Popularity: 85 (history)
| Director: | Guillermo del Toro |
|---|---|
| Writer: | Mary Shelley, Guillermo del Toro |
| Staring: |
| Dr. Victor Frankenstein, a brilliant but egotistical scientist, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. | |
| Release Date: | Oct 17, 2025 |
|---|---|
| Director: | Guillermo del Toro |
| Writer: | Mary Shelley, Guillermo del Toro |
| Genres: | Fantasy, Drama, Horror |
| Keywords | based on novel or book, monster, surgeon, supernatural, reanimation, mad scientist, angry, philosophical, father son relationship, mother son relationship, frankenstein, vindictive, enthusiastic, 弗兰肯斯坦 |
| Production Companies | Demilo Films, Double Dare You, Bluegrass 7 |
| Box Office |
Revenue: $480,678
Budget: $120,000,000 |
| Updates |
Updated: Dec 18, 2025 Entered: Oct 10, 2025 |
| Name | Character |
|---|---|
| Oscar Isaac | Victor Frankenstein |
| Jacob Elordi | The Creature |
| Christoph Waltz | Harlander |
| Mia Goth | Elizabeth / Claire Frankenstein |
| Felix Kammerer | William Frankenstein |
| Charles Dance | Leopold Frankenstein |
| David Bradley | Blind Man |
| Lars Mikkelsen | Captain Anderson |
| Christian Convery | Young Victor Frankenstein |
| Nikolaj Lie Kaas | Chief Officer Larsen |
| Kyle Gatehouse | Young Hunter |
| Lauren Collins | Hunter's Wife |
| Sofia Galasso | Anna-Maria |
| Joachim Fjelstrup | Dr. Udsen |
| Ralph Ineson | Professor Krempe |
| Peter Millard | Professor Stokeld |
| Peter MacNeill | Professor Maurus |
| Burn Gorman | Executioner |
| Sean Sullivan | Old Hunter #1 |
| Stuart Hughes | Old Hunter #2 |
| Gord Rand | Silversmith |
| Kenton Craig | Harlander's Butler |
| Val Ovtcharov | Outpost Clerk |
| Anders Yates | Torfussen |
| Adam Brown | Prisoner #1 |
| Santiago Segura | Prisoner #2 |
| Dexter Stokes-Mellor | Prisoner #3 |
| Shian Denovan | Nymph |
| Mark Steger | Spinal Corpse |
| Rafe Harwood | Young William Frankenstein |
| Gregory Mann | Head Urchin |
| Roberto Campanella | Dark Angel |
| Rebecca Lawson-Turner | Woman in Confessional |
| Warren Albert | Professor Kugelmann |
| Kim Morgan | Guest at Wedding and Bistro |
| Chris Andrews | Bistro Dancer |
| Lewis Landini | Bistro Dancer |
| William John Banks | Bistro Dancer |
| Tess Letham | Bistro Dancer |
| Alexandros Beshonges | Bistro Dancer |
| Maria Peneva | Bistro Dancer |
| Kieran Brown | Bistro Dancer |
| Jessica Roberts Smith | Bistro Dancer |
| Rachel Elderkin | Bistro Dancer |
| Jennifer Steele | Bistro Dancer |
| Jorja Follina | Bistro Dancer |
| Malcolm Sutherland | Bistro Dancer |
| Alex Henderson | Bistro Dancer |
| Luke Watson | Bistro Dancer |
| Yasmin Hepburn | Bistro Dancer |
| Pawel Wieczorek | Bistro Dancer |
| Frank Meschkuleit | Additional Performances (puppeteer) |
| Name | Job |
|---|---|
| Alexandre Desplat | Original Music Composer, Conductor |
| Keith Thompson | Concept Artist |
| Michael Derrah | Storyboard Artist |
| Vicki Pui | Concept Artist |
| Lisa Shamata | Unit Publicist |
| Guy Davis | Concept Artist |
| Eli Zagoudakis | Stunt Coordinator |
| Jordan Samuel | Makeup Department Head |
| Dennis Berardi | Visual Effects Supervisor |
| Oscar Chichoni | Concept Artist |
| Francisco Ruiz Velasco | Concept Artist |
| Kelly Boaz | Casting Assistant |
| Dan Laustsen | Director of Photography |
| Robin D. Cook | Casting |
| Cliona Furey | Hair Department Head |
| Tamara Deverell | Production Design |
| Gilles Corbeil | Camera Operator |
| David Sinfield | Gaffer |
| Adrian Millington | Animation Supervisor |
| Alun Cummins | Visual Effects Producer |
| Shane Vieau | Set Decoration |
| Mike Hill | Creature Design, Prosthetic Designer |
| Nicolas Charron | Orchestrator |
| Stacey Dodge | Visual Effects Producer |
| Dug Rotstein | Script Supervisor |
| Sylvain Morizet | Orchestrator |
| Kate Hawley | Costume Design |
| Mary Shelley | Novel |
