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Ghost in the Shell Poster

Ghost in the Shell

There's nothing sadder than a puppet without a ghost.
2017 | 107m | English

(236521 votes)

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Popularity: 4 (history)

Details

In the near future, Major is the first of her kind: a human saved from a terrible crash, then cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals.
Release Date: Mar 29, 2017
Director: Rupert Sanders
Writer: Jamie Moss, William Wheeler, Ehren Kruger, T. Rafael Cimino
Genres: Action, Science Fiction, Drama
Keywords strong woman, philosophy, dystopia, based on comic, cyberpunk, evolution, network, prosthesis, hacker, cyborg, investigation, female protagonist, terrorism, intelligence officer, whitewashing, public security
Production Companies Paramount Pictures, DreamWorks Pictures, Shanghai Film Group, Reliance Entertainment, Arad Productions, Grosvenor Park Productions, Steven Paul Production, Huahua Media, Seaside Entertainment, Weying Galaxy Entertainment
Box Office Revenue: $169,801,921
Budget: $110,000,000
Updates Updated: Jul 14, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Scarlett Johansson Major
Takeshi Kitano Aramaki
Michael Pitt Kuze
Pilou Asbæk Batou
Chin Han Togusa
Juliette Binoche Dr. Ouelet
Peter Ferdinando Cutter
Rila Fukushima Red Robed Geisha
Daniel Henshall Skinny Man
Yutaka Izumihara Saito
Anamaria Marinca Dr. Dahlin
Kaori Momoi Hairi
Lasarus Ratuere Ishikawa
Danusia Samal Ladriya
Tawanda Manyimo Borma
Mana Hira Davis Bearded Man
Erroll Anderson Hanka Security Agent
Kai Fung Rieck Diamond Face
Andrew Stehlin No Pupils
Matthias Luafutu Thick Built Yakuza
John Luafutu Barkeep
Kaori Yamamoto Motoko
Andrew Morris Hideo
Adwoa Aboah Lia
Chris Obi Ambassador
Makoto Murata Yakuza Gunman
Natarsha Orsman Oeulet's Assistant
Joseph Naufahu Police Commander Johns
Vinnie Bennett Rookie Cop
Pete Teo Tony
Xavier Horan Section Six Soldier
Allan Henry Section Six Soldier
Bowie Chan Wing-Wai Yakuza
Kirt Kishita Street Hustler
David Johnson Wood Section Six Leader
Kate Venables Geisha
Emma Coppersmith Geisha
Tanya Drewery Geisha
Hannah Tasker-Poland Geisha
Jacqueline Lee Geurts Geisha
Shinji Ikefuji Kinsana
Michael Wincott Dr. Osmond (uncredited)
Tricky Senior Monk (uncredited)
Philippe Joly Section Six Soldier (uncredited)
Yasushi Asaya Yakuza (uncredited)
Jack Machiela Data Host (uncredited)
Name Job
Greg Steele Visual Effects Supervisor
Jamie Moss Screenplay
Miranda Rivers Casting
Jan Roelfs Production Design
Matt Austin Art Direction
Simon Bright Art Direction
Miro Harre Art Direction
Richard L. Johnson Supervising Art Director
Andy McLaren Art Direction
Erik Polczwartek Art Direction
Greg Cockerill Set Decoration
Craig Poll Set Decoration
Nanw Rowlands Casting Associate
Leslee Feldman Casting
Elizabeth Willaman Art Department Coordinator
Thomas Collier Armory Coordinator
Michael Diersing Construction Coordinator
Tom Kelly Construction Coordinator
Josue Clotaire Fleurimond Conceptual Illustrator
Scott Keery Property Master
Nick Komornicki Property Master
Patty Connolly ADR Voice Casting
Libby Dempster Assistant Costume Designer
Jenny Rushton Costume Supervisor
Samantha Morley Key Costumer
Sarah Goodhue Set Costumer
Amy Barclay Script Supervisor
Cécile Bouquet Researcher
Raymond Lam Fai-Tai Camera Operator
Patrick Loungway Second Unit Director of Photography
David Brown Gaffer
Jonathan Spencer Gaffer
Danny Williams Gaffer
Matthew Ardine Gaffer
Bob Gilles Steadicam Operator
Jasin Boland Still Photographer
Tony Keddy Key Grip
Troi Horton Rigging Grip
Adrian Hebron Lighting Coordinator
Bogdan Iofciulescu Techno Crane Operator
Maude Rivard 3D Artist
Benoit Vervier 3D Artist
Kenn McDonald Animation Supervisor
Roy Malhi CG Supervisor
Jérome Escobar CG Supervisor
Damien Stumpf CG Supervisor
Harrison Stark Creature Technical Director
Francis Leong Creature Technical Director
