Popularity: 10 (history)
| Director: | Raja Gosnell |
|---|---|
| Writer: | Craig Titley, James Gunn |
| Staring: |
| When the Mystery Inc. gang is invited to Spooky Island, a popular amusement park, they soon discover that the attractions aren't the only things that are spooky. Strange things are happening, and it's up to Scooby, Shaggy, Fred, Daphne, and Velma to uncover the truth behind the mysterious happenings. | |
| Release Date: | Jun 14, 2002 |
|---|---|
| Director: | Raja Gosnell |
| Writer: | Craig Titley, James Gunn |
| Genres: | Comedy, Adventure, Mystery |
| Keywords | detective, voodoo, based on cartoon, resort, talking dog, dog, criminal investigation, theme park, nostalgic, duringcreditsstinger, live action and animation |
| Production Companies | Warner Bros. Pictures, Mosaic Media Group |
| Box Office |
Revenue: $275,650,703
Budget: $84,000,000 |
| Updates |
Updated: Oct 31, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Freddie Prinze Jr. | Fred |
| Sarah Michelle Gellar | Daphne |
| Matthew Lillard | Shaggy |
| Linda Cardellini | Velma |
| Neil Fanning | Scooby Voice (voice) |
| Rowan Atkinson | Mondavarious |
| Isla Fisher | Mary Jane |
| Miguel A. Núñez Jr. | Voodoo Maestro |
| Steven Grives | N' Goo Tuana |
| Charles Stan Frazier | Sugar Ray |
| Craig Bullock | Sugar Ray |
| Matthew Murphy Karges | Sugar Ray |
| Mark McGrath | Sugar Ray |
| Rodney Sheppard | Sugar Ray |
| Sam Greco | Zarkos |
| Charlie Cousins | Velma's Friend |
| Kristian Schmid | Brad |
| Nicholas Hope | Old Man Smithers |
| Scott Innes | Scrappy Voice (voice) |
| J.P. Manoux | Scrappy Rex Voice (voice) |
| Chris Cruickshanks | Tiny Henchman |
| Alex Ruiz | Reporter #1 |
| Sheryl Benko | Reporter #2 |
| Rio Nugara | Island Emissary |
| David Vallon | Bartender Dead Mike's |
| Troy MacKinder | Guy in the Vat |
| Michala Banas | Carol |
| Holly Brisley | Training Video Woman |
| Robert Díaz | Training Video Guy #1 |
| Remi Broadway | Training Video Guy #2 |
| Martin Broome | Melvin Doo |
| Simone Dumbleton | Co-Ed |
| Jonathan Coffey | Fitzgibbon |
| Michael Caffery | Coast Guard #2 |
| Kyas Sherriff | Airport Attendant |
| Celeste Gosnell | Airport Family |
| Bradley Gosnell | Airport Family |
| Cayley Gosnell | Airport Family |
| Audrey Gosnell | Airport Family |
| Kurt Duval | Spooky Hotel Bartender |
| Janis McGavin | Co-Ed Hottie |
| Emily Gosnell | Autograph Seeker |
| Marea Lambert Barker | Autograph Seeker |
| Kym Jackson | Autograph Seeker |
| Danielle Starkey | Autograph Seeker |
| Andrew Bryniarski | Cavern Henchman |
| Craig Behenna | Henchman #1 |
| Keith S. Bullock | Henchman #2 |
| Jess Harnell | Creature Voices (voice) |
| Frank Welker | Creature Voices (voice) |
| Pamela Anderson | Pamela Anderson (uncredited) |
| Name | Job |
|---|---|
| Raja Gosnell | Director |
| Mike Cachuela | Art Department Manager, Production Illustrator |
| David Newman | Original Music Composer, Conductor |
| Melissa Barker | Stunts |
| Philip A. Patterson | First Assistant Director |
| Caitlin McKenna | ADR Voice Casting |
| Tom Boyd | Musician |
| Nick McKinless | Stunt Double |
| Lisa Shaunessy | Accountant |
| Tory Belleci | Set Designer |
| Peter McCaffrey | "A" Camera Operator |
| Adam Shankman | Choreographer |
| Kylie Furneaux | Stunts |
| Nicole Downs | Stunts |
| Paul Doyle | Stunts |
| Steve Daddow | Stunts |
| Jane Harman | Stunts |
| Steve Harman | Stunts |
| Tony Lynch | Stunts |
| Brett Praed | Stunt Double |
| Yasca Sinigaglia | Stunts |
| Marco Sinigaglia | Stunts |
| Dino Dos Santos | Stunt Double |
