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The Karate Kid Part III Poster

The Karate Kid Part III

First it was teacher to student. Then it was father to son. Now, it's man to man.
1989 | 112m | English

(74774 votes)

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Popularity: 3 (history)

Details

Despondent over the closing of his karate school, Cobra Kai teacher John Kreese joins a ruthless businessman and martial artist to get revenge on Daniel and Mr. Miyagi.
Release Date: Jun 16, 1989
Director: John G. Avildsen
Writer: Robert Mark Kamen
Genres: Family, Adventure, Action, Drama
Keywords martial arts, war veteran, adversary, bullying, sequel, bully, teenage love, martial arts tournament, martial arts training, nostalgic, mentor protégé relationship, bullied, philosophical, inspirational, martial arts contest, rappelling, hopeful, optimistic
Production Companies Columbia Pictures, Weintraub International Group
Box Office Revenue: $38,956,288
Budget: $12,500,000
Updates Updated: Jul 08, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Ralph Macchio Daniel LaRusso
Pat Morita Mr. Miyagi
Robyn Lively Jessica Andrews
Thomas Ian Griffith Terry Silver
Martin Kove John Kreese
Sean Kanan Mike Barnes
Jonathan Avildsen Snake
William Christopher Ford Dennis
Randee Heller Lucille LaRusso
Pat E. Johnson Referee
Rick Hurst Announcer
Frances Bay Mrs. Milo
Joseph V. Perry Uncle Louie
Jan Tříska Milos
Diana Webster Margaret
Patrick R. Posada Man #1
C. Darnell Rose Delivery Man
Glenn Medeiros Self
Gabriel Jarret Rudy
Doc Duhame Security Guard
Randell Dennis Widner Sparring Partner #1
Raymond S. Sua Sparring Partner #2
Garth Johnson Spectator #1
E. David Tetro Spectator #2
Helen Lin Tahitian Girl #1
Meilani Paul Tahitian Girl #2
John Timothy Botka Spectator (uncredited)
Earnest Hart Jr. Referee (uncredited)
Fred Moon Airline Passenger (uncredited)
Name Job
Paula Abdul Choreographer
Pat E. Johnson Martial Arts Choreographer
Bill Conti Original Music Composer
John G. Avildsen Editor, Director
Robert Mark Kamen Writer, Characters
John Carter Editor
Gheorghe Zamfir Music
Alicia Stevenson Foley Artist
Thomas DeWier Technical Advisor, Stunt Double
Fumio Demura Stunt Double
Tony Snegoff Stunt Double
Steve Yaconelli Director of Photography
Caro Jones Casting
William F. Matthews Production Designer, Production Design
Christopher Burian-Mohr Art Direction
Ron Berkeley Makeup Artist
Del Acevedo Key Makeup Artist
Shanon Ely Hairstylist
Cheri Ruff Key Hair Stylist
Lester Wm. Berke Unit Production Manager
Clifford C. Coleman First Assistant Director
Hope R. Goodwin Second Assistant Director
Brooks Arthur Music Supervisor
Edward Morey III Camera Operator
Mike Benson Camera Operator
Elizabeth Ziegler Steadicam Operator
Jeffrey R. Clark First Assistant Camera
Jeffrey Norvet First Assistant Camera
Joseph A. Ponticelle Second Assistant Camera
Ralph Nelson Jr. Still Photographer
Ronald Batzdorff Still Photographer
Ross A. Maehl Chief Lighting Technician
