Menu
Black Widow Poster

Black Widow

Her world. Her secrets. Her legacy.
2021 | 134m | English

(463650 votes)

TMDb IMDb

Popularity: 9 (history)

Details

Natasha Romanoff, also known as Black Widow, confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
Release Date: Jul 07, 2021
Director: Cate Shortland
Writer: Eric Pearson, Ned Benson, Jac Schaeffer
Genres: Adventure, Action, Science Fiction
Keywords assassin, spy, based on comic, female spy, aftercreditsstinger, woman director, hero, kgb, female assassin, female hero, marvel cinematic universe (mcu)
Production Companies Marvel Studios
Box Office Revenue: $379,751,131
Budget: $200,000,000
Updates Updated: Jul 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Scarlett Johansson Natasha Romanoff / Black Widow
Florence Pugh Yelena Belova
Rachel Weisz Melina
David Harbour Alexei
Ray Winstone Dreykov
Ever Anderson Young Natasha
Violet McGraw Young Yelena
O-T Fagbenle Mason
William Hurt Secretary Ross
Olga Kurylenko Antonia / Taskmaster
Ryan Kiera Armstrong Young Antonia
Liani Samuel Lerato
Michelle Lee Oksana
Lewis Young Scientist Morocco 1
C.C. Smiff Scientist Morocco 2
Nanna Blondell Ingrid
Simona Zivkovska Widow
Erin Jameson Widow
Shaina West Widow
Yolanda Lynes Widow
Claudia Heinz Widow
Fatou Bah Widow
Jade Ma Widow
Jade Xu Widow
Lucy-Jayne Murray Widow
Lucy Cork Widow
Eniko Fulop Widow
Lauren Okadigbo Widow
Aurélia Agel Widow
Zhanè Samuels Widow
Shawarah Battles Widow
Tabby Bond Widow
Madeleine Nicholls Widow
Yasmin Riley Widow
Fiona Griffiths Widow
Georgia Curtis Widow
Ione Butler Widow
Aubrey Cleland Widow
Kurt Yue Ross Lieutenant
Douglas Robson Ohio Agent
Zoltán Nagy Budapest Clerk
Marcel Dorian Man In BMW
Liran Nathan Mechanic
Judit Varga-Szathmary Mechanic's Wife
Noel Krisztian Kozak Mechanic's Child
Martin Razpopov Tattoo Gulag Inmate
Olivier Richters Ursa
Nina Novich Gulag Inmate
Andrew Byron Gulag Cookie Guard
Ed Ashe Strudel Gulag Guard
Dawid Szatarski Red Room Scientist 1
Cali Nelle Red Room Scientist 2
Geoffrey D. Williams Ross Agent
Robert Pralgo Ross Agent
Jacinte Blankenship Ross Agent
Josh Henry Ross Agent
Jose Miguel Vasquez Ross Agent
Valentina Herrera Young Widow
Danielle Jalade Young Widow
Aria Brooks Street Kid
Sophie Colgrove Street Kid
Caister Myung Choi Street Kid
David Turner SWAT Team (uncredited)
Edward L. Oliver SWAT Team Leader (uncredited)
Rob Horrocks Polish Soldier (uncredited)
Oliver Simms Super Soldier (uncredited)
Yuuki Luna Widow (uncredited)
Kalina Vanska Commuter (uncredited)
Jordyn Curet Young Ingrid (uncredited)
Chad J. Wagner Neighbor (uncredited)
Joakim Skarli Russian Soldier (uncredited)
Ian Wilson Russian Spetnaz (uncredited)
Tyrone Kearns Prisoner (uncredited)
Gavin Lee Lewis Prisoner (uncredited)
Ahmed Bakare Prisoner (uncredited)
Zoltan Rencsar Prisoner (uncredited)
Adam Prickett Russian Prisoner (uncredited)
Luigi Boccanfuso Gulag Prisoner (uncredited)
Roman Green Gulag Arm Wrestling Inmate (uncredited)
Clem So Gulag Inmate (uncredited)
Graham Kitchen Gulag Inmate #4 (uncredited)
John Wolfe Guard (uncredited)
Paul O'Kelly Riot Guard (uncredited)
Shane Askam Gulag Riot Guard (uncredited)
Obie Matthew Prison Riot Guard (uncredited)
Ty Hurley Prison Riot Guard (uncredited)
Stephen Samson KGB (uncredited)
Marian Lorencik KGB (uncredited)
