Popularity: 6 (history)
Director: | John G. Avildsen |
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Writer: | Robert Mark Kamen |
Staring: |
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself. | |
Release Date: | Jun 18, 1986 |
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Director: | John G. Avildsen |
Writer: | Robert Mark Kamen |
Genres: | Family, Adventure, Action, Drama, Romance |
Keywords | japan, underdog, martial arts, sports, okinawa, sequel, revenge, feud, death of father, teen movie, japanese woman, self esteem, mentor protégé relationship, japanese family, thoughtful, japanese girl, reflective, traditional culture, romantic rival, enemies to friends, japanese tradition, sentimental |
Production Companies | Columbia Pictures, Delphi II Productions |
Box Office |
Revenue: $115,103,979
Budget: $13,000,000 |
Updates |
Updated: Jul 08, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ralph Macchio | Daniel LaRusso |
Pat Morita | Mr. Miyagi |
Danny Kamekona | Sato Toguchi |
Nobu McCarthy | Yukie |
Yuji Okumoto | Chozen Toguchi |
Tamlyn Tomita | Kumiko |
Joey Miyashima | Toshio |
Arsenio | Ichiro |
Marc Hayashi | Taro |
Charlie Tanimoto | Miyagi's Father |
Martin Kove | John Kreese |
William Zabka | Johnny Lawrence |
Chad McQueen | Dutch |
Tony O'Dell | Jimmy |
Ron Thomas | Bobby |
Rob Garrison | Tommy |
Pat E. Johnson | Referee |
Bruce Malmuth | Announcer |
Eddie Smith | Bystander |
Garth Johnson | Autograph Fan |
Brett Johnson | Autograph Fan |
Will Hunt | Postman |
Evan James Malmuth | Cab Driver |
Lee Arnone | Stewardess |
Sarah Kendall | Stewardess #2 |
Raymond Ma | Cab Driver in Okinawa |
George O'Hanlon, Jr. | Soldier |
Tsuruko Ohye | Village Woman |
Robert Fernandez | Watchman |
Natalie N. Hashimoto | Kumiko's Street Friend |
Diana Mar | Girl in Video Store |
BD Wong | Boy on Street |
Clarence Gilyard Jr. | G.I. #1 |
Michael Morgan | G.I. #2 |
Jack Eiseman | G.I. #3 |
Jeffrey Rogers | G.I. #4 |
Aaron Seville | G.I. #5 |
Wes Chong | Sato's Houseman |
Traci Toguchi | Girl Bell Ringer |
Antonia Franceschi | The Dancer on the Television Set (uncredited) |
Chris Tashima | The Rockabilly Club Dancer (uncredited) |
Joey Banks | Okinawa Martial Arts Class Student (uncredited) |
Ron Pohnel | Military Student (uncredited) |
Name | Job |
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David Garfield | Editor |
John G. Avildsen | Editor, Director |
Robert Mark Kamen | Writer, Characters |
Bill Conti | Original Music Composer |
Pat E. Johnson | Martial Arts Choreographer |
Craig Denault | Camera Operator |
Bill M. Ryusaki | Stunts |
Danny Wynands | Construction Foreman |
Nobuko Miyamoto | Choreographer |
Jane Kurson | Editor |
William F. Matthews | Art Direction |
Caro Jones | Casting |
Mary Malin | Costume Designer |
William J. Cassidy | Production Design |
James Crabe | Director of Photography |
Howard Pine | Unit Production Manager |
John M. Elliott Jr. | Key Makeup Artist |
Cheri Ruff | Key Hair Stylist |
Jim Kail | Makeup Artist |
Steve Elsbree | Hairstylist |
Clifford C. Coleman | First Assistant Director |
Dennis Maguire | Second Assistant Director |
Christine Larson | Second Second Assistant Director |
Jeannie Jeha | Production Coordinator |
Diane Bandolas | Production Accountant |
Jan Foreman | Assistant Accountant |
Stephen St. John | Steadicam Operator, Camera Operator |
Alan R. Disler | First Assistant Camera |
Brad Edmiston | First Assistant Camera |
Mario Zavala | Second Assistant Camera |
Ralph Nelson Jr. | Still Photographer |
Ross A. Maehl | Chief Lighting Technician |
Linda Arvidson | Stunts |
Erik Felix | Stunts |
Mike Hassett | Stunts |
Roger Ito | Stunts |
Lori Lynn Ross | Stunts |
Brooks Arthur | Music Supervisor |
James M. Sheppherd | Key Grip |
John Lubin | Best Boy Grip |
O.T. Henderson | Dolly Grip |
David Stafford | Boom Operator |
William M. Randall Jr. | Cableman |
Lee Poll | Set Decoration |
Mark Hite | Leadman |
Ronnie Wexler | Swing |
Sam Gordon | Property Master |
Richard Leon | Props |
William James Teegarden | Set Designer |
Hendrik Wynands | Construction Coordinator |
Michael Van Dyke | Construction Foreman |
Mike Wynands | Construction Foreman |
Paul H. Haines Jr. | Special Effects |
Al Wininger | Special Effects |
Glen Cooper | Standby Painter |
Alan Falco | Transportation Coordinator |
Harry Ueshiro | Transportation Coordinator |
Tino Caira | Transportation Captain |
Douglas Brumer | Assistant Editor |
Karen Kory | Assistant Editor |
Penelope Shaw | Assistant Editor |
Robert Glass | Sound Re-Recording Mixer |
Don Digirolamo | Sound Re-Recording Mixer |
Tom C. McCarthy | Supervising Sound Editor |
Michael P. Redbourn | Sound Editor |
Joseph Holsen | Sound Editor |
Neil Burrow | Sound Editor |
Bob Cornett | Sound Editor |
Jim Bullock | Foley Editor |
Doreen A. Dixon | Supervising ADR Editor |
Richard Friedman | ADR Editor |
Jay Kamen | ADR Editor |
Blake R. Cornett | Assistant Sound Editor |
Martha Burns Holsen | Assistant Sound Editor |
Jack Eskew | Orchestrator |
Stephen A. Hope | Music Editor |
Peter Benoit | Unit Publicist |
Marshall Schlom | Script Supervisor |
Pete Corral | Location Manager |
Paul De Rolf | Choreographer |
Jose De Vega | Choreographer |
Zenko Heshiki | Technical Advisor |
Marge Spencer | Extras Casting |
Reid Burns | Color Timer |
Eddie Marks | Costume Supervisor |
Elizabeth Pine | Costume Supervisor |
Phil Walker | Best Boy Electric |