| Alan J. Hagge | Systems Administrators & Support |
| Stephen Tung Wai | Stunts |
| Kent Beyda | Editor |
| Andrew Egiziano | Production Manager |
| Michael Leung | Visual Effects |
| Larry White | Animation |
| Jay Jackson | Animation |
| Christina Butterfield | Animation Manager |
| Roger Huynh | Compositors |
| Margaret Mitchell | Production Controller |
| Christian Wintter | Art Direction |
| Fiona Scott | Assistant Art Director |
| Stephen Jones | Unit Production Manager |
| Brendon 'Moose' Boyd | Unit Manager |
| Amiee Clark | Art Department Coordinator |
| Didier Levy | CG Supervisor |
| Brad Hanson | Stand In |
| Michael Backauskas | Visual Effects Editor |
| Fiona Searson | Publicist |
| Helen Gabrielle Gliniak | Art Direction |
| Matthew Putland | Set Decoration |
| Grace Hernandez | Hairstylist |
| Katherine Quittner | Music Editor |
| Donna Brown | Art Direction |
| Leigh-Alexandra Jacob | Lead Painter |
| Paula Marie Duncan | Production Accountant |
| Leonel Pedraza | Sound Mixer |
| Brian Cox | Special Effects Supervisor |
| Douglas Bloom | Visual Effects |
| David Childs | Carpenter |
| Michael D. Wilhoit | Supervising Sound Editor |
| Jason Bayever | Digital Compositors |
| Peter Crosman | Visual Effects Supervisor |
| Allen Foster | VFX Supervisor |
| Jodie Allen | Set Decoration |
| Kim Prentice | Art Department Assistant |
| Martin Ash | Set Designer |
| Sherie Bradfute | Software Engineer |
| Guy Norris | Second Unit Director, Stunt Coordinator |
| Daniel R. Chavez | Executive In Charge Of Post Production |
| Jennifer Cornwell | Production Coordinator |
| Sandy Wingrove | Set Decoration |
| Keith Foston | Visual Effects Coordinator |
| Gary Cramb | Construction Foreman |
| Robyn Elliott | Costume Supervisor |
| Anthony Mabin | Digital Effects Supervisor |
| Jo Weeks | Script Supervisor |
| Paul 'Salty' Brincat | Production Sound Mixer |
| Michael Conelly | Lighting Supervisor |
| Jamie McLennan | Location Manager |
| Rod Conder | Boom Operator |
| Christopher Assells | Sound Effects Editor |
| Richard Baneham | Animation Supervisor |
| Suza Maybury | Set Decoration |
| Leesa Evans | Costume Design |
| Barbara Darragh | Assistant Costume Designer |
| John O'Connell | Choreographer |
| Gregory Jamrok | Orchestrator |
| Jeff Glueck | Sound Engineer |
| Tohru Patrick Awa | Visual Development |
| Keith Hunter | Modeling |
| Bernie Childs | Construction Coordinator |
| Jenny Groener | Digital Producer |
| Craig Titley | Story |
| Bill Booth | Art Direction |
| Ben De Luca | Systems Administrators & Support |
| Kirstine Wallis | Sculptor |
| Jasin Boland | Still Photographer |
| Vic Kaspar | Sound Recordist |
| Gregg Thomas | Greensman |
| Adam Williams | Gaffer |
| Stewart Sorby | Rigging Gaffer |
| Kristelle Gardiner | Makeup Artist |
| Melanie Shepherd | Set Costumer |
| Lisa Brennan | Property Master |
| Monica Heideman | Telecine Colorist |
| Kevin Abercrombie | Utility Stunts |
| Matt Diezel | First Assistant Editor |
| Todd Carmody | Lighting Technician |
| Scott Sanders | Sound Designer |
| Daniel Harvey | Digital Effects Producer |
| Kerry Mulgrew | Assistant Production Coordinator |
| Mary Bills | Assistant Production Manager |
| Todd Egan | Assistant Sound Editor |
| Mo Henry | Negative Cutter |
| Glenn Arrowsmith | Dolly Grip |
| Ian Dewhurst | Chief Lighting Technician |
| John Cox | Animatronics Supervisor |
| Michelle Pazer | ADR Editor |
| Richard Allardice | Key Grip |
| Angella McPherson | Second Assistant Director |
| Drew Bailey | Third Assistant Director |
| Justine Dunn | Set Dresser |
| Scott Wolf | Foley Editor |
