Popularity: 11 (history)
| Director: | Richard Fleischer |
|---|---|
| Writer: | Berta Domínguez D., George MacDonald Fraser, Mark Twain, Pierre Spengler |
| Staring: |
| Tom Canty is a poor English boy who bears a remarkable resemblance to Edward, Prince of Wales and son of King Henry VIII. The two boys meet and decide to play a joke on the court by dressing in each other's clothes, but the plan goes awry when they're separated and each must live the other's life. | |
| Release Date: | Jun 03, 1977 |
|---|---|
| Director: | Richard Fleischer |
| Writer: | Berta Domínguez D., George MacDonald Fraser, Mark Twain, Pierre Spengler |
| Genres: | Adventure, Drama |
| Keywords | based on novel or book, sword fight, identity swap, henry viii, 16th century, children's adventure, pauper |
| Production Companies | International Film Productions |
| Box Office |
Revenue: $0
Budget: $8,000,000 |
| Updates |
Updated: Dec 23, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Mark Lester | Prince Edward / Tom Canty |
| Oliver Reed | Miles Hendon |
| Charlton Heston | Henry VIII |
| David Hemmings | Hugh Hendon |
| Ernest Borgnine | John Canty |
| George C. Scott | The Ruffler |
| Harry Andrews | Hertford |
| Raquel Welch | Lady Edith |
| Rex Harrison | The Duke of Norfolk |
| Sybil Danning | Mother Canty |
| Julian Orchard | . St.John |
| Murray Melvin | Prince's Dresser |
| Lalla Ward | Princess Elizabeth |
| Felicity Dean | Lady Jane |
| Graham Stark | Jester |
| Preston Lockwood | Father Andrew |
| Arthur Hewlett | Fat Man |
| Tommy Wright | Constable |
| Harry Fowler | Nipper |
| Richard Hurndall | Archbishop Cranmer |
| Dan Meaden | 1st Guard |
| Tyrone Cassidy | 2nd Guard |
| Don Henderson | Burly Ruffian |
| Sydney Bromley | Peasant |
| Ruth Madoc | Moll |
| Dudley Sutton | Hodge |
| Roy Evans | Night Owl |
| William Lawford | Mandrake |
| Peter O'Farrell | Linklight |
| Anthony Sharp | Dr. Buttes |
| Peter Cellier | Mean Man |
| Andrew Lodge | Captain of the Guard |
| Igor de Savitch | Master of Music |
| Dervis Ward | Forester |
| Michael Ripper | Edith's Servant |
| Jacques Le Carpentier | The Mute |
| Name | Job |
|---|---|
| Ernest Walter | Editor |
| Michael Walter | Key Grip |
| Berta Domínguez D. | Screenplay |
| George MacDonald Fraser | Screenplay |
| Richard Fleischer | Director |
| Jack Cardiff | Director of Photography |
| Mark Twain | Novel |
| Pierre Spengler | Screenplay |
| Maurice Jarre | Original Music Composer |
| Maude Spector | Casting Director |
| Anthony Pratt | Production Designer |
| Maurice Fowler | Art Direction |
| John Hoesli | Art Direction |
| Jack Stephens | Art Direction |
| Judy Moorcroft | Costume Designer |
| José Antonio Sánchez | Makeup Artist |
| Ottó Elek | Production Supervisor |
| Basil Keys | Production Supervisor |
| Helena Toth | Unit Manager |
| Sándor Tóth | Production Manager |
| Olivier Assayas | Third Assistant Director |
| Michael Green | Second Assistant Director |
| Vilmos Kolba | First Assistant Director |
| Laurent Perrin | Third Assistant Director |
| Zsuzsa Szemes | Second Assistant Director |
| Nigel Wooll | Assistant Director |
| Roy Charman | Sound Mixer |
| Colin Miller | Sound Editor |
| Eddie Fowlie | Special Effects |
| Wally Veevers | Visual Effects |
| Alec Mills | Camera Operator |
| Betty Adamson | Wardrobe Supervisor |
| Andrés Fernández | Wardrobe Master |
| Sally Gilpin | Choreographer |
| Alexander Salkind | Presenter |
| Name | Title |
|---|---|
| Ilya Salkind | Producer |
| Pierre Spengler | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 18 | 7 |
| 2024 | 5 | 13 | 22 | 8 |
| 2024 | 6 | 11 | 17 | 5 |
| 2024 | 7 | 11 | 21 | 4 |
| 2024 | 8 | 11 | 17 | 7 |
| 2024 | 9 | 6 | 9 | 4 |
| 2024 | 10 | 11 | 23 | 3 |
| 2024 | 11 | 9 | 31 | 4 |
| 2024 | 12 | 8 | 11 | 3 |
| 2025 | 1 | 8 | 12 | 5 |
| 2025 | 2 | 6 | 10 | 1 |
| 2025 | 3 | 4 | 7 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 2 | 4 | 1 |
| 2025 | 12 | 4 | 11 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 241 | 540 |
**A very weak and uninteresting film, despite the constellation of great actors.** I am not a connoisseur of Mark Twain's work, so I was curious to read some things about the original story he wrote after a trip he made to the European continent. From what I've read on the internet about the stor ... y, I believe the movie does justice to the source material, but as I didn't get the story to read it, I want to make it clear that I could be wrong. Summing up in a few words the whole plot, what we have is a story in which a poor teenager, whom his father taught to steal, penetrates the palace of King Henry VIII and comes across the heir to the crown, Prince Edward. The two quickly realize that they are identical lookalikes and the prince decides to change clothes with the beggar so they both go to a masked ball. It turns out that the disguise turns out to be too good, and the real prince ends up expelled from the palace. After some misadventures, he enlists the help of a nobleman who returns to the kingdom after a long journey, making it imperative to undo the mistake before the coronation of the new king, since, in the meantime, Henry VIII dies. The story has its appeal, but I have to confess that it sounded so far-fetched and hard to believe that I couldn't really like it. Forgive me, Twain fans. In addition, I was not pleased with the work of the director, Richard Fleischer. I felt he didn't give the film the most appropriate pacing and dynamics. Technically, the film is not very brilliant: I really liked the costumes, although it is not believable that all that gold and silk apparatus was routine and every day, even for the royalty of the time. And I also liked the scenarios used, which put us in the atmosphere of the time very quickly, both in the courtrooms and in the environments where the poor and the marginalized live. The soundtrack, sometimes a little raucous, works reasonably. Unfortunately, the cinematography has a lot of light and I didn't like it very much, overall. I left the cast for the end because I felt, throughout the film, that there was a huge dissonance between the various actors, something that, associated with bad direction, can help to understand why the film was a failure. There are a lot of solid and well-known names to the public at the time, but even that didn't help to convince people to pay the ticket and see it. We have, however, good interpretations that, ironically or because of the bad conception of the script, fall into the most indigestible characters in the film. Oliver Reed is the most impressive actor and leaves us very impressed, but the character is superb and boastful. Ernest Borgnine also does a good job and is very convincing, but it's impossible to like John Canty and the actor doesn't have much to do other than being obnoxious. Rex Harrison has an interesting role and is good at what he does, but appears very little. The rest of the actors can't enjoy what they get: Charlton Heston almost erases himself, Raquel Welch has absolutely nothing to do and never behaves like a lady, Mark Lester is a weak protagonist and is unable to convince.