Popularity: 7 (history)
Director: | Timur Bekmambetov |
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Writer: | Chris Morgan, Michael Brandt, Derek Haas |
Staring: |
Doormat Wesley Gibson is an office worker whose life is going nowhere. He meets a sexy woman named Fox and discovers that his recently murdered father - whom Wesley never knew - belonged to the Fraternity, a secret society of assassins which takes its orders from Fate itself. Fox and Sloan, the Fraternity's leader, teach Wesley, through intense training, to tap into dormant powers and hone his innate killing skills. Though he enjoys his newfound abilities, he begins to suspect that there is more to the Fraternity than meets the eye. | |
Release Date: | Jun 19, 2008 |
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Director: | Timur Bekmambetov |
Writer: | Chris Morgan, Michael Brandt, Derek Haas |
Genres: | Action, Crime, Thriller |
Keywords | mission of murder, secret organization, train crash, betrayal, based on graphic novel, hidden powers, secret code, weapons training, physical training, intense, extraordinary powers, secret base, instinct, revenge, fate, healing process, legacy, trainsurfing, office worker, assassins, murder of father |
Production Companies | Universal Pictures, Spyglass Entertainment, Kickstart Entertainment, Marc Platt Productions, Top Cow Productions, Relativity Media, Ringerike Zweite Filmproduktion, Revolution Sun Studios, Studio 414 |
Box Office |
Revenue: $342,463,063
Budget: $75,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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James McAvoy | Wesley Gibson |
Morgan Freeman | Sloan |
Angelina Jolie | Fox |
Terence Stamp | Pekwarsky |
Thomas Kretschmann | Cross |
Common | The Gunsmith |
Kristen Hager | Cathy |
Marc Warren | The Repairman |
David O'Hara | Mr. X |
Dato Bakhtadze | The Butcher |
Konstantin Khabenskiy | The Exterminator |
Chris Pratt | Barry |
Lorna Scott | Janice |
Sophiya Haque | Puya |
Brian Caspe | The Pharmacist |
Mark O'Neal | Co-Worker |
Bridget McManus | Check-Out Girl |
Brad Calcaterra | Assassin (uncredited) |
Mike Whyte | Businessman (uncredited) |
Claudia DiBiccari | Pedestrian (uncredited) |
Julia Copeland | Driver (uncredited) |
Name | Job |
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Dmitry Kiselev | Second Unit Director |
Jeff Shannon | Stunt Double |
Mitchell Amundsen | Director of Photography |
Chris Morgan | Screenplay |
Wylie Stateman | Supervising Sound Editor |
Nick Gillard | Stunt Coordinator |
Rick LeFevour | Stunt Coordinator |
Michael Brandt | Screenplay |
Danny Elfman | Original Music Composer |
Timur Bekmambetov | Director |
Mindy Marin | Casting |
Mic Rodgers | Stunt Coordinator, Second Unit Director |
Martin Hub | Stunt Coordinator |
C.C. Smiff | Fight Choreographer |
Stefen Fangmeier | Visual Effects Supervisor |
Mark Millar | Comic Book |
John Toll | Additional Photography |
Jophery C. Brown | Stunts |
Freddie Hice | Stunts |
Chris Barnes | Stunt Double |
Veronika Bellová | Stunt Double |
Roy Farfel | Stunt Driver |
Cort Hessler | Stunt Driver |
Billy D. Lucas | Stunts |
Carl Paoli | Stunt Driver |
Michael Runyard | Stunts |
Tim Trella | Stunts |
Todd Rogers Terry | Stunts |
Keith Woulard | Stunts |
Danny Wynands | Stunts |
George Richmond | Camera Operator, Steadicam Operator |
Debbie Evans | Stunt Driver |
Henry Kingi | Stunts |
Laura Albert | Stunts |
Dean Bailey | Stunts |
Chris Cenatiempo | Stunt Driver |
Gilbert B. Combs | Stunts |
Frank Ferrara | Stunt Driver |
Thomas Robinson Harper | Stunts |
Jennifer Lamb | Stunts |
Maurice Lee | Stunt Double |
John C. Meier | Stunts |
Jason Rodriguez | Utility Stunts |
Linda Perlin | Stunt Driver |
Riley Harper | Stunt Double |
Alicia Skirball | Stunt Double |
Leo Stransky | Stunt Double |
Scott Workman | Stunt Driver |
Greg Tracy | Stunts |
Samantha MacIvor | Stunts |
Lori Wyant | Script Supervisor |
Derek Haas | Screenplay |
David Baxa | Art Direction |
Martin Vačkář | Art Direction |
Varvara Avdyushko | Costume Design |
