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Army of the Dead Poster

Army of the Dead

Survivors take all.
2021 | 148m | English

(196736 votes)

TMDb IMDb

Popularity: 4 (history)

Details

Following a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble: venturing into the quarantine zone to pull off the greatest heist ever attempted.
Release Date: May 14, 2021
Director: Zack Snyder
Writer: Zack Snyder, Shay Hatten, Joby Harold
Genres: Action, Horror, Crime
Keywords casino, vault, mercenary, tiger, safe, zombie animals, heist, apocalypse, zombie, las vegas, widower, safecracker, booby trap, casino owner, walled city, zombie apocalypse, father daughter conflict, father daughter relationship, casino heist, assertive, 活死人军团, 亡者之师
Production Companies The Stone Quarry
Box Office Revenue: $190,700,000
Budget: $90,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Dave Bautista Scott Ward
Ella Purnell Kate Ward
Omari Hardwick Vanderohe
Ana de la Reguera Maria Cruz
Theo Rossi Burt Cummings
Matthias Schweighöfer Ludwig Dieter
Nora Arnezeder Lilly / The Coyote
Hiroyuki Sanada Bly Tanaka
Garret Dillahunt Martin
Tig Notaro Marianne Peters
Raúl Castillo Mikey Guzman
Huma Qureshi Geeta
Samantha Win Chambers
Richard Cetrone Zeus
Michael Cassidy Sgt. Kelly
Steve Corona Groom (Mr. Hillman)
Chelsea Edmundson Bride (Mrs. Hillman)
Zach Rose Corp. Bissell
Brian Avery Humvee Driver
David K. Maiocco Liberace Partygoer
Ryan Watson High Roller
Sabine Varnes Zombie Showgirl
Mónica López Aleman Zombie Showgirl
Kelly Phelan Zombie Showgirl
Leon Budrow Zombie Male Stripper
Jim Halty Slot Machine Man
Maeve Garay Little Girl
Danielle Burgio Soccer Mom
Jessica Harbeck Zombie Elvis
Joshua Caleb Horton Man in car
Natalie Marie Jaramillo Woman in car
Frank Andrade Tattoo Artist
Ava Wagenman Soccer Mom's Daughter
Wayne Dalglish Dalgliesh
Casey Messer News Anchor #1
Ken Thong Kevin (Scott's Boss)
Donna Brazile Female Pundit
Sean Spicer Male Pundit
Sheila Awasthi Angela
Sebastian Balchand Adjit
Colby Lemmo Laura Ward
Marisilda Garcia Anita
Isachar Benitez Sharkey
Carolyn Wickwire Elderly Woman
Antonio Leyba Carlos
Colin Jones Damon
Daisy Davis Refugee Woman #1
Lora Martinez-Cunningham Refugee Woman #2
Athena Perample Alpha Queen
Albert Valladares Alpha General
Alexander Ward Vault Shambler
Steve Soliz News Anchor #2
Jordyn Aurora Aquino Young Woman
Sarah Minnich Jessica (Air Hostess)
Fred Tatasciore Zombie Vocal
Gordon Tarpley Strange Shambler
Alexander Alayon Jr. Cholo Gangster (uncredited)
Kelly V. Lucio Refugee (uncredited)
Name Job
Wayne Dalglish Stunt Coordinator
Corrina Roshea Bobb Utility Stunts
Matt Leonard Utility Stunts
Ed Duran Utility Stunts
Hannah Betts Utility Stunts
Keith Jardine Utility Stunts
Lilia Collar Digital Compositor
Zack Snyder Story, Screenplay, Camera Operator, Director, Director of Photography
Shay Hatten Screenplay
Julie Berghoff Production Design
Damon Caro Stunt Coordinator, Second Unit Director
Tom Holkenborg Original Music Composer
Dody Dorn Editor
Clay Enos Still Photographer
Lyn Pinezich Unit Production Manager
Jay Oliva Storyboard Artist
Joby Harold Screenplay
John Papsidera Casting
Samantha Win Utility Stunts
Gabriela Gomez Script Supervisor
Chris Navarro ADR Mixer
Marcus Taormina Visual Effects Supervisor
Matt Akey Executive Visual Effects Producer
Steve Dinozzi Visual Effects Supervisor
Mark LeDoux Visual Effects Supervisor
Bobby Tucker Visual Effects Producer
Michael A. Martinez Digital Compositor
Jessie Graff Utility Stunts
Melissa Yonkey Key Hair Stylist
Trevor Logan Stunts
Jessica Harbeck Stunts
Sabine Varnes Utility Stunts
Mallory Thompson Stunt Double
Jefferson Cox Stunt Double
Rob de Groot Stunt Double
Seth Duhame Utility Stunts
Dane Farwell Utility Stunts
Marilyn Giacomazzi Stunt Driver
Kelly Phelan Utility Stunts
Billy D. Lucas Utility Stunts
Natalie Padilla Stunt Double
Tim Rigby Stunt Double
