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The Last Duel

The true story of a woman who defied a nation and made history.
2021 | 153m | English

(199327 votes)

TMDb IMDb

Popularity: 5 (history)

Details

King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire, Jacques Le Gris, by challenging him to a duel.
Release Date: Oct 13, 2021
Director: Ridley Scott
Writer: Nicole Holofcener, Eric Jager, Ben Affleck, Matt Damon
Genres: Action, Drama, History
Keywords based on novel or book, based on true story, duel, sword duel, nobleman, medieval france, male friendship, battlefield, historical, historical drama, 14th century, noble, normandy, france, knight, catholic, trial by combat, knighthood, conceited, castle, trial, battle, rape and revenge, squire, medieval times
Production Companies Pearl Street Films, 20th Century Studios, Scott Free Productions
Box Office Revenue: $30,552,111
Budget: $100,000,000
Updates Updated: Aug 17, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Matt Damon Sir Jean de Carrouges
Adam Driver Jacques Le Gris
Jodie Comer Marguerite de Carrouges
Ben Affleck Pierre d'Alençon
Harriet Walter Nicole de Carrouges
Marton Csokas Crespin
Alex Lawther King Charles VI
William Houston Herald at the Duel
Oliver Cotton Jean de Carrouges III
Zeljko Ivanek Le Coq
Nathaniel Parker Sir Robert de Thibouville
Tallulah Haddon Marie
Aurélien Lorgnier Carrouges' Priest
Bryony Hannah Alice
Thomas Silberstein Palace of Justice Clerk
Adam Goodwin Rider
Ian Pirie Henri
Daniel Horn Argentan Herald
Michael McElhatton Bernard de Latour
Sam Hazeldine Thomin Dubois
Clive Russell King's Uncle
Julian Firth King's Uncle
Sylvain Lablée Palace of Justice Bailiff
Zoé Bruneau Lady Marie Chamaillart
Chloé Lindau Pierre's Mistress
Adam Nagaitis Adam Louvel
Elise Caprice Woman at Orgy
Fiona Maherault Valinski Woman at Orgy
Tassia Martin Woman at Orgy
Camille Mutin Woman at Orgy
Caoimhe O'Malley Elizabeth
John Kavanagh Le Gris' Priest
Simone Collins Agatha
Clare Dunne Celia
Christian Erickson Louis the Old Farmer
Alex Blanchard Tailor
Gin Minelli Noble Lady
Cécilia Steiner Noble Lady
Serena Kennedy Queen Isabeau
Quentin Ogier Clergy
Paul Bandey Clergy
Martin Vaughan Lewis Clergy
Brontis Jodorowsky Magistrate
Peter Hudson Magistrate
Alexander Pattie Sergeant at Arms
Dimitri Michelsen Treasury Bureaucrat
Stephen Brennan Physician
Colin David Reese Carrouges' Gate Keeper
Bosco Hogan Priest at Duel
Kyle Hixon Pierre's Tailor
Florian Hutter Dowry Lawyer
Sam Chemoul Teenager Carrouges' Estate
Jim Roche Orgy Spectator
Martin Gogarty Orgy Spectator
Ronan Leonard Orgy Spectator
Shane Lynch Orgy Spectator
Peter Kirkby Orgy Spectator
Kevin McGahern Orgy Spectator
Lorris Chevalier Singing Soldier
Mark Atkin English Soldier (uncredited)
Janet Grene Nobility (uncredited)
Chloe Harris Peasant Woman (uncredited)
Karl Hogan Crespin Guard (uncredited)
Brian Manning Male Peasant (uncredited)
Brian F. Mulvey Phillippe (uncredited)
Fady Naguib Scottley (uncredited)
Name Job
Harry Gregson-Williams Original Music Composer
Dariusz Wolski Director of Photography
Arthur Max Production Design
Nicole Holofcener Screenplay
Stéphane Cressend Supervising Art Director
Stéphane Bucher Sound Mixer
Oliver Ferris Foley Artist
Paul Massey Sound Re-Recording Mixer
Adam Mendez Foley Mixer
Una Carroll Stand In
Rob Inch Stunt Coordinator
Claire Simpson Editor
Janty Yates Costume Design
Eric Jager Book
Ben Affleck Screenplay
Loïc Chavanon Art Direction
Colman Corish Art Direction
Briana Hegarty Art Direction
Gary McGinty Art Direction
Riccardo Monti Art Direction
Cristina Onori Supervising Art Director
Jean-Marc Benois Hairstylist, Hair Department Head
Aurélie Bouchet Makeup Artist
Amélie Bouilly Makeup Artist
Dorothy Campbell Makeup Artist
Valérie Chapelle Makeup Artist
Michèle Constantinides Assistant Makeup Artist
Alexis Continente Key Hair Stylist
Jodi Corpe Special Effects Makeup Artist
Sophie Dauchez Makeup Artist
Vincent de Monfreid Makeup Artist
Hugo Adams Foley Supervisor
Adam Armitage Sound Effects Editor
Claire Bernengo Boom Operator
Daniel Birch Production Sound Mixer
David Giammarco Sound Re-Recording Mixer
Tim Gomillion Sound Recordist
Sue Harding Foley Artist
Sophia Hardman Foley Editor
Kevin Penney Foley Editor
Jérôme Rabu Boom Operator
Oliver Tarney Supervising Sound Editor
Can Yesilyurt Sound Mixer
Gary Brozenich Visual Effects Supervisor
Stuart Gardiner Visual Effects
Daniel Hazeltine Visual Effects
Skye Radies Visual Effects Producer
Sébastien Raets Visual Effects Supervisor
Haijing Wang Visual Effects
Matteo Silvi Makeup Department Head
Karine Hamelle Makeup Artist
Tiberio Nardi Makeup Artist
Vanessa Ricolleau Makeup Artist
Annie Crawford Costume Supervisor
Judith Devlin Key Costumer
Joelle Aoun Set Designer
Antonin Huet Calafat Set Dresser
Mary Saisselin Set Designer
William Miller Sound Re-Recording Mixer
Dawn Gough Sound Effects Editor
Carine Demonguères Set Designer
Elaine Hopkins Prosthetic Makeup Artist
Rachel Walker Stunts
Brodie Toriati Stunts
Lucile Perez Stand In
Michelle O'Loughlin Stunts
Nora Nagys Stunts
Rachel Morgan Stand In
Guillaume Marty Stand In
Catherine Lundon Stunts
Michèle Garrigue Stand In
Emma Condren Stunts
Nicole Chapman Stunts
Elsie Barry Stunts
Pedro Eustache Musician
Rob Bliss Concept Artist
John Bernard Line Producer
Ridley Scott Director
Matt Damon Screenplay
Judy Farr Set Decoration
Aoife Quinn Graphic Designer
Vencislav Stojanov Stunts
Stilyan Mavrov Stunts
Georgi Manchev Stunts
Trayan Milenov-Troy Fight Choreographer
Raicho Vasilev Stunts
Genadiy Ganchev Stunts
Jo Halpin Production Assistant
Genko Ivanov Stunts
Irene O'Brien Art Direction
Luca Vannella Hair Designer
Daren Nop Stunts
Name Title
Kevin J. Walsh Producer
Madison Ainley Executive Producer
Jennifer Fox Producer
Nicole Holofcener Producer
James Flynn Producer
Morgan O'Sullivan Producer
Kevin Halloran Executive Producer
Drew Vinton Executive Producer
Sasha Veneziano Associate Producer
Ben Affleck Producer
Teresa Kelly Co-Producer
Ridley Scott Producer
Aidan Elliott Co-Producer
Matt Damon Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 40 62 28
2024 5 45 67 27
2024 6 38 57 23
2024 7 53 97 26
2024 8 37 58 24
2024 9 30 38 23
2024 10 40 78 20
2024 11 40 65 25
2024 12 31 52 20
2025 1 30 47 23
2025 2 25 42 7
2025 3 13 36 3
2025 4 7 13 5
2025 5 7 14 4
2025 6 6 9 4
2025 7 4 5 3
2025 8 4 6 3
2025 9 5 6 4

