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28 Weeks Later

When days turn to weeks...
2007 | 100m | English

(337381 votes)

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Popularity: 20 (history)

Details

Twenty-eight weeks after the spread of a deadly rage virus, the inhabitants of the British Isles have lost their battle against the onslaught, as the virus has killed everyone there. Six months later, a group of Americans dare to set foot on the Isles, convinced the danger has passed. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.
Release Date: Apr 26, 2007
Director: Juan Carlos Fresnadillo
Writer: Juan Carlos Fresnadillo, Enrique López Lavigne, Jesús Olmo, Rowan Joffé
Genres: Science Fiction, Horror, Thriller
Keywords london, england, sibling relationship, loss of loved one, mutant, dying and death, chaos, supernatural, survival, on the run, zombie, escapade, virus, plague, female corpse, deadly
Production Companies DNA Films, Figment Films, Sogecine, UK Film Council, Fox Atomic, Koan
Box Office Revenue: $65,048,725
Budget: $15,000,000
Updates Updated: Jul 30, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Mackintosh Muggleton Andy Harris
Imogen Poots Tammy Harris
Robert Carlyle Donald Harris
Rose Byrne Scarlet
Jeremy Renner Sergeant Doyle
Harold Perrineau Flynn
Catherine McCormack Alice
Idris Elba General Stone
Amanda Walker Sally
Shahid Ahmed Jacob
Garfield Morgan Geoff
Emily Beecham Karen
Jordan El-Balawi Boy in Cottage
Meghan Popiel DLR Soldier
Stewart Alexander Military Officer
Philip Bulcock Senior Medical Officer
Chris Ryman Rooftop Sniper
Tristan Tait Soldier
William Meredith Medical Officer
Thomas Garvey Bunker Major
Tom Bodell Medical Centre Lobby Soldier
Andrew Byron Carpark Soldier
Sarah Finigan Carpark Civilian
Roderic Culver Carpark Civilian
Maeve Malley-Ryan Carpark Civilian
Ed Coleman Carpark Civilian
Karen Meagher Carpark Civilian
Amanda Lawrence Carpark Civilian
Drew Rhys-Williams Carpark Civilian
Raymond Waring Sam
Kish Sharma Depot Man
Jane Thorne Depot Woman
Matt Reeves Bunker Soldier
Dean Alexandrou Infected Person (uncredited)
Gareth Clarke Infected Person (uncredited)
Debbie Kurup Infected Person (uncredited)
Selina Lo Infected Person (uncredited)
João Costa Menezes Infected Person (uncredited)
Jude Poyer Infected Person (uncredited)
Katie Borland Infected (uncredited)
Pip Henderson Infected (uncredited)
Jason Curle Infected Person (uncredited)
Simon Delaney Carpark Civilian
Name Job
Chris Gill Editor
Laura Morrod Assistant Editor
Juan Carlos Fresnadillo Director, Screenplay
Enrique López Lavigne Screenplay
Nicolas Becker Foley
Glenn Freemantle Supervising Sound Editor, Sound Designer
Kote Camacho Storyboard Artist
Victor Glushchenko 3D Artist
William Willoughby Stunts
Andy Wareham Stunts
Curtis Rowland Small Stunts
Dominic Preece Stunts
James O'Donnell Stunts
Jo McLaren Stunts
Paul Lowe Stunt Double
Maurice Lee Stunts
Adam Kirley Stunts
Paul Kennington Stunts
Rick English Stunts
James Embree Stunts
Tony Christian Stunts, Stunt Double
Andy Bennett Stunts
Andy Bradshaw Stunts
Gary Arthurs Stunts
Tom Aitken Stunts
John Murphy Original Music Composer
Richard Payne 2D Artist
Anne Trotman 2D Artist
John Trussler 2D Artist
Rob Walker 2D Artist
Stephen Waugh 2D Artist
Marcus Wood 2D Artist
Simon Hutala 2D Artist
Chris Mortimer 2D Supervisor
Enrique Chediak Director of Photography
Hsinyi Liu Casting Assistant
Benjamin Till Casting Associate
Lucy Donowho Costume Standby
Anne T. Delaney Seamstress
Georgiana Sayer Wardrobe Assistant
Toby Ford First Assistant Director
James Allen 2D Artist
Andy Brown 2D Artist
Tim Davies 2D Artist
Rob Ellis 2D Artist
Dan Lorenzini 2D Artist
James MacLachlan 2D Artist
Richard Sale Assistant Costume Designer
Ashwin Makan Costume Assistant
Jesús Olmo Screenplay
Mark Tildesley Production Design
Patrick Rolfe Art Direction
Denis Schnegg Art Direction
Michelle Day Set Decoration
Jane Petrie Costume Design
Luan Placks Costume Supervisor
Shaheen Baig Casting
Katrina Mackay Assistant Art Director
Andrew Caller Sound Re-Recording Mixer
Brendan Nicholson Sound Re-Recording Mixer
Ian Tapp Sound Re-Recording Mixer
Earle Stuart Callender Visual Effects Producer
Will Cohen Visual Effects Producer
John Dietz Visual Effects Supervisor
Paddy Eason Visual Effects Supervisor
Tim Field Visual Effects Producer
Matt Fox Visual Effects Producer
Morgane Furio Visual Effects Supervisor
