Menu
Gods of Egypt Poster

Gods of Egypt

The battle for eternity begins
2016 | 127m | English

(132008 votes)

TMDb IMDb

Popularity: 6 (history)

Details

A common thief joins a mythical god on a quest through Egypt.
Release Date: Feb 25, 2016
Director: Alex Proyas
Writer: Matt Sazama, Burk Sharpless
Genres: Fantasy, Adventure, Action
Keywords egypt, fight, mythology, nile, god, thief, rescue, desert, ancient egypt, egyptian mythology, myth
Production Companies Summit Entertainment, Mystery Clock Cinema, Lionsgate, Thunder Road, TIK Films, Pyramania, Fin Design & Effects
Box Office Revenue: $150,680,864
Budget: $140,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Nikolaj Coster-Waldau Horus
Brenton Thwaites Bek
Gerard Butler Set
Chadwick Boseman Thoth
Elodie Yung Hathor
Courtney Eaton Zaya
Geoffrey Rush Ra
Abbey Lee Anat
Bryan Brown Osiris
Emma Booth Nephthys
Goran D. Kleut Anubis
Rachael Blake Isis
Kenneth Ransom Sphinx
Rufus Sewell Urshu
Bruce Spence Head Judge
Yaya Deng Astarte
Alexander England Mnevis
Emily Wheaton Young Maidservant
Matt Ruscic Urshu Guard
Robyn Nevin Sharifa
Wassim Hawat Set Guard
Jeff Coopwood High Priest (voice)
Jean-Pierre Yerma Priest
Ishak Issa Musician
Richard Mutschall Priest
Paula Arundell Fussy Older Maidservant
Julian Maroun Young Human Soldier
Marisa Lamonica Heliopolis survivor
Josh Farah Nobleman
Felix Williamson Nobleman
Garrett William Fountain Drummer
Sean Michael Perez Mortal
Premila Jennar Mortal Atmos
Michael-Anthony Taylor Priest / MC
Alia Seror-O'Neill Young Maidservant #2
Rachel Joseph Wealthy Servant
Alessandro Guerrera Mortal Man 1
Rhavin Banda Mortal (uncredited)
Kurt Goehner-Winter Soldier (uncredited)
Gareth Hamilton-Foster Army Warrior (uncredited)
Adam Roper Soldier (uncredited)
Karim Zreika Survivor (uncredited)
Name Job
Vincent Oppido Orchestrator
Alex Proyas Director
Matt Sazama Screenplay
Burk Sharpless Screenplay
Peter Menzies Jr. Director of Photography
John Papsidera Casting
Peter McCaffrey Camera Operator
Steven A. Davis Stunt Double
Inge Sildnik Stunts
Talayna Moana Nikora Stunts
Olga Miller Stunt Double
Jack Kingsley Stunts
Puven Pather Stunts
Alex Jewson Stunts
Jacob Tomuri Stunts
Marco Beltrami Original Music Composer
Tim Wong Fight Choreographer
Carlos-Christian Nickel CG Supervisor
Steve Moncur CG Supervisor
Jim Schultz Music Editor
Laura Anderson Animation
Pawel Olas CG Supervisor
Liz Keogh Costume Design
Joe Harkins Animation Director
Kristen Anderson Assistant Art Director
Karen Mansfield Script Supervisor
Paul Lee Animation
Sylvain Theroux CG Supervisor
Alice Baueris Makeup Effects
Lara Jade Birch Hairstylist
Richard Learoyd Editor
Jolayne Crabbe Digital Intermediate
Nicki Gardiner Set Decoration
Deanna Brigidi Casting Associate
Darrin Keough Camera Operator
Colin Ware Makeup Effects
Ian Gracie Supervising Art Director
Rick Lisle Sound Effects Editor
Kala Harrison Makeup Effects
Scott Dolan First Assistant Camera
Sophie Nash Art Direction
Andrew Chan Assistant Art Director
Jarrod Anderson Animation Director
Mario Gabrieli Sound Effects Editor
Damian Martin Prosthetic Supervisor
Meredith Hussey Art Department Coordinator
Fabian Sanjurjo Supervising Sound Effects Editor
Stephen F. Newnam Digital Intermediate
Nigel Christensen Sound Effects Editor
Emily Hayward Makeup Effects
Owen Paterson Production Design
Anita Morgan Key Hair Stylist, Makeup Artist
David Elmes First Assistant Camera
Wayne Pashley Sound Designer, Supervising Sound Editor
Martin Pelletier CG Supervisor
Simon Alberry Digital Intermediate
Kaz Rassoulzadegan First Assistant Editor
Kira Bohn Script Supervisor
Shaun Conway Gaffer
Greg P. Fitzgerald Sound Re-Recording Mixer
Yvonne Savage Hairstylist
Mark Jefferies Rigging Gaffer
Gerard Maher First Assistant Camera
Aline Joyce Makeup Artist
Paul Carlin Digital Intermediate
Michael Turner Art Direction
Richard Bradshaw Camera Operator
John Simpson Foley
Jared Dwyer Sound Effects Editor
Peter Purcell Sound Re-Recording Mixer
Matthew Wigg First Assistant Editor
Jimmy Almeida Animation
Angela Moore Stunts
Jerad Marantz Concept Artist
Bernadette Van Gyen Stunts
Naomi Turvey Stunt Double
Desiree Rose Cheer Stunts
Andrea Berchtold Stunts, Utility Stunts
Marlee Barber Stunt Double
Maciej Kuciara Concept Artist
Peter Grace Sound Recordist
Jesse Rowles Stunts
John Platt Camera Operator
Michael Matthews Stunts
Derryn Pasquill Dialogue Editor
Mark Franken Dialogue Editor
Nikki Barrett Casting
Andrew 'A.J.' Johnson Camera Operator
Name Title
Basil Iwanyk Producer
Alex Proyas Producer
Kent Kubena Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 47 56 34
2024 5 57 90 36
2024 6 49 77 37
2024 7 65 95 32
2024 8 61 89 46
2024 9 48 70 33
2024 10 58 139 33
2024 11 52 93 40
2024 12 49 71 35
2025 1 50 63 39
2025 2 41 64 9
2025 3 12 47 3
2025 4 7 8 5
2025 5 6 7 4
2025 6 6 8 5
2025 7 6 6 4
2025 8 6 6 5