Julia Louis-Dreyfus Contessa Valentina Allegra de Fontaine (uncredited)
Jeremy Renner Clint Barton / Hawkeye (voice) (uncredited)
Dale Liner SWAT Team Leader (uncredited)
Daniel Joseph Woolf Gulag Inmate #120 (uncredited)
Name Job
Michael Anthony Jackson Storyboard Artist
Gary Archer Prosthetics
Jennifer Badger Stunt Driver
Joe Bucaro III Stunt Driver
Darrin Prescott Second Unit Director
Dena Sodano Stunt Double
Chelsea Bruland Stunts
Sarah Lochlan Stunt Double
Adam Keane Visual Effects Production Assistant
Daniel Laurie Supervising Sound Editor
Lora Hirschberg Sound Re-Recording Mixer
Juan Peralta Sound Re-Recording Mixer
Amy Eloise Herring Art Department Assistant
Jan Philip Cramer Head of Animation
Hanzhi Tang Digital Effects Supervisor
Nicole Reddinger Stunt Double
James Young Fight Choreographer
Rob Inch Stunt Coordinator
Zakaria Alaoui Line Producer
Sarah Halley Finn Casting
Charles Wood Production Design
Katia Bokor Translator
Jason B. Stamey Casting Associate
Carl Anthony Nespoli Driver, Stunt Driver
Erin Jameson Stunt Double
Gabriel Beristain Director of Photography
Jade Xu Stunts
Jany Temime Costume Design
Lucy-Jayne Murray Stunts
Adam Collins Stunts
Lucy Cork Stunt Double
Genadiy Ganchev Stunts
David Cheung Stunts
Billy Clements Stunts
James Cox Stunts
Josh Dyer Stunts
Eniko Fulop Stunts
Bobby Holland Hanton Stunts
Al Holland Stunts
Jack Jagodka Stunts
Cali Nelle Fight Choreographer
Daren Nop Fight Choreographer
Lauren Okadigbo Stunt Double
Florian Robin Stunt Coordinator
Dawid Szatarski Fight Choreographer
Jérémie Vigot Stunts
Tihomir Vinchev Stunts
Tom Cotton Stunts
Eduardo Gago Muñoz Stunts
Charles Jarman Stunts
Laura Swift Stunts
Michaela McAllister Stunt Double
Per Henry Borch Line Producer
Eric Pearson Screenplay
Ned Benson Story
Leigh Folsom Boyd Editor
Heidi Moneymaker Stunt Double
Don Heck Thanks
Stan Lee Thanks
John Buscema Thanks
Jack Kirby Thanks
George Pérez Thanks
Bill Sienkiewicz Thanks
David Michelinie Thanks
Joe Quesada Thanks
Roy Thomas Thanks
Jay Maidment Still Photographer
Samson Neslund Sound Effects Editor
Mickey Facchinello Stunt Double
Malia J. Granite Songs
Chris Samnee Thanks
Alex Bender First Assistant Camera
John Romita Sr. Thanks
Mark Dennis Driver
Dante Gallo Driver
Jim Barr Art Direction
Chris 'Flimsy' Howes Art Direction
Mike Stallion Art Direction
Arnaud Putman Set Decoration
Clare Eastham Makeup & Hair
Michelle Wraight Production Supervisor
Philip Banks Second Assistant Director
Glen Caroll Third Assistant Director
Jamie Christopher First Assistant Director
Mark Cockren Second Second Assistant Director
Josh Goodman Third Assistant Director
Mate Gyorgy Second Unit
Alexander Yurchikov First Assistant Director
Abdellah Achir Assistant Art Director
Charlotte Anthony Draughtsman
Jemma Buckley Assistant Set Decoration
Ashley Bussell Petty Cash Buyer
Heather Carby Prop Maker
Jason Chalmers Prop Designer
Gary Chandler On Set Dresser
Lauren Debeukelaere Art Department Trainee
Sam Farr Set Dresser
Sarah Ginn Assistant Art Director, Standby Art Director
Rupert Hancock Props
Todd Harris Storyboard Artist
Cheyenne Hughes Art Department Assistant
Austin Huntley Art Department Assistant
Dániel Dallos Unit Manager
Tara Ilsley Assistant Art Director
Clive Ingleton Decorator
Sarah Iovino Art Department Coordinator
