| Zack Connors and Rachel Meadows were born with incredible psychokinetic capabilities. When word of their supernatural talents gets out, they find themselves the prisoners of Michael Slovak, a deranged doctor intent on harvesting their powers. | |
| Release Date: | Aug 05, 2015 |
|---|---|
| Director: | Joe Begos |
| Writer: | Joe Begos |
| Genres: | Action, Science Fiction, Horror |
| Keywords | psychokinesis |
| Production Companies | Site B, Channel 83 Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Graham Skipper | Zack Connors |
| Lauren Ashley Carter | Rachel Meadows |
| John Speredakos | Dr. Michael Slovak |
| Larry Fessenden | Mike Connors |
| Noah Segan | Travis Levine |
| Matt Mercer | David Armstrong |
| Brian Morvant | Tommy |
| Michael A. LoCicero | Kurt Thompson |
| Jeremy Gardner | Vince |
| Jeremy Gardner | Officer Rayne |
| Josh Ethier | Jim Robbins |
| Susan T. Travers | Nurse Potter |
| Chuck Doherty | Gary |
| Jesse Dufault | Roger |
| Name | Job |
|---|---|
| Joe Begos | Camera Operator, Director of Photography, Director, Writer |
| Steve Moore | Music |
| Alison Melillo | Production Design |
| Amanda Simonelli | Costume Design |
| Natalie Violette | Makeup Department Head |
| Brian Spears | Prosthetic Designer, Makeup Artist |
| Richelle Topping | Production Manager |
| Mark M. Greene | First Assistant Director |
| Tomasso Pompei | Boom Operator |
| Victor P. Bouzi | Sound Mixer |
| John Ruggieri | Special Effects Coordinator |
| Brandon J. Meadows | Gaffer |
| Cory Lockman | First Assistant Camera |
| Brian O'Connor | Key Grip |
| Jonathan Killoran | Assistant Editor |
| Michael Eaves | Digital Intermediate |
| Michael Williams | Digital Intermediate |
| Josh Ethier | Sound Editor, Editor |
| Name | Title |
|---|---|
| Graham Skipper | Producer |
| Zak Zeman | Producer |
| Joe Begos | Producer |
| Josh Ethier | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 11 | 4 |
| 2024 | 5 | 9 | 13 | 5 |
| 2024 | 6 | 7 | 12 | 5 |
| 2024 | 7 | 10 | 27 | 6 |
| 2024 | 8 | 8 | 17 | 5 |
| 2024 | 9 | 7 | 11 | 4 |
| 2024 | 10 | 9 | 18 | 4 |
| 2024 | 11 | 8 | 17 | 4 |
| 2024 | 12 | 6 | 10 | 3 |
| 2025 | 1 | 6 | 9 | 4 |
| 2025 | 2 | 5 | 7 | 3 |
| 2025 | 3 | 4 | 8 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 2 | 4 | 2 |
| 2025 | 11 | 1 | 2 | 1 |
Trending Position
Ruuz
4.0
There are some absolutely phenomenal pieces in _The Mind's Eye_. The synth score, the premise, the neon, the throwback references and the frequently STUNNING practical effects. Unfortunately it's too unfocused and poorly acted to be fully realised in its entirety. _Final rating:★★ - Had some thin ... gs that appeal to me, but a poor finished product._
Jun 23, 2021