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MaXXXine

Hollywood is a killer.
2024 | 103m | English

(78211 votes)

TMDb IMDb

Popularity: 7 (history)

Director: Ti West
Writer: Ti West
Staring:
Details

In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.
Release Date: Jul 04, 2024
Director: Ti West
Writer: Ti West
Genres: Horror, Thriller
Keywords pornography, gore, sequel, murder, fame, slasher, hollywood, whodunit, los angeles, california, video store, horror filmmaking, stardom, murder mystery, 1980s, film production, televangelist, film within a film, aspiring actress, pastiche, satanic panic, night stalker, father daughter estrangement, religious trauma, mystery, intense, excited, scathing
Production Companies A24, Access Entertainment, Motel Mojave
Box Office Revenue: $22,057,160
Budget: $1,000,000
Updates Updated: Aug 05, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Mia Goth Maxine Minx
Elizabeth Debicki Elizabeth Bender
Moses Sumney Leon
Michelle Monaghan Detective Williams
Bobby Cannavale Detective Torres
Halsey Tabby Martin
Lily Collins Molly Bennett
Giancarlo Esposito Teddy Knight, Esq.
Kevin Bacon John Labat
Charley Rowan McCain Maxine Miller
Simon Prast Ernest Miller
Deborah Geffner Elaine Casting
Daniel Lench Producer
Chloe Farnworth Amber James
Brad Swanick Frankie Love
Uli Latukefu Shepard Turei
Susan Pingleton Angel
Zachary Mooren Buster
Ned Vaughn News Anchor
Marcus LaVoi Jonas Day
Sophie Thatcher FX Artist
Albert Kong Rookie Cop
Toby Huss Coroner
Taylor Kowalski Taylor
Pegah Rashti Maître D'
Larry Fessenden Security Guard
Marlyn Ortiz Dancer
Alison Wonderland Club DJ
Kristin Carey Dianne Mattingly
Cecilia Yesuil Kim Red Carpet Reporter
Clayton Farris Assistant Director
Melissa Kaye Bontempt Hot Dog Vendor (uncredited)
Allen Waiserman Charlie Chaplin Impersonator (uncredited)
Vera Myers Emma North (uncredited)
Name Job
Eliot Rockett Director of Photography
Alli Beckman Stunt Double
Corrina Roshea Bobb Stunt Double
Ted Barba Stunts
Cassandra McCormick Stunts
Jason Kisvarday Production Design
Kevin Turen In Memory Of
Elliott Hostetter Thanks
Cory DeMeyers Utility Stunts
Allan Padelford Stunt Driver
Jessica Kelly Casting
Jason Zev Cohen Art Direction
Jason Baldwin Stewart Art Direction
Peter Phok Post Production Supervisor
Jeremy Reitz Unit Production Manager
Nicole Burke First Assistant Director
Erica Adams Additional Hairstylist
Raquel Bianchini Additional Hairstylist
Sallie Nicole Ciganovich Additional Hairstylist
Gina Marie Deangelis Additional Hairstylist
Celeste Gonzalez Hairstylist
Cassie Lyons Makeup Artist
James MacKinnon Special Effects Makeup Artist
Akiko Matsumoto Makeup Artist
Jaime Leigh McIntosh Hair Department Head
Justin Michael Patterson Special Effects Makeup Artist
Robert Pickens Wigmaker
Justin Raleigh Special Effects Makeup Artist
Meghan Reilly Special Effects Makeup Artist
Sarah Rubano Makeup Department Head
Michelle Sfarzo Makeup Artist
Cindy Shute Additional Hairstylist
Dana Vargas Additional Hairstylist
Kevin Wasner Prosthetic Makeup Artist
Brian Hayashi Executive In Charge Of Post Production
JP Quicquaro Assistant Unit Manager
John Hall Second Second Assistant Director
Coalin Smith Second Assistant Director
Athena Andoniades Art Department Coordinator
Danielle Armstrong Set Dresser
Kevin Beebe Assistant Property Master
Brandi Benkert Set Designer
Josh Berryman Set Painter