Vanessa Zamarripa Stunt Double
Athena Perample Stunts
Amy Sturdivant Utility Stunts
CJ Stuart Utility Stunts
Michael Runyard Utility Stunts
Shahaub Roudbari Utility Stunts
Daniel Dupre Matte Painter
Sala Baker Utility Stunts
Ryan Ryusaki Utility Stunts
Michael Gaspar Special Effects Supervisor, Visual Effects Supervisor
Stephanie Portnoy Porter Costume Design
Carlos Castillon Assistant Editor
Bergen Swanson Unit Production Manager
Andreya Joseph Hairstylist
Brett McKenzie Assistant Art Director
Lindsay Feldman Production Supervisor
Michael K. Bauer Music Editor
Andrea Wertheim Post-Production Manager
Sharon Watt Script Supervisor
Kimi Webber Script Supervisor
Henry Arce Assistant Art Director
Sophie Neudorfer Set Decoration
Brooke Satrazemis Script Supervisor
Jenny Caceres Assistant Editor
Gregory S. Hooper Supervising Art Director
Geoffrey S. Grimsman Supervising Art Director
Tyler Standen Assistant Art Director
Kim A. Winther Casting
Jo Edna Boldin Local Casting
April A. Janow Production Controller
Mike Revell Production Controller
C. Scott Baker Set Designer
Jimmy Hendrix Set Designer
Julie Vash Set Designer
Mark Hitchler Set Designer
Siobhan Roome Set Designer
Clay Staub Conceptual Illustrator
Jonathan Bach Conceptual Illustrator
Henry Fong Conceptual Illustrator
Jared Purrington Conceptual Illustrator
Christina Myal Graphic Designer
Alan Chao Graphic Designer
Tony Bohorquez Modeling
Schuyler Grimsman Art Department Coordinator
Brett Von Shirley Leadman
Ian Chase Sound Re-Recording Mixer
Adam DeCoster Foley Artist
Caleb Hollenback Sound Recordist
Michael Kaleta Boom Operator
Chris Kellett Sound Mixer
Chuck Michael Supervising Sound Editor, Sound Designer
Michael Miller ADR Mixer
Randy Singer Foley Mixer
Aravind Vijayakumar ADR Mixer
David Werntz Sound Effects Designer
Justin M. Davey Sound Effects Designer
Martyn Zub Sound Re-Recording Mixer
Anthony Delacruz Special Effects
Roderic Duff Special Effects Technician
John Carlos Higgins II Special Effects Technician
Mike Sasgen Special Effects Technician
Bryan Sides Special Effects
Michele Spooner Special Effects Makeup Artist
Cary Gunnar Lee Special Effects Makeup Artist
Daniel Yates Special Effects Technician
Marcel Banks Makeup Artist
Jolynn Nieto Makeup Artist
Karla Muenze Makeup Artist
Matthew J Ellis Set Dresser
Solange Astrid Guerrero Set Costumer
Javier Arrieta Costume Supervisor
Red Rose Connerty Set Costumer
Brittnee Holmquist Set Costumer
Siobhan Carmody Special Effects Makeup Artist
Joe DiNozzi Digital Compositor
David Neuberger Digital Compositor
Ndosi Anyabwile Digital Compositor
Bryan Haines Digital Compositor
Paul Song Compositing Artist
Daniel L. Smith Digital Compositor
Heather Taylor Visual Effects Editor
Ryan McConnell Digital Compositor
Andrew Byrne Visual Effects Supervisor
Edgar Lopez Digital Compositor
Duncan Key Digital Compositor
Tanner Bartlett Digital Compositor
Chris Bergman Digital Compositor
Kareem Babeel Visual Effects Coordinator
Owen Jackson Compositing Supervisor
Evan Hirschberg Digital Compositor
Heath Hensley Utility Stunts
Brady Romberg Stunt Double
Brian Avery Stunt Driver
Enele Ma'afu Tauteoli Utility Stunts
Lucas Swallow Utility Stunts
Tom Shaughnessy Utility Stunts
Tony Vittorioso Utility Stunts
Jessie Springer Utility Stunts
Eric Luling Set Dresser
Kade Stauduhar Visual Effects Editor
Andy Koyama Sound Re-Recording Mixer
Leah Hopkins Utility Stunts
Clinton Wayne Special Effects Makeup Artist
Karl Wasserman Utility Sound
Mike Justus Utility Stunts
Name Title
Zack Snyder Producer
Deborah Snyder Producer
Wesley Coller Producer
Bergen Swanson Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 49 62 29
2024 5 48 61 33
2024 6 42 75 31
2024 7 47 78 24
2024 8 38 60 24
2024 9 38 72 27
2024 10 42 62 29
2024 11 36 56 28
2024 12 35 42 28
2025 1 40 63 30
2025 2 30 45 6
2025 3 10 40 3
2025 4 7 13 4
2025 5 6 14 4
2025 6 5 9 4
2025 7 4 5 3
2025 8 5 5 4

