Popularity: 12 (history)
Director: | Chad Stahelski |
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Writer: | Derek Kolstad |
Staring: |
John Wick is forced out of retirement by a former associate looking to seize control of a shadowy international assassins’ guild. Bound by a blood oath to aid him, Wick travels to Rome and does battle against some of the world’s most dangerous killers. | |
Release Date: | Feb 08, 2017 |
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Director: | Chad Stahelski |
Writer: | Derek Kolstad |
Genres: | Action, Crime, Thriller |
Keywords | assassin, secret organization, dog, dark, martial arts, hitman, italy, roof, sequel, revenge, shootout, handshake, neo-noir, guns, cliché, roof-top |
Production Companies | Summit Entertainment, Thunder Road, 87Eleven |
Box Office |
Revenue: $171,539,887
Budget: $40,000,000 |
Updates |
Updated: Aug 13, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Keanu Reeves | John Wick |
Common | Cassian |
Laurence Fishburne | Bowery King |
Riccardo Scamarcio | Santino D'Antonio |
Ruby Rose | Ares |
Lance Reddick | Charon |
Peter Stormare | Abram Tarasov |
Bridget Moynahan | Helen Wick |
Franco Nero | Julius |
John Leguizamo | Aurelio |
Ian McShane | Winston Scott |
Claudia Gerini | Gianna D'Antonio |
Wass Stevens | Consiglieri |
Tobias Segal | Earl |
Thomas Sadoski | Jimmy |
Erik Frandsen | Numismatic |
David Patrick Kelly | Charlie |
Perry Yung | Doctor |
Youma Diakite | Lucia |
Peter Serafinowicz | Sommelier |
Luca Mosca | Italian Tailor |
Midori Nakamura | Seamstress |
Mario Donatone | Cardinal |
Giorgio Carminati | Priest |
Elli | Pawnbroker |
Thaddeus Daniels | Nigerian |
Margaret Daly | Operator |
Christine Hollingsworth | Bartender |
Ciscandra Nostalghia | Concert Singer |
Chukwudi Iwuji | Akoni |
Vadim Kroll | Cheslav |
Simone Spinazzè | Cartographer |
Chris LaPanta | Earl's Guard #1 |
Guyviaud Joseph | Earl's Guard #2 |
Diane Gooch | Waitress |
Alisa Ermolaev | Switchboard Operator #1 |
Kelly Rae LeGault | Switchboard Operator #2 |
Joan Smalls | Continental Female Assassin |
Basil Iwanyk Sr. | Creepy Homeless Man |
Aaron Cohen | Hitman (uncredited) |
Airon Armstrong | Ares Team #1 (uncredited) |
Alex Ziwak | Russian Gunman (uncredited) |
Aly Mang | Winston's Personal Assistant (uncredited) |
Angel Pai | Assassin (uncredited) |
Bill Walters | Homeless Man in Chinatown (uncredited) |
Bruno Verdirosi | Gianna's Bodyguard (uncredited) |
Heidi Moneymaker | Assassin (uncredited) |
Jennifer Dong | Cocktail Waitress (uncredited) |
Johnny Otto | Assassin (uncredited) |
Justin L. Wilson | Special Ops Assassin (uncredited) |
Kenny Sheard | Ares Team #3 (uncredited) |
Kitty Crystal | Switch Board Operator (uncredited) |
Mark Vincent | Winston's Guard (uncredited) |
Marmee Regine Cosico | ND Chinatown Pedestrian (uncredited) |
Nancy Cejari | Business Woman (uncredited) |
Nico Toffoli | Brian Blackman (uncredited) |
Niko Nedyalkov | Metro Assassin (uncredited) |
Nobuya Shimamoto | Assassin (uncredited) |
Nora Sommerkamp | Hotel Guest - Assassin (uncredited) |
Oleg Prudius | Russian Assassin (uncredited) |
Ottaviano Dell'Acqua | Gianna's Bodyguard (uncredited) |
Sidney Beitz | Bartender (uncredited) |
Shade Rupe | Opera Attendee (uncredited) |
Stephen Dunlevy | Ares Team #4 (uncredited) |
Tim Connolly | Ares Team #2 (uncredited) |
YAMA | Rajah |
Dylan Eiland | DJ |
Name | Job |
---|---|
Chad Stahelski | Director |
Luca Mosca | Costume Design |
Suzanne Smith Crowley | Casting |
Kate Geller | Casting Associate |
John Houlihan | Music Supervisor |
Robert Mattigetz | Second Unit Director of Photography |
Fraser Taggart | Cinematography, Additional Photography |
Derek Kolstad | Characters, Writer |
Joanne Higginbottom | Score Engineer |
Jonathan Eusebio | Stunt Coordinator |
Claudio Pacifico | Stunt Coordinator |
J.J. Perry | Stunt Coordinator |
Darrin Prescott | Stunt Coordinator, Second Unit Director |
Jen Weissenberg | Stunts |
Vencislav Stojanov | Stunts |
Niko Nedyalkov | Stunts |
Anthony N. | Stunts |