| Melissa Girotti | Line Producer |
| Michelle Eisenreich | Executive Visual Effects Producer |
| Tini Wider | Visual Effects Producer |
| Guillermo del Toro | Director, Writer |
| Evan Schiff | Editor |
| Ivan Busquets | Visual Effects Supervisor |
| Katherine Chambers | Visual Effects Producer |
| Marilou Vaillancourt | Assistant Art Director |
| Henry Salonen | First Assistant Art Direction, Set Designer |
| Lucy Moles | Construction Coordinator |
| Marc Kuitenbrouwer | Other |
| Ben Ressa | Props |
| Abby Warrilow | Choreographer |
| Marshall Virtue | Stunt Coordinator |
| Christian T. Cooke | Sound Re-Recording Mixer |
| Brad Zoern | Sound Re-Recording Mixer |
| Nathan Robitaille | Sound Designer, Supervising Sound Editor |
| Julie Lawrence | Post Production Supervisor |
| Walter Gasparovic | First Assistant Director |
| Chad Belair | Second Assistant Director |
| Karen Young | Second Assistant Director |
| Simon March | Set Dresser |
| Marie-Claude Harnois | Unit Production Manager |
| J. Miles Dale | Unit Production Manager |
| Thomas Lorber | Stunts |
| Daniel Cudmore | Stunts |
| Brendan Stevenson | Stunts |
| Geoff Scovell | Stunts |
| Ivett Gonda | Stunts |
| Dan MacDonald | Stunts |
| Carl Fortin | Stunts |
| Don Stockford | Stunts |
| Spencer Birman | Stunts |
| Vaios Skretas | Stunts |
| Adam Winlove-Smith | Stunts |
| John Stead | Stunts |
| Gavin Johnston | Stunts |
| Mathieu Ledoux | Stunts |
| Eric Paul-Hus | Stunts |
| Maxime Laurin | Stunts |
| Ess Hödlmoser | Stunts |
| Kenny Parent | Stunts |
| Jake Loube | Stunts |
| Stéphane Julien | Stunts |
| Geoff Meech | Stunts |
| Maxime Savaria | Stunts |
| Bart Badzioch | Stunts |
| Gannon Racki | Stunts |
| Jamie James Yungblut | Stunts |
| Jean-François Lachapelle | Stunts |
| Alex Armbruster | Stunts |
| Dylan Rampulla | Stunts |
| Joshua Maloney | Stunts |
| Nick Longhurst | Stunts |
| Bauston Camilleri | Stunts |
| Caitlin McNerney | Stunts |
| Kaanchana Kerr | Stunts |
| Sebastian Buitrago | Stunts |
| Bas Reitsma | Stunts |
| Dillon Jagersky | Stunts |
| Brent Connolly | Stunts |
| James Stewart | Stunts |
| Mig Buenacruz | Stunts |
| Jonathan Vellner | Stunts |
| James Eddy | Stunts |
| Jason Lee Bell | Stunts |
| Trevor de Groot | Stunts |
| Nicolas Van Burek | Stunts |
| Brandon Blach | Stunts |
| Jonny Caines | Stunts |
| Sharon Canovas | Stunts |
| Al Vrkljan | Stunts |
| Cam Fergus | Stunts |
| Jean Frenette | Stunts |
| Riley Jones | Stunts |
| Colin Decker | Stunts |
| Brandon Gordon | Supervising Art Director |
| Etienne Gravrand | Set Designer |
| Sorin Popescu | Set Designer |
| Shirin Rashid | Set Designer |
| Radia Slaimi | Set Designer |
| Jane Stoiacico | Set Designer |
| Lauren Batcher | Set Dresser |
| Thibaut Cartier-Millon | Set Dresser |
| Mekkin Fridriksson | Set Dresser |
| Joel Monette | Set Dresser |
| Christian Baqueiro | Set Dresser |
| Brendan Fernie | Set Dresser |
| Tinara Herpel | Set Dresser |
| Steve Miller | Set Dresser |
| Darcy Walsh | Set Dresser |
| Matthew Bolton | Set Decoration Buyer |
| Patricia Larman | Set Decoration Buyer |
| Rebecca Elliott | Set Decoration Buyer |
| Erica Milo | Set Decoration Buyer |
| James Frater | Steadicam Operator |
| Greg Chapman | Production Sound Mixer |
| Kristin Wayne | Key Makeup Artist |
| Tim Nolan | Hairstylist |
| Tori Binns | Key Hair Stylist |
| Katarina Chovanec | Hairstylist |
| Dawn E. Rivard | Hairstylist |
| Megan Many | Prosthetic Makeup Artist |
| Richard Redlefsen | Prosthetic Makeup Artist |
| Samantha Breault | Prosthetic Makeup Artist |
| Ruth Parry | Prosthetic Makeup Artist |
| Ashley Gray | Casting Associate |
| Jonathan Oliveira | Casting Associate |
| Celestria Kimmins | Art Direction |
| Emer O'Sullivan | Art Direction |
| Mary Buri | Standby Art Director |
| Rachel Corbould | Set Decoration Buyer |
| Mitch Low | Sound Mixer |