Trending Position


Year Month High Avg
2025 9 680 765
Year Month High Avg
2025 8 357 671
Year Month High Avg
2025 7 580 817
Year Month High Avg
2025 6 603 826
Year Month High Avg
2025 5 520 793
Year Month High Avg
2025 4 236 685
Year Month High Avg
2025 3 306 723
Year Month High Avg
2025 2 382 695
Year Month High Avg
2025 1 668 762
Year Month High Avg
2024 12 56 644
Year Month High Avg
2024 11 614 818
Year Month High Avg
2024 10 681 839
Year Month High Avg
2024 9 741 880
Year Month High Avg
2024 8 341 753

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Reviews

msbreviews
8.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-last-duel-spoiler-free-review "The Last Duel became one of my favorite Ridley Scott films, boasting a commanding Jodie Comer who delivers one of the year's most emotionally powerful performances. Adam Driver, Matt Damon, a ... nd Ben Affleck all offer remarkable interpretations, but the actress fully embodies Marguerite de Carrouges' courage amid so much pain and suffering in a theme-heavy, brutally shocking true story. The perspective-based narrative structure is interesting and efficient enough to overcome its inevitable repeatability issues. Holding technical attributes that will surely get recognition in the awards season - especially Harry Gregson-Williams’ score - the actual duel is one of the most nerve-wracking sequences of the last few years, compensating the audience's patience with a satisfying climax. Watch it on the big screen, if possible." Rating: A-

