Popularity: 9 (history)
Director: | Olivier Megaton |
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Writer: | Robert Mark Kamen, Luc Besson |
Staring: |
In Istanbul, retired CIA operative Bryan Mills and his wife are taken hostage by the father of a kidnapper Mills killed while rescuing his daughter. | |
Release Date: | Sep 27, 2012 |
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Director: | Olivier Megaton |
Writer: | Robert Mark Kamen, Luc Besson |
Genres: | Action, Crime, Thriller |
Keywords | fbi, stealing a car, aggressive, kidnapping, teenage daughter, u.s. embassy, police chase, albanian, turkey, ex-husband ex-wife relationship, furious |
Production Companies | 20th Century Fox, Dune Entertainment, M6 Films, Grive Productions, EuropaCorp, Karma Film Prod, Taken 2 |
Box Office |
Revenue: $376,100,000
Budget: $45,000,000 |
Updates |
Updated: Aug 24, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Liam Neeson | Bryan Mills |
Maggie Grace | Kim Mills |
Famke Janssen | Lenore St. John |
Leland Orser | Sam Gilroy |
D. B. Sweeney | Bernie Harris |
Jon Gries | Mark Casey |
Rade Šerbedžija | Murad Krasniqi |
Luke Grimes | Jamie |
Kevork Malikyan | Inspector Durmaz |
Alain Figlarz | Suko |
Frank Alvarez | Car Wash Attendant |
Murat Tuncelli | Custom Officer Albania |
Ali Yildirim | Imam |
Ergun Kuyucu | Mirko |
Cengiz Bozkurt | Border Guard #1 |
Hakan Karahan | Reception Clerk |
Saruhan Sari | Waiter |
Naci Adıgüzel | Cheikh |
Aclan Büyüktürkoğlu | Cheikh's Aide |
Mehmet Polat | Hotel Driver |
Yilmaz Kovan | Hotel Thug #1 |
Erdogan Yavuz | Hotel Thug #2 |
Luran Ahmeti | Hotel Thug #3 |
Cengiz Daner | Hotel Duty Officer |
Melis Erman | Maid Lockers |
Erkan Üçüncü | Barber |
Ugur Ugural | Man in Street |
Alex Dawe | Johnson |
Olivier Rabourdin | Jean-Claude Pitrel |
Michaël Vander-Meiren | Jean-Claude's Driver |
Rochelle Gregorie | Jean-Claude's Concierge |
Luenell | Driving Instructor |
Emre Melemez | Hammam Attendant |
İlkay Akdağlı | Albanian Intelligence Officer |
Mylène Pilutik | Waitress |
Nathan Rippy | Newsreader |
Atilla Pekoz | Border Guard #2 |
Serdar Okten | Custom Officer #1 |
Mesut Makul | Custom Officer #2 |
Mustafa Akin | Custom Officer #3 |
Murat Karatas | Police Man Car #1 |
Cuneyt Yanar | Police Man Car #2 |
Baris Adem | Police Man Antique #1 |
Hasan Karagulle | Police Man Antique #2 |
Gazenfer Kokoz | Cop #1 |
Remzi Sezgin | Cop #2 |
Ahmet Orhan Ozcam | Taxi Driver Kim |
Melike Acar | Pool Attendant |
Yasemin Yeltekin | Pool Waiter |
Baris Aydin | Pool Man Newspaper |
Kenneth James Dakan | Marine |
Adil Sak | Coffin Puller |
Bekir Aslantaş | Coffin Puller |
Ercan Kurt | Coffin Puller |
Cetin Arik | Coffin Puller |
Tamer Avkapan | Hammam Cop |
Eraslan Sağlam | Antique Shop #1 |
Mohammed Mouh | Antique Shop #2 |
Julian Vinay | DJ / Disco |
Gaelle Oilleau | Maid Hotel |
Çağan Atakan Arslan | Enemy Fighter |
Name | Job |
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Olivier Megaton | Director |
Robert Mark Kamen | Screenplay, Writer |
Nathaniel Méchaly | Original Music Composer |
Camille Delamarre | Editor |
Stéphane Bucher | Sound mixer |
John Papsidera | Casting |
Romain Lacourbas | Director of Photography |
Alain Figlarz | Stunt Coordinator |
Frédéric Dessains | Stunts |
Frédéric Alhinho | Stunts |
Jean-Benoit Guillon | Stunts |
Aya Yabuuchi | Key Makeup Artist |
Harika Uygur | Casting |
Sébastien Inizan | Production Design |
Rodolphe Chabrier | Visual Effects Supervisor |
Alan D. Purwin | Pilot |
Ludovic Bernard | First Assistant Director |
Mark Vanselow | Stunt Double, Stunt Coordinator |
Céline Collobert | Set Costumer |
Franck Lebreton | Unit Production Manager, Line Producer |
Claire Dumaze | Script Supervisor |
Nanci Roberts | Art Direction |
Atilla Yilmaz | Art Direction |
Vincent Tabaillon | Editor |
Myke Michaels | Makeup Department Head |
Rachel Benhabib | Costume Supervisor |
Marylin Fitoussi | Costume Supervisor |
Dana Loats | Costume Supervisor |
Servet Demirbag | Stunts |
Sébastien Peres | Stunts |
Brayane Rafiq | Stunts |
Christophe Couzon | Art Direction |
Agnes Demaegot | Set Decoration |
Eda Dalcam | Art Department Coordinator |
Martinus Van Lunen | Construction Coordinator |
Elif Öner | Property Master |
Tristan Girault | Property Master |
