Popularity: 7 (history)
Director: | Edward Zwick |
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Writer: | Edward Zwick, John Logan, Marshall Herskovitz |
Staring: |
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist. | |
Release Date: | Dec 05, 2003 |
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Director: | Edward Zwick |
Writer: | Edward Zwick, John Logan, Marshall Herskovitz |
Genres: | Action, Drama, War |
Keywords | japan, swordplay, sense of guilt, sword, loss of loved one, arms deal, katana, language barrier, foreign legion, mercenary, war strategy, slaughter, period drama, u.s. soldier, warrior, war trauma, intense, mighty whitey, samurai, general, war veteran, war crimes, self-discovery, homeland, emperor, mountain village, insurgence, campaign, gettysburg, soldier, alcoholic, japanese army, 19th century, vindictive, antagonistic, going native |
Production Companies | Cruise/Wagner Productions, Warner Bros. Pictures, Bedford Falls Productions, Radar Pictures, Shochiku Studio |
Box Office |
Revenue: $456,800,000
Budget: $140,000,000 |
Updates |
Updated: Aug 05, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Tom Cruise | Nathan Algren |
Ken Watanabe | Moritsugu Katsumoto |
Timothy Spall | Simon Graham |
Tony Goldwyn | Col. Benjamin Bagley |
Hiroyuki Sanada | Ujio |
Koyuki | Taka |
Shin Koyamada | Nobutada |
Billy Connolly | Zebulon Gant |
Togo Igawa | General Hasegawa |
Shichinosuke Nakamura | Emperor Meiji |
Masato Harada | Omura |
William Atherton | Winchester Rep |
Chad Lindberg | Winchester Rep Assistant |
Scott Wilson | Ambassador Swanbeck |
Ray Godshall Sr. | Convention Hall Attendee |
Masashi Odate | Omura's Companion |
John Koyama | Omura's Bodyguard |
Satoshi Nikaido | N.C.O. |
Shintaro Wada | Young Recruit |
Shun Sugata | Nakao |
Sosuke Ikematsu | Higen |
Aoi Minato | Magojiro |
Seizō Fukumoto | Silent Samurai |
Shoji Yoshihara | Sword Master |
Kosaburo Nomura IV | Kyogen Player #1 |
Takashi Noguchi | Kyogen Player #2 |
Noguchi Takayuki | Kyogen Player #3 |
Sven Toorvald | Omura's Secretary |
Yuki Matsuzaki | Soldier in Street #1 |
Mitsuyuki Oishi | Soldier in Street #2 |
Jiro Wada | Soldier in Street #3 |
Hiroshi Watanabe | Guard |
Yusuke Myochin | Sword Master's Assistant |
Hiroaki Amano | Samurai Ensemble |
Kenta Daibo | Samurai Ensemble |
Koji Fujii | Samurai Ensemble |
Makoto Hashiba | Samurai Ensemble |
Shimpei Horinouchi | Samurai Ensemble |
Takashi Kora | Samurai Ensemble |
Shane Kosugi | Samurai Ensemble |
Takeshi Maya | Samurai Ensemble |
Seiji Morita | Samurai Ensemble |
Lee Murayama | Samurai Ensemble |
Takeru Shimizu | Samurai Ensemble |
Shinji Suzuki | Samurai Ensemble |
Hisao Takeda | Samurai Ensemble |
Ryoichiro Yonekura | Samurai Ensemble |
Ryoichi Noguchi | Samurai Ensemble |
Name | Job |
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Victor Du Bois | Editor |
Lilly Kilvert | Production Design |
Nobuyuki Obikane | Stunts |
Hiroki Takano | Stunts |
Ray McIntyre Jr. | Visual Effects Supervisor |
Jeff Wexler | Production Sound Mixer |
Gretchen Rau | Set Decoration |
Kevin De La Noy | Unit Production Manager |
Charles Mulvehill | Unit Production Manager |
Nilo Otero | First Assistant Director |
Allen Kupetsky | Second Assistant Director |
Nick Powell | Stunt Coordinator |
Christopher Burian-Mohr | Supervising Art Director |
Kim Sinclair | Art Direction |
Elizabeth Flaherty | Assistant Art Director |
Philip Thomas | Set Designer |
Michael Smale | Set Designer |
Sam Storey | Set Designer |
Christopher Glass | Storyboard Artist |
J.C. Brown | Graphic Designer |
Cedar Valentine | Art Department Coordinator |
Lori A. Lopes | Set Decoration |
Kathy Lucas | Assistant Set Decoration |
Patrick Cassidy | Leadman |
Jayne-Ann Tenggren | Script Supervisor |
