Popularity: 5 (history)
Director: | Ridley Scott |
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Writer: | Nicole Holofcener, Eric Jager, Ben Affleck, Matt Damon |
Staring: |
King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire, Jacques Le Gris, by challenging him to a duel. | |
Release Date: | Oct 13, 2021 |
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Director: | Ridley Scott |
Writer: | Nicole Holofcener, Eric Jager, Ben Affleck, Matt Damon |
Genres: | Action, Drama, History |
Keywords | based on novel or book, based on true story, duel, sword duel, nobleman, medieval france, male friendship, battlefield, historical, historical drama, 14th century, noble, normandy, france, knight, catholic, trial by combat, knighthood, conceited, castle, trial, battle, rape and revenge, squire, medieval times |
Production Companies | Pearl Street Films, 20th Century Studios, Scott Free Productions |
Box Office |
Revenue: $30,552,111
Budget: $100,000,000 |
Updates |
Updated: Aug 17, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Matt Damon | Sir Jean de Carrouges |
Adam Driver | Jacques Le Gris |
Jodie Comer | Marguerite de Carrouges |
Ben Affleck | Pierre d'Alençon |
Harriet Walter | Nicole de Carrouges |
Marton Csokas | Crespin |
Alex Lawther | King Charles VI |
William Houston | Herald at the Duel |
Oliver Cotton | Jean de Carrouges III |
Zeljko Ivanek | Le Coq |
Nathaniel Parker | Sir Robert de Thibouville |
Tallulah Haddon | Marie |
Aurélien Lorgnier | Carrouges' Priest |
Bryony Hannah | Alice |
Thomas Silberstein | Palace of Justice Clerk |
Adam Goodwin | Rider |
Ian Pirie | Henri |
Daniel Horn | Argentan Herald |
Michael McElhatton | Bernard de Latour |
Sam Hazeldine | Thomin Dubois |
Clive Russell | King's Uncle |
Julian Firth | King's Uncle |
Sylvain Lablée | Palace of Justice Bailiff |
Zoé Bruneau | Lady Marie Chamaillart |
Chloé Lindau | Pierre's Mistress |
Adam Nagaitis | Adam Louvel |
Elise Caprice | Woman at Orgy |
Fiona Maherault Valinski | Woman at Orgy |
Tassia Martin | Woman at Orgy |
Camille Mutin | Woman at Orgy |
Caoimhe O'Malley | Elizabeth |
John Kavanagh | Le Gris' Priest |
Simone Collins | Agatha |
Clare Dunne | Celia |
Christian Erickson | Louis the Old Farmer |
Alex Blanchard | Tailor |
Gin Minelli | Noble Lady |
Cécilia Steiner | Noble Lady |
Serena Kennedy | Queen Isabeau |
Quentin Ogier | Clergy |
Paul Bandey | Clergy |
Martin Vaughan Lewis | Clergy |
Brontis Jodorowsky | Magistrate |
Peter Hudson | Magistrate |
Alexander Pattie | Sergeant at Arms |
Dimitri Michelsen | Treasury Bureaucrat |
Stephen Brennan | Physician |
Colin David Reese | Carrouges' Gate Keeper |
Bosco Hogan | Priest at Duel |
Kyle Hixon | Pierre's Tailor |
Florian Hutter | Dowry Lawyer |
Sam Chemoul | Teenager Carrouges' Estate |
Jim Roche | Orgy Spectator |
Martin Gogarty | Orgy Spectator |
Ronan Leonard | Orgy Spectator |
Shane Lynch | Orgy Spectator |
Peter Kirkby | Orgy Spectator |
Kevin McGahern | Orgy Spectator |
Lorris Chevalier | Singing Soldier |
Mark Atkin | English Soldier (uncredited) |
Janet Grene | Nobility (uncredited) |
Chloe Harris | Peasant Woman (uncredited) |
Karl Hogan | Crespin Guard (uncredited) |
Brian Manning | Male Peasant (uncredited) |
Brian F. Mulvey | Phillippe (uncredited) |
Fady Naguib | Scottley (uncredited) |
Name | Job |
---|---|
Harry Gregson-Williams | Original Music Composer |
Dariusz Wolski | Director of Photography |
Arthur Max | Production Design |
Nicole Holofcener | Screenplay |
Stéphane Cressend | Supervising Art Director |
Stéphane Bucher | Sound Mixer |
Oliver Ferris | Foley Artist |
Paul Massey | Sound Re-Recording Mixer |
Adam Mendez | Foley Mixer |
Una Carroll | Stand In |
Rob Inch | Stunt Coordinator |
Claire Simpson | Editor |
Janty Yates | Costume Design |
Eric Jager | Book |
Ben Affleck | Screenplay |
Loïc Chavanon | Art Direction |
Colman Corish | Art Direction |
Briana Hegarty | Art Direction |
Gary McGinty | Art Direction |
Riccardo Monti | Art Direction |
Cristina Onori | Supervising Art Director |
Jean-Marc Benois | Hairstylist, Hair Department Head |
Aurélie Bouchet | Makeup Artist |
Amélie Bouilly | Makeup Artist |
Dorothy Campbell | Makeup Artist |
Valérie Chapelle | Makeup Artist |
Michèle Constantinides | Assistant Makeup Artist |
Alexis Continente | Key Hair Stylist |
Jodi Corpe | Special Effects Makeup Artist |
Sophie Dauchez | Makeup Artist |
Vincent de Monfreid | Makeup Artist |
Hugo Adams | Foley Supervisor |
Adam Armitage | Sound Effects Editor |
Claire Bernengo | Boom Operator |
Daniel Birch | Production Sound Mixer |
David Giammarco | Sound Re-Recording Mixer |
Tim Gomillion | Sound Recordist |
Sue Harding | Foley Artist |
Sophia Hardman | Foley Editor |
Kevin Penney | Foley Editor |
Jérôme Rabu | Boom Operator |
Oliver Tarney | Supervising Sound Editor |
Can Yesilyurt | Sound Mixer |
Gary Brozenich | Visual Effects Supervisor |
Stuart Gardiner | Visual Effects |
