In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past. | |
Release Date: | Jul 04, 2024 |
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Director: | Ti West |
Writer: | Ti West |
Genres: | Horror, Thriller |
Keywords | pornography, gore, sequel, murder, fame, slasher, hollywood, whodunit, los angeles, california, video store, horror filmmaking, stardom, murder mystery, 1980s, film production, televangelist, film within a film, aspiring actress, pastiche, satanic panic, night stalker, father daughter estrangement, religious trauma, mystery, intense, excited, scathing |
Production Companies | A24, Access Entertainment, Motel Mojave |
Box Office |
Revenue: $22,057,160
Budget: $1,000,000 |
Updates |
Updated: Aug 05, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mia Goth | Maxine Minx |
Elizabeth Debicki | Elizabeth Bender |
Moses Sumney | Leon |
Michelle Monaghan | Detective Williams |
Bobby Cannavale | Detective Torres |
Halsey | Tabby Martin |
Lily Collins | Molly Bennett |
Giancarlo Esposito | Teddy Knight, Esq. |
Kevin Bacon | John Labat |
Charley Rowan McCain | Maxine Miller |
Simon Prast | Ernest Miller |
Deborah Geffner | Elaine Casting |
Daniel Lench | Producer |
Chloe Farnworth | Amber James |
Brad Swanick | Frankie Love |
Uli Latukefu | Shepard Turei |
Susan Pingleton | Angel |
Zachary Mooren | Buster |
Ned Vaughn | News Anchor |
Marcus LaVoi | Jonas Day |
Sophie Thatcher | FX Artist |
Albert Kong | Rookie Cop |
Toby Huss | Coroner |
Taylor Kowalski | Taylor |
Pegah Rashti | Maître D' |
Larry Fessenden | Security Guard |
Marlyn Ortiz | Dancer |
Alison Wonderland | Club DJ |
Kristin Carey | Dianne Mattingly |
Cecilia Yesuil Kim | Red Carpet Reporter |
Clayton Farris | Assistant Director |
Melissa Kaye Bontempt | Hot Dog Vendor (uncredited) |
Allen Waiserman | Charlie Chaplin Impersonator (uncredited) |
Vera Myers | Emma North (uncredited) |
Name | Job |
---|---|
Eliot Rockett | Director of Photography |
Alli Beckman | Stunt Double |
Corrina Roshea Bobb | Stunt Double |
Ted Barba | Stunts |
Cassandra McCormick | Stunts |
Jason Kisvarday | Production Design |
Kevin Turen | In Memory Of |
Elliott Hostetter | Thanks |
Cory DeMeyers | Utility Stunts |
Allan Padelford | Stunt Driver |
Jessica Kelly | Casting |
Jason Zev Cohen | Art Direction |
Jason Baldwin Stewart | Art Direction |
Peter Phok | Post Production Supervisor |
Jeremy Reitz | Unit Production Manager |
Nicole Burke | First Assistant Director |
Erica Adams | Additional Hairstylist |
Raquel Bianchini | Additional Hairstylist |
Sallie Nicole Ciganovich | Additional Hairstylist |
Gina Marie Deangelis | Additional Hairstylist |
Celeste Gonzalez | Hairstylist |
Cassie Lyons | Makeup Artist |
James MacKinnon | Special Effects Makeup Artist |
Akiko Matsumoto | Makeup Artist |
Jaime Leigh McIntosh | Hair Department Head |
Justin Michael Patterson | Special Effects Makeup Artist |
Robert Pickens | Wigmaker |
Justin Raleigh | Special Effects Makeup Artist |
Meghan Reilly | Special Effects Makeup Artist |
Sarah Rubano | Makeup Department Head |
Michelle Sfarzo | Makeup Artist |
Cindy Shute | Additional Hairstylist |
Dana Vargas | Additional Hairstylist |
Kevin Wasner | Prosthetic Makeup Artist |
Brian Hayashi | Executive In Charge Of Post Production |
JP Quicquaro | Assistant Unit Manager |
John Hall | Second Second Assistant Director |
Coalin Smith | Second Assistant Director |