Mike Thomas | "A" Camera Operator |
Darrin Keough | "C" Camera Operator |
Calum McFarlane | "D" Camera Operator |
Chris Toll | First Assistant "A" Camera |
Tommy Klines | First Assistant "B" Camera |
Brett Matthews | First Assistant "C" Camera |
Richard Lacy | First Assistant "D" Camera |
Jeff Pelton | Second Assistant "A" Camera |
Louise Williams | Second Assistant "B" Camera |
John Bonnin | Libra Head Technician |
Michael Taylor | Video Assist Operator |
Don Coufal | Boom Operator |
Gunner Ashford | Armorer |
David Gulick | Property Master |
Peter C. Clarke | Assistant Property Master |
Parker Swanson | Assistant Property Master |
Mick Morris | Gaffer |
Gary Hill | Rigging Gaffer |
Iain Mathieson | Best Boy Electric |
David Nichols | Key Grip |
Jay Munro | Best Boy Grip |
Brett McDowell | Dolly Grip |
Paul Reddin | Rigging Grip |
Paul J. Lombardi | Special Effects Supervisor |
Kenny Myers | Key Makeup Artist |
Maggie Elliott | Makeup Artist |
Tina Harrelson | Makeup Artist |
Greg Nelson | Makeup Artist |
Richard Snell | Makeup Artist |
Conor O'Sullivan | Prosthetic Supervisor |
Janice Alexander | Hair Department Head |
Terry Baliel | Key Hair Stylist |
Karen Asano-Myers | Hairstylist |
Carol Pershing | Hairstylist |
Kimberley Spiteri | Hairstylist |
Colleen LaBaff | Hairstylist |
Terry Jarvis | Wigmaker |
Kendall Errair | Costumer |
Bob Buck | Costume Coordinator |
Cynthia E. Thornton | Associate Editor |
Neil Greenberg | Visual Effects Editor |
Jenny Hicks | Assistant Editor |
Penny Lee Hallin | Assistant Editor |
Pablo Prietto | Assistant Editor |
Thomas Boland | Visual Effects Producer |
Romulo Adriano Jr. | Visual Effects Coordinator |
Lil Heyman | Production Coordinator |
Mitchell E. Dauterive | Production Supervisor |
Anne Bruning | Production Supervisor |
Kyoko Kageyama | Production Supervisor |
Jill Soper | Assistant Production Coordinator |
Ken Ryan | Production Accountant |
Mayda Renizzi-Holt | Assistant Accountant |
Charles Harrington | Location Manager |
Neil Kirkland | Construction Coordinator |
Dan Romero | Transportation Coordinator |
Vic Cuccia | Transportation Captain |
Michael Sean Ryan | Transportation Captain |
Graham Larson | Post Production Supervisor |
Kerry Dean Williams | Supervising ADR Editor |
Michael Kamper | Sound Designer |
Jon Title | Sound Designer |
Craig S. Jaeger | Foley Supervisor |
Alan Rankin | Sound Editor |
Christopher Assells | Sound Editor |
Bruce Tanis | Sound Editor |
Dino DiMuro | Sound Editor |
Victor Ray Ennis | First Assistant Sound Editor |
Paul Flinchbaugh | Assistant Sound Editor |
Laura Harris Atkinson | Dialogue Editor |
David A. Cohen | Dialogue Editor |
Kelly Oxford | ADR Editor |
Anna MacKenzie | ADR Editor |
Michelle Pazer | ADR Editor |
Alyson Dee Moore | Foley Artist |
Jeffrey Wilhoit | Foley Artist |
James Moriana | Foley Artist |
Bob Beher | Foley Editor |
Mary Jo Lang | Foley Mixer |
Nerses Gezalyan | Foley Mixer |
Charleen Richards-Steeves | ADR Mixer |
Robert Deschaine | ADR Mixer |
Greg Steele | ADR Mixer |
Michael Miller | ADR Mixer |
Alan Meyerson | Scoring Mixer |
Mo Henry | Negative Cutter |
William Mesa | Visual Effects Supervisor |
Jeffrey White | Visual Effects Producer |
George Macri | Visual Effects Producer |
Tim Crosbie | VFX Supervisor |
Edward Zwick | Screenplay, Director |
John Logan | Screenplay, Story |
John Toll | Director of Photography |
Ngila Dickson | Costume Design |
Anna Behlmer | Sound Re-Recording Mixer |
Lois Burwell | Makeup Designer |
Jess Gonchor | Art Direction |
Peter McCaffrey | "B" Camera Operator, Steadicam Operator |
Ben Wilkins | Sound Editor |
Caitlin McKenna | ADR Editor |
John Roesch | Foley Artist |
Frank Smathers | Foley Editor |
Marc Streitenfeld | Music Editor |