Daniel Hazeltine | Visual Effects |
Skye Radies | Visual Effects Producer |
Sébastien Raets | Visual Effects Supervisor |
Haijing Wang | Visual Effects |
Matteo Silvi | Makeup Department Head |
Karine Hamelle | Makeup Artist |
Tiberio Nardi | Makeup Artist |
Vanessa Ricolleau | Makeup Artist |
Annie Crawford | Costume Supervisor |
Judith Devlin | Key Costumer |
Joelle Aoun | Set Designer |
Antonin Huet Calafat | Set Dresser |
Mary Saisselin | Set Designer |
William Miller | Sound Re-Recording Mixer |
Dawn Gough | Sound Effects Editor |
Carine Demonguères | Set Designer |
Elaine Hopkins | Prosthetic Makeup Artist |
Rachel Walker | Stunts |
Brodie Toriati | Stunts |
Lucile Perez | Stand In |
Michelle O'Loughlin | Stunts |
Nora Nagys | Stunts |
Rachel Morgan | Stand In |
Guillaume Marty | Stand In |
Catherine Lundon | Stunts |
Michèle Garrigue | Stand In |
Emma Condren | Stunts |
Nicole Chapman | Stunts |
Elsie Barry | Stunts |
Pedro Eustache | Musician |
Rob Bliss | Concept Artist |
John Bernard | Line Producer |
Ridley Scott | Director |
Matt Damon | Screenplay |
Judy Farr | Set Decoration |
Aoife Quinn | Graphic Designer |
Vencislav Stojanov | Stunts |
Stilyan Mavrov | Stunts |
Georgi Manchev | Stunts |
Trayan Milenov-Troy | Fight Choreographer |
Raicho Vasilev | Stunts |
Genadiy Ganchev | Stunts |
Jo Halpin | Production Assistant |
Genko Ivanov | Stunts |
Irene O'Brien | Art Direction |
Luca Vannella | Hair Designer |
Daren Nop | Stunts |
Name | Title |
---|---|
Kevin J. Walsh | Producer |
Madison Ainley | Executive Producer |
Jennifer Fox | Producer |
Nicole Holofcener | Producer |
James Flynn | Producer |
Morgan O'Sullivan | Producer |
Kevin Halloran | Executive Producer |
Drew Vinton | Executive Producer |
Sasha Veneziano | Associate Producer |
Ben Affleck | Producer |
Teresa Kelly | Co-Producer |
Ridley Scott | Producer |
Aidan Elliott | Co-Producer |
Matt Damon | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 40 | 62 | 28 |
2024 | 5 | 45 | 67 | 27 |
2024 | 6 | 38 | 57 | 23 |
2024 | 7 | 53 | 97 | 26 |
2024 | 8 | 37 | 58 | 24 |
2024 | 9 | 30 | 38 | 23 |
2024 | 10 | 40 | 78 | 20 |
2024 | 11 | 40 | 65 | 25 |
2024 | 12 | 31 | 52 | 20 |
2025 | 1 | 30 | 47 | 23 |
2025 | 2 | 25 | 42 | 7 |
2025 | 3 | 13 | 36 | 3 |
2025 | 4 | 7 | 13 | 5 |
2025 | 5 | 7 | 14 | 4 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 680 | 765 |
Year | Month | High | Avg |
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2025 | 8 | 357 | 671 |
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2025 | 7 | 580 | 817 |
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2025 | 6 | 603 | 826 |
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2025 | 5 | 520 | 793 |
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2025 | 4 | 236 | 685 |
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2025 | 3 | 306 | 723 |
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2025 | 2 | 382 | 695 |
Year | Month | High | Avg |
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2025 | 1 | 668 | 762 |
Year | Month | High | Avg |
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2024 | 12 | 56 | 644 |
Year | Month | High | Avg |
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2024 | 11 | 614 | 818 |
Year | Month | High | Avg |
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2024 | 10 | 681 | 839 |
Year | Month | High | Avg |
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2024 | 9 | 741 | 880 |
Year | Month | High | Avg |
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2024 | 8 | 341 | 753 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-last-duel-spoiler-free-review "The Last Duel became one of my favorite Ridley Scott films, boasting a commanding Jodie Comer who delivers one of the year's most emotionally powerful performances. Adam Driver, Matt Damon, a ... nd Ben Affleck all offer remarkable interpretations, but the actress fully embodies Marguerite de Carrouges' courage amid so much pain and suffering in a theme-heavy, brutally shocking true story. The perspective-based narrative structure is interesting and efficient enough to overcome its inevitable repeatability issues. Holding technical attributes that will surely get recognition in the awards season - especially Harry Gregson-Williams’ score - the actual duel is one of the most nerve-wracking sequences of the last few years, compensating the audience's patience with a satisfying climax. Watch it on the big screen, if possible." Rating: A-