Matt McClurg Pre-Visualization Supervisor
Irene Armit Visual Effects Coordinator
Karthik Nidamarthi Visual Effects Coordinator
Kyla Lebon Visual Effects Coordinator
Jordan Pettersen Visual Effects Coordinator
Hero Chev Visual Effects Editor
Christopher Kowal Visual Effects Editor
Anton Agerbo Visual Effects Producer
Kim Menaster Visual Effects Producer
Veronique Messier Lauzon Visual Effects Producer
Philipp Wolf Visual Effects Producer
Ivan Moran Visual Effects Supervisor
Jason Billington Visual Effects Supervisor
Axel Bonami Visual Effects Supervisor
Jeri Baker Hairstylist
Vinnie Ashton Key Hair Stylist
Cody Dysart Makeup Artist
Stefan Knight Makeup Supervisor
Sarah Rubano Makeup Designer
Michele Perry Makeup Artist
Renee McCarthy Makeup Artist
Katie Greathouse Music Editor
Bryan Lawson Music Editor
Kevin McKeever Music Editor
Sam Zeines Music Editor
Michelle Pazer ADR Editor
Ryan Tudhope Visual Effects Supervisor
Daniel Saxlid Dialogue Editor
Dan O'Connell Foley
Peter Michael Sullivan Foley
Odin Benitez Sound Designer
Peter Staubli Sound Designer
Jon Title Sound Designer
Adam Kopald Sound Effects Editor
D. Chris Smith Sound Effects Editor
Mark Paterson Sound Re-Recording Mixer
Per Hallberg Supervising Sound Editor
Billy Rich Editor
Neil Smith Editor
Traci Duran First Assistant Editor
Rebecca Qin Jiang Script Supervisor
John C. Stuver Dialogue Editor
Brian Adler Visual Effects
Guillaume Rocheron Visual Effects Supervisor
Brad Ricker Supervising Art Director
Fiona Campbell Westgate Visual Effects Producer
Anne Bruning Unit Production Manager
Simon Warnock First Assistant Director
Bruce Franklin Visual Effects Production Manager
Teresa Leong Digital Compositor
Derek Hoffman Lighting Programmer
Lauriane Rouault Stunt Double
Amanda Fordham Stunt Double
Rhianna Buchanan Stunt Double
Sarah Hart Stunts
Maciej Kuciara Concept Artist
Joe Mount Sound Effects Editor
David Scott Pre-Visualization Supervisor
Shirow Masamune Comic Book
John Dykstra Visual Effects Supervisor
Jason Collins Makeup Artist
Daniel Koene Prop Designer
Rob Young Sound Recordist
Fenilconic Sound Effects
Rupert Sanders Director
Frédéric North Aerial Coordinator
Dylan Goss Aerial Director of Photography
Jane O'Kane Makeup Designer
William Wheeler Screenplay
Lucy Bevan Casting
Jess Hall Director of Photography
Peter McCaffrey Camera Operator
Beau Borders Sound Re-Recording Mixer
Ehren Kruger Screenplay
Andrew Cottle Armorer
Mark Sussman ADR Voice Casting
Steven A. Davis Stunt Double
Jeffrey Silver Unit Production Manager
Johnnie Burn Temp Sound Editor
Christopher Alex Menges Props
Tanya Drewery Stunts
Rosalie Button Stunts, Stunt Double
Carly Rees Stunts, Stunt Double
Ingrid Kleinig Stunts
Cory Beeston Stunts
Kurt Swanson Costume Design
Bart Mueller Costume Design
Ricky Ko First Assistant Director
Jacob Tomuri Stunt Coordinator
Clint Mansell Original Music Composer
Tim Wong Fight Choreographer
Lorne Balfe Original Music Composer
David James Still Photographer
Andy Nelson Sound Re-Recording Mixer
Mark Stephen Set Designer
Yasushi Asaya Stunts
T. Rafael Cimino Screenplay
Chu Chen-On Line Producer
Michael Hatzer Digital Colorist
Corey Le Vaillant Art Department Assistant
Francisco Cubas Online Editor
Hamish Drummond Carpenter
Name Title
Ari Arad Producer
Mark Sourian Executive Producer
Maguy R. Cohen Producer
Jane Nerlinger Evans Co-Producer
Maki Terashima-Furuta Co-Producer
Yoshinobu Noma Executive Producer
Holly Bario Co-Producer
Avi Arad Producer
Mitsuhisa Ishikawa Executive Producer
Steven Paul Producer
Jeffrey Silver Executive Producer
Tetsu Fujimura Executive Producer
Michael Costigan Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 50 75 35
2024 5 98 111 69
2024 6 72 131 36
2024 7 66 103 40
2024 8 43 59 27
2024 9 38 62 27
2024 10 41 74 26
2024 11 53 104 35
2024 12 40 69 33
2025 1 38 53 28
2025 2 37 55 8
2025 3 12 45 3
2025 4 6 8 5
2025 5 25 105 6
2025 6 16 67 5
2025 7 5 7 4
2025 8 5 6 4
2025 9 4 7 3