Gary Daniels | Stunts |
Chino Binamo | Stunts |
Daniel Bernhardt | Stunts |
Krista Bell | Stunts |
Stefanie Barry | Stunts |
Calvin Ahn | Stunts |
Joe Barton | Location Scout |
Ottaviano Dell'Acqua | Stunts |
Daniel Hargrave | Stunts |
Joel J. Richard | Original Music Composer |
Dan Laustsen | Director of Photography |
Dawn Fintor | Foley Artist |
Alicia Stevenson | Foley Artist |
David Jobe | Foley Mixer |
Chris Navarro | ADR Mixer |
Bruno Verdirosi | Stunts |
Airon Armstrong | Stunts |
Tim Connolly | Stunts |
Kenny Sheard | Stunts |
Stephen Dunlevy | Stunts |
Jackson Spidell | Stunt Double |
Robbie Smith | Stunts |
Heidi Moneymaker | Stunt Double, Stunts |
Hannah Scott | Stunts |
Jeremy Fry | Stunts |
Saverio Sammali | Art Direction |
Chris Shriver | Art Direction |
Jessica Kelly | Casting |
Marco Valerio Pugini | Line Producer |
Letizia Santucci | Set Decoration |
David Schlesinger | Set Decoration |
Christian Giuliani | Art Department Coordinator |
Sha-Sha Shiau | Art Department Coordinator |
James Wendelken | Construction Coordinator |
Eddie Grisco | Armorer |
Shane B. Scott | Script Supervisor |
Richard Henderson | Music Editor |
Jen Monnar | Music Editor |
Brian Hemesath | Assistant Costume Designer |
Jill Flowers | Costume Supervisor |
Augusto Grassi | Costume Supervisor |
Erick Martinez | Costume Supervisor |
Alessia Pierantoni | Costume Coordinator |
Carmia Marshall | Key Costumer |
Paul Thompson | Key Costumer |
Kevin Kavanaugh | Production Design |
Costanza Bastanti | Set Costumer |
Zakiya Dennis | Set Costumer |
Carmegie Dupuy | Set Costumer |
Eldar Iskandarov | Set Costumer |
Carlotta Moricci | Set Costumer |
Lawrence Bell | Tailor |
Chris Ebeling | Animation |
Gregor Tavenner | Camera Operator |
Duane Manwiller | Camera Operator, Second Unit Director of Photography |
Mark Schmidt | Steadicam Operator |
Niko Tavernise | Still Photographer |
Bill Almeida | Gaffer |
Francesco Zaccaria | Gaffer |
Clay Liversidge | Rigging Gaffer |
Marco Sticchi | Rigging Gaffer |
Craig Vaccaro | Rigging Grip |
Michael A. McFadden | Rigging Grip |
Claudio Del Gobbo | Dolly Grip |
Chris DesRochers | Dolly Grip |
Stefano Di Pasquali | Dolly Grip |
Marque DeWinter | First Assistant Camera |
Bradley Grant | First Assistant Camera |
Roy Malhi | CG Supervisor |
Maurizio Corridori | Special Effects Supervisor |
R. Bruce Steinheimer | Special Effects Supervisor |
Danilo Bollettini | Special Effects Coordinator |
Adam Pere | Visual Effects Coordinator |
Michael Gilbert | Visual Effects Editor |
Ryan Brassington | Visual Effects Editor |
Molly Pabian | Visual Effects Producer |
Carrie Richardson | Visual Effects Producer |
Paul Linden | Visual Effects Supervisor |
Mike F. Hedayati | Visual Effects Supervisor |
John Stewart | Visual Effects Supervisor |
D. Chris Smith | Sound Effects Editor |
Martyn Zub | Sound Re-Recording Mixer |
Kerrie Smith | Hair Department Head |
Anna Hilton | Hairstylist |
Susan Schectar | Hairstylist |
Betsy Reyes | Key Hair Stylist |
Stephen M. Kelley | Makeup Department Head |
Joanna McCarthy | Key Makeup Artist |
Ivy Ermert | Makeup Artist |
Joseph Farulla | Makeup Artist |
Sanja Milic | Makeup Artist |
Anna Stachow | Makeup Artist |
Rick Derby | First Assistant Editor |
Chris Tonick | First Assistant Editor |
Elizabeth Zackheim | Dialect Coach |
Shawn Sendio | Production Coordinator |
Madison Lanting | Animal Wrangler |
Kim Krafsky | Animal Wrangler |
Carlos A. Garcia | Dialect Coach |
Willy Faso | Production Coordinator |
Yves Desjardins | Production Coordinator |
John DeSimone | Production Supervisor |
Carmela Compagnone | Production Accountant |
Ami Cohen | Production Director |
Jamie Buckner | Production Coordinator |
Diana Ascher | Production Accountant |
Marco Di Folco | Driver |
Dan Hobert | Driver |
Len Murach | Location Manager |
Benoît Mathieu | Location Manager |
Enrico Latella | Location Manager |
Guy Efrat | Second Assistant Director, Location Manager |
Chris Cloud | Location Scout |
Eric Van Dyn Hoven | Post Production Assistant |
Kimberly Huston | Visual Effects Editor |