Stanislava Šlosserová | Costume Supervisor |
Tomas Voth | Supervising Art Director |
Petr Forejt | Production Sound Mixer |
Chris Cleek | Assistant Art Director |
Sally French | Unit Production Manager |
Luc Etienne | First Assistant Director |
Jon Farhat | Visual Effects Supervisor |
Bara Bucherova | Assistant Set Decoration |
David Vondrasek | Set Designer |
Steven M. Saylor | Set Designer |
Dallas Puett | Additional Editing |
Gregory B. Peña | Costume Supervisor |
Julie Dartnell | Hairstylist, Makeup Artist |
Gemma Richards | Hairstylist, Makeup Artist |
Nancy Hancock | Makeup Artist |
Patrick M. Sullivan | Art Direction |
Richard Roberts | Set Decoration |
Giovanni Casalnuovo | Costume Supervisor |
Frank A. Montaño | Sound Re-Recording Mixer |
Chris Jenkins | Sound Re-Recording Mixer |
Rudra Banerji | Set Production Assistant |
Rick James | Camera Trainee |
Juliette Yager | Visual Effects Producer |
Katerina Koutská | Set Designer |
Frantisek Weber | Set Designer |
Allan M. Fleischmann | Set Designer |
Samuel Craven | Additional Editing |
Carmel Jackson | Hairstylist, Makeup Artist |
Adéla Robová | Hairstylist, Makeup Artist |
Linda de Vetta | Makeup Artist |
Dominic Tuohy | Special Effects |
Gary Baxley | Stunts |
James M. Halty | Stunts |
Ross A. Jordan | Stunt Driver |
Jaroslav Peterka | Stunts |
Jindřich Klaus | Stunts |
Kevin Sorensen | Stunts |
Richard C. Taylor | Utility Stunts |
Rudolf Vrba | Stunt Double |
Craig Lyn | Visual Effects Supervisor |
J.G. Jones | Comic Book |
René Stejskal | Makeup Designer |
John D. Milinac | Special Effects Coordinator |
Kenny Alexander | Stunts |
Eunice Huthart | Stunt Double |
Roman Spacil | Stunts |
Keith Tellez | Stunts |
Leonard Woodcock | Stunts |
Ivo Zubaty | Stunts |
Роман Дрягалин | Compositing Artist |
Franklin Mark Henson | Stunts |
David Brenner | Editor |
John Myhre | Production Design |
Frances Hannon | Makeup Designer, Hair Designer |
Jay Maidment | Additional Set Photographer |
Name | Title |
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Marc Silvestri | Executive Producer |
Gary Barber | Executive Producer |
Jeff Kirschenbaum | Executive Producer |
Jared LeBoff | Co-Producer |
Jim Lemley | Producer |
Iain Smith | Producer |
Geyer Kosinski | Executive Producer |
Jason Netter | Producer |
Roger Birnbaum | Executive Producer |
Adam Siegel | Executive Producer |
Sally French | Co-Producer |
Marc Platt | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 45 | 62 | 35 |
2024 | 5 | 50 | 76 | 30 |
2024 | 6 | 43 | 60 | 31 |
2024 | 7 | 47 | 78 | 30 |
2024 | 8 | 48 | 83 | 30 |
2024 | 9 | 41 | 54 | 31 |
2024 | 10 | 48 | 76 | 33 |
2024 | 11 | 42 | 57 | 31 |
2024 | 12 | 37 | 53 | 30 |
2025 | 1 | 44 | 89 | 34 |
2025 | 2 | 40 | 53 | 7 |
2025 | 3 | 12 | 48 | 3 |
2025 | 4 | 9 | 14 | 6 |
2025 | 5 | 9 | 14 | 7 |
2025 | 6 | 9 | 12 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 6 | 8 | 5 |
2025 | 9 | 7 | 9 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 3 | 277 | 705 |
Year | Month | High | Avg |
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2025 | 2 | 334 | 698 |
Year | Month | High | Avg |
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2025 | 1 | 412 | 759 |
Year | Month | High | Avg |
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2024 | 12 | 550 | 819 |
Year | Month | High | Avg |
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2024 | 11 | 306 | 704 |
Year | Month | High | Avg |
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2024 | 10 | 824 | 901 |