Trending Position


Year Month High Avg
2025 9 216 578
Year Month High Avg
2025 8 208 662
Year Month High Avg
2025 7 50 614
Year Month High Avg
2025 6 198 635
Year Month High Avg
2025 5 100 529
Year Month High Avg
2025 4 150 639
Year Month High Avg
2025 3 123 614
Year Month High Avg
2025 2 278 690
Year Month High Avg
2025 1 271 712
Year Month High Avg
2024 12 419 728
Year Month High Avg
2024 11 202 657
Year Month High Avg
2024 10 606 721
Year Month High Avg
2024 9 410 764
Year Month High Avg
2024 8 316 699

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Reviews

Salt-and-Limes
6.0

I am writing this review as someone who hasn't seen the original anime. I have also been very critical of the whitewashing of this film. With that I aside, I went to see it with willingness to give it the benefit of the doubt. "Ghost in the Shell" is well...a beautiful shell. The visuals were ab ... solutely breath taking. The action scenes flowed so beautifully with special effects. But that's all the movie had to offer. Take away the spectacles and you have a basic run-of-the-mill action movie. The acting was fine. But honestly, the leads didn't have anything to actually sink their teeth into. Scarjo, and everyone else, was serviceable. If you're looking for some mindless, yet stunning entertainment, then go see it.