Melissa R. Stubbs | Stunt Coordinator |
Tad Griffith | Stunts |
Al Goto | Stunts |
Lauro David Chartrand-DelValle | Stunts |
Casey O'Neill | Stunt Double |
Dean Hurley | Sound Assistant |
Marshall Herskovitz | Screenplay |
Hans Zimmer | Original Music Composer |
Steven Rosenblum | Editor |
Andy Nelson | Sound Re-Recording Mixer |
David James | Still Photographer |
Mark P. Stoeckinger | Supervising Sound Editor |
Simon Rhee | Stunts |
James Lew | Stunts |
Victoria Thomas | Casting |
Peng Zhang | Stunts |
Duncan Jarman | Prosthetic Makeup Artist |
Kenji Sato | Stunts |
Name | Title |
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Scott Kroopf | Producer |
Tom Engelman | Producer |
Richard Solomon | Executive Producer |
Charles Mulvehill | Executive Producer |
Graham Larson | Associate Producer |
Michael Doven | Associate Producer |
Edward Zwick | Producer |
Paula Wagner | Producer |
Vincent Ward | Executive Producer |
Yōko Narahashi | Associate Producer |
Marshall Herskovitz | Producer |
Tom Cruise | Producer |
Ted Field | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 61 | 80 | 43 |
2024 | 5 | 60 | 91 | 43 |
2024 | 6 | 55 | 83 | 33 |
2024 | 7 | 54 | 84 | 37 |
2024 | 8 | 50 | 92 | 36 |
2024 | 9 | 39 | 45 | 30 |
2024 | 10 | 54 | 100 | 33 |
2024 | 11 | 48 | 89 | 37 |
2024 | 12 | 46 | 77 | 32 |
2025 | 1 | 50 | 67 | 42 |
2025 | 2 | 41 | 59 | 9 |
2025 | 3 | 10 | 44 | 2 |
2025 | 4 | 9 | 14 | 7 |
2025 | 5 | 8 | 14 | 7 |
2025 | 6 | 8 | 12 | 7 |
2025 | 7 | 7 | 8 | 7 |
2025 | 8 | 7 | 10 | 6 |
2025 | 9 | 9 | 11 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 436 | 772 |
Year | Month | High | Avg |
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2025 | 8 | 217 | 700 |
Year | Month | High | Avg |
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2025 | 7 | 136 | 607 |
Year | Month | High | Avg |
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2025 | 6 | 237 | 676 |
Year | Month | High | Avg |
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2025 | 5 | 370 | 699 |
Year | Month | High | Avg |
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2025 | 4 | 232 | 655 |
Year | Month | High | Avg |
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2025 | 3 | 132 | 603 |
Year | Month | High | Avg |
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2025 | 2 | 325 | 775 |
Year | Month | High | Avg |
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2025 | 1 | 390 | 754 |
Year | Month | High | Avg |
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2024 | 12 | 418 | 697 |
Year | Month | High | Avg |
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2024 | 11 | 387 | 712 |
Year | Month | High | Avg |
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2024 | 10 | 725 | 866 |
Year | Month | High | Avg |
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2024 | 9 | 445 | 728 |
Year | Month | High | Avg |
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2024 | 8 | 677 | 848 |
Edward Zwick's "The Last Samurai" is about two warriors whose cultures make them aliens, but whose values make them comrades. The battle scenes are stirring and elegantly mounted, but they are less about who wins than about what can be proven by dying. Beautifully designed, intelligently written, ac ... ted with conviction, it's an uncommonly thoughtful epic. Its power is compromised only by an ending that sheepishly backs away from what the film is really about. Tom Cruise and Ken Watanabe co-star, as a shabby Civil War veteran and a proud samurai warrior. Cruise plays Nathan Algren, a war hero who now drifts and drinks too much, with no purpose in life. He's hired by Americans who are supplying mercenaries to train an army for the Japanese emperor, who wants to move his country into the modern