Emanuele Giraldo Visual Effects Editor
Carl Grinter Visual Effects Producer
Edwina Hayes Visual Effects Producer
Sarah Hemsley Visual Effects Producer
Simon Herden Visual Effects Editor
Sean Mathiesen Visual Effects Supervisor
Alex Meddick Visual Effects Editor
Collette Nunes Visual Effects Editor
Sheila Wickens Visual Effects Supervisor
Bruce Woloshyn Visual Effects Supervisor
James Whitlam Visual Effects Producer
Susie Allnutt Still Photographer
Tony Jackson Camera Operator
Julian Morson Steadicam Operator, Camera Operator
Alex Scott Gaffer
Andrew Wilkinson Music Editor
Paula Jack Dialect Coach
Amy McCombe Location Manager
Josh Yudkin Location Manager
Marinella Setti Script Supervisor
Gareth Cousins Assistant Art Director
Julian Spencer Stunt Coordinator
Lee Herrick Dialogue Editor
Fabio D'Amico Dialogue Editor
Nick Thomas Property Master
Jemma Scott-Knox-Gore Contact Lens Technician
Konnie Daniel Makeup Designer, Hair Designer
Jane Logan Makeup & Hair
Laura Schiavo Makeup & Hair
Cliff Wallace Makeup Effects Designer
Hannah Bettell Prosthetic Makeup Artist
Jessica Moore Prosthetic Makeup Artist
Ian Morse Prosthetic Makeup Artist
Justin Pitkethly Prosthetic Makeup Artist
Darren Robinson Prosthetic Makeup Artist
Dee Sherwood Wallace Prosthetic Makeup Artist
Christopher Wyatt Standby Art Director
Nick Ridholls Aerial Camera
Philip George Aerial Camera
Steve Casey Electrician
Larry Knox Electrician
Paul Molloy Electrician
Darren O'Leary Electrician
Mike Parsons Electrician
Simon Heck First Assistant Camera
Gordon Segrove First Assistant Camera
Alex Howe First Assistant Camera
Dave Owen Gaffer
Garth Sewell Grip
Sam Phillips Key Grip
Stuart Bell Key Grip
Alan Grayley Lighting Technician
Luis Santos Lighting Technician
Barny Crocker Second Assistant Camera
John Evans Second Assistant Camera
Woody Gregson Second Assistant Camera
Peter Talbot Second Unit Director of Photography
Lizzie Kelly Video Assist Operator
Jay Ralph Video Assist Operator
Ben Campbell 3D Artist
Sam Hancock 3D Artist
Anand Nayak 3D Artist
Piyush Khandelwal 3D Artist
Leo Baker 3D Artist
Phil Barrenger 3D Artist
Sam Hodge 3D Artist
Nathan Jones 3D Artist
Tim Kings-Lynne 3D Artist
Ben Paschke 3D Artist
Dan Wills 3D Artist
Stephen Evans 3D Artist
David Abbott 3D Artist
Marie Fernandes 3D Coordinator
Jean-Claude Deguara Animation Supervisor
Jonathan Opgenhaffen CG Artist
James Nicholl CG Artist
Jesse Balodis CG Artist
Nicolas Hernandez CG Supervisor
Aidan Sarsfield CG Supervisor
Sara Bennett Compositing Supervisor
Tim Crosbie Compositing Supervisor
Jonathan Davies Senior Animator
Josh George Senior Animator
Cristobal Infante Senior Animator
Ingrid Johnston Visual Effects Coordinator
Jennifer Loughnan Visual Effects Coordinator
Joe Margetson Visual Effects Coordinator
Lauren McCallum Visual Effects Coordinator
Georgie Uppington Visual Effects Coordinator
Bob MacDougall Visual Effects Coordinator
Warwick Hewett Visual Effects Coordinator
Jenna Powell Visual Effects Coordinator
Russell Pawson Assistant Editor
Alec Gibson Color Timer
David Clarke Digital Intermediate
Parminder Singh Chadda Digital Intermediate
Danny Pagan Digital Intermediate Producer
Tina Richardson First Assistant Editor
Sam Conway Special Effects Technician
Marc Wolff Stunts
Arran Topham Stunts, Stunt Double
John Street Stunts
Martin Shenton Stunt Double
Gordon Seed Stunts
Justin Pearson Stunts
Paul Kulik Stunts
Eunice Huthart Stunts
Rob Hunt Stunts
Jason Hunjan Stunts, Stunt Double
Claire Hayhurst Stunts
Tim Halloran Stunts
Elaine Ford Stunts
David Evans Stunt Double
Ben Dimmock Stunts
Steve Caswell Stunts
Stephanie Carey Stunts
Chris Carey Stunts
Michael Byrch Stunts
Andy Butcher Stunts
David Anders Stunts
Lucy Allan Stunts
Wes Sargent VFX Artist
John Harvey CG Supervisor
Abbi Collins Stunts
Simon Hayes Production Sound Mixer
Tamana Bleasdale First Assistant Director
Rowan Joffé Screenplay
Paul Herbert Stunts
Matt Curtis Title Designer
Name Title
Danny Boyle Executive Producer
Alex Garland Executive Producer
Andrew Macdonald Producer
Enrique López Lavigne Producer
Bernard Bellew Producer
Allon Reich Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 39 54 29
2024 5 52 61 33
2024 6 37 55 27
2024 7 51 100 25
2024 8 36 53 24
2024 9 46 83 30
2024 10 34 46 25
2024 11 39 85 28
2024 12 89 187 24
2025 1 66 89 50
2025 2 39 63 7
2025 3 16 52 3
2025 4 11 16 8
2025 5 10 12 9
2025 6 34 79 10
2025 7 23 52 13
2025 8 23 24 20