Trending Position


Year Month High Avg
2025 8 995 995
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2025 7 322 468
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2025 6 653 849
Year Month High Avg
2025 5 407 756
Year Month High Avg
2025 4 724 861
Year Month High Avg
2025 3 198 754
Year Month High Avg
2025 1 324 699
Year Month High Avg
2024 12 921 921
Year Month High Avg
2024 11 731 852
Year Month High Avg
2024 10 829 829
Year Month High Avg
2024 8 346 640

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Reviews

ChrisSawin
8.0

Army of the Dead injects some much needed vitality into both zombie films as a whole and Zack Snyder’s career as a filmmaker. Dave Bautista is also the best he’s ever been as far as his acting ability goes. Gory as hell and entertaining through and through, Army of the Dead is a must-watch for actio ... n and horror film fans alike. We really needed more scenes with Vanderohe (Omari Hardwick) using that giant circular saw to tear through zombie flesh though. Full review here: http://geekshavegame.com/army-of-the-dead-review-zack-snyders-return-to-zombie-flesh-eating-form/

Jun 23, 2021
msbreviews
6.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Zack Snyder is far from being a consensual director. Some viewers really love his work - Zack Snyder's Justice League was only possible due to passionate, hardcore fans - while others fail to underst ... and the reasons behind the constant hype surrounding the filmmaker's projects. Personally, despite not belonging to his enormous fandom, I quite enjoy his work outside of the DCEU. From Dawn of the Dead to Watchmen, passing through 300, I hold these films in high regard. However, Batman v Superman: Dawn of Justice is unquestionably one of the biggest cinematic disappointments of my life, and it's arguably the movie that triggered the beginning of the controversial general opinion about the director. Usually, when people find themselves on a rough path, going back to their roots helps them get back on track, which is precisely what Snyder does here. The "zombie apocalypse" genre has been around for decades, but since the start of the new century, audiences all over the world were able to witness a narrative that was once unique and exciting become one of the most overdone, generic, formulaic pieces of storytelling. This last statement doesn't mean a few gems can't come out of it. From probably the greatest zombie film ever, Train to Busan, to the comedy classic Zombieland, there are truly great movies within the genre. So, where does Army of the Dead stand? Somewhere in the middle, labeled as "good fun", which is all I expected from this Netflix film. Let me get one thing out of the way immediately: this looks, sounds, and feels like a Snyder movie. Countless over-stylized shots, long slow-motion scenes, an overwhelming amount of gore and blood, bizarre song choices, a two-hour-and-a-half runtime... for better or worst, no one can complain about studio interferences this time. Clearly, the famous director had complete creative freedom, and it shows through all of the film's positives and negatives. Fortunately, Snyder's filmmaking style not only fits well within this genre, but it also works for the simple, entertainment-driven screenplay. A vast majority of viewers will press play in the hopes of receiving an action-heavy, fun, uncomplicated zombie movie with all the attributes that these flesh-eating characters possess. Except for a genuinely interesting storyline - though not new - concerning a specific type of zombies, everything else is pretty much what viewers have seen for the past two decades, which might be disappointing yet still highly enjoyable. From the way people can kill them to the time each infected person takes to become a zombie, every single cliche is present in this film. Honestly, none of them really annoy me unless they're repeated to exhaustion, which I don't believe Army of the Dead does that much. The action sequences are all well-shot, but I did expect more from them. Most scenes are just characters randomly shooting, hitting insane headshots that viewers will just have to accept as something normal, which shouldn't be too hard, considering the recent action flicks. Occasionally, one-on-one or one-on-many