Kevin Krout | Color Designer |
Stephen F. Newnam | Production Controller |
Kimi Rosenthal | Post-Production Manager |
Matthew Evan Walsh | Post-Production Manager |
Taylor White | Costume Coordinator |
Simone Carlo Toniato Toso | Set Costumer |
Monika Herédi | Set Dresser |
Marc Désourdy | Stunt Coordinator |
PaiSen Wang | Stunts |
Jim Ng | Stunts |
Jason Mello | Stunts |
Richard L. Thompson | Special Effects Coordinator |
Kyle Mclean | Stunts |
Suo Liu | Stunts |
Erica Kim | Stunts |
Ryan Hanna | Stunts |
Marco Lascari | Stunts |
Andrea di Benedetto | Grip |
Massimiliano Dessena | Grip |
Mauro Faina | Grip |
Marco Fabriziani | Drone Operator |
Chloé Giroux-LaChance | First Assistant Camera |
John Keating | Grip |
Kelly Marroquin | Grip |
Charlie Marroquin | Key Grip |
Nicolas Marion | First Assistant Camera |
Daniele Massaccesi | Camera Operator, Steadicam Operator |
Dustan Lewis McBain | Grip |
Henri Normand | Lighting Technician |
Lorenzo Peyrone | Grip |
Frank Rinato | Camera Operator |
Daniele Proietti | Drone Operator |
Daniel Sauvé | Camera Operator |
Stephen P. Cannon | Set Medic |
Federica Durigon | Third Assistant Director |
Ariane Collman | Third Assistant Director |
Alessandra Fortuna | Second Assistant Director |
Jeremy Marks | Second Assistant Director |
John R. Saunders | First Assistant Director |
Luigi Spoletini | First Assistant Director |
Simona Batistelli | Unit Manager |
Alain Caporicci | Set Production Assistant |
Vito Colazzo | Unit Production Manager |
Andrea Pugini | Assistant Production Manager |
Michael Tinger | Makeup Artist, Post Production Supervisor |
Gillian Chandler | Key Makeup Artist |
Marianne Bobet | Makeup Artist |
Vinny Mazzarella | Property Master |
Ken Goodstein | Property Master |
Daniel Saxlid | Dialogue Editor |
Kerry Dean Williams | ADR Editor |
Dan O'Connell | Foley Artist |
John T. Cucci | Foley Artist |
Cristina Onori | Supervising Art Director |
Jeruschka Argenziano | Set Medic |
Robert Bernacchi | Unit Production Manager |
Holly Rymon | Unit Production Manager |
Donna Sloan | Executive In Charge Of Production |
Adam Hall | Grip |
Noon Orsatti | Stunts |
Todd Harris | Storyboard Artist |
Allan Padelford | Stunts |
David Swayze | Assistant Art Director |
Evan Schiff | Editor |
Andy Koyama | Sound Re-Recording Mixer |
Tyler Bates | Original Music Composer |
Aaron Becker | Title Designer |
Glen A. Gregory | Carpenter |
David Meyer | Set Designer |
Angelo Vannella | Hairstylist |
Natalie Opali | Set Costumer |
Joseph Gonzalez | Set Dresser |
Nelson Gonzalez | Set Dresser |
Emiliano De Vecchis | Property Master |
Gillian Pike | Visual Effects Production Manager |
Glenn Melenhorst | Visual Effects Coordinator |
Clayton J. Barber | Stunts |
Greg Contaldi | Set Production Assistant |
Dian Hristov | Stunts |
Danko Jordanov | Stunts |
Georgi Manchev | Stunts |
Dylan Eiland | Additional Soundtrack |
Name | Title |
---|---|
Chad Stahelski | Executive Producer |
Jeff G. Waxman | Executive Producer |
Erica Lee | Producer |
Basil Iwanyk | Producer |
Robert Bernacchi | Executive Producer |
Kevin Scott Frakes | Executive Producer |
Jennifer Madeloff | Associate Producer |
Vishal Rungta | Executive Producer |
Holly Rymon | Co-Producer |
Long Qiuyun | Executive Producer |
David Leitch | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 89 | 102 | 76 |
2024 | 5 | 98 | 131 | 66 |
2024 | 6 | 93 | 123 | 73 |
2024 | 7 | 124 | 170 | 84 |
2024 | 8 | 99 | 138 | 74 |
2024 | 9 | 92 | 183 | 64 |
2024 | 10 | 91 | 179 | 64 |
2024 | 11 | 87 | 178 | 69 |
2024 | 12 | 92 | 108 | 72 |
2025 | 1 | 92 | 112 | 76 |
2025 | 2 | 67 | 89 | 13 |
2025 | 3 | 24 | 71 | 3 |
2025 | 4 | 16 | 19 | 10 |
2025 | 5 | 14 | 16 | 12 |
2025 | 6 | 19 | 22 | 16 |
2025 | 7 | 18 | 23 | 14 |
2025 | 8 | 15 | 16 | 13 |
2025 | 9 | 14 | 17 | 12 |
Trending Position
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2024 | 12 | 79 | 245 |
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2024 | 11 | 100 | 315 |
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2024 | 10 | 114 | 266 |