Athena Andoniades | Art Department Coordinator |
Danielle Armstrong | Set Dresser |
Kevin Beebe | Assistant Property Master |
Brandi Benkert | Set Designer |
Josh Berryman | Set Painter |
Amelia Blackburn | Assistant Art Director |
Andrea Burrell | Graphic Designer |
Arri Caviness | Set Designer |
Morgan Tyler Coleman | Props |
Cliff Collins | Props |
Michelle Dokos | Props |
Luca Nemolato | Concept Artist |
Lauren 'Ron' Penizotto | On Set Dresser |
Sara Jane Ragnarök | Set Painter |
Vanessa Riegel | Graphic Designer |
Ryan Salisbury | On Set Dresser |
Marcy Silver | Property Master |
Philip Steiger | Props |
MacKenzie Stetzler | Set Dresser |
Allison Trautman | Set Decorating Coordinator |
Samantha Villegas | Props |
John Bruce Zawacki | Construction Coordinator |
Tina Babakishvili | Foley |
Karen Baker Landers | Supervising Sound Editor |
Sean Byrnes | Production Sound Mixer |
Craig Dollinger | Boom Operator |
Giorgi Lekishvili | Foley Mixer |
Daniel Martinez | Utility Sound |
Alan Rankin | Sound Effects Editor |
Nick Ronzio | Utility Sound |
Alexander Sanikidze | Foley Editor |
David Semon | Mix Technician |
Peter Staubli | Sound Re-Recording Mixer, Sound Designer |
Jon Title | Sound Designer |
Levan Tserediani | Foley Editor |
Milad Nasiri | Digital Compositor |
Frank Rueter | Visual Effects Supervisor |
Kara Vandeleur | Visual Effects Producer |
Jamie Alac | Underwater Director of Photography |
Buzzy Burwell | Best Boy Electric |
Joe Cheung | First Assistant "C" Camera |
Aaron Cohan | Drone Pilot |
Devin Colter | Grip |
Thomas Crawford | Best Boy Grip |
Ross Dunkerley | Gaffer |
Mitch Elliott | Grip |
Élan Klein Jaffke | Camera Trainee |
Kemarin Khim | Grip |
Alex Lim | First Assistant "A" Camera |
Justin M. Lubin | Still Photographer |
John Joseph Minardi | Key Grip |
Glenn E. Moran | Rigging Gaffer |
Ethan Phillips | Digital Imaging Technician |
Joshua Rayner | Grip |
Alexander Rodarte | Rigging Grip |
Rafael Rodríguez | Grip |
Jacob Romero | Grip |
Alec Shepherd | Grip |
David Sirianni | Grip |
Xavier Thompson | "A" Camera Operator |
Tim Unger | Second Assistant Camera |
Gina Victoria | Second Assistant Camera |
David C. Wright | Rigging Grip |
Wolfgang Steinbeck | Best Boy Electric |
Fernando Zacarias | Second Assistant "B" Camera |
Nick Zeigler | Lighting Technician |
Laura Feldman | Casting Associate |
Silawn Lewis | Extras Casting |
Jeff Olan | Extras Casting |
Stacey Rice | Casting Associate |
Roxanne Benjamin | Thanks |
Mari-An Ceo | Costume Design |
Stephen W. Schriver | Stunts |
Hayley Wright | Stunt Double |
Todd Rex | Sculptor |
Kelsi Ephraim | Set Decoration |
Carina Berlin | Props |
Bryan Parker | Supervising Dialogue Editor, Supervising ADR Editor |
Tim Mikulecky | Stunt Coordinator |
Amir Soliman | Extras Casting |
Javier Arrieta | Costume Supervisor |
Jayde Dennis | Costumer |
Laurel Rose | Assistant Costume Designer |
Melissa Yanda | Set Costumer |
Scott Milligan | Assistant Editor |
Brett Sheerin | Stunts |
Simon Rhee | Stunts |
Chris Gann | Stunt Double |
Tom Poole | Colorist |
Ti West | Characters, Editor, Director, Writer |
Tyler Bates | Original Music Composer |
Jacob Jaffke | Unit Production Manager |
Amanda MacLeod | Stunt Double |
Biko Gogaladze | Foley Artist |
Jillian Ennis | Music Supervisor |
Tom Morash | Lighting Programmer |
Name | Title |
---|---|
Kevin Turen | Producer |
Peter Phok | Executive Producer |
Jeremy Reitz | Executive Producer |
