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Prometheus

The search for our beginning could lead to our end.
2012 | 124m | English

(685161 votes)

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Popularity: 10 (history)

Details

A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
Release Date: May 30, 2012
Director: Ridley Scott
Writer: Damon Lindelof, Jon Spaihts
Genres: Adventure, Science Fiction, Mystery
Keywords alien, creature, creation, archaeological dig, god complex, prometheus, origins of life, objective, android, space, spin off, emergency surgery, stasis, cave drawing, genetic mutation, 2090s
Production Companies 20th Century Fox, Brandywine Productions, Dune Entertainment, Scott Free Productions
Box Office Revenue: $403,354,469
Budget: $130,000,000
Updates Updated: Aug 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Noomi Rapace Elizabeth Shaw
Michael Fassbender David
Charlize Theron Meredith Vickers
Idris Elba Janek
Guy Pearce Peter Weyland
Logan Marshall-Green Charlie Holloway
Sean Harris Fifield
Rafe Spall Millburn
Emun Elliott Chance
Benedict Wong Ravel
Kate Dickie Ford
Branwell Donaghey Mercenary 1
Vladimir "Furdo" Furdik Mercenary 2
C.C. Smiff Mercenary 3
Shane Steyn Mercenary 4
Ian Whyte Last Engineer
John Lebar Ghost Engineer
Daniel James Peterson Sacrifice Engineer
Patrick Wilson Shaw's Father
Lucy Hutchinson Young Shaw
Giannina Facio Shaw's Mother
Anil Biltoo Linguist Teacher
Louisa Staples Greeting Message Violinist
James Embree Mechanic 1
Florian Robin Mechanic 2
Matthew Burgess Mechanic 3
Eugene O'Hare Mechanic 4
Richard Thomson Archaeological Assistant
Philip McGinley Archaeological Assistant
Jenny Rainsford Archaeological Assistant
Rhona Croker Archaeological Assistant
Wambui Wa-Ngatho Automated Voice (Swahili) (voice)
Wannaporn Rienjang Automated Voice (Thai) (voice)
Zed Sevcikova Automated Voice (Czech) (voice)
Sonam Dugdak Automated Voice (Tibetan) (voice)
Reynir Thor Eggertsson Automated Voice (Icelandic) (voice)
Shin-Ichiro Okajima Automated Voice (Japanese) (voice)
Charalambos Dendrinos Automated Voice (Greek) (voice)
Berhane Woldegabriel Automated Voice (Amharic) (voice)
Annie Penn Ship Computer Voice (voice)
Robin Atkin Downes Ship Computer Voice (voice)
James Currie Weyland Guest (uncredited)
Dan Dewhirst Peter Weyland Files (uncredited)
Phill Martin Elephantine Engineer (uncredited)
Matt Rook Elder Engineer (uncredited)
Name Job
Damon Lindelof Writer
Jon Spaihts Writer
Rowley Irlam Stunts
Marc Streitenfeld Original Music Composer
Dariusz Wolski Director of Photography
Pietro Scalia Editor
Nina Gold Casting
Arthur Max Production Design
Janty Yates Costume Design
Paul Inglis Art Direction
Rob Inch Stunt Coordinator
Doug Hemphill Sound Re-Recording Mixer
Ron Bartlett Sound Re-Recording Mixer
David Vyle Levy Conceptual Design
Neville Page Concept Artist
Dan O'Bannon Characters
Ronald Shusett Characters
Carolina Jiménez Layout
Maher Asaad Baker Visual Effects
H. R. Giger Art Direction
Ferran Domenech Animation Supervisor
Sonja Klaus Set Decoration
Alex Cameron Art Direction
Anthony Caron-Delion Art Direction
Peter Dorme Art Direction
Marc Homes Art Direction
Karen Wakefield Art Direction
Laura Davison Construction Coordinator
Sarah Griggs Art Department Coordinator
Philip Elton Assistant Art Director
Tom Whitehead Assistant Art Director
Tom Weaving Assistant Art Director
Helen Xenopoulos Assistant Art Director
James Newell Scenic Artist
Claudio Campana Assistant Art Director
Victor Ray Ennis Supervising Sound Editor
John T. Cucci Foley
Dan O'Connell Foley
Jamie Dixon Visual Effects Supervisor
Dick Edwards Visual Effects Supervisor
Annette Wullems Visual Effects Producer
Allen Maris Visual Effects Producer
Michelle Eisenreich Visual Effects Producer
Kerry Brown Still Photographer
Perry Evans Gaffer
Graham Hall Camera Operator
Daniele Massaccesi Steadicam Operator, Camera Operator
David Morgan Camera Operator
Gary Spratling Camera Operator
Gordon Harmer Costume Supervisor
Calandra Meredith Set Costumer
Georgiana Sayer Set Costumer
Bruno de Santa Set Costumer
Joseph Bonn Music Editor
Del Spiva Music Editor
Peter Devlin Transportation Coordinator
Amal Baggar Script Coordinator
Catherine Charlton Dialect Coach
Steve Hart Location Manager
Annie Penn Script Supervisor
Michael Queen Compositors
Kirsty Whalley Music Editor
Miranda Marks Production Coordinator
Jana Carboni Makeup Artist
Aisling Nairn Makeup Artist
Nicky Knowles Hairstylist
Nana Fischer Hair Designer
Enzo Angileri Hair Designer
Peta Dunstall Hairstylist
John King Supervising Art Director
Mark 'Rocky' Evans Electrician
Tim Gomillion Sound Recordist
Dennis Rogers Sound Recordist
Margit Pfeiffer Dialogue Editor
Michael Hertlein Dialogue Editor
Julie Feiner Dialogue Editor
Daniel S. Irwin Supervising Dialogue Editor
Richard Stammers Visual Effects Supervisor
Trevor Wood Visual Effects Supervisor
Charley Henley Visual Effects Supervisor
Archie Campbell-Baldwin Art Department Assistant
Mike Potter Stunts
Davide Losi Prosthetics
Simon Dutton Rigging Supervisor
Max Keene First Assistant Director
Simon Hayes Production Sound Mixer
Julian Bryant Digital Compositor
Avy Kaufman Casting
Mark P. Stoeckinger Supervising Sound Editor
Trent Claus Visual Effects Supervisor
Martin Hill Visual Effects Supervisor
Paul Butterworth Visual Effects Designer
Maggie Partington-Smith Costume Assistant
Angela Pledge Costume Assistant
Glenn Marsh Sculptor
Lisa Gonzalez Visual Effects Supervisor
Glenn T. Morgan Foley Editor
Glen Gathard ADR Recordist
Stephen Smart Data Wrangler
Jim Smart Electrician
Julian Caldow Production Illustrator
Rebecca White Art Department Assistant
Ridley Scott Director
Phillip Leonhardt CG Supervisor
David Sinfield Best Boy Electric
Ben Foster Conductor
Name Title
Damon Lindelof Executive Producer
Michael Costigan Executive Producer
Michael Ellenberg Executive Producer
David Giler Producer
Walter Hill Producer
Ridley Scott Producer
Mark Huffam Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 93 200 67
2024 5 223 280 179
2024 6 144 227 90
2024 7 85 143 60
2024 8 111 226 58
2024 9 75 112 56
2024 10 85 144 41
2024 11 69 143 50
2024 12 68 143 53
2025 1 69 96 52
2025 2 49 67 13
2025 3 17 49 3
2025 4 10 16 7
2025 5 11 19 8
2025 6 9 11 8
2025 7 8 10 7
2025 8 10 13 7
2025 9 10 14 8