Amelia Blackburn Assistant Art Director
Andrea Burrell Graphic Designer
Arri Caviness Set Designer
Morgan Tyler Coleman Props
Cliff Collins Props
Michelle Dokos Props
Luca Nemolato Concept Artist
Lauren 'Ron' Penizotto On Set Dresser
Sara Jane Ragnarök Set Painter
Vanessa Riegel Graphic Designer
Ryan Salisbury On Set Dresser
Marcy Silver Property Master
Philip Steiger Props
MacKenzie Stetzler Set Dresser
Allison Trautman Set Decorating Coordinator
Samantha Villegas Props
John Bruce Zawacki Construction Coordinator
Tina Babakishvili Foley
Karen Baker Landers Supervising Sound Editor
Sean Byrnes Production Sound Mixer
Craig Dollinger Boom Operator
Giorgi Lekishvili Foley Mixer
Daniel Martinez Utility Sound
Alan Rankin Sound Effects Editor
Nick Ronzio Utility Sound
Alexander Sanikidze Foley Editor
David Semon Mix Technician
Peter Staubli Sound Re-Recording Mixer, Sound Designer
Jon Title Sound Designer
Levan Tserediani Foley Editor
Milad Nasiri Digital Compositor
Frank Rueter Visual Effects Supervisor
Kara Vandeleur Visual Effects Producer
Jamie Alac Underwater Director of Photography
Buzzy Burwell Best Boy Electric
Joe Cheung First Assistant "C" Camera
Aaron Cohan Drone Pilot
Devin Colter Grip
Thomas Crawford Best Boy Grip
Ross Dunkerley Gaffer
Mitch Elliott Grip
Élan Klein Jaffke Camera Trainee
Kemarin Khim Grip
Alex Lim First Assistant "A" Camera
Justin M. Lubin Still Photographer
John Joseph Minardi Key Grip
Glenn E. Moran Rigging Gaffer
Ethan Phillips Digital Imaging Technician
Joshua Rayner Grip
Alexander Rodarte Rigging Grip
Rafael Rodríguez Grip
Jacob Romero Grip
Alec Shepherd Grip
David Sirianni Grip
Xavier Thompson "A" Camera Operator
Tim Unger Second Assistant Camera
Gina Victoria Second Assistant Camera
David C. Wright Rigging Grip
Wolfgang Steinbeck Best Boy Electric
Fernando Zacarias Second Assistant "B" Camera
Nick Zeigler Lighting Technician
Laura Feldman Casting Associate
Silawn Lewis Extras Casting
Jeff Olan Extras Casting
Stacey Rice Casting Associate
Roxanne Benjamin Thanks
Mari-An Ceo Costume Design
Stephen W. Schriver Stunts
Hayley Wright Stunt Double
Todd Rex Sculptor
Kelsi Ephraim Set Decoration
Carina Berlin Props
Bryan Parker Supervising Dialogue Editor, Supervising ADR Editor
Tim Mikulecky Stunt Coordinator
Amir Soliman Extras Casting
Javier Arrieta Costume Supervisor
Jayde Dennis Costumer
Laurel Rose Assistant Costume Designer
Melissa Yanda Set Costumer
Scott Milligan Assistant Editor
Brett Sheerin Stunts
Simon Rhee Stunts
Chris Gann Stunt Double
Tom Poole Colorist
Ti West Characters, Editor, Director, Writer
Tyler Bates Original Music Composer
Jacob Jaffke Unit Production Manager
Amanda MacLeod Stunt Double
Biko Gogaladze Foley Artist
Jillian Ennis Music Supervisor
Tom Morash Lighting Programmer
Name Title
Kevin Turen Producer
Peter Phok Executive Producer
Jeremy Reitz Executive Producer
Harrison Kreiss Producer
Len Blavatnik Executive Producer
Danny Cohen Executive Producer
Ashley Levinson Executive Producer
Kid Cudi Executive Producer
Jacob Jaffke Producer
Mia Goth Producer
Ti West Producer
Sam Levinson Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 34 21
2024 5 28 39 21
2024 6 48 75 22
2024 7 153 269 68
2024 8 476 1119 107
2024 9 182 267 145
2024 10 146 280 109
2024 11 109 286 67
2024 12 84 175 62
2025 1 72 109 52
2025 2 46 68 10
2025 3 19 67 3
2025 4 9 12 7
2025 5 8 11 6
2025 6 8 10 6
2025 7 8 12 6
2025 8 8 11 5
2025 9 7 8 6