I typically never write a review on a film that I've already seen more than once, because I insist on the review reflecting my first (and strongest) impression of the film. But after watching Wanted for what must be the 5th or 6th time now, I suddenly felt like writing something anyway, so here I go ... . Let me begin by saying, this is one strange film. Strange in the sense that it's literally like a train wreck that you can't keep your eyes off because it's so fascinating to watch. And you almost feel sick with guilt and exhilaration because you're enjoying it so much. Violence never looked so gorgeous before... Wanted is about a guy named Wesley Gibson, who is such a hopeless, pathetic dweeb that even Google won't return any results when he types in his own name. He is "rescued" from his pitiful cubicle existence by a gorgeous woman named Fox, who recruits him into an organisation of assassins known as The Fraternity, supposedly because they believe he is the only person who can kill the man who killed his father. Little does he know just how drastically his life will actually change once he agrees to join them. The casting of the film is spot-on. James McAvoy has already proved himself to be a versatile actor and he is very believable as a weak push-over, who finds confidence in the fact that group of trained assassins apparently believe in his abilities. He also makes his character likable and fun to watch, because he delivers it with a sense of humour and you can actually relate to him because his situation is so understandable. Basically, he's just another slave to the wage, looking for a way to break free. This way is initially offered to him by Angelina Jolie, and who could say no to a woman like that... Ms Jolie plays a role that seems like it could only have been written specifically for her. Who else could play a beautiful and deadly assassin who's charismatic and covered in tattoos? She could and would kill you in a heartbeat, and yet you just want to be near her. Morgan Freeman plays Sloan, the leader of the Fraternity, and, well... I hardly need to elaborate on this one, do I? He makes pretty much every film he's in worth watching, and that's all I need to say. Now, I titled this review 'beautiful garbage'. That's not so much because the film itself is garbage, because it's not, but rather because the events portrayed in this film are so brutal and merciless that they could only come from a very dark and rotten place. The 'beautiful' is directed at the visual effects, because everything ranging from camera techniques to production design to action choreography is so beautifully done, so thrillingly eye-popping that it would almost make you forget that you're watching people get slaughtered, beat up and maimed. Tons of blood flow, brains are splattered against the wall and yet you can't take your eyes off that beautifully designed bullet. That awesome tattoo on Angelina Jolie's hand interlacing with the engravings on her gun. Those mind-blowing car chase scenes. That guy jumping through the glass out of a skyscraper just to finish his "job"... This film is visual effects executed to perfection, elevating said perfection to a whole new level. It's all so pretty to watch that it would almost make you able to forgive the writers the overpowering lack of realism. Almost. The staggering amount of ideas and actions that are 98% of the time either inconsistent, improbable or flat-out impossible would in any other case surely put any screenwriter out of work. With a film like this, it's literally only the wrapper that makes the candy sweet. It just goes to show that sometimes, making something really, really pretty can make it worth watching, just so long as you're willing to suspend every inch of disbelief for the sake of watching pretty pictures. Nature, science, biology and every other form of technical factuality is being put to the test here, which is not to say it's basically just being thrown out the window... But hey, I can promise you you're going to get to see a guy get in a car the way you've never seen before. And a girl get in a train in a fashion that defies every rule of physics... It's all worth it for a totally cool, put-your-brain-in-stand-by-mode kind of action flick. Director Timur Bekmambetov has obviously tried his darnedest to make his mark in Hollywood with his first English spoken, big-budget effort, and may I say, he could've done a lot worse. Not to mention the fact that he has managed to recruit a few very big names to top the bill, this is definitely a Hollywood debut to be proud of. I can only hope he will continue to work with the same excellent crew in the future, because although only the sound department was nominated for an Oscar, camera and visual effects would have definitely deserved a nod from the Academy too. In a nutshell, Wanted is an 110 minutes of gorgeous, eye-pleasing nonsense with great action and one very beautiful lady... I for one can't wait for the sequel. _(July 2012)_
