Popularity: 6 (history)
Director: | Antoine Fuqua |
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Writer: | Ian Shorr, D. Eric Maikranz |
Staring: |
Evan McCauley has skills he never learned and memories of places he has never visited. Self-medicated and on the brink of a mental breakdown, a secret group that call themselves “Infinites” come to his rescue, revealing that his memories are real. | |
Release Date: | Sep 09, 2021 |
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Director: | Antoine Fuqua |
Writer: | Ian Shorr, D. Eric Maikranz |
Genres: | Adventure, Action, Science Fiction |
Keywords | based on novel or book, secret organization, reincarnation, memories, matter of fact, straightforward |
Production Companies | Paramount Pictures, di Bonaventura Pictures, Leverage Entertainment, Closest to the Hole Productions, New Republic Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Mark Wahlberg | Evan McCauley |
Chiwetel Ejiofor | Bathurst 2020 |
Sophie Cookson | Nora Brightman |
Jason Mantzoukas | Artisan |
Rupert Friend | Bathurst 1985 |
Toby Jones | Porter |
Dylan O'Brien | Treadway |
Jóhannes Haukur Jóhannesson | Kovic |
Liz Carr | Garrick |
Kae Alexander | Trace |
Tom Hughes | Abel |
Joana Ribeiro | Leona |
Wallis Day | Agent Shin |
Alicia Charles | Brasserie Manager |
Mark Fleischmann | Brasserie Owner |
Lloyd Griffith | Brasserie Chef Joe |
Jack Roth | Ronny |
Leon Annor | Lotto |
Nabil Elouahabi | O Dog |
Jumayn Hunter | Ray Ray |
Melissa Neal | Shawna |
Chris Gordon | C17 Pilot |
Edward Wolstenholme | Interrogation Policeman |
Oliver Parsons | Exterior Police Station Policeman |
Giorgia Seminara | Isabella |
Raffiella Chapman | Jinya |
Alexandra Afryea | Park Mother |
Jordan A. Nash | Park Son |
Alistair Benson | Young Evan |
Rob Ostlere | Evan's Father |
Meghan Treadway | Evan's Mother |
Edison Roman Hernandez Ruiz | Police Helicopter Pilot |
Lili Rich | Beautiful Tattooed Woman |
Jonny James | Mercenary |
Llywelzeth Franco | Temple Boy |
Abigail Atchison | Temple Girl |
Gilbert Aguirre | Young Treadway |
Yannus Sufandi | Young Treadway's Father |
Lu Junchang | Guru |
Ollie Douglas | Builder - Construction Worker |
Name | Job |
---|---|
Aidan Brindle | Stunts, Stunt Driver |
Julie Dartnell | Makeup Artist, Hairstylist |
Chris Lyons | Special Effects Makeup Artist |
Antoine Fuqua | Director |
Mauro Fiore | Director of Photography |
Jill Taylor | Costume Design |
Harry Gregson-Williams | Original Music Composer |
Simon Crane | Stunt Coordinator, Second Unit Director |
Gary Powell | Stunt Coordinator |
Jonathan Houlding | Art Direction |
Celia Bobak | Set Decoration |
Allan A. Apone | Makeup Artist |
Alli Ryan | Stunts |
Nikita Mitchell | Stunts, Stunt Double |
Maria Hippolyte | Stunts |
Rachelle Beinart | Stunts |
Liang Yang | Fight Choreographer |
Amy Clare Beales | Stunts |
Rubie Planson | Stunts |
Carly Michaels | Stunts |
Aurélia Agel | Stunts |
Ian Shorr | Screenplay |
Conrad Buff IV | Editor |
Chris Seagers | Production Design |
Peter Bebb | Visual Effects Supervisor |
Jabari Ali | Music Supervisor |
Priscilla John | Casting |
Orla Maxwell | Casting |
Shailesh Chibire | VFX Artist |
Jamie Hearing | VFX Artist |
Alexandra Magocsi | Visual Effects |
Max Keene | First Assistant Director |
Rhonda C. Gunner | Visual Effects Producer |
Susan E. Novick | Post Production Supervisor |
Mandell Winter | Supervising Sound Editor |
David Esparza | Supervising Sound Editor |
Steve Pederson | Sound Re-Recording Mixer |
Daniel J. Leahy | Sound Re-Recording Mixer |
John Frankish | Supervising Art Director |
Ben Munro | Art Direction |
Sue Whitaker | Art Direction |
David Doran | Art Direction |
Julian Ashby | Art Direction |
Renate Nicolaisen | Art Direction |
Nikki Berwick | Stunt Coordinator |
Daniel Swingler | Art Direction |
Roxana Alexandru | Art Direction |
Daniel Nussbaumer | Art Direction |
Jane Harwood | Art Direction |
Scott McInnes | Visual Effects Art Director |
Huw Arthur | Standby Art Director |
Petra Balogh | Assistant Art Director |
Kate Suzanne Hunter | Assistant Art Director |
William Smith | Assistant Art Director |
Oliver Williams | Assistant Art Director |
Nicoletta Mani | Script Supervisor |
Paul Bennett | Second Assistant Director |
Gary Dodkin | Production Sound Mixer |
Mark Jan Wlodarkiewicz | Music Editor |
Will Digby | Sound Effects Editor |
Hamilton Sterling | Sound Designer |
James Hendy | Assistant Set Decoration |
Sandro Piccarozzi | Assistant Set Decoration |
Irene Moreno Feliu | Assistant Set Decoration |
Philippa Bruges | Assistant Set Decoration |
Emily Blunden | Assistant Set Decoration |
Charlotte Sewell | Assistant Costume Designer |
