The Creeping Flesh
A terrifying journey through the nightmare worlds of evil, insanity, and terrible revenge.
1973 | 92m | English
Popularity: 0.5 (history)
| Director: | Freddie Francis |
|---|---|
| Writer: | Peter Spenceley, Jonathan Rumbold |
| Staring: |
| A Victorian scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones, unleashing a malevolent entity on the scientist's family and friends. | |
| Release Date: | Jan 01, 1973 |
|---|---|
| Director: | Freddie Francis |
| Writer: | Peter Spenceley, Jonathan Rumbold |
| Genres: | Horror, Science Fiction |
| Keywords | monster, skeleton, insane asylum, reincarnation, murder, creature, corpse, scientist, monkey, attempted rape, mental illness |
| Production Companies | World Film Services, Tigon British Film Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Peter Cushing | Emmanuel Hildern |
| Lorna Heilbron | Penelope Hildern |
| Christopher Lee | James Hildern |
| George Benson | Waterlow |
| Catherine Finn | Emily |
| Hedger Wallace | Doctor Perry |
| Duncan Lamont | Inspector |
| Kenneth J. Warren | Charles Lenny |
| Larry Taylor | Chief Asylum Warder |
| Harry Locke | Barman |
| Robert Swann | Young Aristocrat |
| Jenny Runacre | Marguerite Hildern |
| David Bailie | Young Doctor |
| Michael Ripper | Carter |
| Alexandra Dane | Bar Girl |
| Marianne Stone | Woman Doctor |
| Tony Wright | Sailor |
| Dan Meaden | Lunatic |
| Maurice Bush | Karl |
| Martin Carroll | Warder |
| Name | Job |
|---|---|
| Peter Spenceley | Screenplay |
| Jonathan Rumbold | Screenplay |
| Norman Warwick | Director of Photography |
| Oswald Hafenrichter | Editor |
| Anne Donne | Casting |
| George Provis | Art Direction |
| Roy Ashton | Makeup Artist |
| Barbara Ritchie | Hairstylist |
| David Wynn-Jones | Focus Puller |
| Paul Ferris | Original Music Composer |
| Freddie Francis | Director |
| Name | Title |
|---|---|
| Norman Priggen | Executive Producer |
| Tony Tenser | Executive Producer |
| Michael P. Redbourn | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 9 | 18 | 5 |
| 2024 | 5 | 11 | 15 | 7 |
| 2024 | 6 | 7 | 10 | 6 |
| 2024 | 7 | 11 | 21 | 5 |
| 2024 | 8 | 9 | 24 | 5 |
| 2024 | 9 | 7 | 15 | 4 |
| 2024 | 10 | 11 | 24 | 5 |
| 2024 | 11 | 8 | 17 | 5 |
| 2024 | 12 | 7 | 11 | 5 |
| 2025 | 1 | 8 | 13 | 5 |
| 2025 | 2 | 6 | 8 | 3 |
| 2025 | 3 | 5 | 8 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 2 | 4 | 0 |
| 2026 | 1 | 2 | 6 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
I love both the horror films of Britain's Hammer Studios and the pairings of Sir Peter Cushing and Sir Christopher Lee so very much. Though this is one of their latter and lesser-known, it doesn't disappoint. Very much worth purchasing and rewatches for the horror connoisseurs amongst you... ...
Right until the end, I was convinced that this was just a bit of nonsense. At the end, though, a great deal of it falls into place and through it still isn't really very good, this film made a lot more sense. In a nutshell, "Hildern" (Peter Cushing) returns from Papua New Guinea with some artefacts ... (human ones). When they get wet, they reanimate into a rather nasty skeleton that wreaks havoc. Determined to stop this evil from spreading, the professor tries to use it's blood to immunise his young daughter from it's effects - bad move! Meantime, his half-brother Christopher Lee - who has been supervising the care of his sibling's mentally ill wife for some years, has his own agenda not just for the treatment of the wifely insanity, but also for our marauding bundle of bones. The script offers us just a little too much half-baked, amateur psychology but there is still enough gravitas delivered by Messrs. Cushing and Lee to make the conclusion worth the wait. This genre was losing it's appeal by 1973, the colour photography robbing the storyline of much of its eeriness and jeopardy and at times this looks more akin to a "Sherlock Holmes" style of investigative costume drama, but it is still worth a watch.