He's the man alright. Wanted is loosely based on the comic book miniseries of the same name by Mark Millar. It's directed by Timur Bekmambetov and stars James McAvoy, Angelina Jolie, Morgan Freeman, Thomas Kretschmann, Common, Terence Stamp and Konstantin Khabensky. The storyline follows Wesley G ... ibson (McAvoy), a frustrated and downtrodden office worker who discovers that he is the son of a professional assassin when he is saved by Fox (Jolie) from being assassinated himself in a supermarket. Initially he is baffled and out of his depth, but upon meeting the secret "Fraternity" headed by Sloan (Freeman), Gibson starts to undergo training to fulfil his destiny as a "Fraternity" hit-man. One of the better things about popcorn action movies is when there is a geek coming good and kicking ass. Be it super-heroes or average Joe's finding something extra, having the rise of the meek get tough at its core is normally a winner. So it is with Wanted, the US directorial debut of Night/Day Watch helmer, Timur Bekmambetov. It's not so much that McAvoy's anxiety riddled office worker gets to play guns, sports cars and hang with a lithe Angelina Jolie - it's that he, courtesy of a good source, gets to not care about the killing. The film may not be as dark as the source material, but the essence of it is there with corruption and violence at the core. The story, as bonkers as it is, is simplified into one that features ancient weavers receiving messages depicting targets to be wiped from the planet for the greater good of humanity. Enter the "Fraternity" in modern times, which in the name of good, goes out slotting said targets. Oh but it's not just a case of line someone up in a telescope and pull the trigger, this is more fun than that. For action movies in this decade, Wanted has few peers. From the intense and brutal training regime that Gibson undertakes, to the number of explosive and inventive sequences that flit in and out of the piece, it delivers pulse raising cinema. There's outrageous car pursuits, car jumps with whirls and crash bangs, speeding trains resplendent with stunts, a train crash sequence that's as good as anything in popcorn world, and then there's the bullets. Curving bullets that either smack into each other or do untold damage to the forehead of some unknowing target. That the makers are not aiming for the PG-13 market is an obvious bonus, for it allows them to fully payoff on the fights and blood letting. Even those that come with funny and inventive gimmicks. Bekmambetov is having fun, the nature of the beast is a haven for his fast-cutting and slow-mo dalliances, while the noise that thunders out of the speakers pulls one further into the action. McAvoy steps up to the action plate with great success, at times charming yet pathetic, at others totally scary, he revels in the chance to carry a movie of such adrenalin fuelled excess. Jolie too comes out with much credit, the role of Fox giving her the chance to shine, unlike Lara Croft, as a charismatic action girl. While Freeman does what Freeman does well, be straight and oddly classy. Not since John Woo's action berserker Face-Off 11 years previously has the action genre been this much fun and exciting. The pace may not be perfect, and some scenes will be just too ridiculous for some demanding critics (they of course realise the tongue in cheek/nudge in the ribs that's going on?), but regardless, Wanted has taken the action genre to another level. Lets hope it's not 11 years till we have to wait for the next bar raiser. 9/10