The Awakening
They thought they had buried her forever!
1980 | 105m | English
Popularity: 1 (history)
| Director: | Mike Newell |
|---|---|
| Writer: | Bram Stoker, Allan Scott, Chris Bryant, Clive Exton |
| Staring: |
| When a British archaeologist violates an Egyptian queen's tomb, her evil spirit enters his daughter. | |
| Release Date: | Jul 09, 1980 |
|---|---|
| Director: | Mike Newell |
| Writer: | Bram Stoker, Allan Scott, Chris Bryant, Clive Exton |
| Genres: | Horror |
| Keywords | egypt, queen, mummy, curse, spirit, archaeologist, evil, egyptian tomb, mummy's curse |
| Production Companies | EMI Films, Robert H. Solo Productions |
| Box Office |
Revenue: $8,415,112
Budget: $0 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Charlton Heston | Matthew Corbeck |
| Susannah York | Jane Turner |
| Jill Townsend | Anne Corbeck |
| Stephanie Zimbalist | Margaret Corbeck |
| Patrick Drury | Paul Whittier |
| Bruce Myers | Dr. Khalid |
| Nadim Sawalha | Dr. El Sadek |
| Ian McDiarmid | Dr. Richter |
| Ahmed Osman | Yussef |
| Miriam Margolyes | Dr. Kadira |
| Michael Mellinger | Hamid |
| Leonard Maguire | John Matthews |
| Ishia Bennison | Nurse |
| Madhav Sharma | Doctor |
| Michael Halphie | Doctor |
| Roger Kemp | Doctor |
| Christopher Fairbank | Porter |
| Name | Job |
|---|---|
| Claude Bolling | Original Music Composer |
| Jack Cardiff | Director of Photography |
| Mike Newell | Director |
| Bram Stoker | Novel |
| Terry Rawlings | Editor |
| Allan Scott | Writer |
| Chris Bryant | Writer |
| Clive Exton | Writer |
| Denis Johnson | Production Manager |
| Maurice Binder | Main Title Designer, Title Designer |
| Michael Stringer | Production Design |
| Lionel Couch | Art Direction |
| Salah Marei | Art Direction |
| Phyllis Dalton | Costume Design |
| Ahmed Sami | Production Manager |
| Neville C. Thompson | Location Manager |
| Tessa Davies | Set Dresser |
| Brian Simmons | Sound Mixer |
| Brenda Dabbs | Costume Supervisor |
| Les Healey | Assistant Editor |
| Shirley Shaw | Assistant Editor |
| John Southwood | Location Manager |
| Ceri Evans-Cooper | Continuity |
| Name | Title |
|---|---|
| Robert H. Solo | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 11 | 19 | 6 |
| 2024 | 5 | 15 | 25 | 9 |
| 2024 | 6 | 11 | 18 | 5 |
| 2024 | 7 | 13 | 19 | 7 |
| 2024 | 8 | 9 | 16 | 5 |
| 2024 | 9 | 9 | 14 | 6 |
| 2024 | 10 | 8 | 14 | 5 |
| 2024 | 11 | 8 | 10 | 5 |
| 2024 | 12 | 7 | 10 | 5 |
| 2025 | 1 | 10 | 21 | 3 |
| 2025 | 2 | 6 | 12 | 2 |
| 2025 | 3 | 4 | 8 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 3 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 7 | 28 | 0 |
| 2025 | 12 | 3 | 4 | 1 |
| 2026 | 1 | 3 | 6 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
**_Heston and Zimbalist head this intelligent and subdued supernatural horror_** Shot in the summer of 1979, this was loosely based on Bram Stoker's 1903 novel “The Jewel of Seven Stars.” Hammer’s "Blood from the Mummy's Tomb" nine years prior was also loosely based on the book, and two others wo ... uld come in the future: “Legend of the Mummy” (or “Bram Stoker’s Legend of the Mummy”) from 1998 and the indie “House of Ka” from 2023, the latter merely inspired by the book. It’s major studio supernatural horror in the tradition of “The Exorcist,” “The Omen” and “The Amityville Horror.” The future “The Calling” from 2000 is a good comparison, as is Pierce Brosnan’s “Nomads” (1986). These movies tend to eschew the simplistic or sensationalistic staples of ‘B’ horror to focus on artistry, psychology and, in general, more respectable complexities, all with a much bigger budget compared to the typical horror flick. Regrettably, it ranks with the least of these movies because the gobbledygook taken from (or inspired by) the source material is difficult to convey in cinema. The film could've done it more effectively and less ambiguously, not to mention more compelling. The biggest head-scratcher is the closing ritual which involves Kara's trickery. However, if you reflect on it, you can put the pieces of the puzzle together and everything makes sense, if indeed supernatural things can make sense. I liked the figurative depiction of the universal struggle between spirit and flesh, that is, one’s positive side and destructive side. Plus, you can’t beat the authentic Egyptian locations; and the cast is good with Charlton Heston, Susannah York and Stephanie Zimbalist, amongst others. It runs 1 hour, 40 minutes, and was shot in Egypt and England (Cambridge University and the London area, which is a couple hours’ drive to the south). GRADE: B-