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Dear Wendy Poster

Dear Wendy

One shot is all it takes
2005 | 105m | English

(10686 votes)

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Popularity: 0.5 (history)

Details

In a blue-collar American town, a group of teens bands together to form the Dandies, a gang of gunslingers led by Dick Dandelion. Following a code of strict pacifism at odds with the fact that they all carry guns, the group eventually lets in Sebastian, the grandson of Dick's childhood nanny, Clarabelle, who fears the other gangs in the area. Dick and company try to protect Clarabelle, but events transpire that push the gang past posturing.
Release Date: Feb 04, 2005
Director: Thomas Vinterberg
Writer: Lars von Trier
Genres: Comedy, Crime, Drama, Romance
Keywords underdog, secret society, friendship, west virginia, pacifist, self esteem
Production Companies Zentropa Entertainments, ARTE France Cinéma, Nimbus Film, TV 2, Little Wing Films, Slot Machine, Pain Unlimited Filmproduktion, Lucky Punch, Liberator2, Sigmaiii Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 04, 2026
Entered: Apr 13, 2024
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Full Credits

Name Character
Jamie Bell Dick Dandelion
Bill Pullman Krugsby
Michael Angarano Freddie
Danso Gordon Sebastian
Novella Nelson Clarabelle
Chris Owen Huey
Alison Pill Susan
Mark Webber Stevie
Trevor Cooper Dick's Dad
Matthew Géczy Young Officer
William Hootkins Marshall Walker
Teddy Kempner Mr. Salomon
Thomas Bo Larsen Customer
Name Job
Thomas Vinterberg Director
Benjamin Wallfisch Original Music Composer
Anthony Dod Mantle Director of Photography
Joyce Nettles Casting
Peter Menne Art Direction
Zoe Morgan Script Supervisor
Mikkel E.G. Nielsen Editor
Avy Kaufman Casting
Karl Júlíusson Production Design
Jette Lehmann Production Design
Annie Périer Costume Design
Lars von Trier Screenplay
Pascale Bouquière Makeup Artist
Morten Jacobsen Special Effects Makeup Artist
Susanne Herredsbjerg Søbye Makeup Artist
Constance Demontoy Casting
Julien Naudin Foley Artist
Ray Beckett Sound
Name Title
Bo Ehrhardt Executive Producer
Peter Aalbæk Jensen Executive Producer
Peter Garde Executive Producer
Birgitte Hald Executive Producer
Sisse Graum Jørgensen Producer
Gillian Berrie Producer
Bettina Brokemper Executive Producer
Marie Gade Denessen Producer
Marianne Slot Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 29 6
2024 5 13 28 7
2024 6 8 12 5
2024 7 13 21 6
2024 8 12 22 8
2024 9 9 11 6
2024 10 10 27 5
2024 11 8 15 4
2024 12 7 11 5
2025 1 9 18 4
2025 2 6 10 3
2025 3 5 8 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 2 1
2025 10 2 3 1
2025 11 3 5 1
2025 12 3 5 1
2026 1 4 8 2
2026 2 1 2 0

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Reviews

Geronimo1967
6.0

“Dick” (Jamie Bell) finds a gun. “Dick” hates guns. “Dick” decides to name his gun and start a gang of “Dandies” in her honour. What’s the one rule of gun club? Nobody is ever allowed to fire their weapon. They can be looked at, they can be polished, they can even be traded - but under no circumstan ... ces nor despite any provocation can they ever be fired in anger. Meantime, the sheriff “Krugsby” (Bill Pullman) takes a tolerant view of these lads. He knows they are just boys being boys and that “Dick” is an harmless individual. Then something altogether unplanned happens, and well let’s just say that Thomas Vinterburg and Lars von Trier now take a leaf from the book of Robert Burns. “The best laid plans…”. Now what’s the message? There are some thinly veiled racial undertones and it is clearly having a poke at American gun culture, but to what end? Is it sending up the imbecility of those legally permitted to hold guns in this dead-end mining town? Is the very fact this town is nowhere near anywhere a symbol of an old nation that has moved on from it’s “Wild West” days? Is it just a satirical look at an inherently violent culture that doesn’t really come out so well as these scenarios are exaggerated and verbalised? Maybe none of them, maybe all of them - and the fact that it’s fronted by a Brit who sports a particularly weak accent can’t be ignored either. None of it really comes across as real, yet so much of it does - or might, if you’re minded to accept one of it’s many ambiguous premises. Bell is on solid, if unspectacular, form here as is Pullman but it’s really the supporting cast of his pacifist pals partnered with a sparing but quite purposeful script and some quirky photography that gives this whole film an almost sci-fi sense of the surreal. At no point was I convinced that any of this was ever meant to portray something real or true and as the denouement approached, all that was actually missing was Gary Cooper and Ennio Morricone. I didn’t love this, but bizarrely I don’t really know quite why. Maybe that’s why you ought to watch it?

Sep 19, 2025