| Ian Biggs | Special Effects Supervisor |
| Dominic Tuohy | Special Effects Supervisor |
| Dave Stewart | Special Effects Technician |
| Dave Judge | Stunt Coordinator |
| Nicholas Daines | Stunts |
| Doren John Farmer | Stunts |
| Marcus White | Stunts |
| Elizabeth Donker Curtius | Stunts |
| Clayton Grover | Stunts |
| Peter Guiney | Stunts |
| Chris Manger | Stunts |
| Violet Verigo | Stunts |
| Nelson Ferreira | Supervising Sound Editor |
| Craig MacLellan | Sound Effects Editor |
| Paul Germann | Sound Effects Editor |
| Dashen Naidoo | Sound Effects Editor |
| Scott Hitchon | Sound Effects Editor |
| Goro Koyama | Foley Artist |
| Sandra Fox | Foley Artist |
| Kevin Schultz | Foley Mixer |
| Jack Heeren | Foley Mixer |
| Chelsea Body | Foley Recordist |
| Kevin Jung | Foley Recordist |
| Colton Maddigan | Foley Recordist |
| Jenna Dalla Riva | Foley Recordist |
| Rian Johnson | Thanks |
| Alejandro González Iñárritu | Thanks |
| Alfonso Cuarón | Thanks |
| Steven Spielberg | Thanks |
| James Cameron | Thanks |
| Jon Favreau | Thanks |
| Bill Hader | Thanks |
| Juha Kizilbas | Production Coordinator |
| Duncan Currie | Location Coordinator |
| Tom Barnes | Location Manager |
| Douglas Brisebois | Assistant Location Manager |
| Andrew Michael Buckley | Location Manager |
| Name | Title |
|---|---|
| J. Miles Dale | Producer |
| Guillermo del Toro | Producer |
| Scott Stuber | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 15 | 2 |
| 2024 | 5 | 7 | 10 | 4 |
| 2024 | 6 | 7 | 27 | 2 |
| 2024 | 7 | 8 | 15 | 3 |
| 2024 | 8 | 9 | 20 | 2 |
| 2024 | 9 | 6 | 13 | 2 |
| 2024 | 10 | 5 | 9 | 2 |
| 2024 | 11 | 8 | 32 | 2 |
| 2024 | 12 | 7 | 13 | 3 |
| 2025 | 1 | 7 | 17 | 4 |
| 2025 | 2 | 5 | 11 | 1 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 3 | 9 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 3 | 6 | 2 |
| 2025 | 9 | 6 | 9 | 4 |
| 2025 | 10 | 30 | 70 | 6 |
| 2025 | 11 | 454 | 1011 | 58 |
| 2025 | 12 | 118 | 189 | 85 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 9 | 21 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 1 | 7 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 3 | 35 |
FULL SPOILER-FREE REVIEW @ fandomwire.com/frankenstein-review/ "Frankenstein is a powerful, visceral film that solidifies Guillermo del Toro as a master of atmosphere and emotion. Thanks to Jacob Elordi's transcendent performance as The Creature and exceptional multi-departmental work, the mov ... ie takes the legendary tale and transforms it into a deep, complex meditation on human fallibility and the terror of rejection. It's a visual and thematic experience that demands patience and personal, intellectual, and emotional investment. Shockingly violent, it's undeniably one of the most important stories of the year. The combination of geniuses in front of and behind the camera results in a feature that confronts us with an undeniable truth: the tale of Frankenstein isn't about creating a monster; it's about the eternal and necessary challenge of recognizing our own humanity in those we reject." Rating: A-
This has got be Oscar Isaac at his best yet, depicting the obsessive scientist hell-bent on proving that he could use science to defeat death itself. He is the son of an acclaimed but rather brutal physician (Charles Dance) and is galvanised further to his chosen path by the sudden death of his moth ... er. His theories disgust civilised society but the wealthy “Harlander” (Christophe Waltz) agrees to fund his experiments to what he hopes will be their logical conclusion. Now secreted away in his remote castle, and quite literally cannibalising spare parts from graveyards and mortuaries alike, he awaits that lightning storm that could just bring Jacob Elordi to life. The problem for the Baron is that he is disappointed with his creation and has no concept that