Popularity: 8 (history)
Director: | Osgood Perkins |
---|---|
Writer: | Osgood Perkins |
Staring: |
Name | Character |
---|---|
Maika Monroe | Agent Lee Harker |
Nicolas Cage | Longlegs |
Blair Underwood | Agent Carter |
Alicia Witt | Ruth Harker |
Michelle Choi-Lee | Agent Browning |
Dakota Daulby | Agent Fisk |
Lauren Acala | Young Lee Harker |
Kiernan Shipka | Carrie Anne Camera |
Maïla Hosie | Young Carrie Anne Camera |
Jason William Day | Father Camera |
Lisa Chandler | Mother Camera |
Ava Kelders | Ruby Carter |
Rryla McIntosh | Adult Ruby Carter |
Carmel Amit | Anna Carter |
Shafin Karim | Clinical Doctor |
Trey Helten | Suspect |
Daniel Bacon | Coroner |
Vanessa Walsh | CSI Agent |
Beatrix Perkins | Teenage Clerk |
Scott Nicholson | Agent Kurt Kobble |
Peter Bryant | Senior FBI Agent |
Charles Jarman | Priest |
Hazel Bartlett-Sias | Birthday Girl |
Marlea Cleveland | Alder Family Mom |
Melissa Shim | Hotel Bar Server |
Malcolm Masters | Gus |
Erin Boyes | Young Agent |
Lumen Beltran | Student |
Anita Wittenberg | Older Female Orderly |
Michelle Cyr | Admitting Nurse |
Name | Job |
---|---|
Jeremy Cox | Second Unit Director of Photography |
Asterios Moutsokapas | Still Photographer |
Chloe Okuno | Thanks |
Ian Cooper | Thanks |
Kirill Sokolov | Thanks |
Emily Cocks | Stand In |
Avery Crane | Stand In |
Nicolas Zanetti | Stand In |
Spencer Zimmerman | Best Boy Electric |
Jonathan Frezza | Grip |
Namowan Kirby | Dolly Grip |
Robinson Bancroft | Camera Trainee |
Jay Alderson | Camera Trainee |
Ryan Ermacora | First Assistant Camera |
John Fleming | Second Assistant Camera |
Christopher Merrell | Second Assistant Camera |
Freya Cirulis | Boom Operator |
Kristin Chaar | Key Hair Stylist |
Madelaine Hermans | Key Makeup Artist |
Laura Rodgers Murray | Hairstylist |
Pamela Warden | Makeup & Hair |
Werner Pretorius | Special Effects Makeup Artist |
Crissy Renaud | Makeup Artist, Sculptor |
Keith Lau | Concept Artist |
Dana Bontempo | Property Master |
Allison Deleo | Assistant Property Master |
Alena Webber | Set Dresser |
Elliott Vion | Lead Set Dresser |
Joel Brecknell | Digital Compositor |
Brett Chan | Stunts |
Lisa Chandler | Stunt Double |
Fraser Corbett | Stunt Coordinator |
Ryan Ennis | Stunts |
Vesna Ennis | Stunts |
Lars Grant | Stunts |
Trevor Jones | Stunt Double |
Chris Webb | Stunts |
Zachary W. Sowinski | Grip |
Laurel Brown | Epk Camera Operator |
Hannah Lacock | Casting Assistant |
Trevor Fieldhouse | Extras Casting Assistant |
Andrea Hughes | Extras Casting |
Bria Rose Wilk | Script Supervisor |
Natasha Duprey | Music Supervisor |
Eugenio Battaglia | Sound Re-Recording Mixer, Supervising Sound Editor, Sound Designer |
Jordan Crawford | Makeup & Hair |
Felix Fox | Makeup Effects Designer |
Harlow MacFarlane | Special Effects Makeup Artist |
Andy Levine | Post Production Supervisor |
Gabriel Medina | Unit Production Manager |
Nancy Welsh | Production Manager |
Hannah Broad | Third Assistant Director |
Benjamin Galloway | Second Assistant Director |
Adam McCarthy | First Assistant Director |
Jonny Sigouin | Set Dresser |
A. Blair Stevens | Assistant Set Decoration |
Eric Cairns | Set Decoration Buyer |
Gareth Baird | Foley Recordist |
Humberto Corte | Sound Effects Editor |
Dean Giammarco | Foley Editor |
Matt Hovland | ADR Mixer |
Jonathan Jost | ADR Mixer |
Trino Madriz | ADR Mixer |
Maureen Murphy | Foley Artist |
Gordon Sproule | Mix Technician |
Oscar Vargas | Sound Effects Editor |
Chris Lawson | Special Effects Assistant |
Greg Pyne | Special Effects Coordinator |
Edward J. Douglas | Visual Effects Supervisor |
Julia Kragh | Visual Effects Coordinator |
Ryan Lum | Compositor |
Amrit Bawa | Key Grip |
Jared Boyce | Data Management Technician, First Assistant Camera |
Ken Gurney | Grip |
Leonardo Harim | Steadicam Operator |
Arsalan Neshan | Assistant Camera |
Yannie Yu | Gaffer |
Stephen Grobe | First Assistant Editor |
Jason Maydick | Color Assistant |
Mitch Paulson | Colorist |
Brent Canning | Location Manager |
Mike McAree | Assistant Location Manager |
Griffon Burton | Production Assistant |
Troy James Miller | Title Designer |
Tim Moshansky | Location Scout |
Christopher Olivier | Production Assistant |
Francesco Quarto | Production Assistant |
Shelby Tony | Production Accountant |
Aaron Becker | Title Designer |
Quin Voth | Dailies Manager |
