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Lucy

The average person uses 10% of their brain capacity. Imagine what she could do with 100%.
2014 | 89m | English

(565838 votes)

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Popularity: 8 (history)

Director: Luc Besson
Writer: Luc Besson
Staring:
Details

A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.
Release Date: Jul 25, 2014
Director: Luc Besson
Writer: Luc Besson
Genres: Action, Science Fiction
Keywords artificial intelligence (a.i.), intelligence, time travel, futuristic, super power, surgery, synthetic drug, suspenseful, telepathy, drug mule, telekinesis, drugs, tough girl, brain capacity, human brain
Production Companies Canal+, TF1 Films Production, EuropaCorp, Ciné+
Box Office Revenue: $458,863,600
Budget: $40,000,000
Updates Updated: Aug 02, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Scarlett Johansson Lucy
Morgan Freeman Professor Norman
Choi Min-sik Mr. Jang
Amr Waked Pierre Del Rio
Julian Rhind-Tutt The Limey
Pilou Asbæk Richard
Lio Tipton Caroline
Shin Yoo-ram Jang's Lieutenant
Seo Chong-ju Jang's Lieutenant
Nicolas Phongpheth Jii
Paul Lefèvre French Mule
Jan Oliver Schroeder German Mule
Luca Angeletti Italian Mule
Pierre Poirot Professor
Pierre Grammont Professor
Bertrand Quoniam Professor
Loïc Brabant Professor
Pascal Loison Drug Addict
Pierre Gérard Airport Doctor
Isabelle Cagnat Airport Nurse
Frédéric Chau Cabin Manager
Claire Tran Flight Attendant
François Legrand Business Man Plane
Bob Martet Customs Officer
Cédric Chevalme Cop Daniel
Alexis Rangheard Cop Robert
Tonio Descanvelle Cop Sergeant
Julien Personnaz Cop
Christophe Lavalle Cop
Renaud Cestre Student
Thibault Segouin Student
Matthew Bravais Student
Claire Zaniolo Student
Alessandro Giallocosta Marco Brezzi
Wolfgang Pissors Berlin Custom Officer
Sifan Shao Chinese Doctor
Paul Chan Taipei Surgeon
Chou Chung-Wei Jang's Man
Huan Jhih-Cyuan Jang's Man
I Cheng-Sheng Jang's Man
Frank Ma Jang's Man
Tseng Sheng-En Jang's Man
Liu Hsieh-Min Mahjong Room Man
Sandra Abouav Prehistoric Lucy
Abel Aboualiten Prehistoric Man
Ken Lin Regent Hotel Concierge #1
Hsing Feng Lucy's Driver
Hsu Hao-hsiang Warehouse Man Driver
Laura Lieblein Adam Lucy's Mother (voice)
Eunyul Hong Phone Voice Royal Suite (voice)
Samuel Churin The Receptionist
Mason Lee Regent Hotel Concierge #2
Mohammad Aslam Ansari Fakir
Kevin Dust American Native Indian
Diego Llano American Native Indian
Timothy Reevis American Native Indian
Jaysson Reyes De La Cruz American Native Indian
German Tintaya Mamani American Native Indian
Kanneti Sae Han Rubik's Cube Boy
Name Job
Nathalie Chéron Casting
Hugues Tissandier Production Design
Gilles Boillot Art Direction
Olivier Bériot Costume Design
Guillaume Bouchateau Supervising Sound Editor, Sound Designer
Aymeric Devoldère Sound Designer
Jean-Christophe Magnaud Special Effects Coordinator
Thierry Arbogast Director of Photography
Éric Serra Original Music Composer