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2024 | 9 | 104 | 243 |
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2024 | 8 | 113 | 238 |
~NO SPOILERS~ This movie essentially starts right after the first one ends, right at the top-down view of New York City. Dark humor abounds, bullets rip through head and bodies, and Wick is unstoppable. This film should be held as the gold standard for action movies. There is very little came ... ra shake during fights and Reeves clearly has spent a lot of time preparing for this role. You can see nearly every take-down, every gunshot, and Wick has to reload at inconvenient times in a realistic fashion which also adds to the hilarity of the following kills. Overall the acting performances were solid. Reeves isn't known for having an extremely wide range, but his devotion to making this movie a kick-ass martial arts production is second to none. I felt the villain was a bit on the weak side though, but he did his role justice. Ian McShane's character remains the strongest especially combined with the last film. The lighting is superb! There's a red-blue theme that is in nearly every nightclub and darkly lit areas and its absolutely lovely to look at. Overall cinematography is very good. Definitely worth seeing!
Grows the world. Grows the legend. But the story itself and the man himself remain firmly retreading the steps they took in the first outing. Not too harsh a criticism though, 'cause that one was damn good too. _Final rating:★★★½ - I strongly recommend you make the time._ ...
I was really hoping I would like this movie. I so enjoyed the first one. However, when the credits started to roll at the end I found myself wondering “What the fuck happened?”. Be warned that the rest of this review might contain a spoiler or two. One thing I really liked about the first movi ... e was, as you can read in my review about that one, that it was a no bullshit, kill the bad guys and no emotional regrets, kind of movie. John Wick went all out for revenge and at the same time we got introduced into this cool world of assassins, safe havens, hidden “shops” for guns, classy tailors providing bullet proof costumes etc. etc. In this movie he is forced onto a job by a real asshole. He is constantly reluctant and walks around with a sad puppy face all the time. Of course said asshole screws him halfway through the movie and that would have been a good time to start get back on track with some decent payback story but unfortunately the script writers thought otherwise. After some more of the same shit no one really wins in the end (although one of the two adversaries suffer a more “permanent” setback than the other). Worse is that, in my opinion, in their eager to put together some crap drama this movie essentially screwed up the possibilities for a John Wick 3 unless they pull some rather big surprise rabbit out of the hat for that one. There are plenty of action in the movie of course but also her I feel that it was a bit too over the top. No one, absolutely no one, seems to be able to shoot straight except for John Wick. This makes the action feel more like a parody a’la Kill Bill than a more serious action, revenge movie. Yes it is cool to watch but only up to a point. Heck, if this would have been a Star Trek (TOS) episode Hollywood’s entire supply of red shirts would have been used up on a single movie. While I am bitching I should perhaps also mention that the amount of beating that John Wick seems to be able to absorb is … unbelievable. I did enjoy the movie but not at all as much as I hoped I would. To me it has a completely different spirit than what I remember from the first one and the ending is, again to me at least, not a happy one. Having said that the action sequences are as cool, crazy but cool, and violent as they are unbelievable. I found it a bit sad that they wrecked his nice car though. Overall a enjoyable movie but no match for the first chapter and I cannot bring myself to give it more than 3 out of 5 stars.
