatures, while okay for its time, didn't add to the tension either. At least some of the action was alright and not bad following around ... Milla Jovovich. **2.75/5**
Great watch, will likely watch again, and do recommend. I understand that zombies have been done to death by the time I wrote this, but I've always enjoyed them, and I understand that, as a movie franchise, "Resident Evil" is fairly laughed at, but the first movie was somewhat promising, even if ... it didn't REALLY have anything to do with the video game. If nothing else, Milla Jojovich and Michelle Rodriguez are quality actors and carry the movie very well, though I honestly think the cast does well. I'm all for unique movies, and, at the time, this felt like one. It is well remembered for a particular death scene. If you like zombies, then you should like this one. It just has this evil corporation trope looming in the background. It does a great job of slowly escalating the situation, if in a slightly absurd way.
**While not a perfect movie, Resident Evil stands above many other entries in the zombie and video game genres.** The first of a 6-movie series, Resident Evil stays grounded in its horror roots more than the rest. This movie takes every opportunity to keep the audience tense and on edge with zomb ... ies, monsters, deadly lasers, and jump scares. When most video game adaptations result in embarrassing movies that should have gone straight to streaming, Resident Evil put together a solid storyline with great action, fun characters, gross zombies, and entertaining horror.
Good movie brought the video game game to life. Could have been better. I was glad to see this movie made though. Always thought this would be good for a movie series. ...
Resident Evil (2002) is a solid action-horror film that takes the core idea of the video game series and spins it into something original. The plot is simple but effective, following a group trying to survive in a high-tech underground facility after a deadly outbreak. It doesn't just rely on zombie ... s for tension; the movie builds suspense through corporate secrecy, AI threats, and bioengineered monstrosities. The blend of sci-fi elements with action and horror keeps things engaging from start to finish, making it stand out from traditional zombie flicks. Paul W.S. Anderson’s directing gives the film a sleek, fast-paced energy that keeps the tension high. The cinematography complements this with clean, stylized shots, making the action sequences crisp and easy to follow. The laser hallway scene is one of the film’s most iconic moments, showcasing both the film's brutal efficiency and its sci-fi horror tone. The set design, particularly The Hive, feels sterile and claustrophobic, adding to the atmosphere. The action choreography is sharp, and Milla Jovovich’s presence elevates the film. She delivers a strong performance, blending vulnerability and badassery in a way that makes Alice instantly likable. The script keeps things moving at a good pace, avoiding unnecessary exposition while letting the mystery unfold naturally. Some of the dialogue is straightforward, but it fits the film’s tone, prioritizing momentum over complexity. The score, co-composed by Marilyn Manson, adds a heavy, industrial edge that enhances the movie’s aggressive, cyberpunk feel. Overall, Resident Evil is a fun mix of action, horror, and sci-fi that still holds up, especially if you enjoy fast-paced, stylish survival thrillers.