**Analysis and Explanation at Spotamovie.com** - The Last Duel is a story of friendship, love and betrayals. But also of violence, war and weak justice. So even if it tries to focus on the role of women within society in the Middle Ages, the film presents crucial topics and a particular narrative st ... ructure. And we think this is a hazardous solution by Ridley Scott and his team, but somehow, it makes sense. And we are going to explain to you why in our analysis. The film is based on a true story, and reveal the courage of a woman who defied a nation and made history. - **The Story** - Two old friends, Sir Jean de Carrooges and Jacques Le Gris, found themselves fighting each other in different aspects of their lives. As a result, their military career takes different paths, as well as their social status and lives. Therefore, they build a story of envy, jealousy and betrayals that will change their stories forever. But why? The movie will provide you with three versions of the truth, and we have the challenging role of understanding who is lying. A gorgeous, highly educated woman will make things harder between the two old friends, Marguerite de Thibouville. What is going to happen? For which reasons a duel will be necessary? And who is Marguerite? - Full Analysis at https://www.spotamovie.com/the-last-duel-movie-review-and-analysis-2021-movie/
There is definitely something of Kurosawa's "Rashomon" (1950) in the compelling watch that Sir Ridley Scott has stitched together here, depicting well, as it does, the rather pyramidical feudal system that provided the legal and cultural structure of life in 14th century Europe. The film centres aro ... und allegations made by "Lady Marguerite" (Jodie Comer) that during the absence of her war-hero husband "Sir Jean" (Matt Damon) she was subjected to the unwanted attentions of powerful squire "le Gris" (Adam Driver). By way of a legal presentation to King Charles VI, the narrative now presents us with three equally plausible tales of just how these events may have unfolded. A tale of the initial friendliness between the men and of the ambition, greed, politics and fickleness that led to their current predicament. I cannot say that Damon is particularly good, nor is the blondly coiffured Ben Affleck particularly impressive as their overlord "Pierre d'Alencon", but both Driver and Comer offer us strong and characterful performances as each of their stories are rendered to the Court. The different versions are largely the same, there are but subtle and nuanced variations that you might, were you to be on a jury, have to identify and evaluate - in the end there are no forensics, there is no evidence as such - it is all about whom you believe. Again, this makes the film more interesting. It's not just whom you believe, but whom you want to believe, whom you think you ought to believe. There is the powerful church to consider; the local lords - decisions cannot be made according simply to any "rule of Law" or "code of chivalry". The duel - letting God decide - is the culmination (we see this at the very start of the film before our deliberations begin), but the cleverness of Scott and the writers here is to present us with as near facts as they can - we are left to make our own assessment. We are left to look at the way in which land and people - high born, or otherwise - were pawns in a game knowingly, or otherwise, that frequently became matters of life or death. The photography reminded me a little of the recent "The King" (2019) in that the filthy, muddy, damp and rat-infested conditions in which even the grandees lived are presented authentically and that adds loads to the overall feel of the film. The weather being often cold and wet, the battles being fierce and bloody - all of this contributes well to the strong visual imangery. It is a long film, but I found the episodic nature carried that rather well and the last twenty minutes are certainly worth sticking around for.
Lengthy and rich-looking period drama might have some great set and costumes, and an interesting enough storytelling style with three different viewpoints, I found this not terribly entertaining and everything felt empty and cold. I like Ridley Scott but this is one of his lesser outings. **2.5/5** ...
<em>'The Last Duel'</em> is a fun time. I remember hearing this flopped at the box office (not that that's a sure sign of anything) and had a joke told at its expense at the Oscars, therefore I wasn't too sure what to expect from this Ridley Scott movie. Happily, I comfortably enjoyed it. The plo ... t is a little bit thin, especially for a 153 minute flick, though due to how it is portrayed via differing viewpoints I was always interested in what I was seeing onscreen. I actually was anticipating it to drag at some point down the line, though that surprisingly never happened. It's a great cast. The looks of Matt Damon and Adam Driver are questionable at first, though by the conclusion their appearance was one of my favourite things about their respective characters. The performances of Damon and Driver are strong, as is Jodie Comer's. Ben Affleck is also noteworthy, a word that can also be used in reference to Željko Ivanek and Adam Nagaitis - though, admittedly, for those that is more of a personal thing; it's always nice to see fellows from <em>'The Walking Dead'</em> universe appear in other media.