Joseph K. Vance | Assistant Editor |
András Tóth | Digital Intermediate Producer |
Adrien van Viersen | Storyboard Artist |
Brad McGregor | Camera Operator |
Will Erichson | Stunt Double |
Brennan Walstrom | Stunt Driver |
Dylan Burrow | Digital Compositor |
Christopher Lance | Special Effects Supervisor |
Robert W. Booth | Boom Operator |
Graham Fortin | Editor |
Andres Arochi | Director of Photography |
Greg Ng | Editor |
Jonathan DuBois | Line Producer |
Mark Bennett | Casting |
Danny Vermette | Production Design |
Brendan Megannety | Art Direction |
Trevor Johnston | Set Decoration |
Miguel Araujo | ADR Mixer |
Andrea Ross | Stunt Double |
Elvis Perkins | Original Music Composer |
Mike Klemak | Set Dresser |
Osgood Perkins | Writer, Music, Director |
Mica Kayde | Costume Design |
Jordan Peele | Thanks |
Colin Robson | Best Boy Grip |
Tiann Arnault | Production Coordinator |
Adam Cartwright | Key Production Assistant |
Emma Levine | Post Production Coordinator |
Giselle Bourget Morales | Set Costumer |
Natalia Bahamon | Lighting Technician |
Name | Title |
---|---|
Jason Wald | Executive Producer |
Dan Kagan | Producer |
Elizabeth Destro | Executive Producer |
Ronnie Exley | Executive Producer |
John Friedberg | Executive Producer |
David Gendron | Executive Producer |
Joe Grimaldi | Co-Executive Producer |
Ali Jazayeri | Executive Producer |
Sean Krajewski | Executive Producer |
Andy Levine | Co-Executive Producer |
Lawrence Minicone | Executive Producer |
Jesse Savath | Executive Producer |
Andrea Bucko | Executive Producer |
Tom Quinn | Executive Producer |
Brian Kavanaugh-Jones | Producer |
Jason Cloth | Executive Producer |
Teddy Schwarzman | Executive Producer |
Chris Ferguson | Producer |
Dave Caplan | Producer |
Nicolas Cage | Producer |
Fred Berger | Executive Producer |
Laura Wheeler | Co-Executive Producer |
Marlaina Mah | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 16 | 31 | 6 |
2024 | 5 | 24 | 34 | 14 |
2024 | 6 | 42 | 77 | 16 |
2024 | 7 | 188 | 315 | 69 |
2024 | 8 | 380 | 1331 | 165 |
2024 | 9 | 550 | 1003 | 358 |
2024 | 10 | 289 | 511 | 235 |
2024 | 11 | 213 | 404 | 143 |
2024 | 12 | 152 | 194 | 119 |
2025 | 1 | 161 | 257 | 108 |
2025 | 2 | 101 | 155 | 17 |
2025 | 3 | 37 | 124 | 4 |
2025 | 4 | 12 | 14 | 9 |
2025 | 5 | 12 | 14 | 10 |
2025 | 6 | 10 | 11 | 9 |
2025 | 7 | 9 | 12 | 7 |
2025 | 8 | 9 | 9 | 8 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 206 | 656 |
Year | Month | High | Avg |
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2025 | 7 | 96 | 559 |
Year | Month | High | Avg |
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2025 | 6 | 237 | 604 |
Year | Month | High | Avg |
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2025 | 5 | 54 | 402 |
Year | Month | High | Avg |
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2025 | 4 | 77 | 484 |
Year | Month | High | Avg |
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2025 | 3 | 78 | 276 |
Year | Month | High | Avg |
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2025 | 2 | 43 | 244 |
Year | Month | High | Avg |
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2025 | 1 | 35 | 119 |
Year | Month | High | Avg |
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2024 | 12 | 33 | 96 |
Year | Month | High | Avg |
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2024 | 11 | 13 | 47 |
Year | Month | High | Avg |
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2024 | 10 | 5 | 54 |
Year | Month | High | Avg |
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2024 | 9 | 9 | 22 |
Year | Month | High | Avg |
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2024 | 8 | 1 | 22 |
Certainly unsettling! <em>'Longlegs'</em> is solid horror fare. Nicolas Cage's Cobble is extremely creepy, that one scene in the car unnerved me and then some. I will say that the more we see of his character the less creeped out I was, though credit to Cage & Co. for having that effect! Maika Mo ... nroe puts in a very good showing as Lee, I have zero issues with her performance - she nails it. Alicia Witt merits praise as well. The pacing could've been better, it felt a little longer than its 101 minute run time, but other than that I'd kinda this a success. I had a fun time watching it all unfold, Monroe and the character of Cobble are the main reasons for that.