William Randall Jr. | Sound Mixer |
Gary Walter Dion | Special Effects |
Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
Carly Simon | Songs |
Jennifer Erskine | Producer's Assistant |
Julie Weintraub | Producer's Assistant |
Jamie Weintraub | Producer's Assistant |
Jody Weintraub | Producer's Assistant |
Robert Branham | Production Illustrator |
David J. Negrón Jr. | Production Illustrator |
Dan Wallin | Scoring Mixer |
Syd Dutton | Visual Effects |
Bill Taylor | Visual Effects |
Yasukazu Takushi | Technical Advisor |
David Foster | Lyricist |
Diane Nini | Lyricist |
Peter Cetera | Theme Song Performance, Lyricist |
Name | Title |
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Susan Ekins | Associate Producer |
Jerry Weintraub | Producer |
R.J. Louis | Executive Producer |
William J. Cassidy | Associate Producer |
Karen Rosenfelt | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 36 | 47 | 25 |
2024 | 5 | 42 | 86 | 30 |
2024 | 6 | 44 | 78 | 24 |
2024 | 7 | 50 | 80 | 26 |
2024 | 8 | 52 | 85 | 38 |
2024 | 9 | 34 | 44 | 26 |
2024 | 10 | 53 | 99 | 33 |
2024 | 11 | 43 | 71 | 25 |
2024 | 12 | 45 | 98 | 27 |
2025 | 1 | 35 | 51 | 27 |
2025 | 2 | 33 | 59 | 6 |
2025 | 3 | 14 | 61 | 2 |
2025 | 4 | 10 | 12 | 5 |
2025 | 5 | 9 | 13 | 7 |
2025 | 6 | 10 | 13 | 7 |
2025 | 7 | 9 | 11 | 5 |
2025 | 8 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 338 | 631 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 44 | 373 |
Year | Month | High | Avg |
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2025 | 6 | 231 | 589 |
Year | Month | High | Avg |
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2025 | 5 | 169 | 549 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 240 | 675 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 344 | 704 |
Year | Month | High | Avg |
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2025 | 2 | 238 | 680 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 614 | 794 |
Year | Month | High | Avg |
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2024 | 12 | 292 | 679 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 685 | 832 |
Year | Month | High | Avg |
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2024 | 10 | 719 | 805 |
Year | Month | High | Avg |
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2024 | 8 | 582 | 736 |
A disappointment. I gained nothing from <em>'The Karate Kid Part II'</em>, it adds very little to the original. Pat Morita (Mr. Miyagi) is the only plus point for me, he especially has one great and emotional scene with his co-star. Otherwise, no-one else stands out - not even (the still solid) R ... alph Macchio (Daniel). Up until the ending I was actually nonplussed about it, neither liking or disliking it, but the conclusion is so uninteresting and lame that I just couldn't wait for 'The End' to appear. I will say it isn't an excruciating watch or anything, but I just expected a great deal more from this sequel. It doesn't feel attached to the first film, which is obviously a negative. Other things that didn't help were the shoehorning out of Elisabeth Shue (Ali) & Randee Heller (Lucille) and the repetitive nature of the story; e.g. another love story that features a jock-like character, Daniel still getting battered and bruised for the majority. Hopefully the next two follow-ups are much better.
**A worthy continuation.** After the great success of the first film, it was quite predictable that another film would be made that would continue the story. This film picks up right where the first left off, and follows in the footsteps of Daniel and his master, Miyagi, on a journey to southern ... Japan, the latter's homeland, to see his dying father and settle a score with a man he swore to kill. Him if he ever set foot on Japanese soil again. As in the first film, we again have Ralph Macchio in the role of Daniel and Pat Morita as Master Miyagi. Both were very good and they give us again everything that we appreciated in the first film. The main difference in the work of both actors turns out to be the greater formal protagonism of the character of Morita, who is the great protagonist of this film: all the action, and the whole story, is centered on the figure of Miyagi, in the past and in the its peaceful stance in the face of a situation in which it is forced to fight. Of course, the film tries to give Macchio equal relevance by forcing an enmity between his character and another, created to be one of the film's antagonists, but the situation feels far too forced and contrived to really be an advantage to the story. Incidentally, even the romantic sub-plot between Daniel and Kumiko, a young Japanese woman played by Tamlyn Tomita, doesn't seem credible enough, despite the actress' good work. Danny Kamekona doesn't do a bad job, but he seems a little stereotypical, whereas Yuji Okumoto does nothing but be hateful. Technically, the film is quite correct and seeks to create a convincing Japanese environment, in which the houses, gardens, buildings and other elements really look like a rural area of Japan. Filmed in Hawaii for production convenience, the film really managed to recreate that environment well and give us a flavor of Japanese traditions through clothes, houses, sets and other details such as the tea ceremony and dance. The cinematography is quite pleasant and the soundtrack has some very good songs, one of which even deserved an Oscar nomination that year.