it looks to him very much as a father. Imprisoned in the basement, the “monster” is befriended by “Elizabeth” (Mia Goth) who sympathises with it’s ghastly predicament - but before she can help a great conflagration sets in train a cat and mouse struggle between created and creator that takes them to the depths of the frozen wastes where an exploration ship is trapped in thick pack ice - where our story both starts and concludes. Isaac really does own his megalomaniac obsessive role here and the whole creative effort put into the production design turns this from simple science fiction into a multi-textured love story with it’s fair share of moral dilemmas, hate and loathing too. Elordi? Well he does bring back memories of Christopher Lee in this role, only here is is also rewarded with an extra degree of articulation and towards the end, more of a conscience and even an amount of personality - and he manages to portray his character’s frustrated and confused conflict well, if fairly sparingly. Whilst there are common points of reference with earlier iterations of this story, this enlivens it in a far more characterful and in many ways more justifiable way, and I thought it flew by. Big screen if you can, though Netflix does seem to have limited it’s cinema release quite a bit, because it might lose much of it’s stylish and gothic menace as well as it’s emotionally-charged nuance on a small screen.
I walked in at 44 minutes. The last hour and 45 has less whinging in accents. Bad Lighthouse. Swearengen in Wick 4. I went to a restaurant and they were playing this as though it was a serious movie. One could not pass through the projector beam. I could see my hair in the letterbox. I'm glad I d ... idn't see this all in the theatre. I watched the beginning later to see what I missed and I was not pleased. Mia Goth touching his wound. Nice. Hoped for more from that treasure trove. Forest Spirit learns to read. Nice. Victor tries too hard in character and on screen. Fr-long-bullshit-stein.
Why is the creature a hot guy? WHY? Netflix has a thing with hottening everyone lately, even Ed Gein, and I just don't get it. As with any GDT film, it is exceedingly interesting visually, and I'd go so far as to say his visual language rivals Tim Burton in excellence. This film is a visual m ... arvel in basically every scene, a veritable feast for the eyes. There are some great performances, especially among the bit players: Charles Dance, Christoph Waltz, and David Bradley in particular. The real bummer, though, is that much of the book is left out and/or reimagined, so if you like the story as it is written, you'll probably be a little disappointed as I was. Also, read the book. It's great.
guillermo del toro brings frankenstein back to life with so much heart and atmosphere. the world feels dark and gothic, but never without compassion. the performances hit hard, especially in how they show the creature’s loneliness and longing to be understood ...
Such a Terrifying entrance for the film and the Horror of what is happening that we are to be witness to. Mia Goth is a Force to be Reckoned with, and the more you're witness to her Veracity, the more she gives each character and she is Unparalleled. The visuals are exceedingly spectacular and c ... olorful, and the dark hues filled with a beautiful gothic macabre to each piece, making a whole. A new perspective comes to light, one of Loneliness, Trauma, and of Yearning to part of this life as we call it. Life lessons are being learned and lived, even if only too briefly, and then once again, the inevitable search through the loneliness continues. Such a Beautifully Haunting version of a favorite tale I've sought after, in so many many years, to see in any incarnation. This is a must-see for fans of Gothic Literature, Especially the Frankenstein Novel.