Trending Position


Year Month High Avg
2025 9 392 704
Year Month High Avg
2025 8 249 647
Year Month High Avg
2025 7 144 657
Year Month High Avg
2025 6 369 700
Year Month High Avg
2025 5 213 666
Year Month High Avg
2025 4 227 634
Year Month High Avg
2025 3 163 604
Year Month High Avg
2025 2 53 644
Year Month High Avg
2025 1 37 406
Year Month High Avg
2024 12 50 363
Year Month High Avg
2024 11 96 337
Year Month High Avg
2024 10 30 120
Year Month High Avg
2024 9 16 39
Year Month High Avg
2024 8 2 32

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Reviews

TheSceneSnobs
8.0

Maxxxine is a film I have eagerly anticipated since it was teased as the final installment of Ti West's X trilogy. Having thoroughly enjoyed the first two films, I had high hopes for this one. Each film in the series brings a unique style that represents the period it’s set in. 2022’s X was a gri ... tty homage to the brutal horror films of the 1970s, with The Texas Chainsaw Massacre being a major influence. The same year, Pearl offered an even more stylistic approach, serving as a prequel with influences from the silent era and visual nods to The Wizard of Oz. These distinct stylistic choices set a high bar for Maxxxine. In Maxxxine, we follow the lone survivor of the farmhouse massacres depicted in the first film. Now a bit older and blonder, Mia Goth’s Maxine is still striving to become Hollywood’s next biggest star. She finally lands a role as the lead in a new horror film, but her past begins to catch up with her. She is pursued by a sleazy private investigator, played by Kevin Bacon, who works for a vicious killer targeting Maxine’s closest friends. Concurrently, Maxine must navigate the terror of the Night Stalker, who is haunting Los Angeles, while detectives try to unravel her connection to these events. Maxxxine is a beautiful love letter to the horror films of the 1980s. Ti West draws influence from many great horror filmmakers of that era. One scene in particular, where Maxine ascends a staircase toward the film’s climax, is reminiscent of the cinematography of David Lynch films from that period. This meticulous attention to style and atmosphere enhances the film’s nostalgic appeal. Mia Goth is truly fantastic, bringing depth and intensity to her role. Her performance is a highlight of the trilogy, showcasing her versatility as she navigates multiple characters and complex emotional landscapes. For example, her portrayal of Maxine’s relentless determination and underlying vulnerability adds layers to the character, making her journey compelling and relatable. While Maxxxine is a strong entry in the series, it is, in my opinion, the weakest installment. The film serves as a fitting conclusion to the trilogy but leaves some unresolved threads from X. I would have appreciated more closure regarding the events of the first film, as the connections feel somewhat superficial. Additionally, the reveal of the main antagonist, while surprising, feels somewhat detached from the overarching narrative. For instance, the motivations and background of the killer are not as deeply integrated into the story as they could have been, leading to a somewhat disjointed climax. Despite these criticisms, Maxxxine is a well-crafted horror film that offers plenty of nods to genre aficionados. Ti West has created a trilogy that honors the horror tradition while bringing fresh and innovative storytelling to the table. The film is rich with familiarities from 1980s horror, making it a nostalgic yet refreshing experience. Mia Goth’s performance ties the trilogy together beautifully, and her portrayal in Maxxxine cements her status as a standout in modern horror cinema. While the film has its flaws, it remains a fitting and enjoyable conclusion to a remarkable series.

Jul 12, 2024
Geronimo1967
6.0

Despite her rather florid past, the eponymous porn star (Mia Goth) is determined to make it in the mainstream and seems well on her way when director "Elizabeth Bender" (Elizabeth Debicki) casts her as the lead in the sequel to her own successful first feature. Whilst this is all going on for "Maxin ... e Minx", there is a serial killer on the loose in Los Angeles and the police seem to think that maybe she is involved. Obviously she's not the perpetrator of these vicious acts, but might she somehow be the ultimate target? A rather curious meeting with private eye "Labat" (Kevin Bacon) suggests that she might want to go a mysterious address where she might learn the truth, but she has her own ideas so with the help of her agent/manager/enforcer "Teddy" (Giancarlo Esposito) and a car crusher sets up quite a perilous face-off with a man in black gloves who lives behind a set of green doors. At times this is quite an attitudinal film and Goth does fine, but (no pun intended) Bacon just hams it up too much. Debicki seems totally disinterested in her role and the rest of the cast add very little to a story that is too thinly stretched to pad out one hundred minutes before taking us to a rather weak and rushed denouement. Beware: I sense a sequel might be in the pipe, as if we don't already have enough mediocre slasher fayre on offer already!

Jul 10, 2024
chandlerdanier
8.0

Maxine sure wants to be famous. I really hope she's got what it takes. Gotta give 110% if you want that big break! Do you want it? Maxine does. Fun little revenge story. Leather gloves sure make your hands strong. Good humour. ...