combats ensue, and it elevates the excitement levels by focusing on that single character, but then it's brought down again by tiresome shootouts. Snyder asks the viewers to accept several dumb plot and character decisions, so it's always going to be a matter of how much you can take until it starts getting too much... Personally, these logical issues don't really bother me - the ridiculous third act does push my limits, I admit. However, the lack of character development and overall care for everyone in the movie will always be a massive problem, especially when supposedly emotional, heartfelt moments end up having zero impact. I doubt anyone will be surprised to find out that people die in this film besides the zombies, consequently bringing tonal balance to the table. Obviously, not every character needs to receive a deep backstory and complex motivations, but it doesn't hurt to tell the viewers a bit about the people going into the danger zone so that the action sequences can carry more tension. Without spoiling anything, there's a period in the movie where a deadly countdown begins, and everything that occurs from the starting time to the climactic moment just feels like any other scene in the film. The lack of tension and sense of urgency ultimately stops it from being one of the greats. Overall, it's an enjoyable zombie flick that offered me a blast of fun, but I still believe it could have been a lot better. Dave Bautista (My Spy, Avengers: Endgame) is the absolute standout, interpreting the only fully-developed character of the movie. Ella Purnell (Wildlike), Omari Hardwick (Sorry to Bother You), and Nora Arnezeder (Origin) are also quite good. Finally, a point must be made about the relationship between studios and filmmakers. While I'm all in favor of creative freedom, there must always be a compromise between both parties. Snyder didn't gain fame for badly editing his films for no reason. Army of the Dead is, like most of his movies, unnecessarily long. The "deleted scenes" feature on Blu-rays doesn't exist for show-off. There's no film in the history of cinema where every single second recorded is pure gold, and runtimes are something studios can *help* filmmakers nail perfectly. In the end, I still consider this movie to move quickly through its straightforward story, so the excess screentime might not be that big of an issue for other viewers. Army of the Dead brings Zack Snyder back to the zombie apocalypse genre, delivering an entertaining, action-driven story that will please most spectators. With his distinct, divisive filmmaking style completely unrestrained, for better or worst, the standout Dave Bautista and his team fight through the cliches, lack of character development, and excessive runtime to still offer plenty of excitement. The lack of tension and urgency hurt some of the last action sequences, but all are well-shot and packed with energy. Exceptional production design and VFX aren't enough to compensate for the predictably formulaic screenplay, especially when the only interesting zombie storyline is only partially explored. Overall, it's the definition of "good fun", so if your weekend has a two-and-a-half-hour empty slot, Netflix has my endorsement. Rating: B-

Jun 23, 2021
Kamurai
8.0

Great watch, would watch again, and can recommend. Probably the worst part of this is a trend I'm noticing from some movies I've been seeing recently where they show you what could be a better movie, in the movie. While this starts with a "patient zero" style opening, they then skip past the m ... ovie I want to see to the last possible story from the opening event. This movie does do a lot though, and has a lot of moving parts at any given time. Batista is amazing, and everyone sort of gets lost around him, I can't tell if that's because he's a giant or if the movie wants it that way: the cast all does a fantastic job in their roles. The movie does a couple things that I don't typically enjoy in movies: smart zombies, obvious traitors, and secret motivations. It's like if SHIELD was in "I am Legend" and Black Widow kept tripping everyone else to get a rare Pokemon card. That said, they show a fantastic amount of detail and complexity to a society that is barely explored, adding a wonderful flavor to the story.

