Popularity: 6 (history)
Director: | Zack Snyder |
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Writer: | James Gunn |
Staring: |
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies. | |
Release Date: | Mar 19, 2004 |
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Director: | Zack Snyder |
Writer: | James Gunn |
Genres: | Action, Horror |
Keywords | nurse, shotgun, bite, bus ride, lorry, shopping mall, basement garage, survival, police officer, death, gun store, zombie apocalypse, cautionary, department store, pregnancy, habor, dark comedy, gore, infection, remake, zombie, dog, security guard, duringcreditsstinger, anxious, frightened |
Production Companies | New Amsterdam Entertainment, Strike Entertainment |
Box Office |
Revenue: $102,278,712
Budget: $26,000,000 |
Updates |
Updated: Aug 07, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Sarah Polley | Ana |
Ving Rhames | Kenneth |
Jake Weber | Michael |
Mekhi Phifer | Andre |
Ty Burrell | Steve |
Michael Kelly | C.J. |
Kevin Zegers | Terry |
Michael Barry | Bart |
Lindy Booth | Nicole |
Jayne Eastwood | Norma |
Boyd Banks | Tucker |
Inna Korobkina | Luda |
R.D. Reid | Glen |
Kim Poirier | Monica |
Matt Frewer | Frank |
Louis Ferreira | Luis |
Hannah Lochner | Vivian |
Bruce Bohne | Andy |
Ermes Blarasin | Bloated Woman |
Sanjay Talwar | Doctor Rosen |
Kim Roberts | Cora |
Tim Post | Reviving Doctor |
Matt Sadowski-Austin | EMS Technician |
Philip DeWilde | EMS Technician |
Colm Magner | Armed Neighbor |
Luigia Zucaro | Naked Woman |
David Campbel | Squished Zombie |
Phillip MacKenzie | Thrashing Zombie |
Geoff Williams | Metro Bus Driver |
Mike Realba | Maintenance Man |
David Campbell | Squished Zombie |
Laura de Carteret | Washington Politician |
Georgia Craig | Anchorwoman |
Tino Monte | Istanbul Reporter |
Chris Gillett | Older Anchorwoman |
Derek Keurvorst | Scientist |
Dan Duran | Confused Reporter |
Neville Edwards | CDC Spokesperson |
Sandy Jobin-Bevans | CDC Reporter |
Natalie Brown | CDC Reporter |
Liz West | CDC Reporter |
Scott H. Reiniger | The General |
Tom Savini | The County Sheriff |
Ken Foree | The Televangelist |
Darren Marsman | Maintenance Man Zombie (uncredited) |
Zack Snyder | Commando at White House (uncredited) |
Name | Job |
---|---|
Zack Snyder | Director |
Matthew F. Leonetti | Director of Photography |
Arvinder Greywal | Art Direction |
Denise Cronenberg | Costume Design |
Nick Alachiotis | Stunts |
Damon Caro | Stunt Coordinator, Fight Choreographer |
Brittney Banks | Stunts, Utility Stunts |
Russ Goozee | Camera Operator |
Marty Dejczak | Location Manager |
Gary A. Hecker | Foley |
Barney Burman | Prosthetic Supervisor |
Kyle Cooper | Title Designer |
Peter D. Marshall | First Assistant Director |
Caitlin McKenna | ADR Voice Casting |
Jordu Schell | Concept Artist |
Chad Darnell | Extras Casting |
George A. Romero | Original Film Writer |
Taso N. Stavrakis | Stunt Driver |
Deborah Rutherford | Prosthetic Makeup Artist |
Shelley Cook | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Alison Reid | Stunts |
Natalie Bronfman | Assistant Costume Designer |
Taryn Ash | Stunts |
Ron Bell | Stunts |
Chad Camilleri | Stunts |
Randy Butcher | Stunts |
Wayne Downer | Stunts |
Joel Harris | Stunts |
Scott Alan Cook | Stunt Double, Stunts |
David Jacox | Stunts |
Ernie Jackson | Stunts |
Erin Jarvis | Stunts |
Brian Jagersky | Stunts |
Blair Johannes | Stunts |
Danny Lima | Stunts |
Patrick Mark | Stunts |
Darren Marsman | Stunts |
Cotton Mather | Stunts |
Kym Kristalie | Stunts |
Christopher McGuire | Stunts |
Shane Cardwell | Stunts |
Dwayne McLean | Stunts |
Regan Moore | Stunts |
David McKeown | Stunts |
Billy Oliver | Stunts |
Layton Morrison | Stunts |
Rick Parker | Stunts |
Ken Quinn | Stunts |
Efosa Otuomagie | Stunts |
Bryan Renfro | Stunts |
Edward A. Queffelec | Stunts |
Paul Rutledge | Stunts |
Kevin Rushton | Stunts |
David Stinson | Stunts |
Mary Ann Stevens | Stunts |
Bryan J. Thomas | Stunts |
Len Wagner | Stunts |
Jon Kralt | Stunts |
Angelica Lisk-Hann | Stunts |
Robert Racki | Stunts |
Branko Racki | Stunts |
Rex Reddick | Stunts |
Shayna Segal | Stunt Double |
Rebecca Stoneham | Stunts |