Véronique Boitout | Key Hair Stylist |
Barbara Dally | Key Hair Stylist |
Brian McManus | Key Makeup Artist |
Steven R. Soussanna | Key Hair Stylist |
Michael Kelem | Aerial Camera |
Steven Desbrow | Aerial Director of Photography |
Carl Bartels | Camera Operator |
Ümit Barlas | Gaffer |
Mohan Valmy | Gaffer |
Dana MacDuff | Property Master |
Frédérique Arguello | Key Hair Stylist |
Brett Laumann | Gaffer |
Luc Poullain | Pilot |
Pierre Garnier | Key Grip |
John T. Martin | Key Grip |
Adnan Aydın | Key Grip |
Jason Selsor | Rigging Grip |
Lorenzo Donati | Steadicam Operator |
Sam Urdank | Still Photographer |
Magali Bragard | Still Photographer |
Philippe Hubin | Special Effects Supervisor |
Donn Markel | Special Effects Coordinator |
Filiz Dana | Set Costumer |
Laurence Nicolas | Set Costumer |
Vicente Parada | Set Costumer |
Neil Tansey | Set Costumer |
Eylem Yildirim | Set Costumer |
Christophe Maratier | Armorer |
Thibaut Blanchet | Assistant Editor |
Sophie Chatin | Assistant Editor |
Karine Prido | Assistant Editor |
Dennis Fuller | Boom Operator |
Utku Insel | Boom Operator |
Anne Gibourg | Dialogue Editor |
Philippe Penot | Foley |
Guillaume Battistelli | Sound Editor |
Capucine Courau | Sound Editor |
Andrii Trifonov | Sound Re-Recording Mixer |
Frédéric Dubois | Sound Re-Recording Mixer, Supervising Sound Editor |
Loïc Gourbe | Sound Recordist |
Diloy Gülün | Line Producer |
Anne Barbier | Casting |
Matthieu Bled | Post-Production Manager |
Nicolas Bonavita | Production Manager |
Matthias Castegnaro | Production Manager |
David Deshayes | Unit Manager |
Frederic Jupin | Post Production Supervisor |
Burak Oskay | Location Assistant |
Suat Saglam | Production Manager |
Ibrahim Öter | Location Manager |
Ozge Cagaloglu | Casting |
Cheyenne Corre | First Assistant Director |
Shadie Elnashai | First Assistant Director |
Murad Erdem | Third Assistant Director |
Melisa Kurtay | First Assistant Director |
Sandie Louit | Assistant Director |
Pitch Mercadal | Assistant Unit Manager |
Pierre Marie Paubel | Assistant Unit Manager |
William Pruss | First Assistant Director |
Sybil Rerat | Second Second Assistant Director |
Selda Yildirim | Second Assistant Director |
Delphine Duche | Assistant Script |
Elise Romestant | Assistant Script |
Lyal Holmberg | Location Manager |
Richard Robinson | Second Second Assistant Director |
Pamela Incardona | Costume Design |
Luc Besson | Screenplay, Writer |
Michaël Mandaville | Line Producer |
Grégory Barrau | Unit Production Manager |
Shanna Besson | Still Photographer |
Name | Title |
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Luc Besson | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 67 | 100 | 46 |
2024 | 5 | 76 | 148 | 43 |
2024 | 6 | 68 | 116 | 52 |
2024 | 7 | 74 | 112 | 54 |
2024 | 8 | 55 | 77 | 43 |
2024 | 9 | 53 | 97 | 36 |
2024 | 10 | 67 | 123 | 40 |
2024 | 11 | 78 | 105 | 54 |
2024 | 12 | 67 | 115 | 45 |
2025 | 1 | 70 | 99 | 51 |
2025 | 2 | 46 | 68 | 8 |
2025 | 3 | 14 | 45 | 3 |
2025 | 4 | 9 | 12 | 7 |
2025 | 5 | 8 | 13 | 6 |
2025 | 6 | 7 | 11 | 5 |
2025 | 7 | 7 | 11 | 6 |
2025 | 8 | 8 | 9 | 6 |
2025 | 9 | 8 | 10 | 7 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 931 | 931 |
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2025 | 8 | 428 | 761 |
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2025 | 6 | 387 | 736 |
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2025 | 5 | 461 | 786 |
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2025 | 4 | 380 | 597 |
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2025 | 3 | 368 | 682 |
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2025 | 2 | 569 | 676 |
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2025 | 1 | 602 | 754 |
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2024 | 11 | 843 | 891 |
Year | Month | High | Avg |
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2024 | 9 | 873 | 873 |
Taken 2 was... Not as good as the first one. Yes, I am sad to say it is not as good but on the other hand the story is still sound and the action is better and faster then before. Liam Neeson plays his role excellently while some on the other cast members didn't preform as well. All in all a good mo ... vie but there are some little problems, but worth seeing any way.
