Popularity: 7 (history)
Director: | Justin Baldoni |
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Writer: | Christy Hall, Colleen Hoover |
Staring: |
When a woman's first love suddenly reenters her life, her relationship with a charming, but abusive neurosurgeon is upended, and she realizes she must learn to rely on her own strength to make an impossible choice for her future. | |
Release Date: | Aug 07, 2024 |
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Director: | Justin Baldoni |
Writer: | Christy Hall, Colleen Hoover |
Genres: | Drama, Romance |
Keywords | love triangle, based on novel or book, abusive father, trauma, florist, affectation, love, flashback, domestic abuse, domestic violence, repressed trauma, abusive relationship, adaptation, romantic drama |
Production Companies | Columbia Pictures, Wayfarer Studios, Saks Picture Company |
Box Office |
Revenue: $350,993,761
Budget: $25,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Blake Lively | Lily Bloom |
Justin Baldoni | Ryle Kincaid |
Jenny Slate | Allysa |
Brandon Sklenar | Atlas Corrigan |
Hasan Minhaj | Marshall |
Kevin McKidd | Andrew Bloom |
Amy Morton | Jenny Bloom |
Alex Neustaedter | Young Atlas Corrigan |
Isabela Ferrer | Young Lily Bloom |
Robert Clohessy | Sheriff |
Robin S. Walker | Doctor Johnson |
Emily Baldoni | Doctor Julie |
Adam Mondschein | Doctor Dunbar |
Caroline Siegrist | Katie |
Robyn Lively | Ms. Byland |
Megan Robinson | Ms. Smith |
Steve Monroe | Realtor |
Daphne Zelle | Female Waiter |
Name | Job |
---|---|
Roy Farfel | Stunt Coordinator |
Paige Rhea Allison | Stunts |
Jason Ng | Utility Stunts |
Zoe Sansanowicz | Stunts |
Season Kent | Music Supervisor |
Derek Johnson | Stunts |
Melody Garcia | Stunts |
Thomas Canestraro | Stunts |
Peter Wallack | Stunts |
Bob Roseman | Stunts |
Paige Dubrul | Stunts |
Cole Mason | Stunts |
Charley Brucato | Stunts |
Salar Ghajar | Stunts |
Kyle Woods | Stunts |
Stephen Pollak | Stunts |
Andrea Ajemian | Unit Production Manager |
Julie A. Bloom | First Assistant Director |
Christopher Surgent | First Assistant Director |
Findlay Zotter | Second Assistant Director |
Cary Lee | Second Assistant Director |
Lisa Rodgers | Post Production Supervisor |
Jill Sacco | Production Supervisor |
Annie Simeone | Supervising Art Director |
Marci Mudd | Art Direction |
Carrie Stewart | Set Decoration |
Alexandra Mazur | Set Decoration |
Morgan Pitts | Property Master |
Bridget Rafferty | Property Master |
Holly Unterberger | Script Supervisor |
Ari Robbins | Steadicam Operator, "A" Camera Operator |
David J. Thompson | Steadicam Operator, "A" Camera Operator |
Sebastian Slayter | "B" Camera Operator |
George Tur | "B" Camera Operator |
Evan Walsh | First Assistant "A" Camera |
Shaun Malkovich | First Assistant "B" Camera |
Amanda Uribe | Second Assistant "A" Camera |
Charlotte Skutch | Second Assistant "B" Camera |
Sarah Boardman | Second Assistant "B" Camera |
Oliver Richards | Loader |
Emily O'Leary | Loader |
Alan Baumgarten | Additional Editor |
Shane Reid | Additional Editor |
Mark Perzely | First Assistant Editor |
Lauren Pivirotto | Wardrobe Supervisor |
Zinnia Kim | Set Costumer |
Sharna Brzycki | Truck Costumer |
Sarah Graalman | Makeup Department Head |
Robert Lugo | Hair Department Head |
Vita Viscuso | Hairstylist |
John Alcantara | Chief Lighting Technician |
Truman Clark McCasland | Art Department Coordinator |
Talia Spencer | Storyboard Artist |
Jennifer O'Brien | Assistant Costume Designer |
Laura Grasso | Costume Coordinator |
Danny Mura | Set Costumer |
Melanie Licata | Makeup Artist |
Anne Carroll | Hairstylist |
Andrew Naugle | Electrician |
DeLany McFate | Electrician |
Gennaro Morrone | Electrician |
Michael Mastroserio | Electrician |
Ryan Rodriguez | Rigging Gaffer |
Michael Yurich | Key Grip |
John Patrick Oates | Best Boy Grip |
Gavin Holmes Jr. | Grip |
Brian Edmiston | Grip |
Michael Infante | Production Sound Mixer |
Johann Kunz | Special Effects Supervisor |
Drew Jiritano | Special Effects Coordinator |
Sarah Fredericks | Assistant Set Decoration |