Laurent Demianoff Stunt Coordinator
Alain Villain Stunt Driver
Virginie Arnaud Stunt Driver
Alain Figlarz Stunt Coordinator
Michelle Figlarz Stunts
Pascaline Girardot Stunt Driver
Stéphane Lefebvre Stunt Driver
Alicia Vela-Bailey Stunt Double
Francis Bataille Stunt Driver
Eric Barone Stunt Driver
Sybille Blouin Stunt Driver
Dominique Moisan Art Direction
Stéphane Robuchon Art Direction
Thierry Zemmour Art Direction
Christophe Chabenet Sculptor
Charlie Clerc Assistant Art Director
Anne-Sophie Delaunay Assistant Art Director
Paulo Gonçalves Assistant Art Director
Virginie Irdel Assistant Art Director
Ben Mauro Conceptual Design
Eduardo Pena Conceptual Design
Régis Boussin Boom Operator
Matthieu Dallaporta Sound Re-Recording Mixer, Dialogue Editor
Lionel Dousset Boom Operator
Kevin Berger Visual Effects Supervisor
Marie-Cecile Dahan Visual Effects Producer
Valerie Delahaye Visual Effects Producer
Simon Descamps Visual Effects Producer
François Dumoulin Visual Effects Supervisor
Brice Liesveld Visual Effects Producer
James Pastorius Visual Effects Supervisor
Gregory Fromentin Gaffer
Adrien Adriaco Location Manager
Isabelle Querrioux Script Supervisor
Raimundo Querido Stunts
Stéphane Robert Makeup Artist
Florence Batteault Makeup Artist
Marie Gombeaud-Antoine Makeup Artist
Nathalie Regior Makeup Artist
Marthe Faucouit Makeup Artist
Anne Moralis Wigmaker
Thierry Guilmard Production Manager
Samuel Potin Music Editor
Jeremy Bowker Sound Effects Editor
Sébastien Jeannot Sound Effects Editor
Didier Lozahic Sound Re-Recording Mixer, Editor
Sophie Leclerc Visual Effects Producer
Ryan Wiederkehr Visual Effects Producer
Daniel Perez Ferreira CG Supervisor
Jean-Baptiste Jay Camera Operator
Larry McConkey Steadicam Operator
Lorenzo Donati Steadicam Operator
Mark Gerasimenko Helicopter Camera
Marion Gaillard Additional Camera
Marc Guidetti Location Manager
Jérémy Petetin Location Manager
Nour Rakotobe Production Accountant
Todd Spears Production Accountant
Aiden Ramos Sound Recordist
Frédérique Foglia Special Effects Makeup Artist
Sylvie Ferry Special Effects Makeup Artist
Yvonne Ho Stunt Driver
Catherine Lebegue Stunt Driver
Alice Naigeon Stunt Driver
Stéphane Orsolani Stunts
Marc Bizet Stunts
Olivier Nguyen Property Master
Guy Monbillard Property Master
Julien Bachelier Digital Imaging Technician
Shannon Mills Supervising Sound Editor, Sound Designer
Luc Besson Writer, Director
Évelyne Tissandier Set Decoration
Richard Bluff Visual Effects Supervisor
Jessica Forde Still Photographer
Amadéo Cazzela Stunts
Nia Hansen Sound Designer
Daren Nop Stunts
Jean-Paul Ly Stunts
Name Title
Marc Shmuger Executive Producer
Virginie Besson-Silla Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 65 89 43
2024 5 72 117 51
2024 6 59 76 43
2024 7 80 136 47
2024 8 69 92 44
2024 9 52 70 40
2024 10 68 105 41
2024 11 72 120 58
2024 12 61 89 48
2025 1 73 94 50
2025 2 58 92 21
2025 3 30 89 4
2025 4 14 19 9
2025 5 16 21 13
2025 6 14 16 12
2025 7 13 16 10
2025 8 11 16 8
2025 9 12 17 7

