Popularity: 1 (history)
Director: | Rob Cohen |
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Writer: | Erik Bergquist, Gary Scott Thompson, David Ayer |
Staring: |
Dominic Toretto is a Los Angeles street racer suspected of masterminding a series of big-rig hijackings. When undercover cop Brian O'Conner infiltrates Toretto's iconoclastic crew, he falls for Toretto's sister and must choose a side: the gang or the LAPD. | |
Release Date: | Jun 22, 2001 |
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Director: | Rob Cohen |
Writer: | Erik Bergquist, Gary Scott Thompson, David Ayer |
Genres: | Action, Crime, Thriller |
Keywords | undercover, aftercreditsstinger, car race, duringcreditsstinger, street gang, los angeles, california, street race, auto-tuning, based on magazine, newspaper or article |
Production Companies | Universal Pictures, Original Film, Ardustry Entertainment, Mediastream Film |
Box Office |
Revenue: $207,283,925
Budget: $38,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 20, 2024 |
Name | Character |
---|---|
Paul Walker | Brian O'Conner |
Vin Diesel | Dominic Toretto |
Michelle Rodriguez | Letty Ortiz |
Jordana Brewster | Mia Toretto |
Rick Yune | Johnny Tran |
Chad Lindberg | Jesse |
Johnny Strong | Leon |
Matt Schulze | Vince |
Ja Rule | Edwin |
Ted Levine | Sgt. Tanner |
Thom Barry | Agent Bilkins |
Vyto Ruginis | Harry |
Stanton Rutledge | Muse |
Noel Gugliemi | Hector |
R.J. de Vera | Danny Yamato |
Beau Holden | Ted Gassner |
Reggie Lee | Lance Nguyen |
David Douglas | Rasta Racer |
Peter Navy Tuiasosopo | Samoan Guard |
Neal H. Moritz | Ferrari Driver |
Doria Anselmo | Ferrari Passenger |
Glenn K. Ota | Johnny's Father |
F. Valentino Morales | Dispatcher |
Mike White | Night Truck Driver |
Delphine Pacific | Racer's Edge Clerk |
Monica Tamayo | Monica |
Megan Baker | Gimel |
Tammy Monica Gegamian | Edwin's Babe |
Rob Cohen | Pizza Hut Delivery Guy (uncredited) |
Kevin Smith | Big Rig Driver (uncredited) |
Name | Job |
---|---|
Amy Rydell | Stunts |
Michael Runyard | Stunts |
Tim Trella | Stunts |
Danny Wynands | Stunts |
Dana Kristen Vahle | Stunts |
Steven F. Nelson | Sound Effects Editor |
Erik Bergquist | Screenplay |
BT | Original Music Composer |
Florence Fellman | Set Decoration |
Georgina Williams | Hairstylist |
Roddy Stayton | Hairstylist |
Michael Germain | Makeup Artist |
Monica Frommholz | Art Department Coordinator |
Michael C. Stone | Assistant Art Director |
Barry Kingston | Construction Coordinator |
Charles Page | Construction Foreman |
Alex Sessing | Greensman |
Tony Perez | Leadman |
Maria Baker | Set Designer |
Laura Macias | Foley |
Sean Rowe | Foley |
Charles Deenen | Sound Designer |
Tim Walston | Sound Designer |
Glenn Hoskinson | Sound Effects Editor |
Steve Mann | Sound Effects Editor |
Howard Neiman | Sound Effects Editor |
Kim Secrist | Sound Effects Editor |
Michael C. Casper | Sound Re-Recording Mixer |
Daniel J. Leahy | Sound Re-Recording Mixer |
Jay Nierenberg | Supervising Sound Editor |
Bruce Stambler | Supervising Sound Editor |
Matt Sweeney | Special Effects Coordinator |
Constance Bracewell | CG Supervisor |
Michelle Eisenreich | Visual Effects Producer |
Rebecca Marie | Visual Effects Art Director |
Lori J. Nelson | Visual Effects Producer |
Mary Stuart | Visual Effects Producer |
Thad Beier | Visual Effects Supervisor |
Brad Kuehn | Visual Effects Supervisor |
Malcolm Brown Jr. | Camera Operator |
Bruce Dickson | Camera Operator |
Lawrence Karman | Camera Operator |
John Trapman | Camera Operator |
Jeffery J. Tufano | Camera Operator |
Kenji Luster | Steadicam Operator |
Bob Marshak | Still Photographer |
Carl Boles | Gaffer |