Niven Howie | Editor |
Joseph Middleton | Casting |
Andrew Neskoromny | Production Design |
Steve Shewchuk | Set Decoration |
Darrell Hall | Music Editor |
John Stoneham Jr. | Stunt Coordinator |
Dug Rotstein | Script Supervisor |
Michael Carella | Camera Operator |
Jason Leib | Post Production Supervisor |
Janine Anderton | Production Coordinator |
G. Marq Roswell | Music Supervisor |
John J. Thomson | Production Sound Mixer |
Frederick Howard | Sound Effects Editor |
Frank Alexander | Costume Supervisor |
Mario Cacioppo | Makeup Department Head |
Diana Ladyshewsky | Hair Department Head |
Carol Hartwick | Key Hair Stylist |
RaMona Fleetwood | Hairstylist |
Rob Ballantyne | Assistant Art Director |
Eric J. Robertson | Visual Effects Producer |
James Halpenny | Construction Coordinator |
Kim Karon | Set Designer |
Chuck Courrieu | Additional Photography |
Christopher Raucamp | First Assistant Camera |
Jasmina Vasileva | Set Costumer |
Shawney Cohen | CG Supervisor |
J.P. O'Donnell | Craft Service |
Jennifer Mccormack | Driver |
Nicole Michaud | Makeup Effects |
Jeff Schweikart | Post Production Assistant |
Steve Holt | Set Medic |
Terrence B. Zinn | Set Production Assistant |
Laird McMurray | Special Effects Coordinator |
Mark Chong | Technical Supervisor |
Dana Howes | Transportation Coordinator |
Jeffrey Cassidy | Video Assist Operator |
Sharon Smith Holley | Visual Effects Editor |
Jordana Lieberman | Assistant Director |
Melissa Remenarich | First Assistant Editor |
Michael Galbraith | Gaffer |
Philip Esteves | Lighting Technician |
Tom Starnes | Rigging Gaffer |
Lauren Grey | Casting Associate |
Terry Edinger | Production Accountant |
Stephanie Keating | Publicist |
Alan Zielonko | Boom Operator |
Carmen Flores De Tanis | First Assistant Sound Editor |
Tom Calderaro | Orchestrator |
Jay Wilkinson | Sound Editor |
Chris Jenkins | Sound mixer |
Suzanne Hodson | Set Decoration Buyer |
Brent Robinson | First Assistant "C" Camera, Underwater Camera |
Vladimir Popovic | Systems Administrators & Support |
John 'Frenchie' Berger | Armorer |
Richard Kroll | Researcher |
Aaron Weintraub | Visual Effects |
Arthur Langevin | Pyrotechnic Supervisor |
Michael MacDonald | Unit Production Manager |
Michael Huschka | Assistant Property Master |
J. Tracy Budd | Set Dresser |
Ron Renzetti | Dolly Grip |
Mike Kirilenko | Key Grip |
William Engel | Grip |
Jo-Ann MacNeil | Key Makeup Artist |
Wynona Price | Makeup Artist |
Troy Waters | Marine Coordinator |
Dave Tommasini | Pilot |
Eric S. Potechin | Second Assistant Director |
Joel Hay | Third Assistant Director |
Gary Burritt | Negative Cutter |
Sandra Lynne Hyhkö | Assistant Production Coordinator |
Sara Kay | Casting Assistant |
Evan T. Chen | ADR Editor |
Andrew Bock | Assistant Sound Editor |
Pete Anthony | Conductor |
Michael Dressel | Foley Editor |
Derek Leininger | Musician |
Hoa Tran | 3D Animator |
Brian Anderson | Senior Animator, 3D Artist |
Patrick Coffey | Visual Effects Designer |
David Scott | Prosthetic Makeup Artist |
Frank Fleming | Sound Recordist |
Ron Hewitt | Property Master |
Benjamin Beardwood | Dialogue Editor |
Allen Hartz | Dialogue Editor |
Byron Wilson | ADR Supervisor |
Tree Adams | Additional Music |
Doug Slater | Art Direction |
Scoot DeVille | Assistant Makeup Artist |
Pamela Hackwell | Contact Lens Technician |
Clay Staub | Second Unit Director |
David Best | Graphic Designer |
Rob Bonney | Head Carpenter |
Patricia Cowmeadow | Set Supervisor |
Vince Peets | Storyboard Artist |
Jeff Gomillion | ADR Mixer |
Alfonso Calvo | ADR Recordist |
Tony Acosta Jr. | Special Effects Technician |
Murat Akser | Assistant Camera |
Mark Beauchamp | Second Assistant Camera |
David McGroarty | Assistant Editor |
Michael Eaves | Color Timer, Digital Color Timer |
Curtis Lindersmith | Digital Intermediate Editor |
Scott Alexander | Assistant Location Manager |
Brett Miller | Location Production Assistant |
Terri Greening | Accountant |
Andreas Hass | Assistant Production Coordinator |
Humberto Zamorate | CG Artist |
Barb Benoit | Digital Compositor |
Sara Holmes | First Assistant Accountant |
Gary Kleinsteuber | Key Special Effects |