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Year Month High Avg
2025 9 326 703
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2025 5 158 664
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2025 2 117 687
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2024 12 246 707
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2024 11 144 610
Year Month High Avg
2024 10 296 648
Year Month High Avg
2024 9 354 755
Year Month High Avg
2024 8 380 556

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Reviews

matthew1
1.0

There is no excuse for basing a screenplay on taking seriously a well known urban myth and writing it as if the audience believes the myth. Did no one up the entire production line step out and call bullshit on the discredited 'we only use 10% of our brain,' idea? I am so embarrassed by seeing ac ... tors I admire, Scarlett Johansson and Morgan Freeman, deliver solid performances on the basis of an idea at which most people laugh.

Jun 23, 2021
tanty
3.0

I've also struggled to appreciate several o Luc Besson's movies but this is is by far the worst one. A lot of jibber-jabber bullshit with sexy Scarlett Johansson, lots of FX, predictable ending in Paris and a pointless car race on its streets. Better spend your time on something else ... ...

Jun 23, 2021
John Chard
7.0

Ignorance brings chaos, not knowledge. Lucy is one of those films that brings about furious reactions, it is after all a science fiction type action thriller. They always divide film fans right from the off. It's a film that to all intents and purposes needs to be viewed just as a cinematic exper ... ience, as a piece of popcorn fodder that may try to be something more cerebral, but ultimately is a daft - but hugely fun - piece of film. Luc Besson writes and directs a film that sees Scarlett Johansson duped into being a drug mule, with the transportation of drugs sewn into her abdomen. It's a new drug, boy is it a new drug, and when things go belly up and the drugs are unleashed into Scarlett's system, she's a threat - or hope - to mankind. It can be, and has been, called pretentious et al, such is the science factor, which is perfectly understandable, so any hope of tight science fiction musings will only end up in a crushing disappointment. Undeniably Besson and his backers thought they had something to say, to open up the film watchers' minds to something deep and probable, to be relevant and viable. But unlike the makers we the viewers didn't have access to donepezil, so we sadly couldn't all turn into Bradley Cooper and be limitless in our viewing capabilities. Personally, it's a rollicking fun film for two thirds, when it's about Scarlett kicking butt, a revenge driven babe, it grips and shakes all the genre compliant cinematic senses. The ending, the grand finale, infuriated me, and by the looks of Morgan Freeman (coasting for easy money), he was also a little frustrated. But I had fun, yet on the flip side if anyone fronted me up and said they hated the film with a passion? Then I would understand and take them home to play with my chemistry set. 7/10

May 16, 2024
Dark Jedi
8.0

A lot of people appears to have gotten into some hate-mode when watching this movie. I guess they did not check up what the movie was really about before watching it. The movie is not perfect, it has its flaws, but a 1 or 2 star bullshit rating is hugely unfair. Personally, I really liked this movie ... . It is science fiction, pure and simple. If you expect science without the fiction, well then you should go and see some other movie. With Luc Besson both writing and directing and statements like “merciless warrior evolved beyond human logic” in the blurb … well I got pretty much what I expected. The movie starts off making you think it is a “simple” revenge story with science fiction elements in the form of the superhuman Lucy. However it gradually evolves into something else. Lucy knows that she cannot survive in her new state and it becomes a quest to preserve the knowledge that she has acquired while she still has the time and at the same time dodging the drug dealers that are the cause of her situation in the first place. Lucy is great. Her powers and how they develop are awesome. I really like surprise effects in movies and books of the kind that you get when someone like Lucy reveals her powers to the “mundane”. Especially when the revealing means swatting a few bad guys. This movie is full of moments like that. It is quite a roller coaster ride of action with Lucy exhibiting her growing powers. Not too surprisingly the movie is also full of scientific bullshit and plot holes. I do not really care. I’m in for the ride and it is a fun ride. Scarlett Johansson is very good in her role as Lucy. Most of the other actors are ok although the Asian drug boss could have been better. He came out more like a brainless thug than anything else. Certainly not as the mastermind of a criminal organization. The ending was a bit unsatisfactory compared to the rest of the movie though. I was a bit disappointed that the big fight at the end more or less was done without Lucy. The long cinematic sequences where Lucy wondered about in time and space felt a bit like yawn-filler-material. The actual ending, well that “I am everywhere” bit was really been there, seen that, done that. Also, if she was indeed everywhere, why the hurry to create that fancy memory stick? Anyway, apart from that I really enjoyed this movie.