world and is faced with a samurai rebellion. The role of the samurai leader Katsumoto (Watanabe) is complex; he is fighting against the emperor's men, but out of loyalty to the tradition the emperor represents, he would sacrifice his life in an instant, he says, if the emperor requested it. But Japan has been seized with a fever to shake off its medieval ways and copy the West, and the West sees money to be made in the transition: Representatives from the Remington arms company are filling big contracts for weapons, and the U.S. Embassy is a clearinghouse for lucrative trade arrangements. Into this cauldron Algren descends as a cynic. He is told the samurai are "savages with bows and arrows," but sees that the American advisers have done a poor job of training the modernized Japanese army to fight them. Leading his untried troops into battle, he is captured and faces death -- but is spared by a word from Katsumoto, who returns him as a prisoner to the village of his son.
Recommended. <em>'The Last Samurai'</em> features some very cool and entertaining battle sequences, which are shot excellently. The premise itself is attracting, it's acted out astutely by the noteworthy cast list. It probably lasts too long, but I never truly got a feeling of it dragging out tho ... ugh. Tom Cruise is fantastic as Capt. Nathan Algren. It's no secret or surprise as we all know that guy can act, he adds a great deal to his character here; especially on the emotional side of things. As for what happens with Algren, it's all good even if the love interest parts are undercooked. Ken Watanabe is splendid in the role of Katsumoto, while Masato Harada (Omura) and Timothy Spall (Graham) give positive performances. It's also nice to see Billy Connolly (Gant) and Scott Wilson (Swanbeck) appear. Hans Zimmer's score is, as presumed, grand. That would be one of a number of reasons why I'd say you should watch this.
"Nathan Algren" (Tom Cruise) is a disenchanted, alcoholic Captain who, post American Civil War, is offered the chance of a fresh, lucrative, start in Japan training some raw recruits to form the basis a standing Imperial Army. He arrives and is presented to the young, forward-looking but somewhat in ... timidated Meiji Emperor and it subsequently becomes clear that his purpose is primarily to assist Ômura, the Prime Minister, to create a military force capable of defeating the traditionalist, but loyal, Samurai clan of "Kausumoto" (Ken Watanabe). The first skirmish doesn't quite go to plan, and "Algren" is captured. Over the harsh winter, he befriends his warlord captor and the film begins to introduce us to the honourable and upright values of the man and of his beliefs and fundamental, if at times, ruthless decency. It mixes truth with fiction in a clever, unsentimental manner - Watanabe's performance is considered and engaging as the man on the cusp of a new era which neither he, nor his people, want or understand. Cruise is clearly the man behind the concept and is to be commended for bringing this gloriously good looking story to the screen; he is not, however, especially good in the lead - the part calls for a sophistication that he, as an actor, simply doesn't possess. There is also a curious role for Scots comedian/actor Billy Connolly who originally enlists "Algren" to the cause - with an accent that is all over the place. Masato Harada delivers well as the devious Minister who, in his own way, wants his society to adapt and flourish and Shichinosuke Nakamura gives the person of the Meiji emperor a caring, aspirational vulnerability that helps give the whole film a sense of truth and authenticity. The technical standards - especially during the frequently brutal battle scene are consistently high.