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Year Month High Avg
2025 8 30 71
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2025 7 16 167
Year Month High Avg
2025 6 12 141
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2025 5 111 511
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2025 4 150 586
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2025 3 260 684
Year Month High Avg
2025 2 427 798
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2025 1 250 662
Year Month High Avg
2024 12 45 357
Year Month High Avg
2024 11 328 719
Year Month High Avg
2024 10 520 819
Year Month High Avg
2024 9 643 797
Year Month High Avg
2024 8 839 933

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Reviews

tanty
4.0

Much worse than the original. It loses quite of the continuous tension. Many of the FX are bad quality. The script is really predictable and some scenes and conversations are too much of a cliche. ...

Jun 23, 2021
talisencrw
8.0

This was a very good sequel to a fine zombie work (my favourite zombie film is STILL Jean Rollin's remarkable and extremely aesthetically-pleasing 'The Grapes of Death'), and I was very pleasantly surprised. Pardon the pun, but you would think that by this time, everything in the land of zombie movi ... es would have been done to death, but I remain consistently admiring of just where the best and most thought-out renditions of the template can go. In THIS case, the most intriguing dynamic is a cowardly husband choosing his life rather than helping his wife out of a horrible crisis, then infanticide (or worse) of his own children, rather than face their wrath over the poor decision he had made. It's interestingly hilarious that when you think about it, humanity is doomed because a 12-year-old had to go back and get a picture of his mother, because he was afraid that without it, he would forget what she looked like...A surprisingly satisfying work, that for horror fans, is worth a purchase and rewatching. I'm admittedly more for classic films, from the 20's to 60's, but for contemporary horror cinema, I liked this a lot, especially Jeremy Renner and Imogen Poots. It's no surprise to me that they soon became superstars.