Jun 23, 2021
The_Bad_Critic
6.0

Army of the DEAD typical zombie action movie, but its not the best that's out there. Movie starts off abit boring and then goes into hyper drive midway then slows down at the end. it was abit unbalanced but that's just my opinion. ...

Jul 08, 2021
sporkproductions
4.0

Zach Snyder is a director I have an incredible amount of respect for. He has a truly original vision, he makes films unlike anyone else, and he seems to relish being a bit of an outsider who somehow gets to make whatever he wants. Sort of like this generation's version of 90's/00's Robert Rodriguez. ... Yet, try as I might I just can't seem to actually enjoy his films. I won't bother going into it because personally I'd prefer not enjoying a wacky Zach Snyder film then being mildly entertained by most mainstream fluff that seem crafted by algorithms. If you like Snyder's films this one will most likely be a real joy. If you don't this one won't win you over. Either way, I hope he gets to keep making his manic fever dreams because we need more films with authentic voices.

Aug 13, 2021
tmdb28039023
1.0

The only good thing about Zack Snyder's masturbatory exercise Army of the Dead, is that it's comparatively shorter than his version of Justice League – but what movie isn't? An hour and a half short of a four-hour movie is still too long, especially considering that if everything we've seen before w ... ere edited out of the film, AotD would be a short feature. True, we may not have seen a heist/zombie apocalypse movie, but we've seen dozens of heists and dozens of zombie apocalypses, and bringing the two genres together only serves to highlight the inconsistencies of each. But, let us start at the beginning. A US military convoy is transporting an unknown cargo from Area 51. The two soldiers in the cab of the truck debate the contents of the box (“the original draft of the Constitution written in the blood of the Founding Fathers… Amelia Earhart, long live ", etc.). Whatever it is, it’s highly inflammable, judging by how the truck instantly turns into a huge ball of fire the moment it makes contact with a considerably smaller vehicle. Actually it is some kind of superhuman zombie that kills a bunch of soldiers and infects two of them. This entire scenario could easily have unfolded without the arbitrary and random explosion; the gigantic fireball is here solely because Snyder is such an impatient director that, in a 140-minute film, he can't wait even five minutes before blowing something to bits – the cinematic equivalent of premature ejaculation. On the other hand, Snyder takes his time on plot points that we all know by heart. Hero is offered a job. Hero turns down job. Hero changes his mind and takes the job. Hero assembles team. And so on and so forth. So as to leave no cliché unused, the hero also has an estranged daughter, Kate (Ella Purnell); this, however, deserves some more attention. Kate works in a quarantine camp for zombies, which is nothing short of a logic-defying concept. It is first established that the zombie bite takes immediate effect, transforming the victim into another zombie – and one does not quarantine a zombie; one shoots a zombie in the head and moves on. Now, it has always been a habit of zombie movies to play fast and loose, depending on the requirements of the script, with the time it takes for a bite to kick in, but two wrongs don’t make a right. All things considered, AotD is a rip-off that makes it a point of ripping off bad ideas – which might be all right if it were a parody, but the movie is too bloated and excessive to ever be able to take itself lightly.

Sep 03, 2022
mooney240
7.0

**What happens when you give Zack Snyder complete creative control? A crazy awesome zombie sci-fi action heist joyride!** Sheer insanity at its ridiculous best! Zack Snyder goes all out with Army of the Dead by throwing as many plot ideas and spin-offs as he can to build his dream movie playgroun ... d to play in for years at Netflix. Zombies plagues, zombie robots, time travel, multiverse, and who knows what else all flash across the scene and somehow don’t distract from the exciting central story. Dave Bautista leads a crew of expendable mercenaries to break into a vault in the middle of a zombie-filled quarantine zone once known as Las Vegas. The stand-out character in all this is Matthias Schweighöfer‘s Dieter. His comedy and goofiness breathe life into an otherwise wholly gritty film. The nonstop action and gore will satisfy any genre fan. Rather than the typical rescuing of a trapped loved one or VIP, I appreciate the new purpose for battling zombies - money. Zack Snyder goes full throttle, and it definitely pays off! I can wait to see more.

Sep 17, 2022