Joseph D. Urbanczyk | Additional Camera |
Kevin Kavanaugh | Art Direction |
Michael Pescasio | Additional Photography |
Pål Bugge Haagenrud | Additional Camera |
Garet Reilly | Costume Supervisor |
Lawrence Quon | Set Costumer |
Brett Carroll | First Assistant Editor |
Jonathan Lucas | First Assistant Editor |
Terry Wilson | Music Editor |
David Marder | Transportation Coordinator |
John Feinblatt | Picture Car Coordinator |
Deirdre Horgan | Script Supervisor |
Jody Hummer | Location Manager |
Deborah Laub | Location Manager |
Michael Singer | Unit Publicist |
Michael J. Wassel | Visual Effects Supervisor |
Syd Dutton | Visual Effects |
J. Michael Muro | Steadicam Operator |
Clint Schultz | Art Department Assistant |
Gloria Ciraolo | Painter |
Helen Kozora | Set Decoration Buyer |
Chris Samp | Standby Painter |
Bill Marti | First Assistant Camera |
Loren Corl | Grip |
Joy Zapata | Key Hair Stylist |
Jeff Hay | Set Dressing Artist |
Steven Kissick | Carpenter |
Jamie Kemp | Chef |
Michael Kehoe | Craft Service |
John Characky | Driver |
Lisa Rodgers | Post Production Supervisor |
Maureen Holmes | Production Controller |
Tyler Lafferty | Propmaker |
Kevin A. Canamar | Set Medic |
Mike Currie | Set Production Assistant |
Johnny D'Mara | Stunts |
Kostas Theodosiou | Telecine Colorist |
Fred Culbertson | Transportation Captain |
Rafael 'Rafa' Castro | Video Assist Operator |
Pamela Choules | Visual Effects Editor |
Mike Stanwick | Color Timer |
Oscar Inzunza | Best Boy Electric |
John Crimins | Electrician |
Timothy McCrary | Lighting Technician |
Dan Zarlengo | Rigging Gaffer |
Stacie Goodman | Casting Associate |
Daniel R. Chavez | Executive In Charge Of Post Production |
Pamela Jaeckle | Production Coordinator |
Iram Collantes | Production Manager |
Tava R. Maloy | Production Supervisor |
Bryan M. Cahill | Boom Operator |
Paul Aulicino | First Assistant Sound Editor |
Gary Jones | Music Supervisor |
Randy Miller | Conductor, Orchestrator |
Felipe Borrero | Production Sound Mixer |
Brian Best | Sound Editor |
Carl D. Ware | Sound Engineer |
Michael Kory | 3D Supervisor |
Lloyd Lee Barnett | Digital Compositors |
Robert Simokovic | Special Effects Supervisor |
John C. Stuver | Dialogue Editor |
Mildred Iatrou | Dialogue Editor |
Robert Troy | Dialogue Editor |
Bill MacSems | Property Master |
Jonathan Taylor | Second Unit Director of Photography |
Andy Peach | Sound Recordist |
Becky Sullivan | Supervising ADR Editor |
Lee Lemont | ADR Editor |
Christi K. Work | Key Costumer |
John Riley | Additional Second Assistant Director |
Stephen V. Johnson | Second Second Assistant Director |
Lance Larson | Assistant Property Master |
Kent Demaine | Creative Director |
Francine Lecoultre | Textile Artist |
Dylan A. Flores | ADR Mixer |
Philip Rogers | ADR Recordist |
Gregg Barbanell | Foley Artist |
Shawn Kennelly | Foley Mixer |
William Cawley | Sound Assistant |
Eric Cook | Special Effects Technician |
Charlie Estepp | Stunt Driver |
Darin Moran | Additional First Assistant Camera |
Maricella Ramirez | Assistant Camera |
Jamie Lagerhausen | Best Boy Grip |
Richard L. Carden | Dolly Grip |
John Bonnin | Libra Head Technician |
Lisa Bonaccorso | Second Assistant Camera |
Andy Cohen | Assistant Editor |
Leann Emmert | Assistant Location Manager |
Robert Lane | Assistant Accountant |
Mike Bonnaud | Assistant Chief Lighting Technician |
Betty Riggs | Assistant Production Coordinator |
Carol Ashley | Digital Compositor |
Jimmy Jue | Extras Casting |
Al Lieberman | Key Rigging Grip |
Andy Young | Rigging Grip |
Timber Kislan | Payroll Accountant |
Christina Beaumont | Production Assistant |
Dana Swartout | Production Driver |