Peter James Art Direction
Gemma Kingsley Graphic Designer
Blake Maslin Head Greensman
Rob Mear Supervising Art Director
Christopher James Miller Props
Lizzie Osborne Draughtsman
Andy Park Visual Development
Nathan Payne Set Dresser
Andrew Proctor Assistant Art Director
Daniel Rutter Modeling
Jo Sansom Draughtsman
Mark Stevenson-Ellis Petty Cash Buyer
Silvia Stroppa Draughtsman
Pete Thompson Concept Artist
Julia Tonetti Draughtsman
Ivan Weightman Concept Artist
Candice White Draughtsman
Chris Munro Production Sound Mixer
György Albitz Special Effects Technician
Matthew G. Armstrong Special Effects Technician
Csaba Bagossy Special Effects Technician
Adam Banks Special Effects Technician
Will Bazeley Special Effects Technician
Daniel R. Bentley Special Effects Technician
Molly Doyle Casting Assistant
Madeleine Escarne Casting Assistant
Sandra Marthon Extras Casting
Lysandre Mbappé Casting Associate
Charlie Rotheram Extras Casting
Mark Mustafa Driver
Karoly Niklasz Transportation Captain
David O'Donoghue Transportation Captain
Jeffrey Warren Driver
Inam Choudhury Location Manager
Matt Craufurd Assistant Location Manager
Josh Dillard Assistant Location Manager
Corey Gilbert Assistant Location Manager
Harriet Hodgskin Location Coordinator
Matt Risebrow Location Manager
Nick Brown VFX Artist
Tristan Connors Modeling
Amin Rharda Set Decoration
Sarah Lezito Stunt Driver
Katy Bullock Stunt Driver
Joanne Coles Stunt Driver
Oscar Crane Stunts
Nathan Aldous Stunts
Aidan Brindle Stunts, Stunt Driver
Dermot Brogan Stunts
Jason Curle Stunts
Allan Hewitt Stunt Coordinator
Max Häusle Stunts
Ivan Iliev Stunts
Martin Ivanov Stunt Double, Stunt Driver
Sarah Lawrence Stunt Coordinator
Lee Millham Stunt Driver
Béla Orsányi Stunts
Leesa Pate Stunt Driver
Cedric Proust Stunt Coordinator
Matt Sherren Stunts
Vasil Simeonov Stunts
Chris Waite Stunts
Marton Dancz Extras Casting
Zsolt Ferenc Maier Extras Casting
Mounir Saguia Casting
Veronika Varjasi Extras Casting
Brahim Ait Belkas Boom Operator
Jordan Feemster Sound Assistant
Luke Hollingworth Boom Operator
Barry O'Sullivan Production Sound Mixer
Rachid Aadassi Costume Supervisor
Abdelkrim Akallach Costume Set Supervisor
Haraszti Blanka Costumer
Pierre Bohanna Modeling
Panka Bojtor On Set Dresser
Sue Bradbear Costume Design
Erinn Cahil Costume Assistant
Michael Carey Costume Assistant
Kate Chadderton Costume Coordinator
Kate Collis Costume Design
Lorraine Cooksley Costume Design
Richard Davies Assistant Costume Designer
Jessica Davis Costume Design
Zsolt Molnár Location Manager
Brooke Dibble Concept Artist
Daniel Fortin Costume Assistant
Natasha Freeman Costume Design
Máté Gajdics Costumer
Dan Grace Costume Supervisor
Anna Haigh Tattoo Designer, Graphic Designer
Monique Holt Costume Assistant
Vivienne Jones Assistant Costume Designer
Eniko Karadi Costume Design
Sara Khabir Costume Coordinator
Susan MacKenzie Costume Design
Gary Page Costume Design
Nora Pinter On Set Dresser
Lisa D. Quercioli Key Costumer
Margarethe Schmoll Costume Design
Ella Sehic Costume Assistant
Zoe Taylor Costume Design
Barbara Urbanyi Key Costumer
Sam Williams Modeling
Kat Ali Makeup Artist
Liz Bradbear Makeup Artist
Hayat Ouled Dahhou Makeup Artist
Salima Oulad Dahhou Makeup Artist
Jenna Roseanne Drew Makeup Artist
Marzenna Fus-Mickiewicz Makeup Artist