David St. Onge Best Boy Electric
Scott Fieldsteel Best Boy Electric
Frank Keever Key Grip
Jim Dunford Best Boy Grip
Gary J. Dodd Best Boy Grip
William Kenney Dolly Grip
Michael Chavez Key Costumer
Barry Thomas Sound Mixer
Forrest Williams Boom Operator
Clem Sheaffer Video Assist Operator, Cableman
Catherine Mann Set Decoration
Jerry Wax Leadman
Ronnie Wexler Swing
Elijah Bryant Swing
Terry Shugrue Swing
Sam Gordon Property Master
Richard Leon Props
Richard Evans Props
Carl J. Stensel Set Designer
Stan McClain Aerial Camera
Michael Muscarella Construction Coordinator
Joseph C. Fama Construction Foreman
Robert Wittenberg Painter
Dennis Dion Special Effects Supervisor
Walter Dion Special Effects
Edward T. McAvoy Standby Painter
James E. Foote Transportation Coordinator
Richard C. Belyeu Transportation Captain
Russell Paris Post Production Coordinator
David Holden Additional Editing
Jere Huggins Additional Editing
Trevor Jolly First Assistant Editor
Rick Tuber Assistant Editor
Douglas Brumer Assistant Editor
Kevin Lindstrom Assistant Editor
Rex Stewart III Assistant Editor
Stanley Wohlberg Assistant Editor
Mark Sadusky Assistant Editor
Robert Glass Sound Re-Recording Mixer
Don Digirolamo Sound Re-Recording Mixer
Joel Valentine Sound Effects Editor
Bobby Mackston Dialogue Editor
Susan Dudeck Foley Editor
Eddie Hecker Foley Editor
Dan O'Connell Foley Artist
Dean Drabin Foley Mixer
Mary Ruth Smith ADR Editor
Kay Rose ADR Editor
William C. Carruth ADR Editor
Kathryn J. McDermott Producer's Assistant
Joyce M. Warren Production Coordinator
Jack Eskew Orchestrator
Stephen A. Hope Music Editor
Howard Brandy Unit Publicist
Sonny P. Filippini Script Supervisor
Anne Marie Yantos Production Assistant
Karyn Saffro Production Assistant
David N. Schrager Second Second Assistant Director
Roy Nagatoshi Greensman
James Barrett Greensman
Gary Burritt Negative Cutter
Phil Hetos Color Timer
Linda Landry-Nelson Visual Effects Production Manager
David Stump Visual Effects Camera
Tim Donahue Visual Effects Art Director
John Coates Visual Effects Producer
Andrew Naud Visual Effects Producer
Marcus Tate Visual Effects Producer
James Crabe In Memory Of
Clarke Coleman Stunt Double
Debbie Lynn Ross Stunt Double
Tom Johnson Costume Supervisor
Carol Neilson Smrz Stunt Double
Robert 'Buzz' Knudson Sound Re-Recording Mixer
Scott A. Hecker Supervising Sound Editor
Victoria Sampson Supervising ADR Editor
Richard Davis Jr. Location Manager
Dick Lasley Production Illustrator
Dan Wallin Scoring Mixer
William Mesa Visual Effects Director
Gene Dobrzyn VFX Production Coordinator
Name Title
Jerry Weintraub Producer
Sheldon Schrager Executive Producer
Doug Seelig Associate Producer
Karen Rosenfelt Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 44 23
2024 5 38 68 30
2024 6 37 66 22
2024 7 46 70 25
2024 8 50 101 28
2024 9 26 40 19
2024 10 34 58 18
2024 11 33 64 18
2024 12 33 54 21
2025 1 28 44 19
2025 2 23 34 5
2025 3 9 35 2
2025 4 4 5 3
2025 5 5 6 4
2025 6 5 6 3
2025 7 5 9 4
2025 8 4 4 3

