Carbon Copy
Any resemblance between father and son is purely hysterical.
1981 | 92m | English
Popularity: 0.8 (history)
| Director: | Michael Schultz |
|---|---|
| Writer: | Stanley Shapiro |
| Staring: |
| A middle-aged married wealthy white corporate executive is surprised to discover that he has a working-class black teen-age son who wants to be adopted into the almost-exclusively-white upper-middle-class community of San Marino, California. | |
| Release Date: | Aug 06, 1981 |
|---|---|
| Director: | Michael Schultz |
| Writer: | Stanley Shapiro |
| Genres: | Comedy, Drama |
| Keywords | california, parent child relationship, illegitimate son |
| Production Companies | AVCO Embassy Pictures, Hemdale, RKO Pictures, First City Features Ltd. |
| Box Office |
Revenue: $9,566,593
Budget: $6,000,000 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 15, 2024 |
| Name | Character |
|---|---|
| Denzel Washington | Roger Porter |
| George Segal | Walter Whitney |
| Susan Saint James | Vivian Whitney |
| Jack Warden | Nelson Longhurst |
| Paul Winfield | Bob Garvey |
| Macon McCalman | Tubby Wederholt |
| Vicky Dawson | Mary Ann |
| Parley Baer | Dr. Bristol |
| Dick Martin | Victor Bard |
| Carmen Filpi | Wino |
| Tom Poston | Reverend Hayworth |
| Kenneth White | Burly Man |
| Vernon Weddle | Wardlow |
| Edward Marshall | Freddie |
| Angelina Estrada | Bianca |
| Ed Call | Basketball Father |
| Greg Finley | 1st Guard |
| Warren Munson | 2nd Guard |
| Lee Garlington | (uncredited) |
| Jim Greenleaf | Basketball Boy |
| Helen Baron | Secretary |
| Patrick Wright | Truck Driver |
| Ned Monell | Policeman |
| Jeremy Smith | Policeman |
| Name | Job |
|---|---|
| Michael Schultz | Director |
| Marion Segal | Editor |
| Stanley Shapiro | Writer |
| Jane Feinberg | Casting |
| Judy Taylor | Casting |
| Ted Haworth | Production Design |
| Stuart A. Reiss | Set Decoration |
| Moss Mabry | Costume Design |
| Robin Dee LaVigne | Makeup Artist |
| Jack English | Location Manager |
| Bill Conti | Original Music Composer |
| Fred J. Koenekamp | Director of Photography |
| Mike Fenton | Casting |
| Name | Title |
|---|---|
| Joseph C. Cavalier | Associate Producer |
| Carter DeHaven | Producer |
| Stanley Shapiro | Producer |
| John Daly | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 11 | 21 | 5 |
| 2024 | 5 | 13 | 24 | 8 |
| 2024 | 6 | 11 | 21 | 5 |
| 2024 | 7 | 10 | 21 | 5 |
| 2024 | 8 | 9 | 18 | 5 |
| 2024 | 9 | 7 | 10 | 4 |
| 2024 | 10 | 8 | 16 | 4 |
| 2024 | 11 | 7 | 11 | 5 |
| 2024 | 12 | 6 | 10 | 4 |
| 2025 | 1 | 9 | 16 | 6 |
| 2025 | 2 | 6 | 10 | 2 |
| 2025 | 3 | 3 | 7 | 1 |
| 2025 | 4 | 3 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 2 | 5 | 1 |
| 2025 | 12 | 4 | 6 | 1 |
| 2026 | 1 | 4 | 6 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
<em>'Carbon Copy'</em> is a Denzel Washington flick that only a few have apparently seen; just 2.9k watched on Letterboxd, for example. That's a surprise, as is the film itself frankly. It's a bit of a trip. I knew it'd be to do with race due to the poster/title, but it's the entire plot. I was g ... etting major vibes of <em>'Trading Places'</em> throughout, there are plenty of differences, for sure, but the white guy's trajectory is fairly similar. That Landis flick came out just two years after this, curiously. As for how this deals with race, I think positively (albeit clumsily). Washington, in his proper movie debut, is standout. I wouldn't have predicted the phenomenal actor that he'd soon become based on this performance, but there is enough to show his acting prowess. George Segal is just as good as Denzel, the two share solid comedic chemistry. It is amusing, I found myself chuckling. The plot is ludicrous but it's never portrayed not to be just that, in fairness. I did enjoy it, as bizarre as it is (how about that opening scene!). It does have an old TV sitcom feel to it, largely thanks to a catchy score (by a certain Bill Conti). "Not aged the best"/"couldn't make it nowadays" and all that. Still, it did entertain me for (a well chosen run time of) 90 minutes.