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Lisa Frankenstein

If you can't meet your perfect boyfriend…make him.
2024 | 102m | English

(29322 votes)

TMDb IMDb

Popularity: 2 (history)

Director: Zelda Williams
Writer: Diablo Cody
Staring:
Details

In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way.
Release Date: Feb 07, 2024
Director: Zelda Williams
Writer: Diablo Cody
Genres: Comedy, Romance, Horror
Keywords cemetery, high school, murder, dark comedy, coming of age, teenage girl, female protagonist, corpse, body mutilation, death of mother, reanimated corpse, woman director, 1980s, adoring
Production Companies Focus Features, MXN Entertainment, Lollipop Woods
Box Office Revenue: $9,927,714
Budget: $13,400,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Kathryn Newton Lisa Swallows
Cole Sprouse The Creature
Liza Soberano Taffy
Henry Eikenberry Michael Trent
Joe Chrest Dale Swallows
Carla Gugino Janet
Joey Harris Tamara
Bryce Romero Doug
Jenna Davis Lori
Joshua Montes Vince
Trina LaFargue Tricia
Paola Andino Misty
Jennifer Pierce Mathus Lisa's Mom
Luke Sexton Axe Murderer
Chris Greening Jock
Mae Anglim Drunk Girl
Ayla Miller White Girl
Jailyn Rae Psychic Jenny
Ashton Leigh Reporter #1
Charlie Talbert Wayne
Ray Gaspard Mr. Garces
Geraldine Singer Mrs. Garces
Shane Partlow History Teacher
Jesse Reeks The Creature Hand Double
Destiny Jones Sosnouski
Johnny Ballance Tepper
Donna DuPlantier Buckley
Sylvia Grace Crim Officer Waters
Walker Babington Officer John
Ritchie Montgomery Old Man Harvey
Sarah Fisher Lady Cop
Summer Selby Neighbor Woman
Marcello Maurio Boy on Bike
Brad Miller EMT
Julia Belanova Goth Teen
Wendy Miklovic Strange Figure
April Dupré Reporter #2
Name Job
Sarah Fisher Stunts
Isabella Summers Original Music Composer
Zelda Williams Director
Nancy Nayor Casting
Ronnie van der Veer Foley Artist
Amanda Bradley Stunt Driver
Juliene Joyner Stunt Double
Preston Schrag Stunt Double
Jeffrey Penman Post Production Supervisor
Anthony Rossi III Unit Production Manager
Zachery Scherer Additional Second Assistant Director
Michelle Belfield Graphic Designer
Paula Huidobro Director of Photography
Brad Turner Editor
Robert C. Bigelow Sound Mixer
Michelle C. Harmon Art Direction
Andrew W. Bofinger Set Decoration
Meagan McLaughlin Costume Design
Shane LeCocq Choreographer
Jonny Bullard Special Effects Makeup Artist, Key Makeup Artist
Natalie Shea Rose Key Hair Stylist
William Spataro Special Effects Makeup Artist
Brian Waltsak Makeup Artist
Georgianna Paz First Assistant Director
Jared Swidzinski Second Assistant Director
Tatum Beck Set Dresser
Tory Ducote Set Decoration Buyer
Katalea Ford Set Dresser
Adie Kaplan Set Designer
Bryan Marchese Set Dresser
Jessica Taylor Set Decoration Buyer
Vinny Alfano ADR Recordist
Alessandro Chimento Utility Sound
Annika Epker Foley Editor
Lewis Goldstein Supervising Sound Editor, Sound Re-Recording Mixer
Bennett Kerr Sound Effects Editor
Yorick Sedee Foley Mixer
Wen Hsuan Tseng Foley Supervisor
Jake Valentine ADR Mixer
Allan Zaleski Sound Effects Editor
Matt Alavi Special Effects
Regina Jiganti Special Effects Makeup Artist
Shwee Chou Visual Effects Producer
Nicolas DiNizio Visual Effects Coordinator
Richard Friedlander Visual Effects Supervisor
Gerardo Gabriel Garcia VFX Artist
Brian Houlihan Visual Effects Producer
Jacques Stroweis Visual Effects Supervisor
Michael Wharton CG Supervisor
Scott Winston Visual Effects Supervisor
Silas Borelly Stunt Double
Max Patrucco Stunts
Allen Parks Gaffer
Steffan Pitzel Lighting Technician
Joshua Walker Lighting Technician
Amelia Chen Miley Casting Associate
Jasmine Gutierrez Casting Associate
Lee Pierce Extras Casting
Carmen Soriano Script Supervisor
Serena Forghieri First Assistant Editor
David Thornsberry Location Manager
Emma Villere Costume Supervisor
Jen Wasson Assistant Costume Designer
Nate Wasson Costumer
Marie Boensch Set Costumer
Garrett McElver Music Supervisor
Jack Bigelow Boom Operator
Brad Miller Art Department Coordinator
Chelsea Bruland Stunt Coordinator
Diablo Cody Screenplay
Mark Worthington Production Design
Nicholas Kmet Music Editor
Name Title
Diablo Cody Producer
Mason Novick Producer
Jeffrey Lampert Executive Producer
Elizabeth Ellson Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 61 85 47
2024 5 66 79 39
2024 6 40 61 30
2024 7 47 102 26
2024 8 44 78 23
2024 9 30 51 23
2024 10 36 64 24
2024 11 34 52 19
2024 12 30 48 19
2025 1 30 59 18
2025 2 19 30 4
2025 3 7 21 1
2025 4 4 9 2
2025 5 4 8 2
2025 6 3 5 2
2025 7 2 4 2
2025 8 2 3 2