**All eyes on him and all guns pointed at him.** It was not an attracting title for a sequel. The first film was good, completely an unexpected, but I was expecting this one, even though not as much as I was excited to see 'Jack Reacher 2'. That film was good, but did not meet with its first film ... 's merit. And this sequel, really amazing. One of best follow-up flick and better than the original. That feat considered very rare in cinema and here is the one. Entirely different than the first. I meant the storyline. A new action, a new adventure, and even on a bigger scale. Though the initial parts were average. I totally disliked that killing assignment Mr. Wick took in his hand, but what followed after made the film great, definitely not to be missed for that alone. Especially if you are an ardent action film fan. For me, that reminded me 'Kill Bill', but they are not the same kind, except the fighting concept with hundreds. Continued from a couple of days later where the previous narration had ended. Now the retired assassin, John Wick forced to take a final job, but soon he finds he was backstabbed. Every eye on the town on him and every gun pointing at him, there's no way he could get out of it easily. So, he has to fight them all, just in order to survive. Then what comes later are even more aggressive screenplay that's ends with left open the door for the third film. Now this became a stylish franchise. That's what happens when a stuntman takes up the directional job for an action flick. He did not write it, but he knew exactly how to create them, technically perfectly. Besides, he got wonderful, dedicated actors to achieve that. Not just Reeves, but all were awesome. Believe the third film would be a kick-ass, particularly the pace that could match with likes 'Crank'. Just watch it already and be prepared for the next, the mega finale. _8/10_
Picking almost right where the previous film ended, "John Wick Chapter 2" deals with the consequences of Wick's return to the assassin life and how he got out to begin with. As expected, it expands on the mythology hinted at in the first movie, with the revelation that there's a high council of s ... orts, other Continental hotels around the world, and a very widespread network of assassins. Also as expected, it ups the ante with bigger action sequences, and a much higher body count. We get to know more about some rival assassins played quite brilliantly by Common and Ruby Rose (whose character communicates solely through sign language; in many cases, this kind of thing is used as a gimmick to make the audience remember a character when they have nothing else to distinguish them, but it's not the case here and is used only as an aspect of the character; smartly done). Keanu Reeves...let's the Reeves of old come through a couple times, with a couple of bizarre and inappropriate inflections. Ian McShane's Winston expands a little bit, although he still refers to John as Jonathan, which is just wrong. If it's supposed to be some kind of an in-joke with them, they don't reveal anything about it. Again, I think there's more going on with Lance Reddick's hotel manager than they're letting on. And I was a little disappointed that Peter Stormare wasn't in more of the film, as he's always fun. Again, the world is very wide, and almost seems like everyone is involved with this underworld. There is an indication that that's not the case here and there, but we never get to meet anyone who doesn't know what's going on, which keeps some of that suspicion up. The plot follows a pretty basic structure. Actually, it follows a pretty rigid structure. In a two hour movie, it can be broken down almost exactly into half-hour sequences, something that struck me as a little odd. There are some minor plot twist. Nothing major or out of the blue, but at least there was an attempt. So now we come down to it. Is it better or worse than the first movie? Well, I would have to say "yes". It definitely ups the ante and is a much bigger film than the first movie, expanding on the mythology and the characters. At the same time, it falls into the trap that a lot of these bigger, badder sequels fall into, which is that with the bigger scope, it feels like they have to use a bigger yoke on everything in order to keep in reined in and from going off the rails on its own. In fact, they may have expanded the world too quickly, going from a city in the first movie to the entire globe in the second. That rapid expansion makes that bigger yoke much more percpetible and, while the ambition is admirable, at times I wondered if they may have bitten off more than they could chew. Still an enjoyable action film, and if you liked the first film, you'll most likely enjoy this one.