Kate Stewart | Assistant Set Decoration |
Walter Pluff Jr. | Set Decoration Buyer |
Oona Flaherty | Editor |
Barry Peterson | Director of Photography |
Rob Simonsen | Original Music Composer |
Robb Sullivan | Editor |
Kristy Carlson | Casting |
Russell Barnes | Production Design |
Eric Daman | Costume Design |
Duncan Blickenstaff | Original Music Composer |
Christy Hall | Screenplay |
Colleen Hoover | Book |
Lauren Shaw | Stunt Coordinator |
Michael Viola | Utility Stunts |
Thomas 'Casey' Jirgal | Dolly Grip |
Frances H. Smith | Assistant Property Master |
Justin Baldoni | Director |
Vivian Baker | Makeup Artist |
Christine Lois | Assistant Art Director |
Name | Title |
---|---|
Blake Lively | Producer |
John Logan Pierson | Executive Producer |
Mariela Villa | Associate Producer |
Andrew Calof | Executive Producer |
Andrea Ajemian | Executive Producer |
Colleen Hoover | Executive Producer |
Christy Hall | Producer |
Alex Saks | Producer |
Jamey Heath | Producer |
Steve Sarowitz | Executive Producer |
Todd Black | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 7 | 11 | 5 |
2024 | 5 | 21 | 40 | 7 |
2024 | 6 | 27 | 40 | 15 |
2024 | 7 | 54 | 79 | 24 |
2024 | 8 | 996 | 1755 | 77 |
2024 | 9 | 982 | 1979 | 553 |
2024 | 10 | 764 | 1904 | 479 |
2024 | 11 | 367 | 1305 | 210 |
2024 | 12 | 197 | 250 | 152 |
2025 | 1 | 158 | 231 | 119 |
2025 | 2 | 99 | 156 | 19 |
2025 | 3 | 35 | 113 | 3 |
2025 | 4 | 13 | 16 | 11 |
2025 | 5 | 12 | 13 | 10 |
2025 | 6 | 9 | 11 | 8 |
2025 | 7 | 8 | 9 | 6 |
2025 | 8 | 7 | 7 | 7 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 389 | 589 |
Year | Month | High | Avg |
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2025 | 7 | 332 | 689 |
Year | Month | High | Avg |
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2025 | 6 | 552 | 775 |
Year | Month | High | Avg |
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2025 | 5 | 253 | 702 |
Year | Month | High | Avg |
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2025 | 4 | 212 | 677 |
Year | Month | High | Avg |
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2025 | 3 | 157 | 588 |
Year | Month | High | Avg |
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2025 | 2 | 181 | 483 |
Year | Month | High | Avg |
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2025 | 1 | 48 | 306 |
Year | Month | High | Avg |
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2024 | 12 | 43 | 220 |
Year | Month | High | Avg |
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2024 | 11 | 46 | 170 |
Year | Month | High | Avg |
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2024 | 10 | 11 | 86 |
Year | Month | High | Avg |
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2024 | 9 | 1 | 37 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 5 | 21 |
FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/it-ends-with-us-review-balancing-love-trauma-and-abuse/ "It Ends With Us tries to balance heavy drama and conventional romance with some difficulties, but it manages to offer a minimally thought-provoking reflection on generational trauma and re ... lationship abuse. Formulaic and not as deep as the complexity of its themes demands, yet still effective enough due to the strong performances of the cast, Justin Baldoni's sensitive lens, and several valuable messages for the audience. The heart is in the right place, despite the problems that haunt the film." Rating: B-
"Lily" (Blake Lively) is supposed to give an eulogy at her father's funeral, but she can't. Even with her mother (Amy Morton) there and in the full glare of a packed church, she cannot find five good things to say about the man. Quickly we learn - through some flashbacks - just why that is, and just ... why she's grown up to be a bit of a romantic. Then she encounters neuro-surgeon "Ryle" (Justin Baldoni) and there is instant chemistry. She then opens a long-dreamed of flower shop and a stranger walks in seeking a job. Guess what? She's "Allysa" (Jenny Slate) who just happens to be the sister of her enigmatic stranger. Maybe they can make a go of things? Well a dinner one evening brings her