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Year Month High Avg
2025 8 388 697
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2025 6 272 615
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2025 5 208 631
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2025 3 337 731
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2024 12 335 733
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Year Month High Avg
2024 10 780 878
Year Month High Avg
2024 9 881 927

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Reviews

FilipeManuelNeto
5.0

**The weakest of them all in the Karate Kid franchise.** After an excellent initial film and a sufficiently honorable sequel, this film comes to us… and there is no way to hide that the quality of the material presented is substantially lower and that the film works badly. The biggest problem ... with this film is the script, quite weak, poorly written and full of holes in which the lack of logic and credibility are closely associated with a dose of predictability that makes the film tiresome. The characters were also frankly poorly developed, the villains are stereotyped and loaded (the movie does everything it can to not like them) and the material given to the actors wasn't enough to guarantee a good job. Even so, it is necessary to recognize that Pat Morita and Ralph Macchio did everything possible to rise to the challenge, and to live up to what the audience expected from their respective characters. Morita remains a sympathetic presence and Macchio is not as immature and stubborn as in previous films, which shows some maturity in the character (although I don't know if this was intentional). The disappearance of Macchio's character's mother from the scene is justified in the most stupid way possible, and the place that was supposedly leased for the bonsai shop looks more like a warehouse than a commercial space. In the midst of these problems, the film compensates us with regular cinematography, good editing, a pleasant pace and no room for dead moments. Filming locations are satisfying enough. This being an action movie, a fight movie, karate, I expected to have seen some more fights, it has a lot less fights than the previous movies, and the tension is not as palpable, but what was done is quite well done, and the fight choreographies were well rehearsed and carried out.

Jul 11, 2022
GenerationofSwine
2.0

I totally forgot about this one until someone at work made an obscure reference about it... and suddenly I was faced with memories I'd rather forget. Honestly, when you remember The Next Karate kid and not Part III, it should tell you something. Anyway, he was right, it did have Robyn Lively in i ... t and I think this is one of her early roles... and this and Teen Witch are kind of a shame because she can do a good job, a Twin Peaks quality job here and there but otherwise lingers in obscurity and really only surfaces for people like me who see her here and there in television roles and have fond memories of some of her better roles. Anyway, it also has Ralph Macchio doing a job that kind of makes sure to tell the audience that he does not want to be there, he does not think III is a good idea, and otherwise convinces the audience not to like it. And he was right, the script wasn't there. It was nice that he had a platonic interest and not a love interest, it was unique, it fit his character, it worked with the story... but the story otherwise wasn't there. It's kind of a revenge tale that you have seen a thousand times over and this one doesn't say anything more than low budget Canon Pictures quality film.

Jan 12, 2023
Geronimo1967
6.0

Was I the only one who simply wasn’t engaged with this series? Building on the success of their very own equivalent of the 1970s “Grasshopper” (David Carradine) doing karate rather than kung fu, the now slightly loved-up “Daniel” (Ralph Macchio) finds himself embroiled in quite a nasty plot by his e ... rstwhile nemesis “Kreese” (Martin Kove) to avenge himself on the lad and his mentor “Miyagi” (Pat Morita) by goading him into a final conflict with his new Cobra Kai star “Mike” (Sean Kanan) which he hopes will repay the injustices he feels were visited upon him in the last film in 1986. The sagely “Miyagi” also has to worry about his charge when their apartment block is demolished and the kindly youngster uses his college fund to buy the old gentleman a venue for his bonsai tree business. This latter enterprise only serves to give “Kreese” and his young enforcer even more leverage over “Daniel” as he starts to look just a little bit out of his depth. With his guru disapprovingly abandoning him to his fate and him unsure as to who is really on his side, the whole underpinning principles of the honour of karate start to become blurred - but not as blurred as his vision, physically and metaphorically, as things come to an head. What is odd about this is the comparative tameness and timidity of the action scenes. I know this isn’t rated for the age group of something like “Enter the Dragon” but there the martial arts look so much more real and so much less choreographed than this rather placid, furniture-trashing, affair. “Miyagi” seems to have modelled his character as a sort of khaki-clad “Yoda”; Macchio could hardly be more of a drip and Kove ought to have stuck to “Cagney and Lacey” - at least there he didn’t have to try to pretend he was menacing. This just doesn’t ever take hold and the lacklustre efforts from just about everyone - except, perhaps, the unjustifiably wounded tiny little sculptured tree - are as flat as the mat. Same old, same old - sorry.

May 29, 2025