Louise Cassettari | Costume Supervisor |
Jana Carboni | Makeup Designer |
Harriet Thompson | Makeup Artist |
Stefania Pellegrini | Makeup Artist |
Charlie Mileham | Makeup Artist |
Lisa Pantaleoni | Makeup Trainee |
Giuliano Mariano | Hair Designer |
Stuart Lashley | Visual Effects Supervisor |
Lee F. Sullivan | Visual Effects Supervisor |
Sara Khangaroot | Visual Effects Producer |
Michael D'Sa | Visual Effects Producer |
Preeya Kalidas | Visual Effects Producer |
Soren Bendt Aaboe Pedersen | Storyboard Artist |
Venice Smith | Stunt Driver |
Jessica Hawkins | Stunts, Stunt Double, Stunt Driver |
Katy Bullock | Stunt Driver |
Nina Armstrong | Stunts |
Sina Ali | Stunts |
Laura Richardson | Assistant Set Decoration |
Daniele Massaccesi | "A" Camera Operator, Steadicam Operator |
Cosmo Campbell | "B" Camera Operator |
Robert Palmer | First Assistant "A" Camera |
Tobias Eedy | First Assistant "B" Camera |
Matt Wright | Second Assistant "A" Camera |
Graham Smout | Second Assistant "B" Camera |
Jessica Saunders | Camera Loader |
Lali Coombes | Camera Trainee |
Ben Appleton | Digital Imaging Technician |
Carole A. Kenneally | First Assistant Editor |
Danielle El-Hendi | Assistant Editor |
Calum Peters | Assistant Editor |
Micah Loken | Dialogue Editor |
Sang Jun Kim | Dialogue Editor |
Eryne Prine | Foley Editor |
Dan O'Connell | Foley Artist |
John T. Cucci | Foley Artist |
Tavish Grade | Foley Mixer |
Jack Cucci | Foley Mixer |
Simon Diggins | ADR Mixer |
Erich Talaba | ADR Mixer |
Judah Getz | ADR Mixer |
Madeleine Macdonald | Art Department Coordinator |
Jim Magdaleno | Storyboard Artist |
Howard Ronay | Storyboard Artist |
Kim Frederiksen | Concept Artist |
Rohan Harris | Scenic Artist |
Barry Gingell | Graphic Designer |
John O'Connor | Construction Manager |
Olivia Carney | Construction Coordinator |
Todd Stein | Screenstory |
D. Eric Maikranz | Book |
Janine Modder | Unit Production Manager |
Pete Ford | Stunts |
Luke Tumber | Stunts |
Chris Rosewarne | Concept Artist |
George Kirby | Stunt Double |
Chase Armitage | Stunts |
Graham Page | Visual Effects Supervisor |
Matthew Bell | Stunts |
Bogdan Kumšackij | Stunts |
Varpu Kronholm | Stunts |
Luke Scott | Stunt Double |
Name | Title |
---|---|
Kat Samick | Co-Producer |
Lorenzo di Bonaventura | Producer |
Mark Vahradian | Producer |
Antoine Fuqua | Executive Producer |
Mark Wahlberg | Producer |
Stephen Levinson | Producer |
Brian Oliver | Executive Producer |
Bradley J. Fischer | Executive Producer |
Rafi Crohn | Executive Producer |
Valerii An | Executive Producer |
John Zaozirny | Producer |
Max Keene | Co-Producer |
Janine Modder | Co-Producer |
Mark Huffam | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 88 | 121 | 59 |
2024 | 5 | 89 | 121 | 67 |
2024 | 6 | 70 | 97 | 46 |
2024 | 7 | 63 | 90 | 46 |
2024 | 8 | 51 | 73 | 38 |
2024 | 9 | 74 | 187 | 33 |
2024 | 10 | 73 | 148 | 39 |
2024 | 11 | 59 | 81 | 42 |
2024 | 12 | 47 | 95 | 31 |
2025 | 1 | 54 | 125 | 34 |
2025 | 2 | 35 | 56 | 8 |
2025 | 3 | 18 | 55 | 3 |
2025 | 4 | 9 | 13 | 5 |
2025 | 5 | 7 | 10 | 6 |
2025 | 6 | 9 | 12 | 7 |
2025 | 7 | 11 | 16 | 6 |
2025 | 8 | 6 | 8 | 5 |
2025 | 9 | 7 | 10 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 305 | 563 |
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2025 | 8 | 274 | 613 |
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2025 | 7 | 93 | 495 |
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2025 | 6 | 533 | 814 |
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2025 | 5 | 519 | 837 |
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2025 | 4 | 535 | 781 |
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2025 | 3 | 510 | 822 |
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2025 | 2 | 995 | 995 |
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2025 | 1 | 934 | 934 |
Year | Month | High | Avg |
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2024 | 12 | 820 | 865 |
Year | Month | High | Avg |
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2024 | 11 | 840 | 922 |
Year | Month | High | Avg |
