Popularity: 21 (history)
| Director: | Roger Michell |
|---|---|
| Writer: | Jane Austen, Nick Dear |
| Staring: |
| Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth – the dashing one she once sent away – crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances. | |
| Release Date: | May 01, 1995 |
|---|---|
| Director: | Roger Michell |
| Writer: | Jane Austen, Nick Dear |
| Genres: | Drama, Romance |
| Keywords | love triangle, based on novel or book, marriage proposal, strong woman, marriage, unrequited love, family in peril, old flame, admiral, bankruptcy, marriage broker, lovers reunited, lovers reunion, betrothal, rejected suitor |
| Production Companies | BBC Film, GBH, France 2, Millésime Productions |
| Box Office |
Revenue: $5,269,757
Budget: $1,500,000 |
| Updates |
Updated: Dec 22, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Amanda Root | Anne Elliott |
| Ciarán Hinds | Captain Frederick Wentworth |
| Susan Fleetwood | Lady Russell |
| Corin Redgrave | Sir Walter Elliot |
| Fiona Shaw | Mrs. Croft |
| John Woodvine | Admiral Croft |
| Phoebe Nicholls | Elizabeth Elliot |
| Samuel West | Mr. Elliot |
| Sophie Thompson | Mary Musgrove |
| Simon Russell Beale | Charles Musgrove |
| Felicity Dean | Mrs. Clay |
| Judy Cornwell | Mrs. Musgrove |
| Roger Hammond | Mr. Musgrove |
| Victoria Hamilton | Henrietta Musgrove |
| Emma Roberts | Louisa Musgrove |
| Robert Glenister | Captain Harville |
| Richard McCabe | Captain Benwick |
| Helen Schlesinger | Mrs. Smith |
| Jane Wood | Nurse Rooke |
| David Collings | Mr. Shepherd |
| Darlene Johnson | Lady Dalrymple |
| Cinnamon Faye | Miss Carteret |
| Isaac Maxwell-Hunt | Henry Hayter |
| Roger Llewellyn | Sir Henry Willoughby |
| Sally George | Mrs. Harville |
| Lonnie James | Jemima |
| Name | Job |
|---|---|
| Roger Michell | Director |
| Jane Austen | Novel |
| Kate Evans | Editor |
| Sally Collins | Makeup Artist |
| Helen Caldwell | Stunts |
| Jan Pester | Steadicam Operator |
| Jean Speak | Makeup Designer |
| Nick Dear | Screenplay |
| John Daly | Director of Photography |
| Linda Ward | Art Direction |
| Joanna Casserly | Makeup Artist |
| Colin Gorry | Visual Effects Designer |
| Stephen Foote | Underwater Camera |
| Catherine Wearing | Script Editor |
| Jeremy Sams | Original Music Composer |
| William Dudley | Production Design |
| Kay Bilk | Makeup Artist |
| Graham Bishop | Set Dresser |
| Chris Capstick | Still Photographer |
| Geraldine Stephenson | Choreographer |
| Alexandra Byrne | Costume Design |
| Name | Title |
|---|---|
| Fiona Finlay | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 35 | 15 |
| 2024 | 5 | 23 | 40 | 15 |
| 2024 | 6 | 19 | 30 | 12 |
| 2024 | 7 | 21 | 31 | 12 |
| 2024 | 8 | 18 | 36 | 12 |
| 2024 | 9 | 14 | 22 | 8 |
| 2024 | 10 | 14 | 23 | 9 |
| 2024 | 11 | 13 | 25 | 8 |
| 2024 | 12 | 13 | 19 | 8 |
| 2025 | 1 | 14 | 23 | 9 |
| 2025 | 2 | 11 | 17 | 3 |
| 2025 | 3 | 6 | 16 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 4 | 6 | 3 |
| 2025 | 12 | 11 | 24 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 544 | 692 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 992 | 992 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 877 | 881 |
I recently watched this production of Jane Austen’s Persuasion after not seeing it for many years. It is not the best version in my opinion, but it was well worth watching. Like most British productions of this sort, it depends upon a talented ensemble cast rather than a few superstars as top billi ... ng. It has also been a long time since I have read Jane Austen’s that this movie is based upon, and after seeing how this and two other versions stray from each other’s, in small ways that is, I would be curious to know how often each one remains true to the original. But that is not necessary to enjoy this well made production; it merely makes we wish I could take my favorite parts from all three versions to create a new whole. Failing that, I will merely say that this production, as with the others, should be acceptable to Jane Austen lovers who aren’t mortified by the least changes to her books. I don’t know how easy it might be to track down this movie. As I understand it, it was originally released on British TV, but PBS in the United States had shown an interest due to a popularity of Jane Austen adaptations at the time, so that had allowed for an increased budget to film at actual sites in the book, built up some interest, and then was released as a feature film in theaters before it appeared on PBS, complete with an introduction by Russell Baker. A lot of actresses auditioned for the lead role. Amanda Root apparently drew the directors attention by understanding that the internal nature of the book meant that the actress playing Anne would have to illustrate her state of mind his less dialogue than usual. An interesting history, that.