Jun 23, 2021
Wanderless
7.0

I've watched Ghost in the Shell at the cinema 3 days ago, knowing beforehand about the controversies that have surrounded this movie for the last 6 months or so. Science fiction movies are probably my favorite genre and I also enjoyed most of Scarlett's movies for the past 8-9 years so those two ... factors were a plus for me going in. Regarding the whitewashing business, I think its been blown way, WAY out of proportion by social justice warriors with nothing better to do than drag media attention over whatever they're feeling insecure about this month/year. For those of you who might be on the fence about watching a Caucasian actress in the role that (supposedly) should've been reserved to an Asian actress, please consider this a NON-MATTER and watch it anyway. The character she is portraying is SUPPOSED to look Caucasian/white. It was the same in the source material and even the creator of that anime said so in interviews. Now, is the movie any good? In my opinion, yes. Yes it was. It wasn't amazing but at the very least entertaining. There is a good amount of people who score this a 1/10 because they are butt hurt that the story was changed a lot. Please ignore them and see for yourself even if you're a fan of the anime and are able to keep an open mind. I think maybe I was able to judge it more objectively because I had zero knowledge about the story in the anime going in, but, if nothing else, the movie actually made me want to watch those old ones to compare. The acting - 7.5/10 - Since Scarlett Johansson is the only big name that the movie is being marketed alongside, I'd say she did a good job. At no point in the movie could I say she didn't belong there. She played the part of cyborg who had difficulty belonging in a human world very well. The cast is diverse enough in my opinion, though some of them get pretty little screen time. The visuals - 9/10 - If there is one point most critics/viewers are in alignment concerning this movie, that point is definitely the visuals. The movie both looks and feels spectacular, with the futuristic city looking like a close-future mix of Blade Runner and TRON. The combination of CGI and practical effects looks organic, the movie's powerful themes of excessive self-augmentation and technology almost running amok represented very well visually. Soundtrack - 8/10 - Sometimes pretty subdued, sometimes almost-but-not-quite in your face, I found the soundtrack to vary between decent and very good in some moments. It didn't MAKE the movie but it enhanced a good deal in my opinion. Story - 7/10 - Here is where the good points of the movie kinda start to run dry. A lot of other people would probably rate it a lot lower, with 5 or 4's if they're at least trying to be objective. Yes, the story is fairly predictable, and the fact that the movie is only around 100 minutes long doesn't do it any favors either. Here is probably where most of the legitimate hate towards this movie stems from. The creators adapted a story that had a lot more depth and philosophical insight and turned it into a somewhat generic cyborg coming of age story mixed with an evil corporation doing questionable things. The villain is also very cookie-cutter and has almost zero depth. HOWEVER, I do think that concerning this film's particular themes and narrative, a weak villain doesn't hurt it so much since its more about losing/gaining your humanity through technology than any bad guy trying to shoot you. Writing/Dialogue - 6/10 - By far the movie's weakest aspect. In fact, I believe if some more meaningful dialogue and character interactions were written into this film, it could've easily been 1 or 2 points higher on anyone's scoring system. As it is, the dialogue is shallow and fairly run-of-the-mill for about half the movie's length. Some bits of good interactions are sprinkled here and there, and thankfully that's enough to preserve the soul of the movie's central theme of human souls surviving in machine bodies, BUT not enough to give Ghost in the Shell the depth it should've inherited from the source material. Overall - I gave this movie 3.5/5 stars here, mostly because I couldn't give it a 7.5/10 which felt more appropriate to me. My advice would be to not listen to the whitewashing nonsense, because that's exactly what it is, nonsense. Also don't listen to the haters who rate this movie a 1/10 or call it shit because those people should not be reviewing anything to begin with. It is a decent movie, with great visuals and a theme that might get you thinking for a couple of days after seeing it. The acting is decent, with an above average performance from Scarlett and a good soundtrack that might hit the right spot on occasion. The only bad aspects, like I mentioned, are the film's rather short running time and weak dialogue/writing which hold it back from being truly great.

Jun 23, 2021
Ruuz
7.0

I know I wasn't supposed to love it but I accidentally did. _Final rating:★★★½ - I strongly recommend you make the time._ ...

Jun 23, 2021
Pierre_D
7.0

I boned up on this movie by watching the 1995 version and Stand Alone Complex for a bit, loved the repartée from Major Kusanagi and her crew and hoped it would translate to the big screen. The movie succeeds in displaying the setting and overall feel of the area. Everything is a grainy, low-tech wit ... h abundant neon and cyber-solidified humans. Sadly, the script is a bit of a mess. Kusanagi becomes Major Mira Killian (you'll see why toward the end the film) and Scarlett Johhansson, generally a quite credible actress, is sort of wasted here. We do not get a lot of character development for her or her crewmates. There aren't a lot of quirky, funny moments as there are in the animated versions. Worse still, a lot of the teaser from the movie are just absent here, and one feels cheated. Overall this is a fine bit of popcorn absorption but fails to live up the series's standards and fails to give any of the actors much to work with. See it on a rainy day, if nothing else. 3.5/5