face to face with "Atlas" (Brandon Sklenar) and that takes us back down the path of retrospection as it turns out that in her younger days, she (Isabela Ferrer) has met this vagrant (Alex Neustaedter) and they's had quite an intense relationship until her father (Kevin McKidd) caught them, and - well you can use your imagination. When "Ryle" catches them chatting, he suspects the worst and that proceeds to cause his behaviour to materially change the dynamics as matters take a series of quite unpleasant turns. Now, quite why anyone thought this was a film worth making eluded me. Sure the subject matter is serious, but this plodding drama just takes way too long to get going and then when it might to become more compelling it runs out of steam. The camerawork pays far too much superficial attention to the undercooked character of "Lily" and the writing all too often resorts to power-ballad mode when the story becomes potentially more poignant and resonant. We know that the gist of the plot is to underscore not just the effects of domestic violence in the present, but to try and understand the sources so that path need never be taken again, but it's all presented in too shallow a fashion and could easily lose half an hour without impacting on the thrust - such as it is - of the drama. It's disappointing.
I found <em>'It Ends with Us'</em> to be largely great, though the way it ends does make me question how I feel about it. The performances of Blake Lively, Justin Baldoni <em>(just me who thinks he looks a touch like Runar from <em>'Ice Age'</em>? ...)</em>, Brandon Sklenar, Jenny Slate - heck, e ... ven Isabela Ferrer and Alex Neustaedter <em>(iffy likeness aside)</em> - are stellar. I sensed a lot of chemistry between Lively & Baldoni and Lively & Sklenar, which is impressive to succeed in that area twice. Pace-wise the movie jumps along nicely, all the other major elements like editing, music and whatever are all well done and are only plus points. However, the conclusion disappoints a bit. I do think it just about regains its footing to produce a positive ending, though how it gets there by wrapping up the relationship between Lively's Lily and Baldoni's Atlas left me feeling a bit uneasy. As did a few other scenes, though they were of course as intended. Amusing that I'm pretty sure I was the only dude (or at least one of a few) in a packed cinema watching this. Upon exiting, visually I kinda felt like Will Smith in that famous <em>'The Pursuit of Happyness'</em> <em>(which I still haven't seen btw, gotta get on that)</em> crowd scene - only surrounded by women. Bit awkward, I can't lie. "Will watch anything!" evidently leads me astray sometimes!
Amazing movie, I really like it. It is outstanding. ...
It Ends With Us, directed by Justin Baldoni and based on Colleen Hoover's bestselling novel, explores the complexities of love and domestic abuse through the eyes of Lily Bloom (Blake Lively). The film captures Lily's journey from a hopeful flower shop owner to a woman facing the harsh realities of ... her relationship with Ryle (Justin Baldoni), a charming but abusive neurosurgeon. My Experience: Watching It Ends With Us was both impactful and frustrating. The cinematography was beautiful, and Lively delivered a nuanced performance that conveyed Lily's internal struggles effectively. However, I felt the film struggled with pacing and often leaned too heavily on melodrama, which detracted from its emotional weight. The portrayal of domestic violence was raw and unsettling, but at times it felt like it glossed over the deeper implications of such trauma. While I appreciated the film’s attempt to address serious themes, the resolution felt overly neat and left me questioning its message about healing and forgiveness. Overall, It Ends With Us left me with mixed feelings; it was visually engaging and thought-provoking but ultimately fell short of delivering a satisfying emotional payoff. If you enjoyed my experience, then check out the <a href="https://moviepoptime.com/drama/it-ends-with-us/" target="_blank">Latest Movie Reviews</a>.