Harrison Kreiss | Producer |
Len Blavatnik | Executive Producer |
Danny Cohen | Executive Producer |
Ashley Levinson | Executive Producer |
Kid Cudi | Executive Producer |
Jacob Jaffke | Producer |
Mia Goth | Producer |
Ti West | Producer |
Sam Levinson | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 27 | 34 | 21 |
2024 | 5 | 28 | 39 | 21 |
2024 | 6 | 48 | 75 | 22 |
2024 | 7 | 153 | 269 | 68 |
2024 | 8 | 476 | 1119 | 107 |
2024 | 9 | 182 | 267 | 145 |
2024 | 10 | 146 | 280 | 109 |
2024 | 11 | 109 | 286 | 67 |
2024 | 12 | 84 | 175 | 62 |
2025 | 1 | 72 | 109 | 52 |
2025 | 2 | 46 | 68 | 10 |
2025 | 3 | 19 | 67 | 3 |
2025 | 4 | 9 | 12 | 7 |
2025 | 5 | 8 | 11 | 6 |
2025 | 6 | 8 | 10 | 6 |
2025 | 7 | 8 | 12 | 6 |
2025 | 8 | 8 | 11 | 5 |
2025 | 9 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 392 | 704 |
Year | Month | High | Avg |
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2025 | 8 | 249 | 647 |
Year | Month | High | Avg |
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2025 | 7 | 144 | 657 |
Year | Month | High | Avg |
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2025 | 6 | 369 | 700 |
Year | Month | High | Avg |
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2025 | 5 | 213 | 666 |
Year | Month | High | Avg |
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2025 | 4 | 227 | 634 |
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2025 | 3 | 163 | 604 |
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2025 | 2 | 53 | 644 |
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2025 | 1 | 37 | 406 |
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2024 | 12 | 50 | 363 |
Year | Month | High | Avg |
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2024 | 11 | 96 | 337 |
Year | Month | High | Avg |
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2024 | 10 | 30 | 120 |
Year | Month | High | Avg |
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2024 | 9 | 16 | 39 |
Year | Month | High | Avg |
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2024 | 8 | 2 | 32 |
Maxxxine is a film I have eagerly anticipated since it was teased as the final installment of Ti West's X trilogy. Having thoroughly enjoyed the first two films, I had high hopes for this one. Each film in the series brings a unique style that represents the period it’s set in. 2022’s X was a gri ... tty homage to the brutal horror films of the 1970s, with The Texas Chainsaw Massacre being a major influence. The same year, Pearl offered an even more stylistic approach, serving as a prequel with influences from the silent era and visual nods to The Wizard of Oz. These distinct stylistic choices set a high bar for Maxxxine. In Maxxxine, we follow the lone survivor of the farmhouse massacres depicted in the first film. Now a bit older and blonder, Mia Goth’s Maxine is still striving to become Hollywood’s next biggest star. She finally lands a role as the lead in a new horror film, but her past begins to catch up with her. She is pursued by a sleazy private investigator, played by Kevin Bacon, who works for a vicious killer targeting Maxine’s closest friends. Concurrently, Maxine must navigate the terror of the Night Stalker, who is haunting Los Angeles, while detectives try to unravel her connection to these events. Maxxxine is a beautiful love letter to the horror films of the 1980s. Ti West draws influence from many great horror filmmakers of that