There's a fair amount of screen time given to Bill Clinton in this thriller. Luckily, there are no cigars to be seen as his Presidential visage looks down on FBI agent "Carter" (Blair Underwood). He's in charge of an investigation looking into the slaughter of entire families in their homes. There's ... no evidence of any third party anywhere, with the father invariably found having killed himself after slaughtering just about everyone else. Thing is, fellow agent "Harker" (Maika Monroe) thinks that there's way more to it than that. She's got a sort of sixth sense when it comes to these things and soon she and "Carter" are on the trail of the eponymous character (the sparingly used but effective Nicolas Cage) who may - or may not - be the source of some cryptic messages left near the site of each atrocity. Central to her theories are some eerily looking dolls. There are child size, perfectly made with porcelain and contain mysterious aluminium spheres. What's the purpose of them? It turns out that "Harker" might be able to elicit some answers from her mother "Ruth" (Alicia Witt). She's not quite the full shilling but as the detective recalls an encounter with a stranger many years earlier, we begin to wonder if mum might be more involved... It's quirky this story with elements that make sense and others that dart about making it almost impossible to figure out who's doing what to whom nor, more importantly, why? The rather brutal denouement does let it down. It's rushed and serves to fill in years worth of intrigue with five minutes of dialogue - indeed, I couldn't help but wonder if a sequel was in the offing as the story wrapped all too abruptly. Monroe delivers well here, as does photographer Andres Arochi who helps create an almost claustrophobic atmosphere to add quite a bit of tension to the plot. It's not especially scary, but it takes a different approach to creating horror for the mind rather thanks the eyes - and it works quite well.
I had fun. It's fun. Hail Satan! Any Satan movie is pretty high on my list. Was a super cool Satan kid in high school. All Anton LaVey book reports and stuff. It's a fine Satan movie. ...
I was really hoping this would make up for the wasted potential of Oddity (2024), and it certainly did. Longlegs (2024) mixes elements of paranormal pseudoscience with the "Devil made me do it" Satanic panic to deliver a satisfying slow burn thriller where the Devil is actually making them do it. ... Nicholas Cage delivers a damn good performance as the titular Longlegs and it's nice to see Kiernan Shipka in yet another "psycho" role after The Blackcoat's Daughter (2017). MaXXXine (2024) is next on my list. _Please don't disappoint_. ♪ Let me in now and it can be nice! Make me go now and I'll have to come back, not once, not twice, but as many times as I like! **SPOILERS BELOW!** Y'know, if Ruth had just shot this !@#$er, we could've avoided a lot of bloodshed. Also, kids, don't be Agent Browning. It's important to be aware of your surroundings. This scene is probably the worst offender in this movie. Also, also, blink and you'll miss it, but the Devil does a peekaboo off in the distance when Lee turns to investigate the first gunshot.
Nicolas Cage proves again with this movie that he can play any role without problems. He's such a talented actor... He's nailing his role in this movie. Movie itself is strange and interesting. And if you're one of those people who likes strange horror movies, you will like this movie. I personally ... enjoyed it.
I recently ventured to the cinema and caught a screening of the latest psychological thriller, "Longlegs." The film delves into the twisted world of a serial killer who is believed to be possessed by Satan, using his demonic abilities to target young girls born on the 14th of the month. He gifts the ... se girls a doll, which remains lifeless and silent, serving as a sinister prelude to their impending doom. Nicolas Cage portrays the enigmatic killer, appearing sporadically throughout the movie in an unsettling all-white ensemble with pale face paint and hair. His eerie rendition of "Happy Birthday" and unsettling gestures add to the film's chilling atmosphere, leaving viewers on edge about his potential accomplice. "Longlegs" exudes a retro vibe reminiscent of 1980s cinema, with a jarring visual style that may not resonate with contemporary audiences. The disjointed cinematography and truncated framing add to the film's unsettling nature, creating a sense of unease among viewers. The lead actress delivers a performance that feels uncomfortably raw, as if she herself is grappling with the character's turmoil. Her portrayal adds to the overall discomfort of the film, leaving audiences questioning the extent of her character's possession. While the film does offer resolution on the identity of "Longlegs," it ultimately falls short of recommendation. As a cinephile who appreciates the nuances of filmmaking, I found "Longlegs" lacking in substance and entertainment value. While individual tastes may vary, I prefer films that engage and captivate from start to finish, rather than leaving me feeling disenchanted or disturbed. "Longlegs" simply did not align with my preferences or expectations for a compelling cinematic experience.
Oz Perkins is clever and brilliant. And also, what new cryptic language is that? ...
A horror film which excels in the cinema. Genuinely scary with a great atmosphere, a great script, and one of Cage's most effective performances. Monroe is excellent, as is Perkins' score. Banger 4/5 ...