Alex Kontsalakis | Payroll Accountant |
Lillian Awa | Production Assistant |
Douglas Thompson | Production Secretary |
Sarah McIntosh | Second Assistant Accountant |
Brad Martin | Stunts |
Scott Reitz | Technical Advisor |
Randy Morgan | Location Scout |
Theresa Buckley | Property Master |
Dave Ferguson | Key Grip |
Gamila Smith | Costume Designer |
Evelyn Carr | Key Makeup Artist |
Burton J. LeBlanc | Makeup Artist |
Patton Nam | On Set Dresser |
Johanne Boisvert | Prosthetic Makeup Artist |
John B. Harper | Second Unit |
Bill McShane | Special Effects |
Gary D'Amico | Special Effects Coordinator |
Jacob Adams | Stand In |
Raymond J. Duff | Assistant Director |
Michael G. Burke | First Assistant Director |
Sheena Macdonald | Script Supervisor |
Robin D. Cook | Casting |
Tony Shore | Sound |
Lisa Maher | Visual Effects Producer |
David Gilna | Assistant Set Decoration |
Ari Magder | Second Assistant "B" Camera |
Chris Bridges | Animatronics Designer |
Sean Paul Armstrong | Cableman |
John Duke | Dolly Grip |
Chuck Courrieu | Leadman |
Gilles Corbeil | "A" Camera Operator, Steadicam Operator |
Damon Bishop | Special Effects Makeup Artist |
Sheona McDonald | Script Supervisor |
Heidi Armstrong | Special Effects Makeup Artist |
Adam Bocknek | Assistant Director Trainee |
Tyler Bates | Original Music Composer |
Scott A. Hecker | Supervising Sound Editor |
Dennis Berardi | Visual Effects Supervisor |
James Gunn | Screenplay |
William Hoy | Additional Editor |
Mirosław Baszak | Director of Photography |
Steven Buhai | Second Assistant Director |
Name | Title |
---|---|
Eric Newman | Producer |
Armyan Bernstein | Executive Producer |
Marc Abraham | Producer |
Thomas A. Bliss | Executive Producer |
Michael D. Messina | Co-Producer |
Richard P. Rubinstein | Producer |
Dennis E. Jones | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 60 | 82 | 45 |
2024 | 5 | 66 | 102 | 50 |
2024 | 6 | 65 | 105 | 38 |
2024 | 7 | 63 | 101 | 40 |
2024 | 8 | 48 | 79 | 33 |
2024 | 9 | 43 | 65 | 33 |
2024 | 10 | 51 | 75 | 34 |
2024 | 11 | 49 | 62 | 36 |
2024 | 12 | 54 | 77 | 39 |
2025 | 1 | 53 | 75 | 40 |
2025 | 2 | 41 | 60 | 9 |
2025 | 3 | 17 | 49 | 3 |
2025 | 4 | 10 | 15 | 6 |
2025 | 5 | 8 | 15 | 6 |
2025 | 6 | 8 | 11 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 7 | 11 | 5 |
Trending Position
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2025 | 9 | 177 | 677 |
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2024 | 12 | 450 | 761 |
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2024 | 11 | 380 | 729 |
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2024 | 10 | 253 | 716 |
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2024 | 9 | 493 | 809 |
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2024 | 8 | 517 | 759 |
Come on, man. You must've heard the priest say something about life and death. George Romero fans feared the worst, another one of his sacred original zombie trilogy films was being remade, this even though the remake of Night of the Living Dead didn't disgrace itself. As it happened, the fears w ... ere unfounded, for Zack Snyder and his team crafted one of the best horror remakes going. The premise follows Romero's wonderful version, a mysterious epidemic is causing the populace to turn into undead zombies, the bite of which transfers the illness to another. A small group of survivors make it to the Crossroads Mall and hole up there whilst trying to keep at bay the zombie hordes, but inner fighting threatens the group whilst they know they can't stay there for ever. Right from the off the film grabs you around the throat, it's a blistering and terrifying opening which brings heartbreak and terror in equal measure. It also announces to us that these zombies are different to Romero's, these suckers can run, and run fast. After some chaos and blood, the introductions to our survivors is set up and the pic settles into a superb group dynamic situation, where machismo and brains meet dumb and dumber, all while little devilish moments trickle away in the background. It's the focus on the survivors that really lifts it to greater heights, how they variously react to their plight, there's good thought gone into the screenplay (James Gunn). The natural progression of this type of film calls for horror moments, and Snyder deftly slots them in when the pic needs them, which again brings about scenes of terror and genuine heartbreaking moments. Some neat cameos will be cheered by fans of Romero's work, while the cast are superb here, with Sarah Polley the standout fulfilling the believable promise of the character as written. A remake that is its own beast yet still pays homage to what inspired it, and good at both! Now that's a rare thing in horror! 8/10