era. One scene in particular, where Maxine ascends a staircase toward the film’s climax, is reminiscent of the cinematography of David Lynch films from that period. This meticulous attention to style and atmosphere enhances the film’s nostalgic appeal. Mia Goth is truly fantastic, bringing depth and intensity to her role. Her performance is a highlight of the trilogy, showcasing her versatility as she navigates multiple characters and complex emotional landscapes. For example, her portrayal of Maxine’s relentless determination and underlying vulnerability adds layers to the character, making her journey compelling and relatable. While Maxxxine is a strong entry in the series, it is, in my opinion, the weakest installment. The film serves as a fitting conclusion to the trilogy but leaves some unresolved threads from X. I would have appreciated more closure regarding the events of the first film, as the connections feel somewhat superficial. Additionally, the reveal of the main antagonist, while surprising, feels somewhat detached from the overarching narrative. For instance, the motivations and background of the killer are not as deeply integrated into the story as they could have been, leading to a somewhat disjointed climax. Despite these criticisms, Maxxxine is a well-crafted horror film that offers plenty of nods to genre aficionados. Ti West has created a trilogy that honors the horror tradition while bringing fresh and innovative storytelling to the table. The film is rich with familiarities from 1980s horror, making it a nostalgic yet refreshing experience. Mia Goth’s performance ties the trilogy together beautifully, and her portrayal in Maxxxine cements her status as a standout in modern horror cinema. While the film has its flaws, it remains a fitting and enjoyable conclusion to a remarkable series.
Despite her rather florid past, the eponymous porn star (Mia Goth) is determined to make it in the mainstream and seems well on her way when director "Elizabeth Bender" (Elizabeth Debicki) casts her as the lead in the sequel to her own successful first feature. Whilst this is all going on for "Maxin ... e Minx", there is a serial killer on the loose in Los Angeles and the police seem to think that maybe she is involved. Obviously she's not the perpetrator of these vicious acts, but might she somehow be the ultimate target? A rather curious meeting with private eye "Labat" (Kevin Bacon) suggests that she might want to go a mysterious address where she might learn the truth, but she has her own ideas so with the help of her agent/manager/enforcer "Teddy" (Giancarlo Esposito) and a car crusher sets up quite a perilous face-off with a man in black gloves who lives behind a set of green doors. At times this is quite an attitudinal film and Goth does fine, but (no pun intended) Bacon just hams it up too much. Debicki seems totally disinterested in her role and the rest of the cast add very little to a story that is too thinly stretched to pad out one hundred minutes before taking us to a rather weak and rushed denouement. Beware: I sense a sequel might be in the pipe, as if we don't already have enough mediocre slasher fayre on offer already!
Maxine sure wants to be famous. I really hope she's got what it takes. Gotta give 110% if you want that big break! Do you want it? Maxine does. Fun little revenge story. Leather gloves sure make your hands strong. Good humour. ...