Daniele Nastasi Makeup Artist, Hair Designer
Adrian Rigby Makeup Artist
Alex Holmes Makeup Trainee
Camilla Wimble Stunt Double
Badr Balafrej Casting
Fouad Chairi Casting
Redouane Meftah Casting
John Bush Set Decoration
Jess Royal Set Decoration
Zi Chao Tan Animation
Raquel Gallego Camera Operator
Joe Howes Visual Effects
Matthew Schmidt Editor
Darrin Denlinger Storyboard Artist
Mark Waid Thanks
Don Rico Thanks
Ralph Macchio Thanks
Richard K. Morgan Thanks
Tom Raney Thanks
Paul Cornell Thanks
Devin Grayson Thanks
J.G. Jones Thanks
Jimmy Palmiotti Thanks
Henry Bridges Drone Pilot
Ian Campbell First Assistant Camera
Ricky Carrillo Rigging Gaffer
Barney Coates First Assistant Camera
Adam Coles First Assistant "A" Camera
Carlos De Carvalho Second Unit Director of Photography
Harry Gamble First Assistant Camera
Dave Hamilton-Green Camera Operator
Máté Miklósfalvi Camera Trainee
Scott Montgomery Drone Operator
Dean Morris Dolly Grip
Julian Morson Camera Operator
Yakoubi Nordine Key Grip
Joseph Parker Best Boy Grip
Alan Perrin Drone Pilot
James Perry Second Assistant Camera
Marcus Pohlus Steadicam Operator
Sean Ricigliano Epk Camera Operator
Lee Walters Gaffer
Cory Gath Assistant Editor
Jess Jansen Assistant Editor
Kevin R. Wright Other
Alexei Krassovsky Post Production Coordinator
Craig W. Smith First Assistant Editor
Anna Sweeney Assistant Editor
Liz Marston Sound Re-Recording Assistant
Kay Hoddy Rotoscoping Artist
Nina Jalava Stand In
Adi Granov Thanks
Sarah Clark Unit Publicist
Reetu Aggarwal 3D Artist
Alex Bowens Assistant Art Director
Sean Noel Walker Senior Visual Effects Supervisor
Dave Boyle Stunts
Darrell Warner Concept Artist
Shannon Mills Sound Designer, Supervising Sound Editor
Cate Shortland Director
C.C. Ice Stunts
Paul Bailey Stunt Driver
Yusuf Chaudhri Stunts
Luke Tumber Stunts
Vasil Yordanov Stunts
Lorne Balfe Original Music Composer
Jac Schaeffer Story
Nia Hansen Sound Designer
Aurélia Agel Stunts
Paul Gooch Makeup Designer, Hair Designer
Jules Holdren Hair Department Head
Craig Hammack Visual Effects Supervisor
Michael Melchiorre Compositing Supervisor
Lisa Marra Visual Effects Producer
Ken Diaz Makeup Department Head
Viktória Bauer Stunts
Asen Asenov Stunts
Claudia Heinz Stunts
Daniel Awde Stunts
Teodor Tzolov Stunts
Stilyan Mavrov Stunts
Cser Kinga Production Assistant
Jamie Hallett Visual Effects Supervisor
Trayan Milenov-Troy Fight Choreographer
Drew Jones Business Affairs Coordinator
Josh Gold Sound Effects Editor
Antony Robert Ephgrave Lighting Technician
Matt Dickinson Lighting Technician
Matthew Bell Stunts
Oliver Carroll Art Direction
Genko Ivanov Stunts
Alexandra Greene Visual Effects Production Manager
Redouane Ouadi Transportation Captain
Adelaide Filippe Conceptual Illustrator
Name Title
Louis D'Esposito Executive Producer
Brad Winderbaum Executive Producer
Victoria Alonso Executive Producer
Mitchell Bell Co-Producer
Scarlett Johansson Executive Producer
Kevin Feige Producer
Brian Chapek Co-Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 124 237 89
2024 5 274 351 213
2024 6 207 312 123
2024 7 100 167 70
2024 8 81 110 63
2024 9 63 119 51
2024 10 67 108 45
2024 11 71 113 47
2024 12 60 75 47
2025 1 70 106 53
2025 2 58 76 12
2025 3 26 67 3
2025 4 25 60 11
2025 5 76 248 12
2025 6 38 120 10
2025 7 11 13 9
2025 8 10 12 9
2025 9 9 14 8