| Terry Lee | Pilot |
| Erwin H. Kupitz | Wig Designer |
| Jamie Underwood | Casting Assistant |
| Wilmer Lin | Matchmove Supervisor |
| Lee Romaire | Character Designer |
| Jesse Sugarman | CG Animator |
| William L. Arance | 3D Modeller |
| Kelly Oxford | Supervising ADR Editor |
| Cheryl Budgett | 2D Supervisor |
| David Orr | Color Timer |
| Neil Krepela | Additional Visual Effects |
| Ralph Churchwell | Music Producer |
| Graeme Callander | Storyboard Artist |
| Kirsty Bruce | Assistant Editor |
| Laurie Fish | Assistant Chief Lighting Technician |
| Damian Eggins | Assistant Unit Manager |
| Paul Pattison | Hairdresser |
| Caroline Grubb | Visual Effects Production Manager |
| Bruce Shapiro | Dialogue Coach |
| James Moriana | Foley Artist |
| Greg Gladstone | CG Artist |
| Trista K. Wahl | Production Assistant |
| Caroline Austin | Production Secretary |
| Mark Broadbent | Assistant Camera |
| Nicole Catino | Music Coordinator |
| Jeff McLean | Compositing Lead |
| Brom | Concept Artist |
| Masoud Aghdasi | Catering |
| Kazmer Harangozo | Second Second Assistant Director |
| Jane Dawkins | Extras Casting |
| Kym Sainsbury | Prosthetics |
| John O'Brien | Special Effects Assistant |
| Nerses Gezalyan | Foley Mixer |
| Michael McNerney | ADR Recordist |
| Jeffrey Schaper | Visual Effects Production Assistant |
| Joan Nygren | Assistant Makeup Artist |
| Vicki Martin | Costume Assistant |
| Kelly Foreman | Costumer |
| Weldon Brown | ADR Mixer |
| Kent Pritchett | Colorist |
| Nick Lawson | Stunts |
| Laura Harris Atkinson | Dialogue Editor |
| Toby Pease | First Assistant Director |
| Kurt Williams | Visual Effects Producer |
| Andrew Conder | "B" Camera Operator |
| Roger Lanser | Second Unit Director of Photography |
| Troy Reichman | Second Assistant "B" Camera |
| Melinda Rickman | Second Assistant "A" Camera |
| Ricky Schamburg | First Assistant "B" Camera |
| Adrien Seffrin | First Assistant "A" Camera |
| Grahame Litchfield | Key Grip |
| Lisa Marie Rosenberg | Hairdresser |
| Renee Bowen | Stunts |
| Damian Bradford | Stunts |
| Con Bekiris | Stunts |
| Michelle Comerford | Stunts |
| Mark Chique | Stunts |
| Morgan Evans | Stunts |
| Scotty Gregory | Stunts |
| Nick Lawson | Stunts |
| Gulliver Page | Stunts |
| Guy Norris | Stunt Coordinator |
| Debbie Santic | Stunts |
| Glenn Suter | Stunts |
| Melody Sorensen | Stunt Double |
| Darrell Walshe | Stunts |
| Wilfred Woodrow | Stunts |
| Robert Chapin | Stunt Double |
| Joe Ruby | Thanks |
| Ken Spears | Thanks |
| Audrey Mak | Stunts |
| Joe Chu Cho-Kuen | Stunts |
| Antonio Caprio | Stunts |
| James Gunn | Screenplay, Story |
| Mary Vernieu | Casting |
| Bill Boes | Production Design |
| Lesley Vanderwalt | Hair Supervisor |
| Choi Kwok-Ping | Stunts |
| Tex Kadonaga | Modeling |
| David Eggby | Director of Photography |
| Bob Camp | Storyboard |
| Laura Z. Wasserman | Music Supervisor |
| Jack Wong | Stunts |
| Fung Wai-Lun | Stunts |
| Name | Title |
|---|---|
| Joseph Barbera | Executive Producer |
| William Hanna | Executive Producer |
| Philip A. Patterson | Associate Producer |
| Andrew Mason | Executive Producer |
| Robert Engelman | Executive Producer |
| Kelley Smith-Wait | Executive Producer |
| Sheryl Benko | Associate Producer |
| Alan Glazer | Co-Producer |
| Stephen Jones | Associate Producer |
| Charles Roven | Producer |
| Richard Suckle | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 54 | 85 | 34 |
| 2024 | 5 | 70 | 105 | 40 |
| 2024 | 6 | 56 | 95 | 42 |
| 2024 | 7 | 54 | 83 | 34 |
| 2024 | 8 | 47 | 76 | 32 |
| 2024 | 9 | 42 | 51 | 34 |