There’s a lot to appreciate about “MaXXXine,” writer/director Ti West‘s latest film in his horror trilogy, even if he doesn’t quite stick the landing. The whole project feels like, as one of his characters says in one of the film’s most memorable lines, a “B-movie with A+ ideas.” There’s plenty of b ... lood and gore to appease slasher fanatics, but there’s a depth to the film that comes from the hefty themes about sex, opportunity, religion, and Hollywood’s dark underbelly. Set in Los Angeles in the mid-1980s, adult film star and aspiring big studio actress Maxine Minx (Mia Goth) finally gets her big break into the mainstream. She’s been cast in a supporting role in a horror movie sequel and is set to work with up-and-coming director Elizabeth Bender (Elizabeth Debicki). Things are looking up for Maxine career-wise, but a mysterious stalker who is targeting the starlets of Hollywood seems to have her directly in his sights. When a trail of blood makes it clear that several murders are directly connected to her, Maxine starts to worry that her sinister past is going to be exposed. The first half of the film is also the best, and West fully embraces the decadence and danger that goes along with the backdrop of sleazy Hollywood. Filmed with a vintage aesthetic and Eighties feel, the neon-lit, blood soaked movie looks like it has stepped out of an exploitation cinema time capsule. It’s an homage that’s done exceedingly well, from the cinematography to the soundtrack to the costume design. The casting is perfect across the board, with standout performances from both Kevin Bacon as a menacing bad guy and Giancarlo Esposito as Maxine’s attorney agent, Teddy Night. (Even the supporting roles are meaty, featuring solid turns from Michelle Monaghan, Moses Sumney, Bobby Cannavale, and Sophie Thatcher). Goth is once again terrific as a shrewd woman with a fierce ambition, lending the ideal mix of street smart toughness with a relatable vulnerability. West never demeans his lead character either, which is refreshing. The film portrays sex work and the adult film industry as a legitimate profession and Maxine as a strong, empowered woman who takes charge of her own destiny. The second half of the film derails with a conclusion that seems both corny and disappointing (at least on the surface). The ending is left open for rampant speculation, which is probably going to polarize audiences. I think it’s fun when a film can be interpreted in several different ways, but this may prove frustrating for moviegoers who like things very black and white. Best of all, “MaXXXine” leaves plenty of room for a fourth film featuring the character, which I certainly hope we get. By: Louisa Moore / SCREEN ZEALOTS
Didn't like it, stupid film. ...
MAXXXINE holds many strong ideas & thematic weight, but fails to bring it all together in a cohesive, captivating fashion. Everything feels less than its predecessors, where the only outstanding constant is Mia Goth's terrific central performance. Underwhelming. Rating: C ...
Maxxine is the third installment in a confusing trilogy of movies. After enduring the first film, X, which was essentially a low-quality adult film, and only partially watching the second film, Pearl, which was equally disappointing, I had low expectations for Maxxine. Assuming it would follow th ... e same pattern, I made sure no children were present before watching it alone. Surprisingly, Maxxine had less nudity, only appearing twice, compared to its predecessors. Instead, it focused more on horror and thriller elements, following an aspiring actress being stalked by a serial killer named Knight and another mysterious figure out to harm her. While this film didn't win me over completely, I appreciated that it actually had a plot and some semblance of a storyline, unlike the previous entries in the trilogy. For those who enjoy quirky, over-the-top thrillers with unconventional writing, Maxxine may be worth a watch. However, if you prefer gripping, edge-of-your-seat thrillers, this may not be the film for you. After viewing Maxxine, I concluded that it was not something I would revisit or add to my collection. It's the kind of movie you watch once and then move on from, ticking it off your list without a second thought.
**Maxxxine** serves as a **crowd-pleasing** end to a strong trilogy. No fuss, no frills, decent pacing, with a more simplified **action-focused** plot. Lots of **good gore**, and perfect to kiss in the back of a cinema to. **8/10** ...
<em>'MaXXXine'</em> is a positive end (?) to this trilogy of Ti West-directed flicks. I'd rank it below the prior releases, but that's simply because I enjoyed those ones more. This one is absolutely a good movie, yet again Mia Goth and the visuals are my biggest elements to praise. Away from the ... splendid Goth, Kevin Bacon is the one I liked most from the rest; he plays a successfully sleazy dude. Away from them, I wanted to see more of Giancarlo Esposito, while Michelle Monaghan and Bobby Cannavale are solid; Elizabeth Debicki too (still can't unhear Diana, mind). The conclusion underwhelmed me, I won't lie. The reveal and just the way the plot goes in general just didn't really click with me. I wouldn't at all say it's explicitly a bad ending, it just didn't give me proper satisfaction. All in all, I did have a good time watching this and the series overall. One to recommend, for sure.