What a great movie! Definitely a masterpiece without any flaws. Beautifully executed. No propaganda and nonsense either. Best version of Franskenstein! ...
_“An idea, a feeling became clear to me. The hunter did not hate the wolf. The wolf did not hate the sheep. But violence felt inevitable between them. Perhaps, I thought this was the way of the world. It would hunt you and kill you just for being who you are.” _ _**Frankenstein** (2025)_ is truly ... a gem. This reminded me a lot of the original and the connection between what is human and what is monstrous was reflected well in the script. The cinematography and editing fit this story perfectly. Why is it always women who humanize what others perceive as dangerous? Mia Goth portrayed Elizabeth beautifully and she fits the gothic genre to a T. I love how they showed the way each character interacted with him and how one humanized him (pronouns: he) and the other dehumanized him (pronouns: it). Some things were a little too on the nose. But Im letting it slide for the pure enjoyment and emotion the film provoked in me. If you’re going to ask if I cried, act like you know me. You know I did. Of course, I always praise Oscar Issac for any and everything he’s in. He brings characters to life so well I’d watch a film of him watching paint dry. I didn’t know Jacob Eldori was in this until the credits and bravo to him for being a convincing son of Frankenstein. Would definitely watch this again!
"Frankenstein", Mary Shelly's epic work, is, at its heart, a cautionary tale, of man's scientific hubris, defying both God and nature. Lets start by saying this film is, in most respects a more than decent. Acting is, for the most part, outstanding, as are the creature effects. What can be hon ... estly said, however, is this film bears only a remote resemblance, to Shelly's novel. The core of this story, as I see it, is a dysfunctional father son relationship. Victor Frankenstein's own failed relationship, with his father, is mirrored in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, (I was actually in the process of re-reading Frankenstein, when this was released) it felt a little lacking. The relationship between the creature and Frankenstein, is markedly less complex, than that portrayed in the novel. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are downplayed, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific, irrevocable, error in judgement and is now trapped, as opposed to being overtly cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonetheless, worth a look.
"Frankenstein", Mary Shelly's epic work, is, at its heart, a cautionary tale, of man's scientific hubris, defying both God and nature. Lets start by saying this film is, in most respects a more than decent. Acting is, for the most part, outstanding, as are the creature effects. What can be hon ... estly said, however, is this film bears only a remote resemblance, to Shelly's novel. The core of this story, as I see it, is a dysfunctional father son relationship. Victor Frankenstein's own failed relationship, with his father, is mirrored in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, (I was actually in the process of re-reading Frankenstein, when this was released) it felt a little lacking. The relationship between the creature and Frankenstein, is markedly less complex, than that portrayed in the novel. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are downplayed, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific, irrevocable, error in judgement and is now trapped, as opposed to being overtly cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonetheless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
> "Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what ... can be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
> "Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what ... can be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjures into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, (I was actually in the process of re-reading Frankenstein, when this was released) it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to being cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.
"Frankenstein" is a departure from Mary Shelly's epic work. The novel is, at its core, a cautionary tale, of man's scientific hubris, defying both God and nature. This is, in most respects a more than decent film. Acting is, for the most part outstanding, as are the creature effects but what c ... an be honestly said, is this film bears only the remotest resemblance, to Shelly's work. The film establishes a dysfunctional father son relationship, mirroring Victor Frankenstein's own failed relationship, with his father, in his callous and at times, cruel, treatment of his surrogate son, the creature, he conjurs into existence. Is that a bad thing? I guess it depends on your point of view. As an ardent Shelly fan, I was actually in the process of re-reading Frankenstein, when this was released. For me, it felt a little lacking. The relationship between the creature and Frankenstein, felt markedly less complex. The creature in the book, is a tragic, ultimately sympathetic figure but also capable of considerable guile and cruelty. These aspects of its personality, are laregly absent, in this tale. Victor Frankenstein is, for his part, is more someone who has showen an horrific error in judgement and has no idea how to remedy his error, as opposed to someone cruel and callous. In summary, "Frankenstein" bears only a passing semblance to Shelly's remarkable work. This is a decent film, of that there can be no doubt but it needs to viewed in isolation from the novel. The underlying message is something of a departure. Certainly its not as sophisticated, in terms of the relationship it establishes between Frankenstein and his creation. Nonethesless, worth a look.