Trending Position


Year Month High Avg
2025 9 494 736
Year Month High Avg
2025 8 210 588
Year Month High Avg
2025 7 98 656
Year Month High Avg
2025 6 101 456
Year Month High Avg
2025 5 133 538
Year Month High Avg
2025 4 52 607
Year Month High Avg
2025 3 166 556
Year Month High Avg
2025 2 79 596
Year Month High Avg
2025 1 294 655
Year Month High Avg
2024 12 239 729
Year Month High Avg
2024 11 396 762
Year Month High Avg
2024 10 474 738
Year Month High Avg
2024 9 363 678
Year Month High Avg
2024 8 115 483

Return to Top

Reviews

garethmb
N/A

After a delay lasting 19 months; the Marvel Cinematic Universe (MCU) has returned to the big screen with “Black Widow”. The film takes place between “Captain America: Civil War” and “Avengers: Infinity War”; audiences get more of the backstory of Natasha Romanoff (Scarlett Johansson), as we are intr ... oduced to her early life before the Red Room. This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training. Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion. Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another. Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago. With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all. What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning. Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others. While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time. “Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well. From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss. 4 stars out of 5

Jun 29, 2021
msbreviews
8.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/black-widow-spoiler-free-review "Black Widow beautifully honors the iconic Natasha Romanoff, who finally receives the respectful, worthy solo film that her unforgettable legacy always deserved. Cate Shortland and Eric Pearson put ... together an MCU installment that doesn't really compare to any of the other origin flicks, profoundly examining the protagonist's dark past and her complex "family" through distinctly compelling storytelling. Scarlett Johansson shines one last time, interpreting the most impactful role of her career, but Florence Pugh comes close to stealing the spotlight by giving an absolutely phenomenal display. Boasting highly entertaining, mostly well-filmed action sequences, the main narrative follows a path with no surprises, as well as a generic villain, but the emotionally investing storylines regarding Natasha's personal motivations and Yelena's complex feelings keep the film remarkably captivating. The ending is as satisfying as I could have ever wished for. A loving farewell to a hero that inspired millions of viewers." Rating: A-

Jul 08, 2021
Mahnoor_Khan
N/A

The first half of black widow was very strong and emotional. Florence Pugh was stellar in this movie. She was brilliant in action sequences and I like the fun elements in her character. Yelena and Natasha's chemistry was too good. David Harbour also performed very well. The action sequences were ... good but CGI was too weak in the 3d act. Also, I didn't like the changes in Natasha's character. She has no superpowers like other avengers. Her strong brain and mind combine to make her a lethal weapon but they showed her over powerful in this movie. The inner wounds of Natasha were beautifully delivered in this movie. I liked the movie but because of Florence only.