Jun 23, 2021
John Chard
8.0

We have an outbreak of the infection in medical center. All units; safeties off. 28 Weeks Later is directed by Juan Carlos Fresnadillo who also co-writes with Rowan Joffe, Jesus Olmo and E. L. Lavigne. It stars Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau, Catherine McCormack, Ma ... ckintosh Muggleton and Imogen Poots. Music is by John Murphy and cinematography by Enrique Chediak. Six months have passed since the Rage Virus decimated the UK, but now people are returning to London's District 1 with the U.S. Military overseeing the project. However, the Rage Virus can be carried in people with no outward symptoms. After the monster success of "28 Days Later" it was inevitable that a sequel would follow. With director/writer combo Danny Boyle and Alex Garland off making "Sunshine" with Cillian Murphy, the big players from the first film were missing (Boyle and Garland were Executive Producers here). There was reasonable cause for some concern that this would be the latest in a long line of horror sequels that, quite frankly, suck the big one. How great to find that not only is "Weeks" an excellent sequel, it also doesn't sit idle and copy Boyle's winning formula. The blood and ick factor is considerably amped up, as is the action (there's running, lots of running, guns, lots of guns, panic, lots of panic), but the writers have put intelligence into the writing by expanding on the Rage Virus victims as not just being an outwardly ferocious beast, and some topical smarts are spliced into the narrative with the presence of the American military "enforcing" the reconstruction of London. Also, with the film's central focus being on a splintered family, brilliantly set up by the breathtaking/horrifying opening 10 minutes, there's a mighty heft of humanism flowing in between the blood vomit and body shredding. Cast are mostly terrific, with Carlyle and the impressive young actors, Poots and Muggleton, leading the way. The American lads playing military men have to make do with slender written stock roles, but Byrne provides spunk and McCormack leaves an indelible mark in a small, but key, role. Fresnadillo (Intacto) ensures Boyle isn't missed in the director's chair, with a keen eye for action construction and an awareness of pacing for such a horror movie. While Murphy again scores with that knack for doom mongering beats. There's some missteps, logic at times goes out the window and in the case of Renner's character, outcome is a bit too much of a bitter pill to swallow. While dialogue at times shops at "Clichés "R" Us". But this is still a mighty fine thrill ride, often scary and stomach turning, and even flecked with emotional worth. On this evidence a part 3 would be most welcome. 8/10

May 16, 2024
Ruuz
7.0

The story is not quite up to snuff in comparison to _Days_, but the visual quality is **way** better. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._ ...

Jun 23, 2021
RSOliveira
7.0

"28 Weeks Later" is a British horror movie directed by Juan Carlos Fresnadillo and starring Jeremy Renner and Rose Byrne. The film is a sequel to the critically acclaimed "28 Days Later" and takes place six months after the original film's events. The film opens with a tense and heart-pounding se ... quence as a group of survivors try to escape the infected hordes of London. The scene sets the tone for the rest of the movie, which is filled with suspense and tension. The plot centers around the repopulation of London, which is deemed safe after the outbreak of the Rage Virus six months earlier. The story follows the reunion of a family that was separated during the initial outbreak, and their struggle to survive when the virus returns. The film's pacing is excellent, with a gradual buildup of tension that leads to several heart-stopping moments. The infected humans are just as terrifying and violent as in the first film, and the film's use of sound and lighting is once again top-notch. One of the standout features of "28 Weeks Later" is the excellent acting by Jeremy Renner and Rose Byrne. Renner delivers a convincing performance as Don, a father struggling to protect his children and come to terms with his actions during the initial outbreak. Byrne also shines as Scarlett, a medical officer trying to find a cure for the virus. The film's themes of family, loyalty, and sacrifice are powerful and thought-provoking. As the family struggles to survive, they are forced to confront the difficult choices that come with the end of the world. The film's cinematography and visual effects are also impressive, with haunting and memorable shots of a deserted London and intense action sequences. Overall, "28 Weeks Later" is a solid horror movie that is not quite as groundbreaking as its predecessor but still delivers a thrilling and engaging experience. The film's excellent acting, pacing, and visuals make for an intense and unforgettable experience. I would rate "28 Weeks Later" an 7 out of 10. Written and Reviewed by RSOliveira

Mar 10, 2023
r96sk
6.0

<em>'28 Weeks Later'</em> is passable in its own right for the majority, though the way it all concludes did disappoint me. I didn't care for the end all that much, which does damage how I view this unfortunately. Overall it fails to match the original, though does still offer OK post-apocalypse far ... e. It is pretty strong in regards to the cast list, which is probably the only area that this can claim that it matches the predecessor (even if I prefer the 2002 cast, obvs). Rose Byrne, Jeremy Renner and Idris Elba were people I was happy to see appear, while Robert Carlyle & Co. are solid. The locations aren't as cool or convincing as last time out, though the effects for the infected are satisfactory. I can appreciate the idea that they had with this sequel, for the most part I was content with what I was watching. However, by the credits, it left me underwhelmed.

Jul 03, 2025