Da Han | Story Editor |
Craig Lieberman | Technical Advisor |
April Kelley | Camera Loader |
Kenny Alexander | Stunts |
Jacob Chambers | Stunts |
Bobby J. Foxworth | Stunts |
Tommy J. Huff | Stunts |
Matt Johnston | Stunts |
Dustin Meier | Stunts |
Chrisie Paola | Stunts |
Bennie Moore | Stunts |
Mitchell Dean | Stunt Driver |
Doc D. Charbonneau | Stunts |
Clint Cadinha | Stunts |
Kenny Bates | Stunts |
John Mann | Storyboard Artist |
Paul M. Walker III | Consulting Accountant |
Danny Rogers | Stunts |
Rob Cohen | Director |
Gary Scott Thompson | Screenplay, Story |
David Ayer | Screenplay |
Sanja Milković Hays | Costume Design |
Waldemar Kalinowski | Production Design |
Deborah La Mia Denaver | Makeup Artist |
Matthew W. Mungle | Makeup Effects |
Peter Honess | Editor |
Mike Wassel | Visual Effects Supervisor |
Mic Rodgers | Stunt Coordinator, Second Unit Director |
Irena Stepić | Set Costumer |
Eric Justen | Sound Recordist |
Clay Donahue Fontenot | Stunt Double, Stunts |
Dave Jordan | Music Consultant |
Debbie Evans | Stunts, Stunt Driver |
Jennifer Caputo | Stunts |
Annie Ellis | Stunts |
Tsuyoshi Abe | Stunts |
Laura Albert | Stunts |
Kenny Endoso | Stunts |
Eddy Donno | Stunts |
Doc Duhame | Stunts |
Thomas Robinson Harper | Stunts |
Steve Holladay | Stunts |
Joel Kramer | Stunts |
Kevin L. Jackson | Stunts |
Henry Kingi | Stunts |
Norman Howell | Stunts |
Shawn Patrick Lane | Stunts |
John C. Meier | Stunts |
Oakley Lehman | Stunt Double, Stunts |
Charlie Picerni | Stunts |
Steve Picerni | Stunts |
Chuck Picerni Jr. | Stunts |
Tim Rigby | Stunts |
Ron Stein | Stunts |
Troy Robinson | Stunt Double |
Samuel Le | Stunts |
Manny Perry | Stunts |
Mike Justus | Stunts |
Lance Gilbert | Stunt Double |
Ericson Core | Director of Photography |
Doug Claybourne | Unit Production Manager |
Dick Ziker | Stunts |
Dennis McCarthy | Picture Car Coordinator |
Mary Nelson | Negative Cutter |
Jimmy N. Roberts | Stunts |
Ken Li | Original Film Writer |
Ronna Kress | Casting |
Lars P. Winther | Second Assistant Director |
Name | Title |
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Doug Claybourne | Executive Producer |
Creighton Bellinger | Associate Producer |
John Pogue | Executive Producer |
Neal H. Moritz | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 6 | 8 | 4 |
2024 | 5 | 7 | 9 | 5 |
2024 | 6 | 7 | 10 | 5 |
2024 | 7 | 8 | 11 | 6 |
2024 | 8 | 7 | 12 | 5 |
2024 | 9 | 7 | 9 | 5 |
2024 | 10 | 6 | 14 | 5 |
2024 | 11 | 6 | 10 | 4 |
2024 | 12 | 7 | 9 | 6 |
2025 | 1 | 7 | 10 | 5 |
2025 | 2 | 6 | 8 | 1 |
2025 | 3 | 6 | 64 | 0 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 1 | 1 |
2025 | 9 | 1 | 1 | 1 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 125 | 462 |
Year | Month | High | Avg |
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2025 | 8 | 95 | 285 |
Year | Month | High | Avg |
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2025 | 7 | 77 | 309 |
Year | Month | High | Avg |
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2025 | 6 | 46 | 351 |
Year | Month | High | Avg |
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2025 | 5 | 71 | 346 |
Year | Month | High | Avg |
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2025 | 4 | 46 | 349 |
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2025 | 3 | 50 | 269 |
Year | Month | High | Avg |
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2025 | 2 | 46 | 252 |
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2025 | 1 | 80 | 224 |
Year | Month | High | Avg |
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2024 | 12 | 104 | 342 |
Year | Month | High | Avg |
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2024 | 11 | 112 | 320 |