Jul 16, 2021
Radio1'sMr.Movie!-MadAmi🌠
10.0

**This Is A Thrilling , Beautiful &  VERY , VERY , VERY FUNNY Journey . . . BUT ALAS 😢 . . . It Will Of Course, -{ _INEVITABLY_ }- Be A " Short-Lived " One For S.J⚘. Welcome To The Age Of The Super🦸‍♀️ ANACHRONISTIC , Er , " Prequel "** A "Good, Old Fashioned" **-{ _B I G_ }-** Screen Full Length ... Review . ____________________________________________________ Yelena Belova : { about Natasha Rommanoff.. and in -JEST- } " ... You're such a _Poser_❗" ⬜⬜⬜⬜ ____________________________________________________ **1. " I Absolutely, Positively Loved It " :** And I'm going to say that right off the bat. For what it's worth, I actually had to go see Black Widow, ( 'B.W' for short ), -twice- as I wasn't able to catch the beginning the first time around . . & ended up appreciating it -{ So }- much more the second time ; because, being a person with a difficult past myself . . the -Superb- , Intricate, ( and often super - Hilarious 🤣🤣🤣 - ) drama between the lead characters -{ Really }- hit home for me. So much so . . . That inasmuch as ( - I - ) was concerned atleast, just about the -{ Only }- flaw with this film for me, if any, was the altogether "glaring" fact that it is now all but -Certain- . . . That we -{ Won't }- see Scarlett Johansson ( 'S.J' for short ) . . . Reprise her fascinatingly complex, and truly "Glorious" role as -{ _THE_ }- Black Widow. No spoiler here b.t.w ...this "Prequel"-movie's place in the overall 'M.C.U' ( Marvel Cinematic Universe ) timeline has always been made -{ CRYSTAL 💎 }- clear by 'MARVEL STUDIOS'... from the very Get-go. I invite you in earnest, { -Especially- if you're somewhat new to the whole "M.C.U-thing" }, to view one particular -Official- trailer by them, the one -still- entitled "New Trailer", ( YouTube, Apr.03, 2021 ), where the, 'rationale' ( -if you will- ) for B.W is explained, um, "Super"-well . . and is narrated by -none- other than, you guessed it, the "Hopelessly-Vivacious and yes, genuinely-Affable . . Ms. Johansson herself . **2. " Loose Ends Are Tied Nicely " :** Here's a small { but undeniably significant } example. The 'aforementioned' Ms. Johansson's seemingly -{ "Random" }- & generally inexplicable "Suddenly-Blonde" hair in 'Infinity War' . . . . . { a look that frankly, I never -Could- quite warm up to at the time, having ...( along with Millions-&-Millions of -Other- 'M.C.U afficionados', I'm sure )... come to entirely -Adore- her trademark " Fiery Red-tresses Look 🔥 " , over the years } . . . . . Was " Finally " explained to us. Looking to the 'bigger' things : Basically, the picture filled in a -{ Whole }- bunch of gaps and 'story-holes' for me { that would often -totally- have me headscratching for "Answers" in the unbearably -Long- spells between each successive new ( & 'ever More Madly' ) anticipated "Massive" New Marvel-release. And it managed to -Achieve- this by essentially showcasing a "Wide", ( frankly ), and previously -Unknown- array of intertwined " Backstories 📚 " ...( not to mention giving us a satisfyingly -thorough- insight into the smattering of "badly damaged relationships left in the B.W's wake" )... that occurred -{ Well before }- & indeed, leading up to, her "very, very, very" high-priced and hard-won "Formal-entry Into Shield" { and concomitant defection from the Russian Secret Service, the 'F.S.B' ( formerly the 'K.G.B' ) }. Hence, a big, loud { " Kudos " } to the wonderfully gifted -Miz- Jac Schaeffer and Ned Benson ( the story-writers ), as well as Eric Pearson ( the movie's screenwriter ) . **3. " A Veritable -Explosion- . . . Of Talent " :** A HUGE 👊💥, HEARTY PAT on the back is -{ Completely }- in order for **CATE SHORTLAND,** the Australian Directress of this U.S.D 200 Million cinematic 'Powder-keg". Although she may have been "hitherto" -{ Relatively }- unknown to -many- , this tremendously accomplished native of Temora, New South Wales actually has, get this -{ Two Full Decades }- of both T.V, as well as Film direction Credits under her belt, with 2012's War-romance-drama 'Lore' being her highest earning movie to date ( until -Black Widow- of course, that is to say 😉 ). Not only has she very successfully managed to bring together a tremendously -Cohesive- Principal Cast just 'gushing' with absolutely -{ Stellar }- Talent, let's be clear ...( a quick, special "Mention-of-note" is altogether warranted here for the -Charmingly- bubbly & ever "tenacious" ( newcomer to -MARVEL- ) Florence Pugh, who well & truly excels in her portrayal of 'Yelena Belova' )... but the film-crew that she's "assembled" have -{ Also }- well & truly outdone themseves in -Every Single- aspect of the Production . . . With the mega-Stylistic & "Dazzling" fight choreography employed in the "Widows training scene", ( -trailers, also- ), featuring an F.S.B 'mini-battalion' of " Spectacularly Luminescent 🖲 " Black-&-Red clad 'elite Girl-assassins' . . . Being the one that stood out for me -{ Visually }- , more than -any- other, in the film. And last, but most definitely -Not- least ; a quick 'Special-mention' of the fact that the 5 -Individual- Russian accents performed by 5 of "most" important Principal actors, ( -each to its Very specific, varying degree- ), were pulled off, rather -{ "Immaculately" }- I might add, by 5 different actors from, well, -get this- **. . . . _the U.K, & the U.S.A_ { 👏❗ } .** **SUMMATION : -{ JUST AS LONG }-** as you go and see Black Widow with a "Free and Open-mind", prepared to be _Really, Really_ -{ Entertained }- . In 'my-specific' case, the ( obvious ) "Anachronistic" aspect of said movie . . .  -{ _D I D_ }- . . . in fact make the prospect of watching it ( in the days leading up to B.W's release ) feel a tad bit strange, if you will. However, once I was actually -{ in }- my seat, the -"fabulous, Even Bond-esque"- intro sequence started to work its 'Insta' magic on me . . . . and then . . . . when that ever familiar, ever Dramatic, and yes, ever -Beloved- Marvel theme roared through the massive cinema hall I was in, it all just "Snapped" into place . An -Unabashed- , "Explosive" **13.00 MARKS OUT OF 10.00 MARKS** From Me . Oh and yes, Scarlett Johansson, you will be " sorely , but Surely , & Dearly " . . . _M I S S E D_ . . . as " _T H E_ " Black Widow . **->-{ • W • O • W • }->- , "1 POST-CREDITS APPEARANCE" , AND 8 "FULL-BLOWN" STARRING ROLES LATER ( A WHOPPING -_NINE_- FILMS IN TOTAL ) . . . . WHAT A " _SPECTACULARLY MEMORABLE_ " JOURNEY IT'S BEEN ❤❗.**