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2024 | 10 | 995 | 995 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I really appreciate Antoine Fuqua's career as a director. From the beloved classic Training Day to the highly entertaining The Equalizer films, Fuqua has demonstrated skillful handling of action sequ ... ences. As expected, Infinite delivers several fighting scenes and car chases, mostly riveting and quite enjoyable. The third act gets extremely over-the-top concerning the action set pieces, which are only tolerable due to a special yet underdeveloped character trait that ultimately justifies the more absurd moments. Mauro Fiore's camera work and Conrad Buff IV's editing are decent enough, but the last act features too much shaky cam and excessive cuts for my taste. Story-wise, that's where things get tricky. Ian Shorr's screenplay boasts a genuinely interesting premise with exciting world-building to support it. However, the tiresome voice-over from Mark Wahlberg - who offers a good performance just as the rest of the cast - holds heavy exposition that's then repeated in dialogues across the movie, stretching the runtime unnecessarily. This narration rarely adds anything relevant to the story or impacts the viewer's opinion about the protagonist. In addition to this, it's one of those films that carries tremendous storytelling potential but never reaches it. Personally, I truly find the concept intriguing, but its development doesn't leave the base of its premise. In fact, just by watching the main trailer, most of the world-building is given to the audience in those few minutes. Honestly, in better hands, this movie could have been the beginning of a new franchise with infinite - no pun intended- possibilities to make sequels, prequels, spin-offs, or even trigger the start of a TV show. As it is, Infinite is nothing more than an inoffensively entertaining flick that could have been much, much better. Rating: C
Pretty good watch, could watch again, and can recommend. I feel like I had a lot of problems with this movie. The concept is good, but not very cinematic, so it feels like they tried to add action to "Ad Astra". With Mark Wahlberg as the main protagonist, a lot of the movie, as I could think wa ... s "Somwon stohl mah teddy bwear" so that ruined the vibe a little. A large part of it is that the story takes place over centuries if not millenia, so clearly that's not part of the movie, so we miss out on caring about who these immortals are as characters. You're sort of just told to care about them. For at least part of the movie I identified with the villains more because their plan is actually laid out with some level of clarity and a surprising amount of reason: kill everyone and there is nowhere to resurrect. Sort of a fun interpretation of "When your enemy goes to ground, leave no ground to go to.". Ultimately this is a high end cast, with plenty of money behind the production, so it looks good, and has an interesting concept, but just sort of falls flat on the execution. I just never really cared about the characters.
This is one of those films that has a solution right from the get-go, as plain as the nose on your face that by the end, or maybe even the end of the beginning (as Churchill might have said) you would cheerfully have applied to yourself... Poor old "Evan" (Mark Wahlberg) has an amazing memory, but i ... s constantly hassled by vivid hallucinations that are driving him towards a mental breakdown. Somehow, though, some semblance of sanity rears it's head leading "Evan" to wonder if is he part of a plan to destroy all of mankind, or is he part of the solution that may just save it from Chiwetel Ejiofor's "Bathurst 2020" (sadly, no, not the Aussie motor car race)? The plot itself is quite interesting, and the overlapping memories creating the terrifyingly unstable state of our hero could have made for a much better effort had director Antoine Fuqua not tried to cram far too much into 1¾ hours. The sacrifices to characterisation and detail, coupled with the relentlessness of the action scenes (that actually serve to sterilise the plot, somewhat) just leave us with way too many holes and a totally undercooked story. Wahlberg is well passed his best, and though Sophie Cookson tries hard as "Nora" the whole thing just gets lost in it's own maze of confusion and poorly adapted dialogue. Sadly another example of a film that threw money at the talent and the look, but scrimped on an intelligent screenplay.
Infinite, starring Mark Wahlberg and directed by Antoine Fuqua, offers an intriguing premise about reincarnation and ancient rivalries but struggles to deliver a memorable experience. While the acting is serviceable—Wahlberg and Chiwetel Ejiofor bring energy to their roles—the characters lack depth, ... making it hard to connect with the story. Visually, the movie has its moments, with solid action and effects, but the direction feels bland, and the pacing drags. The plot quickly becomes convoluted, relying too much on exposition rather than building organic intrigue. It’s watchable for the action, but ultimately forgettable and unlikely to warrant a rewatch. A decent one-time watch, but not much more.