Great watch, will watch again, and can definitely recommend. Granted, if you're not a zombie fan, you're probably not even considering this one. Then you have the great argument about infection vectors (this is pretty classic, bite infection transfer), and slow vs fast (this movie is fast) zombi ... es. I'm basically just pointing out why we can't have nice things, people argue about it. This has a great cast: Ving Rhames, Sarah Polley and Jake Weber in particular. The production value was definitely present, and not just in renting a mall to trash, or even just the zombie practical effects. The large scale scenes look amazing, and the details on the various infections are fascinating to watch. And sure, there is lots of quality gunfire (foley is good) and shooting zombies for people you are just in it for the action. While it's actually got some good (if dark at times) humor to it, it's not "Warm Bodies". Of course the presence of zombies / apocalyptic situation / lack of central authority gives us great philosophical opportunity to discuss what life means and see how people behave, but this leans more towards survival strategy aspects. If anything, I think that is where the "flaw" is in this movie: (most of) the characters are relatively competent so it detours some from typical movie formula relying on the characters to make mistakes to progress the story, but more of there is just a hopeless unending storm of bad things happening to them, it's honestly a little refreshing. This is probably one of my favorite zombie movies, and I don't even like running zombies.
Awesome awesome movie. Loved this movie since the first time I ever seen it. Lots of zombies, and a lot of killing. One of the best zombies movies ever made in my opinion. ...
**A low-budget film, but where everyone tries to do the best they can.** Generally, I don't like films with the living dead, although I've seen several in recent times. This was one of them. Out of nowhere, the characters are thrown into a total apocalypse where people become zombies that they do ... n't know how to kill. The protagonist is a young nurse, who immediately loses her entire family in the first moment. That makes us instantly like her. From then on, we hope that she will save herself and find other survivors to form an alliance with, which inevitably happens when she finds a shopping mall. Zack Snyder directs this film and delivers a very competent and well-made story, which manages to captivate the audience with a convincing and structured story. The film is, moreover, a remake of an original by George A. Romero, but it is really worth seeing this film for what it is, without comparisons. Technically, the film was well edited and has good sets, costumes and makeup, and a pleasantly stable pace that doesn't leave us thinking about things too much. Of course, there are obvious clichés and logical flaws in all of this, such as the fact that some things never stop working (running water, electricity, etc.), but I forgave these problems. The cast doesn't have any particularly big names, perhaps it was a conscious and deliberate decision to make this film with lesser-known actors, with whom everyone could identify more easily. Sarah Polley is the protagonist and does a very decent job, as do Ving Rhames and Michael Kelly. It is noted, however, that the entire film was made with very low budgets and that there is some amateurism and improvisation in the work of the cast and technical team. Still, weighing things up, it's not a bad film and everyone did the best they could do.