Avatar: Fire and Ash
2025 | 192m | English
Popularity: 18 (history)
| Director: | James Cameron |
|---|---|
| Writer: | Shane Salerno, James Cameron, Amanda Silver, Josh Friedman, Rick Jaffa |
| Staring: |
| In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully and Neytiri face a new threat on Pandora: the Ash People, a violent and power-hungry Na'vi tribe led by the ruthless Varang. Jake's family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits. | |
| Release Date: | Dec 17, 2025 |
|---|---|
| Director: | James Cameron |
| Writer: | Shane Salerno, James Cameron, Amanda Silver, Josh Friedman, Rick Jaffa |
| Genres: | Fantasy, Adventure, Science Fiction |
| Keywords | sequel |
| Production Companies | Lightstorm Entertainment, TSG Entertainment, 20th Century Studios |
| Box Office |
Revenue: $0
Budget: $400,000,000 |
| Updates |
Updated: Sep 22, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sam Worthington | Jake Sully |
| Zoe Saldaña | Neytiri |
| Sigourney Weaver | Kiri |
| Stephen Lang | Colonel Miles Quaritch |
| Oona Chaplin | Varang |
| Cliff Curtis | Tonowari |
| Britain Dalton | Lo'ak |
| Trinity Bliss | Tuktirey 'Tuk' |
| Jack Champion | Miles 'Spider' Socorro |
| Bailey Bass | Tsireya |
| Kate Winslet | Ronal |
| David Thewlis | Peylak |
| Joel David Moore | Norm Spellman |
| CCH Pounder | Mo'at |
| Edie Falco | General Ardmore |
| Jemaine Clement | Dr. Ian Garvin |
| Giovanni Ribisi | Parker Selfridge |
| Brendan Cowell | Mick Scoresby |
| Filip Geljo | Aonung |
| Matt Gerald | Corporal Lyle Wainfleet |
| Duane Evans Jr. | Rotxo |
| Keston John | |
| Jeremy Irwin | Young Neteyam |
| Johnny Alexander | |
| Michelle Yeoh |
| Name | Job |
|---|---|
| Shane Salerno | Story |
| Janell Haney | Stunts |
| Dan Cox | Visual Effects Supervisor |
| Dylan Cole | Production Design |
| Ben Procter | Production Design |
| Daniel Koene | Set Designer |
| Christopher Ferguson | Lighting Programmer |
| Marina Stojanovic | Set Designer |
| Maria Battle Campbell | First Assistant Director |
| Bronte Coluccio | Stunt Double |
| Scott Marsh | Stunt Double |
| Cord Walker | Utility Stunts |
| Zachary Fannin | Graphic Designer |
| James Cameron | Screenplay, Characters, Editor, Director, Story |
| Amanda Silver | Screenplay, Story |
| John Refoua | Editor |
| Mallory Thompson | Stunts |
| Erik Audé | Utility Stunts |
| Kurt D. Lott | Utility Stunts |
| Katie Rowe | Stunts |
| Caleb Spillyards | Utility Stunts |
| Russell Carpenter | Director of Photography |
| Simon Franglen | Original Music Composer |
| Stephen E. Rivkin | Editor |
| Luci Romberg | Stunts |
| Alicia Vela-Bailey | Stunt Double |
| Garrett Warren | Second Unit Director |
| Josh Yadon | Stunt Double |
| Juliana Potter | Stunt Double |
| Troy Robinson | Stunts |
| Bryan McCoy | Utility Stunts |
| Tim Wong | Stunts |
| Joe Letteri | Visual Effects Supervisor |
| Josh Friedman | Story |
| Rick Jaffa | Screenplay, Story |
| David Brenner | Editor |
| Ed Symon | Set Designer |
| Scott Barnes | Lighting Programmer |
| Vinnie Ashton | Key Hair Stylist |
| Tony Johnson | Production Sound Mixer |
| Margery Simkin | Casting |
| Vanessa Cole | Set Decoration |
| Gwendolyn Yates Whittle | Supervising Sound Editor |
| Andy McLaren | Art Direction |
| Nicolas De Toth | Editor |
| Stuart Thorp | Stunt Coordinator |
| Hamish Drummond | Carpenter |
| Charles Lai | Visual Effects Supervisor |
| Jeff White | Visual Effects Supervisor |
| Nigel Sumner | Visual Effects Supervisor |
| David Crispino | Animation Supervisor |
| Stacy Bissell | Executive Visual Effects Producer |
| Gary Summers | Sound Re-Recording Mixer |
| Deborah L. Scott | Costume Design |
| Luke Freeborn | Supervising Art Director |
| Chris Denison | Stunt Double |
| Name | Title |
|---|---|
| Peter M. Tobyansen | Executive Producer |
| James Cameron | Producer |
| Jon Landau | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 35 | 57 | 19 |
| 2024 | 5 | 50 | 80 | 26 |
| 2024 | 6 | 28 | 48 | 17 |
| 2024 | 7 | 29 | 51 | 19 |
| 2024 | 8 | 43 | 59 | 19 |
| 2024 | 9 | 35 | 60 | 25 |
| 2024 | 10 | 29 | 39 | 22 |
| 2024 | 11 | 34 | 48 | 23 |
| 2024 | 12 | 36 | 48 | 24 |
| 2025 | 1 | 59 | 85 | 40 |
| 2025 | 2 | 37 | 54 | 8 |
| 2025 | 3 | 16 | 51 | 0 |
| 2025 | 4 | 8 | 11 | 5 |
| 2025 | 5 | 7 | 10 | 5 |
| 2025 | 6 | 7 | 9 | 6 |
| 2025 | 7 | 17 | 46 | 7 |
| 2025 | 8 | 16 | 37 | 11 |
| 2025 | 9 | 16 | 31 | 11 |
| 2025 | 10 | 25 | 38 | 19 |
| 2025 | 11 | 18 | 19 | 18 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 53 | 123 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 44 | 126 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 6 | 289 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 45 | 240 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 4 | 351 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 414 | 752 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 304 | 700 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 232 | 656 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 264 | 677 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 279 | 732 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 133 | 543 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 331 | 741 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 542 | 759 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 842 | 842 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 51 | 289 |