Jul 15, 2024
screenzealots
6.0

There’s a lot to appreciate about “MaXXXine,” writer/director Ti West‘s latest film in his horror trilogy, even if he doesn’t quite stick the landing. The whole project feels like, as one of his characters says in one of the film’s most memorable lines, a “B-movie with A+ ideas.” There’s plenty of b ... lood and gore to appease slasher fanatics, but there’s a depth to the film that comes from the hefty themes about sex, opportunity, religion, and Hollywood’s dark underbelly. Set in Los Angeles in the mid-1980s, adult film star and aspiring big studio actress Maxine Minx (Mia Goth) finally gets her big break into the mainstream. She’s been cast in a supporting role in a horror movie sequel and is set to work with up-and-coming director Elizabeth Bender (Elizabeth Debicki). Things are looking up for Maxine career-wise, but a mysterious stalker who is targeting the starlets of Hollywood seems to have her directly in his sights. When a trail of blood makes it clear that several murders are directly connected to her, Maxine starts to worry that her sinister past is going to be exposed. The first half of the film is also the best, and West fully embraces the decadence and danger that goes along with the backdrop of sleazy Hollywood. Filmed with a vintage aesthetic and Eighties feel, the neon-lit, blood soaked movie looks like it has stepped out of an exploitation cinema time capsule. It’s an homage that’s done exceedingly well, from the cinematography to the soundtrack to the costume design. The casting is perfect across the board, with standout performances from both Kevin Bacon as a menacing bad guy and Giancarlo Esposito as Maxine’s attorney agent, Teddy Night. (Even the supporting roles are meaty, featuring solid turns from Michelle Monaghan, Moses Sumney, Bobby Cannavale, and Sophie Thatcher). Goth is once again terrific as a shrewd woman with a fierce ambition, lending the ideal mix of street smart toughness with a relatable vulnerability. West never demeans his lead character either, which is refreshing. The film portrays sex work and the adult film industry as a legitimate profession and Maxine as a strong, empowered woman who takes charge of her own destiny. The second half of the film derails with a conclusion that seems both corny and disappointing (at least on the surface). The ending is left open for rampant speculation, which is probably going to polarize audiences. I think it’s fun when a film can be interpreted in several different ways, but this may prove frustrating for moviegoers who like things very black and white. Best of all, “MaXXXine” leaves plenty of room for a fourth film featuring the character, which I certainly hope we get. By: Louisa Moore / SCREEN ZEALOTS

Jul 17, 2024
tmdb26361240
N/A

Didn't like it, stupid film. ...

Jul 08, 2025
msbreviews
5.0

MAXXXINE holds many strong ideas & thematic weight, but fails to bring it all together in a cohesive, captivating fashion. Everything feels less than its predecessors, where the only outstanding constant is Mia Goth's terrific central performance. Underwhelming. Rating: C ...

Aug 19, 2024
tmdb51616167
5.0

Maxxine is the third installment in a confusing trilogy of movies. After enduring the first film, X, which was essentially a low-quality adult film, and only partially watching the second film, Pearl, which was equally disappointing, I had low expectations for Maxxine. Assuming it would follow th ... e same pattern, I made sure no children were present before watching it alone. Surprisingly, Maxxine had less nudity, only appearing twice, compared to its predecessors. Instead, it focused more on horror and thriller elements, following an aspiring actress being stalked by a serial killer named Knight and another mysterious figure out to harm her. While this film didn't win me over completely, I appreciated that it actually had a plot and some semblance of a storyline, unlike the previous entries in the trilogy. For those who enjoy quirky, over-the-top thrillers with unconventional writing, Maxxine may be worth a watch. However, if you prefer gripping, edge-of-your-seat thrillers, this may not be the film for you. After viewing Maxxine, I concluded that it was not something I would revisit or add to my collection. It's the kind of movie you watch once and then move on from, ticking it off your list without a second thought.

Sep 07, 2024
AguaCaliente
8.0

**Maxxxine** serves as a **crowd-pleasing** end to a strong trilogy. No fuss, no frills, decent pacing, with a more simplified **action-focused** plot. Lots of **good gore**, and perfect to kiss in the back of a cinema to. **8/10** ...

Nov 20, 2024
r96sk
7.0

<em>'MaXXXine'</em> is a positive end (?) to this trilogy of Ti West-directed flicks. I'd rank it below the prior releases, but that's simply because I enjoyed those ones more. This one is absolutely a good movie, yet again Mia Goth and the visuals are my biggest elements to praise. Away from the ... splendid Goth, Kevin Bacon is the one I liked most from the rest; he plays a successfully sleazy dude. Away from them, I wanted to see more of Giancarlo Esposito, while Michelle Monaghan and Bobby Cannavale are solid; Elizabeth Debicki too (still can't unhear Diana, mind). The conclusion underwhelmed me, I won't lie. The reveal and just the way the plot goes in general just didn't really click with me. I wouldn't at all say it's explicitly a bad ending, it just didn't give me proper satisfaction. All in all, I did have a good time watching this and the series overall. One to recommend, for sure.

Apr 08, 2025