I enjoyed this movie as a no-brainer action/thriller flick. Sure, it has a bunch of illogical and idiotic elements in but I have seen a lot worse. The movie certainly do not deserve the ridiculously low ratings that some people have given it. It is perhaps not as good as the first movie, mostly d ... ue to the silly bits and pieces, but as a plain vanilla action/thriller it is certainly passable. I generally do like Liam Neeson. I did like him in the first Taken movie and I do like him in this one. The other actors with the possible exception of his wife and daughter are mostly there to fill up the scenes. After a semi-dull beginning which is pretty much just setting up a reason for them all being in Istanbul, Bryan and his wife is, surprise, surprise, taken and that is pretty much when the action starts and from there on it is pretty much action all the way. As have been mentioned, there are a lot of stupid things happening in the movie. Dropping grenades in the middle of Istanbul seemingly without anyone really reacting for instance. Bryan’s daughter have failed to take a drivers licence in the states several times but still, when thrown into a car with a manual gear stick, she handles the car like a stunt driver. Then we have a violin player that sits in the same spot all the time? Not to mention crashing into the embassy while being fired upon by the embassy marine guards and then they can just sit there in the wrecked car, in front of the embassy, while Bryan calls for help from some guy playing golf in the states. It is clear that the Luc Besson didn’t really put realism very high on his agenda for this movie. But then this wouldn’t be the first time for him. Overlook the silliness and you have a decent enough action/thriller flick. At least I enjoyed it and I am normally not too forgiving when it comes to stupid and unrealistic stuff in movies.
The _Die Hard 3_ of the _Taken_ franchise, except like... Nowhere near as good. Serviceable, but a step down from the first film, and even that one was pretty overrated. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._ ...
Taken 2 brings back Liam Neeson as Bryan Mills, and while it does not hit the same level of intensity as the first movie, it delivers a solid follow-up with a revenge-driven plot. This time around, the villains have more depth, making the conflict feel more personal and engaging. The story does a go ... od job of tying up loose ends from the first film while keeping the stakes high. There are a few moments that feel a little too convenient, but overall, the pacing keeps things moving, even if the first act stretches a bit longer than necessary. The directing is decent, keeping the action tight and the tension high, though some of the editing choices make certain scenes feel choppy. The cinematography captures the atmosphere of Istanbul well, adding a fresh backdrop that sets it apart from the first movie. The action sequences are well-executed, especially the car chase, which stands out as one of the film’s more exciting moments. There are a few moments where logic takes a backseat, but that is expected in this kind of action film. Liam Neeson once again delivers as the no-nonsense ex-CIA operative, bringing the same presence that made him so great in the first movie. Maggie Grace gets more to do this time around, which adds some nice character growth, while Famke Janssen provides solid support. The villains are more developed compared to the first film, which adds a nice layer of tension. The script has its moments, especially with a few well-placed lines that add depth to the characters, but there are also some awkward or forced moments that do not quite land. The score does its job, keeping the tension in check and elevating the action scenes, but it is not particularly memorable. Sound design plays an important role in the film’s atmosphere, especially during key sequences like the chase scenes and fights. Overall, Taken 2 does not surpass the original, but it is still an enjoyable watch with plenty of action, a solid revenge story, and a few good character moments. If you liked the first one, you will probably have a good time with this one too.