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Architecton Poster

Architecton

2024 | 98m | English

(914 votes)

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Popularity: 1 (history)

Director: Viktor Kossakovsky
Writer: Viktor Kossakovsky
Staring:
Details

An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
Release Date: Oct 03, 2024
Director: Viktor Kossakovsky
Writer: Viktor Kossakovsky
Genres: Documentary
Keywords architecture, concrete
Production Companies ZDF, ma.ja.de. FilmProduktions, Les Films du Balibari, A24, Point du Jour, Hailstone Films
Box Office Revenue: $66,823
Budget: $0
Updates Updated: Mar 22, 2026
Entered: Apr 27, 2024
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Extras

No extras available.

International Posters

Full Credits

Name Character
Michele De Lucchi Self
Name Job
Ainara Vera Editor
Viktor Kossakovsky Writer, Editor, Director
Evgueni Galperine Original Music Composer
Ben Bernhard Director of Photography
Name Title
Adriana Banta Executive Producer
Emily Osborne Executive Producer
Frank Lehmann Executive Producer
Heino Deckert Producer
Charlotte Hailstone Co-Producer
Ben Cotner Executive Producer
Nick Shumaker Executive Producer
Clara Vuillermoz Co-Producer
Estelle Robin-You Co-Producer
Organization Category Person
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Reviews

Geronimo1967
6.0

Did you know that after water, concrete is the most used substance on Earth? That follows on from our discovery of just adaptable stone could be. Since prehistoric times we have used it for everything from weaponry to housing, and though this doesn’t go back quite that far it uses some interesting p ... hotographic techniques to illustrate just how we incorporate it into everyday life. From time to time these images are quite cleverly presented, especially the explosive cascading of the more sedimentary and crystalline rocks that almost crumble as they descend, and there are also some rather depressing remnants of constructions that have suffered through time to now resemble something from a war zone. Sadly, though, most of the conversation adds very little to the rather repetitive nature of the film and there is an certain element of once you have seen one or two drone-shot sequences, then maybe you have seen enough. It could have been better encapsulated onto half an hour where the photography and it’s underpinning chronology could have been used to more potent effect, and the soundtrack rather adds to the blandness after a while rather than augmenting anything. It does showcase some quite differing architectural styles - human and natural, and you don’t need to be an aesthete to appreciate that some are more appealing than others, and it is worth a watch.

Jul 24, 2025