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The Thing with Feathers Poster

The Thing with Feathers

2025 | 104m | English

(959 votes)

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Popularity: 34 (history)

Details

After a tragic loss, a grieving father tries to raise his young sons whilst dealing with an unlikely, unpredictable, and uninvited houseguest.
Release Date: Oct 17, 2025
Director: Dylan Southern
Writer: Dylan Southern, Max Porter
Genres: Drama
Keywords based on novel or book, widower, death of mother, death of wife, father son relationship, loss of mother, loss of wife, coping, independent film, psychological drama, loss and grief
Production Companies Film i Väst, Film4 Productions, SunnyMarch, LB Entertainment, Align, Lobo Films
Box Office Revenue: $0
Budget: $6,000,000
Updates Updated: Dec 17, 2025
Entered: Dec 17, 2025
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Full Credits

Name Character
Benedict Cumberbatch Dad
David Thewlis Crow (voice)
Sam Spruell Paul
Vinette Robinson Amanda
Leo Bill Dr. Bowden
Garry Cooper Keith
Jessie Cave School Mum
Adam Basil The Demon
Lizzie Clarke Rose
Tim Plester Andy
Dwane Walcott Mr Mark
Eric Lampaert Crow
Kevin Howarth The Demon (voice)
Pierre Bergman Neighbour
Max Porter Male Guest
Lesley Molony Margaret
Claire Cartwright Mum
Nandi Bhebhe Mrs A
Mat Wright Dan Graves / Simon Colebrige
Rimca Karmakar Female Guest
Richard Boxall Boy 1
Henry Boxall Boy 2
Steve Paget Police Officer
Name Job
Dylan Southern Director, Writer
Suzie Davies Production Design
Conor O'Sullivan Prosthetic Designer
George Cragg Editor
Joakim Sundström Supervising Sound Editor
Heikki Kossi Foley Artist
Nicole Hicks Sculptor
Ben Fordesman Director of Photography
Charlotte Dirickx Set Decoration
Wakana Yoshihara Hair Designer, Makeup Designer
Jessica Laws First Assistant Director
Per Boström Sound Re-Recording Mixer
Max Porter Original Story, Book
Shaheen Baig Casting
Sophie O'Neill Costume Design
Sophie Graham Third Assistant Director
Dean Wares Title Designer
Joe Payne Second Assistant Director
Elena Real-Davies Art Direction
Zebedee Budworth Original Music Composer
Name Title
Thomas R. Burke Executive Producer
Morwin Schmookler Executive Producer
Sierra Garcia Executive Producer
Andrea Cornwell Producer
Mia Bays Executive Producer
Patricia Lawley Executive Producer
Leah Clarke Producer
Lee Broda Executive Producer
Adrian Politowski Executive Producer
Adam Ackland Producer
Ben Coren Executive Producer
Sean Wheelan Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 1 2 1
2024 5 1 3 1
2024 6 4 9 1
2024 7 3 8 1
2024 8 2 6 0
2024 9 2 4 1
2024 10 2 5 1
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2024 12 2 4 1
2025 1 9 30 3
2025 2 4 7 1
2025 3 2 3 1
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2025 5 1 1 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 0 1 0
2025 10 2 2 0
2025 11 2 4 1
2025 12 17 37 1

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Year Month High Avg
2025 12 8 27

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Reviews

Geronimo1967
7.0

Whilst we don’t know exactly what happened, we quickly discover that a father (Benedict Cumberbatch) and his two young sons (Henry & Richard Boxall) are recovering from the fairly traumatic death of their wife/mother. Dad is trying to put as brave a face as he can on daily life as he tries to keep t ... he kids motivated at home and at school and whilst he continues his work as an animator for a darker, more adult, market. Things start to take quite an ominous tone at his increasingly disordered home, when he begins to hear things, to see things - and a crow he has been drawing seems central to those visions. For us watching, it is pretty clear what the purpose of this bird - in it’s more erect and cruelly verbal manifestation - actually is, but of course he is completely oblivious as the film splits into chapters for dad, the sons and even the bird itself as we explore the concept and profound impact of grief. The two Boxall lads deliver their part really quite engagingly, but it’s really the tour de force from Cumberbatch that makes this worth the watch. His character is struggling to come to terms with his loss, and though certainly not neglectful of his family his attempts to compartmentalise his feelings, to shield the boys from the excesses of his desperate emotional state and, for that matter, to immerse himself in a world of professional escapism fuelled by Scotch are really quite powerfully delivered by an actor who genuinely comes across as a man completely lost. The representations of the feathered spectre introduce quite a degree of psychological menace, even violence, and these also contribute to the general sense of exasperation that this man, and to an extent his sons, experience as they are just old enough to be cognisant of the disaster that has hit them all, but not of it’s longer term ramifications. The soundtrack also adds an effective element of melancholy and frenzy at times, and I was frankly quite surprised at my own level of investment in this family’s predicament as this moved on. Maybe not a film to watch if you are a recent survivor of the grieving process, but otherwise it takes a different slant on the topic, and is worth a look.

Nov 26, 2025