Popularity: 5 (history)
Director: | Wes Anderson |
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Writer: | Roman Coppola, Wes Anderson, Jason Schwartzman, Hugo Guinness |
Staring: |
The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef. | |
Release Date: | Oct 21, 2021 |
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Director: | Wes Anderson |
Writer: | Roman Coppola, Wes Anderson, Jason Schwartzman, Hugo Guinness |
Genres: | Comedy, Drama |
Keywords | small town, journalism, painter, food poisoning, post world war ii, poisoning, vibrant, france, editor-in-chief, riot, murderer, child kidnapping, father son relationship, art collector, journalist, poison, 1970s, artist, imprisonment, anthology, magazine, chef, lecture, obituary, bicycle tour, lighthearted, whimsical |
Production Companies | Studio Babelsberg, Indian Paintbrush, American Empirical Pictures |
Box Office |
Revenue: $46,333,545
Budget: $25,000,000 |
Updates |
Updated: Sep 19, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Roman Coppola | Story |
Marie Lajus | Thanks |
Frédéric Blum | Line Producer |
Véronique Boslé | Hairstylist |
Fabienne Robineau | Makeup Supervisor, Hair Supervisor |
Vico Sharabani | Visual Effects Supervisor |
Wayne Lemmer | Sound Re-Recording Mixer, Supervising Sound Editor |
Hélène Dubreuil | Assistant Set Decoration |
Maya Benamer | Makeup Artist |
Emmanuelle Pombet | Makeup Artist |
Patricia Colin | Costume Supervisor |
Wendy Garfinkle | Visual Effects Producer |
Christine Vincent-Genod | Set Designer |
Vincent Scotet | First Assistant Camera |
Kevin Timon Hill | Art Direction |
Randall Poster | Music Supervisor |
Loïc Chavanon | Art Direction |
Katrina Barton | Visual Effects Production Manager |
Aarif Attarwala | Visual Effects |
Aurélie Bouchet | Makeup Artist |
Frédérique Ney | Makeup Artist |
Emanuele Farnesi | VFX Artist |
Alexander Ha | VFX Artist |
Mathias Canard | Set Dresser |
Roger Do Minh | Still Photographer |
Nicolas Voisin | Second Assistant Camera |
Courtney Fehsenfeld | Camera Trainee |
Charlie Vaughan | Second Assistant Director |
Ségolène Amice Lagny | Production Coordinator |
Alice Leconte | Art Direction |
Annie Atkins | Graphic Designer |
Ludovic Erbelding | Construction Manager |
Susan Dawes | Dialogue Editor |
Steve Baine | Foley Artist |
Xavier Bonnefont | Thanks |
Jeff Kryvicky | Main Title Designer |
Olivia Delfour | Set Designer |
Andrea Hachuel | Third Assistant Director |
Fanny Floupin | Production Secretary |
Christine Mouchard | Art Department Coordinator |
Jannick Guillou | Graphic Designer |
Sanjay Sami | Steadicam Operator |
Peter Persaud | Foley Mixer |
Meghan Currier | Music Coordinator |
Françcois Bonneau | Thanks |
Gwenn Germain | Animation Supervisor |
Wes Anderson | Screenplay, Story, Director |
Milena Canonero | Costume Design |
Douglas Aibel | Casting |
Adam Stockhausen | Production Design |
Dominique Fouassier | Stunt Coordinator |
Robert D. Yeoman | Director of Photography |
Ben Howard | First Assistant Director |
Jason Schwartzman | Story |
Hugo Guinness | Story |
Antoinette Boulat | Casting |
Jina Jay | Casting |
Alexandre Desplat | Original Music Composer |
Andrew Weisblum | Editor |
Stéphane Cressend | Supervising Art Director |
Jean-Paul Mugel | Sound |
Jean-Christophe Magnaud | Special Effects Supervisor |
Rena DeAngelo | Set Decoration |
Odile Fourquin | Makeup Artist |
Craig Berkey | Sound Re-Recording Mixer |
Chris Scarabosio | Sound Re-Recording Mixer, Supervising Sound Editor |
Carine Demonguères | Set Designer |
Frances Hannon | Makeup Designer, Hair Designer |
Jean-Yves Thibaudet | Musician |
Jarvis Cocker | Songs |
Martin Scali | Second Unit Director |
Christophe | In Memory Of |
Name | Title |
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Octavia Peissel | Co-Producer |
Wes Anderson | Producer |
Jeremy Dawson | Producer |
Steven M. Rales | Producer |
Roman Coppola | Executive Producer |
Henning Molfenter | Executive Producer |
Christoph Fisser | Executive Producer |
Carl Woebcken | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Cannes Film Festival | Best Picture | N/A | Nominated |
Cannes Film Festival | Best Supporting Actress | Lyna Khoudri | Won |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 35 | 47 | 25 |
2024 | 5 | 44 | 58 | 34 |
2024 | 6 | 31 | 46 | 21 |
2024 | 7 | 49 | 88 | 24 |
2024 | 8 | 27 | 49 | 17 |
2024 | 9 | 22 | 33 | 14 |
2024 | 10 | 27 | 48 | 17 |
2024 | 11 | 22 | 30 | 18 |
2024 | 12 | 23 | 31 | 17 |
2025 | 1 | 28 | 46 | 22 |
2025 | 2 | 19 | 32 | 4 |
2025 | 3 | 10 | 31 | 2 |
2025 | 4 | 7 | 14 | 3 |
2025 | 5 | 5 | 14 | 3 |
2025 | 6 | 5 | 9 | 3 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 3 | 6 | 2 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 101 | 543 |
Year | Month | High | Avg |
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2025 | 8 | 913 | 948 |
Year | Month | High | Avg |
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2025 | 7 | 691 | 885 |
Year | Month | High | Avg |
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2025 | 6 | 350 | 654 |
Year | Month | High | Avg |
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2025 | 5 | 302 | 595 |
Year | Month | High | Avg |
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2025 | 4 | 623 | 846 |
Year | Month | High | Avg |
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2025 | 3 | 402 | 709 |
Year | Month | High | Avg |
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2025 | 2 | 792 | 845 |
Year | Month | High | Avg |
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2025 | 1 | 933 | 957 |
Yet again a great piece of art! ...