May 16, 2024
Wuchak
9.0

_**Time to GROW UP**_ "Lucy" (2014) is about an average hot babe named Lucy, played by Scarlett Johansson, who increasingly taps into her mind's full capacity and, consequently, acquires superhuman powers (or are they just fully-human powers?). She hooks up with the leading expert on the human mi ... nd (Morgan Freeman) to share her discoveries and also teams-up with a Paris police captain (Amr Waked) to destroy the malevolent schemes of an arrogant Asian mob boss (Min-sik Choi). It should be emphasized that this is not comic book superhero movie (Don't we have enough of those yet?), it's an ordinary-person-reaching-full-human-potential movie. There were two of these in the mid-90s, "Powder" (1995) and "Phenomenon" (1996). They're both good, but the latter played it too safe, particularly at the end, while "Powder" reached for greatness and got a finger in. Francis Ford Coppola added his take on the genre with 2007's "Youth Without Youth," a dense film with many interesting elements; too bad he forgot to include an entertaining story. "Lucy" is the best of these and is, in fact, one of my all-time favorite movies. "Lucy" includes the mindfood of Coppola's film, but doesn't forget to be entertaining. As such, the film mixes interesting, inspiring elements with thrills, action, eye candy and ear candy (a notable score). On top of this, "Lucy" is stylish and "hip," whatever that means; in other words, it's got pizzazz. Some complain that the film is flawed because it's based on the notion that we only use 10% of our brain power, but this is only a plot device to illustrate that most people are functioning way under their potential and are obsessed with usually worthless things and blowing precious time accordingly. Take, for instance, the people who blow hour upon hour of valuable time watching sports. Viewing a game here or there is great, but these types have lost all sense of moderation. Or how about those who feel they have to numb themselves with alcohol or drugs just to have a good time? They're, in essence, running away from reality. What's funny about this criticism that the film's based on humans only using 10% of their brain power is that, in most cases, the number's more like 1-2%. Lol, just kidding. (Or am I?) In regards to Lucy's powers illustrated in the film, and the other films noted above, I've had my own run-ins with such phenomena. For instance, about seven years ago I was in bed having an intense dream when my wife burst into the room to wake me up. The smoke alarm outside the door was blaring like crazy, but there was no smoke or fire or heat. The potent energy evoked by my dream obviously set it off because, as soon as I awoke, it suddenly stopped. If there was any doubt, the same thing happened the next week. What can explain this except the untapped power of the mind and focused energy? Another example comes to mind, albeit different: when I was around 8 years old my family and I were walking the trails of Theodore Wirth Park in Minneapolis when we came to the edge of a baseball field. As soon as we entered the outfield somehow I just knew that the current batter was going to hit the ball and it was going to hit me right in the face. I knew this but I didn't know how I knew it. I just knew. Next thing you know the batter hits the ball high into the air -- it was like slow-motion -- and it came and hit me right on the cheek! (Good thing it was a softball, huh?). How did I KNOW this was going to happen? I don't know, but it's pretty amazing and it shows the power of the mind and spirit to warn us, which some call intuition. Less spectacular is something that I experience every day with my wife: One of us will be thinking something and give voice to it and the other says, "I was thinking the exact same thing." What's going on? We're picking up each other's immaterial thoughts, otherwise known as telepathy. What if we developed this further? Other paranormal phenomena featured in the story include psychokinesis, extraordinary empathy and what the Bible calls "the word of knowledge." Although they're exaggerated in the film, they're REAL. "Lucy" is inspiring in that it's an encouragement to GROW UP. As Lucy evolves she stops at her apartment and runs into her roommate, who's the typical bimbo party girl who spends too much of her free time "partying" and pursuing a "cute guy with nice buns" (or however she puts it). Not that there's anything intrinsically wrong with these things, except that these people obsess over them and they become their PURPOSE for living. Whatever happened to "All things in moderation"? The beginning of the movie shows that Lucy was just like her roommate but something happened and... she GREW UP. My praise of the movie's philosophical and theological ideas shouldn't be interpreted to mean that I agree with every jot and tittle. It's a sci-fi/thriller blockbuster, after all; it's just that this one has more interesting ideas than most. Secondly, who agrees with everyone about everything? Is that even healthy? Needless to say, I love "Lucy"! The film doesn't wear out its welcome at a mere 1 hour, 29 minutes, and was shot in Taiwan, France and a German airport. GRADE: A

Jun 23, 2021
Arcanum101
8.0

It would be easy to say this is a bad movie, if you wanted to be narrow-minded, but if you're willing to give it a chance it's really pretty good. Not great, but good. It comes at you head-on with some pretty cool and unusual perspectives. I mean, a philosophical action movie. You don't see many of ... those around. Ok, the philosophy falls short because the script just isn't clever enough but, it's a nice idea. And making the lead a woman was a bold touch. Bring the popcorn but keep a couple of your brain cells awake too. Oh, and if you honestly believe the myth that humans don't use 100% of their brains then there are a few scientists you need to talk to.

Jun 01, 2023