Jul 30, 2021
isipahum
2.0

Subpar Bond that believes it has emotional stakes isn't exactly a very winning formula. Far too much bad MCU banter to go with something that wants to be grounded and quite frankly none of the actors are quite adapt at those sitcomy whedonisms that these movies made mainstream (Pugh in particular is ... terrible at those bits). Some of the mid section action is better than average as far as those movies goes but anything with Taskmasker is very bad and the big end is terrible. Winstone villain made me miss when people like Lonsdale and Lee made lousy Moore Bond plots half watchable. The major limitation is that far too much of the emotional beats depend on what characters talk about their time together when they were a pretend family and altough Johansson and Pugh have good chemistry and Weisz and Harbour do as good job as possible under the circunstances of selling their regrets, there just isn't enough downtime between plot needs to anything of it truly land. I can get what Shortland was hoping to import into one of those but little actually works even with the benefit of a far more standalone movie than most of them. Also, strange how after a decade of postponing giving Johansson her movie, they did one in which she so often feels like a witness/connective MCU tissue for the main supporting characters family drama that they had to give her an extra subplot with her guilty over "killing" Winstone's daughter so it can feel like she has more material to work with. She is both the lead and the most extraneous part of her own movie

Aug 02, 2021
mel_n
8.0

Honestly, if Black Widow opened Marvel’s Phase 4, I would have been even more impressed. However, after seeing the deep dives into characters that had been on the sidelines for years, this movie felt very surface level of the complexity of Natasha Romanoff. She was taken as a child to learn how to b ... e an assassin, she had to sacrifice her morals to leave her past behind, she basically remained an assassin for a different organization that turned out to be run by similarly bad people as those she left, and she is now on the run from the government that once hailed her a hero because she didn’t fall in line. Oh, and she is reconnecting with her past fake family that gave her and Yelena back to the Red Room as soon as the mission was over. The trauma this character endured would’ve been better explored as a mini series, rather than a movie that’s trying to simultaneously remind us of where Natasha was five years ago and also trying not to acknowledge that Natasha has no risk posed to her in this movie because we know she lives on past these events. However, very excited to see where Yelena goes in the future.

Aug 24, 2021
Trevfh
N/A

It was okay ...

Sep 09, 2021
xut
1.0

It's crap, really. Nothing works in this movie. ...