Jun 23, 2021
tmdb81799156
2.0

I was unable to make it to the theaters for this one due to traveling for work those first two weeks. And then it was gone; couldn't find it in any theaters. I'm sure glad I didn't waste my money for that and only spent $1.62 to rent it from RedBox. The trailer didn't show much, which is good. I ... hate trailers that give away everything about a movie. So, a hot girl is always good... And it had the teaser nudity that isn't real but is a suit - I'll let you be the judge of that. The rest is the same old overused nonsense from all other science fiction movies: A lot of fighting, shooting, explosions and destruction - way too much of that... but just about all sci-fi and superhero movies these days only contain that. The first hour was incredibly boring. After about 70 minutes, it got just slightly interesting and then all the fighting/shooting/destruction began. There is nothing interesting about that - we've all see that hundreds of times. It's ridiculous. Why can't any of these shooters hit anything? We still have that. It isn't interesting to watch. Thousands of rounds flying and everyone missing their target. With all this high tech stuff, why don't they have more advanced weapons? I have to say, I was in Arizona earlier this year and fired a handgun for the very first time. It was a 6-shooter, a Colt "Peacemaker", you know the pistol of the "West". You don't "AIM" those, you lift them to just above waist high, look at your target & not the gun, and pull the trigger. After just a few shots, it starts to become very natural. Any sane person can hit a target the size of a person at least somewhere on their body, even if they are moving. 24 rounds: I had 24 hits & 0 misses at various distances. But the people in these movies can't hit anything even when they do aim and with much better weapons. And then you have Major, her manufactured body can stretch & tear, wires breaking, and it can still function? Uh, NO, it wouldn't. That's not how mechanics and electronics work. The City: a ridiculous "Blade Runner"/"Fifth Element" type of city but with fish floating around. No, not interesting at all. Just very silly. Oh, one petty but very annoying thing: They can build an entire body and install a human brain in it and get everything to work but they can only give her a ragged, jagged wig or haircut? That's very weird. Her crooked bangs were a distraction in every scene that included her facing the viewer. In Summary: This movie has a lot of awesome CGI with a ridiculous plot and horrible acting. Great CGI alone doesn't make a great, or even a good, movie. This catastrophe is a perfect example of that.

Jun 23, 2021
Dark Jedi
6.0

This is an okay movie but that is about it. The blurb sounded quite interesting and the trailers were promising even though I always take trailers with a huge pinch of salt. I have never read the original Manga. Whether that is good or bad with respect to the movie I do not know. The good stuff a ... s far as this movie is concerned is, not surprisingly, the visuals. I would not say that they are stunning but the are quite good. The environments are interesting and the special effects are not bad at all. I have to say that the tank design was pretty poor though. Not very exiting as a fictional design and utter nonsense from a functional point of view. This is as far as the good stuff goes. The story is okay but it is pretty predictable and not that much to get exited about. It could have been more developed for sure. I would actually have liked to see the Major do a few more missions beating up the bad guys. That was where the movie shined a bit and showed the best visuals and special effects. The acting is pretty mediocre to be honest. Even Daisuke Aramaki, which was a character that I did like, felt rather bland. The main bad guy was just a uninspiring thug. To me the movie more or less felt like the pilote episode of a TV-show with a huge budget for visuals. It was not WOW god but showed promise and I felt like I would like to see more “episodes”. The fact that it is actually a movie and it seems unlikely that a sequel, even though the ending makes it pretty clear that they hoped there would be one, will be made left me with a unsatisfied feeling. Bottom line, average movie with enjoyable visuals and special effects but one which do not manage to reach above the “just another sci-fi manga movie” segment for me.

May 16, 2024
Rangan
5.0

**Too late to come out to impress its fans!** It was not my most anticipated film of the year. Like usual for any film, I just wanted to see it and enjoy it. The film was fine, but that does not mean so good. From the visuals to the performances, it sounded great. But the story wasn't. When the o ... riginal concept was created nearly 30 years back, it fascinated people for being something new and powerful. But for the current world, for the current generation, it is just an ordinary sci-fi. All I say is it just came out at least 15 years late. So the 90s kids would have loved it! The storyline was nothing, but a self-discovery of a half human, half machine. This has been the plot of hundreds of robot films. But it's just differently told. One of only kind, a human brain was saved after the severe accident and given an artificial body. Now she's known as Major fights the crime. But some day later, she's haunted by glitches in her vision which directly connected to her past that she does not remember. The rest of the film was finding the truth and other consequences, before it all ends. Visual effects were the only advantage for this film to come out in the present era. The rest of the film was simply okayish. I don't know what the original source fans say about it, but it is a one time watchable film. Otherwise, there are plenty of similar good films, like this is nothing much different than 'Robocop'. Or the recent TV series 'Westworld'. Scarlett Johansson could become a reason for some people to peek into it. The writing and direction were average. Watch and forget kind of film. _5/10_

May 16, 2024