There are two franchises that my wife loves and forced me to watch... ... The first is The Fast and the Furious and the Second is John Wick. The Fast and the Furious is low on plot, high on action and vapid... and horrible. It's pure action and it's too... and I can't believe I am saying this. ... .. but too machismo hardcore for me to really like. Sorry, but I couldn't think of any other way to describe it. It seems like it is mindless action that is trying too hard to be cool and edgy. John Wick is low on plot, high on action and vapid in story... but it's super fun and stylized cool and an absolute pleasure to watch. Maybe it's because I like Shoot em up bang bang movies a lot more than drive around voom voom stories.... or maybe it's just that John Wick is the film franchise that doesn't have to try to be cool... and the Fast and the Furious tries too hard. Or maybe it's simply that the stylized violence in the John Wick franchise is just so much fun to watch... and if you ask me to not be analytical, I'm going to say that that is the answer. It's just so much fun to watch... and movies should be fun to watch... or they should be emotional or they should make you think. And ultimately, sometimes you are just in the mood for something fun... and John Wick is a fun movie. All three of them are fun movies... and that is what most movies should strive for... being entertaining and fun
In terms of sequels, you will not be able to find a better film than John Wick: Chapter 2. The sequel takes every aspect of the first and expands on it, making it bigger and better, but still having the same drawbacks of the first. The story and performances are not the greatest, but do enough to dr ... ive the action and film forward. I would argue that the plot here is slightly improved due to the larger scope. The assassin underworld is expanded as we get to see more subsects and players in the space. There are complex relationships that Wick has with many characters in this film, and although we never see what occurred in the past, the history is there in terms of their interactions. This is especially apparent in the end when all of Wick’s former “co-workers” start entering into the fold. This had to be my favorite part of the film. Rome, as a setting, was great and the underground tunnels were a fun environment for Wick to play in. The action was brilliant once again, with more weapons and creative kills included. I loved that we got to see Wick use the pencil on two of the guards! There were some beautiful shots with fantastic color due to the city light scape. The use of water reflections was done well, although, I do think there might have been a few too many. The pace towards the end started to slow down. I feel as though this movie should have been maybe 10-15 minutes shorter. Despite that, this movie was once again a fantastic entry into the series and on par with the first in terms of quality, action, and enjoyment. Score: 79% Verdict: Great
<em>'John Wick: Chapter 2'</em> felt a tad different to me, even if I still had exactly the same reaction to it - enjoyment! Keanu Reeves fits the lead role extremely well, he certainly elevates the films with his performances. I'd say the supporting cast are an improvement from the original, Ric ... cardo Scamarcio alongside the likes of Laurence Fishburne, Ruby Rose and Common are good to watch. More of Ian McShane is welcomed, too. The difference that I felt was that there seemed to be many more talky moments, the preceding film felt like it had more wall-to-wall action than this. I could be wrong, but I'm not complaining either way - just an observation. I'm interested to see how the third film panned out.
Ok, so it's not quite as good as the first movie but how often does that actually happen? Mr Wick is cool, again. The action is cool, again. The villains are cool, again. Except for that silly little girl who doesn't speak of course. But again, the addiction to this movie lies in the multiple layers ... added to further build the world these characters inhabit. Great stuff.
Just as good as the 1st. Has some incredible fight scenes. He takes a beating and just keeps on going. ...
Hmmm! I just don't get all the excitement around this franchise. This sequel sees the eponymous assassin (Keanu Reeves) trying to escape from just about every other killer on the planet after he manages to hack off "Santino D'Antonio" (Riccardo Scamarcio) and now has an eye-watering bounty on his he ... ad. He has to travel to Rome where he is soon subsumed in a web of secret societies all wanting him on a slab. Add to this perilous mix the truly wooden talents of Ian McShane ("Winston") and after countless extended, hugely artistic and choreographed fight scenes I was heading for the arms of Morpheus. It's just dull! Well produced, yes. Good looking - yes. Stylish - yes. Sadly, though - the repetitive nature of the action scenes and the wafer thin plot leaves no jeopardy whatsoever and it's so obvious that there are more of these to come that it doesn't matter how precarious his predicament, you just know he will survive - even if the beating he takes would kill a rhino! Lawrence Fishburne adds a little bit of panache as the "Bowery King" but otherwise, sorry - I'm clearly not the demographic!