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-french-dispatch-spoiler-free-review "The French Dispatch possesses all of Wes Anderson's trademark quirks, but this time, even hardcore fans of his unique style will struggle to not feel overwhelmed. Every filmmaking depar ... tment shines in such an impressive manner that one could call this movie a "technical masterpiece" packed with fantastic performances across the board. Unfortunately, the cliche criticism "style over substance" fits this picture too well. The infinite amount of Anderson-ish quirks transforms the already uninteresting narrative with emotionally hollow characters into an extremely challenging, hard-to-follow story. In four simple words: it's just too much..." Rating: C+
Impeccably well made, supremely enjoyable. This is only the second Wes Anderson film that I've seen (fwiw, first was <em>'<a href="https://letterboxd.com/film/moonrise-kingdom/" rel="nofollow">Moonrise Kingdom</a>'</em> which I didn't like all that much <em>*hides*</em>) and now I can better unde ... rstand the hype that man gets. <em>'The French Dispatch'</em> is quality, plain and simple. The ensemble cast are a delight, with many a familiar face spread across each segment and each one of them bringing entertaining performances. Frances McDormand would be my standout performer, closely followed by Benicio del Toro. Though, to be honest, all them are terrific - from Owen Wilson to Adrien Brody to Léa Seydoux to Timothée Chalamet to Jeffrey Wright. Christoph Waltz, Willem Dafoe and Bill Murray star too. Unreal casting, that! Anthology flicks can be hit-and-miss for me personally, though to be fair my predominant previous exposure to them has been via those cheaply made Disney animated sequels from yesteryear so time will tell if that feeling holds. I'm pleased to say here, though, that I thoroughly enjoyed watching one develop. It helps that this release knits the segments together seamlessly, with stunning cinematography, editing et al. Loved the animated part, too.
I suppose like any newspaper or magazine upon which this compendium effort is based, there are some "articles" more interesting than others - and that's what this offers. Three elongated features form the centrepieces of this somewhat surreal comedy. As you might expect from Wes Anderson, these stor ... ies are eclectic, and delivered well by a cast that were well up for their tasks. My favourite of the three features Frances McDormand and Timothée Chalamet offering us some sort of Hemmingway-esque parody of revolution fought over a chess board - with quite humorous results. Humour is a strong feature of this film. I would say comedy, not so much. One has to pay attention to what is going on to get the best from the acting, the script and, as importantly, the imagery which effortlessly mixes monochrome and colour, and which is also bright, vivacious, and frequently just as informative as the dialogue. It does run out of steam at times, the themes could have been a little more compact, and the two side-stories - especially the travel report with Owen Wilson at the top of the film didn't work so well for me. I'm not an huge fan of eccentricity - it is all-too-often just hit or miss, but here we have more hits than not, and with a healthy swipe at journalistic values along the way, a bit of romance and some daft antics from a rogue Benicio del Toro, this is certainly worth watching.
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/the-world-through-pastel-colored-glasses-the-french-dispatch-review<a> Watching a Wes Anderson movie is a feast for the eyes. Few directors have such a distinct visual language. When you are watching a Wes Anderson ... movie, the audience knows it’s a Wes Anderson movie. _The French Dispatch_ is no different. It is a series of vignettes from the fictional French foreign bureau of the Liberty, Kansas Evening Sun’s last issue following the death of its editor, Arthur Howitzer Jr. (Bill Murray). Each scene is an extraordinarily detailed still life painting that welcomes the audience to the dreamy French town of Ennui-sur-Blasé. It’s what the world would look like if we were all wearing rose-colored glasses.
This film might be a tie with Grand Budapest Hotel for my favorite Wes Anderson. It's wacky and creative. The pacing is so fast that it will need another watch to really appreciate. I wish I'd seen it on a big screen :-( Did I mention the amazing cast and the super job they did? ...