Year | Month | High | Avg |
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2024 | 10 | 138 | 311 |
Year | Month | High | Avg |
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2024 | 9 | 185 | 398 |
Year | Month | High | Avg |
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2024 | 8 | 133 | 238 |
***Kinetic, “hip” street-racing flick with Vin Diesel and Paul Walker*** A newbie to Los Angeles (Paul Walker) falls for a café host (Jordana Brewster) while trying to join a street-racing gang led by her brother, Dom Toretto (Vin Diesel). Meanwhile the LAPD are trying to apprehend a radical grou ... p on the highways that targets semis and their valuable cargo. Michelle Rodriguez is on hand as Dom’s babe while Matt Schulze plays an angry member of his gang. “The Fast and the Furious” (2001) was the beginning of the popular street-racing franchise that currently has eight movies with two more planned. The over-the-top action is akin to “The Road Warrior” (1981) while the tone mixes the comic book melodrama of “The Warriors” (1979) and “Torque” (2004) with the more serious air of “Grand Canyon” (1991) and “Training Day” (2001). (Yes, I realize “Torque” and “Training Day” debuted after this one; I’m just providing comparative references). Speaking of the tone, there’s no goofiness and the actors take everything dead seriously, which is good in my book, but the flick has several unintentional laughs because, while quasi-realistic, the thrills & posing are so exaggerated. Brewster and Rodriguez are effective in the feminine department, but neither do much for me personally. There are a few good-looking ladies in the periphery, however. The soundtrack contains several dynamic urban numbers, including the excellent “Deep Enough” by Live. The movie runs 1 hour, 46 minutes and was shot in Los Angeles & nearby areas (San Bernardino, Hemet, Malibu, Westminster, Beverly Hills, etc.). GRADE: B
I can’t call this film a legend. The film, which gave a big push in such a concept as street racing and tuning cars. He raised interest in illegal races on the night streets, gave life to such a renowned game like Need for Speed: Underground, which in turn gained countless fans. And maybe the storyl ... ine is really simple and without frills, but its implementation is worthy of deep respect.
Point Break with cars! Sure it is a little cheesy but in the best way. Fun cast and fun premise. Diesel, Walker, Rodriguez, and Brewster deliver a great movie. **Once again, Point Break with cars. Do you need more?** ...
To be honest, the thin plot doesn't really matter here. This is just a good excuse for some fit people who look great to race souped-up production cars at break-neck speed around Los Angeles. Eye-candy Paul Walker ("Brian") and hardened "Dom" (Vin Diesel) look like they are truly pumped up for their ... roles and given neither have much by the way of dialogue to remember, they just get on with it. The soundtrack is irritating but the production and stunt work match the high octane pace of the film and I quite enjoyed it.
Wait, what? There is a heck of a lot left hanging here. Almost feels like they started filming without a finished screen play and then stopped when the pages ran out, threw in a race at the end, and then left it there. The Truck jacking story line had no real resolution. One bad heist and it s ... ort of ended there. The racing thing had only a minor resolution.... ... and then there were no real repercussions for anyone's actions and that is where the movie ends. Only one arc was finished and that is it. And so far, no, three movies in and they never really wrapped anything up.