Trending Position


Year Month High Avg
2025 8 820 844
Year Month High Avg
2025 7 859 928
Year Month High Avg
2025 6 727 878
Year Month High Avg
2025 4 617 869
Year Month High Avg
2025 3 751 796
Year Month High Avg
2025 2 390 651
Year Month High Avg
2025 1 406 850
Year Month High Avg
2024 12 788 814
Year Month High Avg
2024 11 305 761
Year Month High Avg
2024 8 906 938

Return to Top

Reviews

Rangan
6.0

> A fight among the gods, for the Egyptian empire. I like this director, but this is not his best work. I think the Hollywood fed up with Greek stuffs, now they're looking at the ancient Egypt. Where's the next stop? India? This film was not a bad idea. I liked the story, a mission based concept, ... but I did not like the CGI. Visually, it was okay, though those CGI characters felt like they're from sci-fi. I think they inspired by the ancient Egyptian arts. Other than that, this film is enjoyable. At least I knew about Greek deities, I learnt a few words and names about Egypt mythology through this. Gerard Butler in a negative shade was good and the other actors too decent. I was not interested in this film, but now somewhat I enjoyed it, that mean they should stop it here, no sequel please. I had no issue with the casting, it is a marketing strategy. You can't just put a new foreign face in front of the camera and make money out of it. Cinema itself means fake display. Age, skin, death, everything is fake. So people must learn to accept it similar to when a black, Malaysian or Indonesian man says he's a mooslim, but genetically he's not, just converted to. Well composed stunt sequences, especially bloods with liquid gold, totally got the PG13. Least expected film of the year, but got entertained better. It got the mixed response and mostly negative feedback from the critics, but who knows you might have a good time like I did. So you could try it if you want in your free time, because it is not worth to spend your valuable time. 6/10

May 16, 2024
Ruuz
4.0

The illegitimate child of _Transformers: Revenge of the Fallen_ and _Marvel's Thor_. One that probably should have been aborted. I could see _Gods of Egypt_ working in the "dumb fun" kind of way, if it hadn't been so bloated and overly long. As it stands, it has some very neat design choices... A ... nd that's it. That's all it has going for it. Not a single actor seems to care that they're in this movie, the digital effects are hit and miss at best, and the story is sillier than it had to be, yet not as entertaining as it could have been. But yes. Some great designs. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Jun 23, 2021
CyrusPK
6.0