| 2024 | 10 | 53 | 102 | 41 |
| 2024 | 11 | 47 | 79 | 33 |
| 2024 | 12 | 40 | 49 | 31 |
| 2025 | 1 | 48 | 81 | 35 |
| 2025 | 2 | 33 | 61 | 7 |
| 2025 | 3 | 10 | 36 | 3 |
| 2025 | 4 | 8 | 12 | 5 |
| 2025 | 5 | 7 | 12 | 6 |
| 2025 | 6 | 7 | 9 | 6 |
| 2025 | 7 | 7 | 9 | 6 |
| 2025 | 8 | 6 | 7 | 5 |
| 2025 | 9 | 7 | 9 | 5 |
| 2025 | 10 | 10 | 13 | 6 |
| 2025 | 11 | 10 | 10 | 10 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 499 | 728 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 433 | 772 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 433 | 739 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 485 | 782 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 443 | 736 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 485 | 693 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 803 | 857 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 629 | 722 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 495 | 495 |
**_Better the second time around_** Being a fan of the original cartoon from 1969-1970, I saw this live-action version when it debuted at the theater. After the first 15 minutes or so I slowly became more and more disappointed. Yet upon seeing it again last night, I must say it's better on repeat ... viewings. What most impressed me on my first viewing was Matthew Lillard as Shaggy and Linda Cardellini as Velma. Freddy Prinze Jr. as Fred is good while Sarah Michelle Gellar as Daphne wasn't quite right for the role, although certainly serviceable; I'm sure she got the part because of her popularity at the time. The addition of the winsome Isla Fisher as Mary Jane is a peripheral highlight. The CGI Scooby was good for the time (2002) and holds up pretty well. On my initial viewing I was hoping for a straight live-action adaption of the cartoon sorta like 1994's "The Flintstones." What I got instead was part homage and part parody. This would have worked for me but the film bogged down in the "Spooky Island" segment, which comprises the 2nd and 3rd acts and amounts to a full hour of the film. The problem with this large chunk of the movie is that the whole "Spooky Island" set was just too cartoony for a live-action homage. It just turned me off. In hindsight, I suppose the cartooniness was intended since the flick's based on a cartoon (aduh). Viewing it agin, I had the same impressions of the movie up to the 30-minute mark, but the final hour won me over. I still don't like the limitations of the "Spooky Island" set, yet I was impressed with the whole 'well of souls' aspect and the complications thereof, as well as the ingenious way they included Scrappy-Doo in the plot. I used to think I was the only one who literally couldn't stand Scrappy-Doo, but now I see that my feelings were pretty much universal. Scrappy-Doo rightly become the symbol of an annoyingly overexuberant or cute character added to a series in an attempt to maintain ratings, also known as the Cousin Oliver Syndrome (named after the character from the final season of The Brady Bunch, of course). At the end of the day, this live-action version of "Scooby-Doo" is definitely better on repeat viewings. If you loathed it on your initial viewing be sure to give it another chance. Aside from obvious positives, like Matthew Lillard and Linda Cardellini nailing Shaggy and Velma, the film features the beautiful Isla Fisher in a significant role, plus the creative plot elements of the 'well of souls' and Scrappy-Doo. It runs 1 hour, 36 minutes, which is perfect for cartoony fare like this; and was shot in Queensland, Australia. GRADE: C+/B-