Trending Position


Year Month High Avg
2025 8 973 977
Year Month High Avg
2025 7 883 883
Year Month High Avg
2025 6 967 977
Year Month High Avg
2025 5 885 885
Year Month High Avg
2025 3 894 894
Year Month High Avg
2025 2 602 821
Year Month High Avg
2025 1 737 870
Year Month High Avg
2024 12 476 727
Year Month High Avg
2024 11 550 872
Year Month High Avg
2024 10 216 652
Year Month High Avg
2024 9 307 610
Year Month High Avg
2024 8 66 451

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Reviews

msbreviews
5.0

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/lisa-frankenstein-review-theres-no-middle-ground/ "Lisa Frankenstein marks my first disappointment of the year. The youthful cast wholeheartedly embraces their campy roles, infusing deliberately exaggerated emotions and expressiveness for an ev ... ening of light entertainment with the promised levels of blood and 'macabreness'. Sadly, the screenplay lacks the same commitment to the absurd, resulting in tonal and thematic inconsistencies throughout a narrative less imaginative than anticipated. The ensuing indifference and uncertainty regarding the film's point and message leave a bittersweet taste..." Rating: C

Feb 07, 2024
BornKnight
7.0

Horror-Comedy (not the opposite) directed by Zelda Willians in her full feature film, and written by Diablo Cody (Juno, Jennifer's Body) that tells the story of a grief stricken teenager who had her mother slaughtered, and lives now with an abusive mother-in-law and a lovely sister-in-law. Kathry ... n Newton as Lisa is perfect for her role. Stigmatized by her past and actions the is the black swan of the school, and passes a lot of time in a old cemetery (watch the credits animation closely) of the 19th century on a tomb of another teenager that died with a green lighting into 1837. The movie emulates the 80's teenage romance-comedies (it passes in 89), in a light way till a certain previsible point - for sure it isn't as sugary as you may think to those who wonder. And have an unsuspected ending. I think it was worth for some laughs on a weekend night - I score it 6,6 out of 10,0 / B for the fun.

Mar 02, 2024
Geronimo1967
6.0

"Lisa" (Kathryn Newton) is a bit of a loner who lives in one of those second families where her rather feeble dad (Joe Chrest) has married the rather vain and odious "Janet" (Carla Gugino) who has a friendly daughter "Taffy" (Liza Soberano). At school, she has taken a shine to floppy-haired heart-th ... rob "Michael" (Henry Einkenberry) and he seems to be a little interested too. Might romance blossom? Suddenly a lightening strike changes everything. The long-dead occupant of a grave she habitually sits beside when she is reading (Cole Sprouse) is electronically reinvigorated and finds his way into her home, her wardrobe and now, as with "ET", she has her own secret creature in the closet. Thing is, there are bits of her new friend missing - his ear, his tongue, his hand (that's not a comprehensive list!) - so the ensuing escapades mix science with comedy and some good old doses of vengeance as they try to restore him to his former, piano playing, glory. It could have been much more fun, this, if it had committed to the audience one way or the other. It's clearly gone for a wide appeal and so compromised on the darkness and adult nature of the humour. Many of the scenarios - especially at the the rather brutal and eye-watering conclusion, could have worked so much better had Zelda Williams aimed the movie more at those who could appreciate the dark comedy rather than dilute it down to something akin to a frat-comedy. It's better than I was expecting, and Newton does fine as the film progresses, it's just a shame it didn't really know were to go or who it was for.

Mar 04, 2024
r96sk
5.0

There are glimpses of goodness, though so short they don't hide the film's frailties. <em>'Lisa Frankenstein'</em> is, in my opinion, a disappointment. I can kinda see what they were going for and at times I could appreciate it, but all in all it doesn't really work for me. I will say the pacing ... isn't actually that bad, the film went by relatively quickly. The two big weaknesses to me were the dialogue and simply the story in general, both are rather quite dull... if they weren't, I may have enjoyed this. The cast are one of the film's more positive features. I like Kathryn Newton, I remember thinking she was great in the similarly underwhelming <em>'<a href="https://letterboxd.com/film/freaky/" rel="nofollow">Freaky</a>'</em> from 2020, and she does try with what she's got to work with here. Carla Gugino is possibly the standout, I would've liked to have seen more of her. Liza Soberano is alright, while Joe Chrest plays a literal continuation of his Ted Wheeler. I will say that I felt the film did slightly improve towards the end, just not enough for me to say that I had a good time watching it unfortunately. I got to see this in <em><a href="https://letterboxd.com/r96sk/list/watched-in-an-empty-cinema/" rel="nofollow">an empty cinema</a></em>, which is always nice. I see this got released basically a month ago everywhere else, wonder why the UK got it so late. I guess as there seemingly aren't as many films out right now due to that sandworm movie <a href="https://letterboxd.com/film/dune-part-two/" rel="nofollow">thingy</a> taking over? Who knows.

Mar 08, 2024
Horseface
1.0

A horrible movie written by an empathetically void and morally bankrupt sociopath. In the beginning quirky with a torrent of jokes that all fall completely flat. Lighting done by what must be a blind diversity hire, as we almost can't see what's going on 90% of the time. Then, our supposed pro ... tagonist becomes a psychopathic serial murderer, which apparently is not only okay, but something to laugh about and root for. Anyone crosses Lisa the slightest, they're fair game for being murdered and then mocked and their death celebrated with laughs and dancing. I haven't seen anything this morally decrepit since Natural Born Killers, but that movie was an ironic critique of pop culture and the media's obsession with death and violence. This "movie" just plainly celebrates the same psychopathic behavior unironically and unapologetically. Ew. That this filth can be produced today without someone not insane stopping it along the way worries me. I'd rather have my children watch The Texas Chainsaw Massacre than this insane on-screen feces.

Sep 13, 2024