Popularity: 3 (history)
Director: | Ric Roman Waugh |
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Writer: | Ric Roman Waugh, Justin Haythe |
Staring: |
Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive. | |
Release Date: | Feb 21, 2013 |
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Director: | Ric Roman Waugh |
Writer: | Ric Roman Waugh, Justin Haythe |
Genres: | Action, Drama, Thriller |
Keywords | prison, undercover, parent child relationship, arrest, based on true story, drugs, agent, dea |
Production Companies | Summit Entertainment, Front Street Productions, Participant, Image Nation Abu Dhabi, Exclusive Media, Spitfire Pictures |
Box Office |
Revenue: $42,930,462
Budget: $35,000,000 |
Updates |
Updated: Aug 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Dwayne Johnson | John Matthews |
Barry Pepper | Agent Cooper |
Susan Sarandon | Joanne Keeghan |
Benjamin Bratt | Juan Carlos "El Topo" Pintera |
Michael Kenneth Williams | Malik |
Melina Kanakaredes | Sylvie Collins |
Nadine Velazquez | Analisa |
David Harbour | Jay Price |
Jon Bernthal | Daniel James |
Harold Perrineau | Jeffrey Steele |
J. D. Pardo | Benicio |
Lela Loren | Vanessa |
Rafi Gavron | Jason Collins |
James Allen McCune | Craig |
Sam Medina | Juan Carlos' Driver (uncredited) |
Name | Job |
---|---|
Jonathan Chibnall | Editor |
Lindsay Graham Ahanonu | Casting |
Vincent Reynaud | Production Design |
Joe Lemmon | Art Direction |
Kristin Bicksler | Set Decoration |
James MacKinnon | Makeup Department Head |
Hannah Gates | Costume Supervisor |
Joulles Wright | Costume Supervisor |
Michelle Johnson | Hair Department Head |
Andrea Bowman | Hairstylist |
Tommie Strawther | Hairstylist |
Kim Ayers | Key Makeup Artist |
Ma Kalaadevi Ananda | Makeup Artist |
Yolanda Sheridan | Makeup Artist |
Rachel Solow | Key Hair Stylist |
Eli Everhard | Best Boy Electric |
Robert Foster | Camera Operator |
Geoffrey Haley | "A" Camera Operator, Steadicam Operator |
Bryce Marshall | Camera Production Assistant |
Michel Reynaud | Camera Production Assistant |
Chris Cavanaugh | Digital Imaging Technician |
Kenneth Coblentz | Dolly Grip |
James Selph | Dolly Grip |
Eric Fleetwood | Electrician |
C.J. Laurents | Electrician |
Ahmad Powell | Electrician |
Bryan Delorenzo | First Assistant "C" Camera |
Bob Bates | Gaffer |
Gary Harvill | Lighting Technician |
Brent 'Swampy' Mullins | Lighting Technician |
Robert Owen | Lighting Technician |
Tedd Underwood | Lighting Technician |
Todd Thompson | Rigging Grip |
Ryosuke Kawanaka | Second Assistant "B" Camera |
Steve Dietl | Still Photographer |
Tulio Dueñas | Second Assistant "A" Camera |
Joe Angel Martinez | First Assistant "B" Camera |
Walter Gasparovic | First Assistant Director |
Joe Pancake | Special Effects Coordinator |
Michael D. Leone | Visual Effects Supervisor |
Kenny Alexander | Stunts |
David Lee Valle | Stunts |
Alvin Zalamea | Stunts |
James M. Halty | Stunts |
Ric Roman Waugh | Screenplay, Director |
Dana Gonzales | Director of Photography |
Mary Vernieu | Casting |
Kimberly Adams | Costume Design |
Steve M. Davison | Stunts |
Oakley Lehman | Stunts |
Clay Cullen | Stunt Driver |
Matt Leonard | Stunts |
Kortney Manns | Stunts |
Malosi Leonard | Stunts |
Sam Medina | Stunts |
Johnny Martin | Stunts |
Tanoai Reed | Stunt Double, Stunts |
Mic Rodgers | Stunts |
Mike Seal | Stunts |
Kevin Scott | Stunts |
Tim Trella | Stunt Coordinator |
Larnell Stovall | Fight Choreographer |
Danny Wynands | Stunts |
Tom Glass | Stunt Driver |
Gene Hartline | Stunt Driver |
Jeff Sanca | Stunt Driver |
Antonio Pinto | Original Music Composer |
Keith Woulard | Stunts |
Justin Haythe | Screenplay |
Gregory Irwin | First Assistant "A" Camera |
Name | Title |
---|---|
Alexander Yves Brunner | Producer |
Becki Cross Trujillo | Executive Producer |
Nigel Sinclair | Producer |
Guy East | Executive Producer |
Tobin Armbrust | Producer |
David Fanning | Executive Producer |
Dany Garcia | Producer |
Dwayne Johnson | Producer |
Jonathan King | Producer |
Jillian Longnecker | Co-Producer |
Matt Jackson | Producer |
Justin Haythe | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 39 | 20 |
2024 | 5 | 37 | 49 | 23 |
2024 | 6 | 25 | 45 | 16 |
2024 | 7 | 41 | 73 | 18 |
2024 | 8 | 28 | 55 | 14 |
2024 | 9 | 24 | 42 | 14 |
2024 | 10 | 28 | 63 | 17 |
2024 | 11 | 23 | 37 | 13 |
2024 | 12 | 18 | 25 | 12 |
2025 | 1 | 22 | 39 | 14 |
2025 | 2 | 16 | 29 | 4 |
2025 | 3 | 7 | 22 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 3 | 10 | 2 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 893 | 893 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 795 | 901 |
This mundane vehicle for Dwayne Johnson seems more intent on shining a light on seemingly rather arbitrary US federal narcotics legislation than breaking any ground as a drama. He is successful businessman “Matthews” whose son “Jason” (Rafi Gavron) finds himself embroiled in some drug trafficking fo ... r which he seems destined to spend ten years in jail. Dad and lad aren’t exactly close, but there’s no way he is going to allow him to grow old in prison so “Matthews” does a deal with the shrewd and politically ambitious DA “Keeghan” (Susan Sarandon) to infiltrate a ruthless cartel and deliver their leader and his stash of cash to her. In return, she will cut the boy some slack on sentencing. Despite the scepticism of the veteran DEA agent “Cooper” (Barry Pepper) but with the assistance of reformed character “Daniel” (Jon Bernthal) he finds himself immersed in a brutal scenario where one wrong move is going to see him feeding the fishes. What now follows is entirely procedural stuff with the usual shoot ‘em ups, car chases and fifth columnists to keep the pace moving along energetically if not exactly originally. Sarandon doesn’t appear enough to make much difference and it does seem uncertain as to how it wants to end, so drags that out into an overlong truck chase that looks like it was filmed on a very quiet Sunday morning and that can really only end one way. It’s watchable but entirely forgettable stuff.