Sep 30, 2021
ChrisSawin
6.0

Black Widow is worth seeing for Florence Pugh, the free-fall action sequence, and anything involving Taskmaster before it’s revealed who is under the mask. Everything else about Black Widow feels like it was done better by the films it was supposedly influenced by and mostly feels like a diluted imi ... tation of Captain America: The Winter Soldier. It’s fantastic that women are getting more opportunities in big summer blockbusters like this one, but it’s also disheartening since their filmmaking skills are shackled to formulaic superfluity that obviously stands in the way of creating extraordinary cinema. Full review: https://geekshavegame.com/black-widow-review-espionage-exhaustion/

Oct 06, 2021
misubisu
9.0

Waited so long for this movie to come out and I was loaded with anticipation. When it finally landed I was so excited to watch it! I must say, it didn't go in the direction that I was expecting (based on the on the other solo movies)... but I was very pleasantly surprised, and it was way better t ... han I was expecting it to be. I thoroughly enjoyed this movie, and it was a fitting tribute yo one of my favourite Marvel Universe characters.

Feb 02, 2022
mooney240
6.0

**Black Widow is a decent MCU film with excellent entertaining characters but an average to disappointing story.** Black Widow faced steep expectations as Marvel's first female-led film focused on a cherished MCU favorite. Black Widow's past was always shrouded in mystery and pain, but she was fi ... nally receiving the attention the hero deserved to dive into her past and celebrate Scarlett Johansson's super spy. With hopes high and fans wanting a Captain America: The Winter Soldier-type superhero espionage film, Black Widow, unfortunately, fell short. Nothing was particularly disappointing about the film. I had just hoped for so much more for the character and Scarlett Johansson at this point in the MCU's journey. The effects and action were decent. The villain was forgettable. The big defining Budapest incident was passed by with hardly any impact or emotional weight. Black Widow gets lost in all of the chaos of the film. The best part of the movie by far was the new characters played by Florence Pugh and David Harbor. They were highly entertaining, funny, and endearing. I hope to see Florence Pugh's Yelena Belova in many more Marvel films. Black Widow really was a decent entry in the Marvel universe and one of the better Phase 4 movies. Still, it didn't do Natasha Romanoff the justice she deserved leaving the character's best moments in other Marvel films that focused on other heroes.

Oct 21, 2022
Crazypiglady
6.0

This is a self-contained origin story of Natasha Romanoff / Black Widow (Scarlett Johansson). No knowledge of the Avengers is required to watch this film, although, in a Marvel context, it happens after the civil war breaks up the Avengers of which Natasha was a part of. Effects and tension are amaz ... ing to watch and edge of seat but there's a payoff with plot. A familiar action film formula – _get and protect the MacGuffin while getting to the evil megalomaniac before he takes over the world_. The formula acts as a vehicle for pretty much non-stop action. If that’s enough for you then this is might be your perfect film. The familial relationships and confronting her dark past promised in the advert don’t really deliver (although Natasha’s sister, Yelena is essential to this film) but if two hours of Scarlett Johansson kicking high-octane butt is your thing then you’re in for a treat. Too heavy on the action but fun to watch. 6/10

Jan 08, 2023
SoSmooth1982
7.0

There wasn't much about black widows history and background. So I really liked this movie. See how the character became her. ...

Apr 30, 2023
Gnislew
4.0

Black Widow ist der Beweis, dass auch weiblicher Regisseur nicht unbedingt mit starken Frauenfiguren umzugehen weiß. Der Beweis, dass auch mit einer interessanten MCU-Figur ein uninteressanter Film entstehen kann. Der Film zeigt auch, dass das MCU immer und immer wieder mit schwachen Antagonisten zu ... kämpfen hat, was bei einem Film, der weniger von seiner coolen Action, als vielmehr von seiner Story lebt einfach noch mehr ins Gewicht fällt. Ja, die Actionszenen des Films sind gut. Florence Pugh fügt sich als Schwester von Black Widow gut in das Universum ein und es ist auch schön mehr über die Vorgeschichte von Black Widow zu erfahren. Am Ende muss man allerdings auch sagen, dass Black Widow kein guter Film ist. Dafür überwiegen leider die genannten Schwächen zu sehr und Marvel hat zuletzt mit seinen starken Serien bewiesen, dass sie auch storylastigere Geschichten packend erzählen können. [Sneakfilm.de]

Jul 25, 2023