Along the Great Divide
AN ADVENTURE THAT AVALANCHES FROM THE BULLET-PROOF ROOF OF THE ROCKIES TO THE FIERY DESERT FLOOR!
1951 | 88m | English
Popularity: 1 (history)
| Director: | Raoul Walsh |
|---|---|
| Writer: | Lewis Meltzer, Walter Doniger |
| Staring: |
| US marshal Len Merrick saves Tim Keith from lynching at the hands of the Roden clan, and hopes to get him to Santa Loma for trial. Vindictive Ned Roden, whose son Ed was killed, still wants personal revenge, and Tim would like to escape before Ned catches up with him again. Can the marshal make it across the desert with Tim and his daughter? Even if he makes it, will justice be served? | |
| Release Date: | Jun 02, 1951 |
|---|---|
| Director: | Raoul Walsh |
| Writer: | Lewis Meltzer, Walter Doniger |
| Genres: | Western |
| Keywords | gun battle, u.s. marshal, rustler, lynching, death of son, fratricide, cattle baron, frontier justice, federal marshal, patricide, deputy marshal, vengeance, father daughter relationship, cain & abel, innocent man, daughter of cattle rustler, shoot out, widower with daughter, desert survival |
| Production Companies | Warner Bros. Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 06, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Kirk Douglas | Marshal Len Merrick |
| Virginia Mayo | Ann Keith |
| John Agar | Billy Shear |
| Walter Brennan | Timothy 'Pop' Keith |
| Ray Teal | Deputy Lou Gray |
| Hugh Sanders | Frank Newcombe |
| Morris Ankrum | Ed Roden |
| James Anderson | Dan Roden |
| Charles Meredith | Judge Marlow |
| Sam Ash | Defense Counsel (uncredited) |
| Bob Burns | Juror (uncredited) |
| Lane Chandler | Sheriff (uncredited) |
| Steve Clark | Witness Weaver (uncredited) |
| Russell Custer | Hanging Spectator (uncredited) |
| Steve Darrell | Prosecutor (uncredited) |
| Al Ferguson | Bailiff (uncredited) |
| Joe Garcio | Trial Spectator (uncredited) |
| Augie Gomez | Trial Spectator (uncredited) |
| Carl Harbaugh | Jerome (uncredited) |
| Al Haskell | Juror (uncredited) |
| Jack Kenny | Hanging Spectator (uncredited) |
| Al Kunde | Juror (uncredited) |
| Kenneth MacDonald | Crowley (uncredited) |
| Jack Montgomery | Hangman (uncredited) |
| Zon Murray | Jake Wilson (uncredited) |
| Jack Parker | Hanging Spectator (uncredited) |
| Jim Reeves | Juror (uncredited) |
| Allen D. Sewall | Trial Spectator (uncredited) |
| Lucile Sewall | Trial Spectator (uncredited) |
| Guy Wilkerson | Jury Foreman (uncredited) |
| Name | Job |
|---|---|
| Raoul Walsh | Director |
| Lewis Meltzer | Screenplay |
| Bob Herron | Stunts |
| Walter Doniger | Story, Screenplay |
| Oren Haglund | Assistant Director |
| Thomas Reilly | Editor |
| Edward Carrere | Art Direction |
| G.W. Berntsen | Set Decoration |
| Gordon Bau | Makeup Artist |
| Leslie G. Hewitt | Sound |
| Marjorie Best | Wardrobe Designer |
| Maurice De Packh | Orchestrator |
| David Buttolph | Original Music Composer |
| Sidney Hickox | Director of Photography |
| Whitey Hughes | Stunt Double, Stunts |
| Name | Title |
|---|---|
| Anthony Veiller | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 9 | 3 |
| 2024 | 5 | 8 | 13 | 4 |
| 2024 | 6 | 7 | 14 | 3 |
| 2024 | 7 | 7 | 13 | 3 |
| 2024 | 8 | 6 | 11 | 4 |
| 2024 | 9 | 5 | 9 | 2 |
| 2024 | 10 | 7 | 25 | 3 |
| 2024 | 11 | 4 | 10 | 2 |
| 2024 | 12 | 4 | 10 | 2 |
| 2025 | 1 | 5 | 9 | 2 |
| 2025 | 2 | 4 | 8 | 1 |
| 2025 | 3 | 3 | 5 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 3 | 5 | 1 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 1 | 5 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
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My name's Merrick. I'm United States Marshal here. Along the Great Divide is directed by Raoul Walsh and written by Walter Doniger and Lewis Meltzer. It stars Kirk Douglas, Virginia Mayo, John Agar, Walter Brennan, Ray Teal, James Anderson and Morris Ankrum. Music is by David Buttolph and cinemat ... ography by Sidney Hickox. U.S. Marshall Len Merrick (Douglas) and two deputies rescue suspected murderer Tim Keith (Brennan) from a lynch mob led by a local cattle baron who is convinced that Keith killed his son. The lawmen embark on a hazardous journey across the rugged terrains, determined to get Keith to Santa Loma for a fair trial... Kirk Douglas' first Western is something of an undervalued treat. It was a film he didn't enjoy making, where working out in the desert with Raoul Walsh proved something of a cross to bear. Yet the director got a very good turn out of Douglas, allowing the actor to put down a marker in the genre that would serve him well throughout his career. It sits very much in the psychological Western realm, a fact that some critics of the time failed to grasp - since complaints about not being a standard Oater were floated about! It really shouldn't have surprised anyone given that Douglas had already made a handful of superb film noir pictures, he was surely cast for this pic on the strength of his noir characters. There's big father issues abound in the whole film, the various strands keeping the narrative edgy. Merrick is a damaged man, and his companions that make up the group will all test his metal to the max. Not just for father issues, and a lack of water, but also via the presence of Keith's daughter, Ann (Mayo), who mercifully isn't just a token female dressage character (she's feisty with believable emotional outpourings). It's a fraught journey for many reasons and Walsh, notwithstanding cheesing Douglas off, keeps it deftly wound tight. The surroundings offer more troublesome discord to envelope the characters. Shot in gorgeous black and white by Hickox, the Alabama Hills and Mojave Desert locales provide barren landscapes that are juxtaposed with threatening looking rock formations. This often at times feels like an Anthony Mann/James Stewart landscape, which is high praise indeed. While the cast can't be faulted as they bring the drama to life, benefiting from the fine research of writers Doniger and Meltzer. Undeniably the film's major drawback is the lack of whodunit worth. The pic unfortunately plays its hand far too early in this respect, meaning we know who the killer is. This could have lessened the excitement at story end, damagingly so, but we are never sure if we are going to be party to an Ox-Bow Incident or otherwise. This is well worth seeking out for fans of psychological Westerns, the many Oedipal themes and the scorching landscapes ensure it's a tasty little number. 8/10