Oct 29, 2021
bastag
8.0

**Analysis and Explanation at Spotamovie.com** - The Last Duel is a story of friendship, love and betrayals. But also of violence, war and weak justice. So even if it tries to focus on the role of women within society in the Middle Ages, the film presents crucial topics and a particular narrative st ... ructure. And we think this is a hazardous solution by Ridley Scott and his team, but somehow, it makes sense. And we are going to explain to you why in our analysis. The film is based on a true story, and reveal the courage of a woman who defied a nation and made history. - **The Story** - Two old friends, Sir Jean de Carrooges and Jacques Le Gris, found themselves fighting each other in different aspects of their lives. As a result, their military career takes different paths, as well as their social status and lives. Therefore, they build a story of envy, jealousy and betrayals that will change their stories forever. But why? The movie will provide you with three versions of the truth, and we have the challenging role of understanding who is lying. A gorgeous, highly educated woman will make things harder between the two old friends, Marguerite de Thibouville. What is going to happen? For which reasons a duel will be necessary? And who is Marguerite? - Full Analysis at https://www.spotamovie.com/the-last-duel-movie-review-and-analysis-2021-movie/

Jan 25, 2022
Geronimo1967
7.0

There is definitely something of Kurosawa's "Rashomon" (1950) in the compelling watch that Sir Ridley Scott has stitched together here, depicting well, as it does, the rather pyramidical feudal system that provided the legal and cultural structure of life in 14th century Europe. The film centres aro ... und allegations made by "Lady Marguerite" (Jodie Comer) that during the absence of her war-hero husband "Sir Jean" (Matt Damon) she was subjected to the unwanted attentions of powerful squire "le Gris" (Adam Driver). By way of a legal presentation to King Charles VI, the narrative now presents us with three equally plausible tales of just how these events may have unfolded. A tale of the initial friendliness between the men and of the ambition, greed, politics and fickleness that led to their current predicament. I cannot say that Damon is particularly good, nor is the blondly coiffured Ben Affleck particularly impressive as their overlord "Pierre d'Alencon", but both Driver and Comer offer us strong and characterful performances as each of their stories are rendered to the Court. The different versions are largely the same, there are but subtle and nuanced variations that you might, were you to be on a jury, have to identify and evaluate - in the end there are no forensics, there is no evidence as such - it is all about whom you believe. Again, this makes the film more interesting. It's not just whom you believe, but whom you want to believe, whom you think you ought to believe. There is the powerful church to consider; the local lords - decisions cannot be made according simply to any "rule of Law" or "code of chivalry". The duel - letting God decide - is the culmination (we see this at the very start of the film before our deliberations begin), but the cleverness of Scott and the writers here is to present us with as near facts as they can - we are left to make our own assessment. We are left to look at the way in which land and people - high born, or otherwise - were pawns in a game knowingly, or otherwise, that frequently became matters of life or death. The photography reminded me a little of the recent "The King" (2019) in that the filthy, muddy, damp and rat-infested conditions in which even the grandees lived are presented authentically and that adds loads to the overall feel of the film. The weather being often cold and wet, the battles being fierce and bloody - all of this contributes well to the strong visual imangery. It is a long film, but I found the episodic nature carried that rather well and the last twenty minutes are certainly worth sticking around for.

Mar 27, 2022
JPV852
5.0

Lengthy and rich-looking period drama might have some great set and costumes, and an interesting enough storytelling style with three different viewpoints, I found this not terribly entertaining and everything felt empty and cold. I like Ridley Scott but this is one of his lesser outings. **2.5/5** ...

Jan 23, 2024
r96sk
8.0

<em>'The Last Duel'</em> is a fun time. I remember hearing this flopped at the box office (not that that's a sure sign of anything) and had a joke told at its expense at the Oscars, therefore I wasn't too sure what to expect from this Ridley Scott movie. Happily, I comfortably enjoyed it. The plo ... t is a little bit thin, especially for a 153 minute flick, though due to how it is portrayed via differing viewpoints I was always interested in what I was seeing onscreen. I actually was anticipating it to drag at some point down the line, though that surprisingly never happened. It's a great cast. The looks of Matt Damon and Adam Driver are questionable at first, though by the conclusion their appearance was one of my favourite things about their respective characters. The performances of Damon and Driver are strong, as is Jodie Comer's. Ben Affleck is also noteworthy, a word that can also be used in reference to Željko Ivanek and Adam Nagaitis - though, admittedly, for those that is more of a personal thing; it's always nice to see fellows from <em>'The Walking Dead'</em> universe appear in other media.

Jan 13, 2025