Fantasy is very difficult to get right in films. Audience resistance is quite high, especially when it involves characters with difficult-to-remember names or diverse place names. Relating to a fantasy world of beasts and magic is often tricky for audiences who may prefer grounded, realistic dram ... a. There are exceptions though – the worlds of Star Wars and Lord of the Rings captured public imaginations and the complex mass of stories and themes in Game of Thrones also attracted an audience. This fear of fantasy seems to have informed a slightly tentative approach in the writing and direction of Gods of Egypt. There are plenty of fantastic creatures present ranging from giant, vicious snake like creatures to Minotaurs in all but name, and an array of Egyptian gods. However, there has been avoidance of any of the cod Shakespearean dialogue that often permeates works of this type and an emphasis more upon realistic dialogue. This creates a needless tension between the intensity of the innovative visuals and the prosaic words dropping from the actors, a tension that is never resolved as the linear story progresses forwards but never upwards. The pleasures with this film arise mostly from the intensity of the visual experience. Every environment has been precisely designed, full of colour and dimension, looking very different from the landscapes seen in past films based on myth and history. The benefit of this is that there is always something to attract the eye, from great sky barges to rainbow lit waterfalls and massive monuments. Like all Alex Proyas’ films the visual ideas add weight and substance that the scripting sometimes fails to. It is however that narrative which brings the film down with a series of very deliberate events extrapolated in excessive detail, burdened by actors who at times look deathly uncomfortable in their roles. Only Geoffrey Rush, in a small but notable part, really excels with so many of the others not able to bring life to the dialogue as they intone in front of ever present green screens. In the end it is a pity that such a wonderfully conceived world at the visual level could not have been combined with a compelling story and acting.

Jun 23, 2021
Dark Jedi
10.0

When the credits rolled after having watched this movie with my kids I was perplexed. I knew this movie had not received very great ratings and I had heard rumors that some people had even labelled it the worst movie of the year. However, I had liked watching the movie…a lot! Sure, the script is ... predictable and certainly wont win any prices for best script anywhere. The acting is adequate but no more. But it is a fun fantasy adventure movie, a simple adventure / action fantasy roller-coaster. Plenty of fairly cool special effects. Some humor, some romance. It is also fairly devoid of politically correct preaching, whining, mentally unstable and self destructive “heroes” and all that crap. In short it is the kind of movie I like. I actually looked up the movies page on Wikipedia and it was pretty much full of nonsense and whining about how the movie was not “ethnically correct”. What the f…? It is a bloody fantasy adventure movie for Christ sake! It is meant to entertain! Who the hell cares about whether the actors are native Egyptians or something else? Well, I guess Eskimos would look a bit funny in those roles but otherwise… Yes it does take quite a few liberties with Egyptian mythology but again, it is a fantasy movie guys! And Egyptian mythology, like any other mythology, goods etc, is nothing but fantasy and story telling from the start so just live with it. To me they stayed true enough to the core of the mythology and I would actually give the director and script writers bonus points for actually depicting the earth as flat as was the predominant belief in those times. Those scenes with Ra dragging the sun and the flat Earth was quite beautiful actually. The rating on IMDb is also on the low side but of those that took the effort to write a review most seems to be quite positive. The mostly negative ones are, of course, the so called “critics”. No surprise there. It is sad to see how a, in my opinion a quite entertaining, movie can be so sabotaged by a bunch of, again in my opinion, loud mouthed, ignorant, intolerant, fanatical SJWs who seems to believe that a movie cannot be allowed to just entertain but has to carry a political message, their political message. I would recommend anyone into fantasy and adventure movies to check this one out if you should stumble upon it. I certainly do not regret adding it to my collection.

May 16, 2024
GenerationofSwine
1.0

I usually go for movies like this but.... whatever happened to practical effects? You lose me with too much blatant CGI. This movie, it seemed like it was only CGI. And not just CGI, but the kind of CGI that looks like a video game. It honestly lost me right away, I gave it about ten minutes a ... nd just stopped.

Jan 12, 2023