Trending Position


Year Month High Avg
2025 9 75 410
Year Month High Avg
2025 8 35 286
Year Month High Avg
2025 7 143 448
Year Month High Avg
2025 6 120 481
Year Month High Avg
2025 5 175 599
Year Month High Avg
2025 4 113 471
Year Month High Avg
2025 3 95 567
Year Month High Avg
2025 2 122 468
Year Month High Avg
2025 1 100 453
Year Month High Avg
2024 12 127 437
Year Month High Avg
2024 11 113 362
Year Month High Avg
2024 10 58 301
Year Month High Avg
2024 9 77 192
Year Month High Avg
2024 8 17 152

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Reviews

Dark Jedi
4.0

The special effects are great, the scenery and photography is lovely but the film is as a whole a big disappointment. You would have thought that with such a budget they could have hired some guy to make a basic sanity check of the script but obviously that wasn’t in the budget for this one. I do no ... t know if a lot of Hollywood people are idiots or think the audience are idiots or both but for Christ sake, how difficult can it be to come up with a plot that holds together and are at least half believable? A trillion dollar expedition to discover the “makers of mankind” and they put together a band of asocial morons for crew where not even the scientists among them seems to have met each other before the wake up millions of miles from Earth. Almost everyone behaves in a completely unbelievable way. Yeah, it looks okay so let’s remove the helmets for instance? Right, apart from the immediate danger to your own health, what about quarantine procedures…idiots? Why did the robot put the mutagen in the drink? It’s just illogical and never really adequately explained. Speaking of robots, robots have a power source and it’s not spread all over them. If you rip their head of they do not continue to talk like nothing had happened. In the original Alien they at least had to hook him up to something. It goes on. The entire film is just a jumble of illogical acts one after another. Then we have the ending. What a joke. Apart from the fact that Elizabeth’s actions are just ridiculous, how does she expect to live on a alien ship without food or any other supplies? This film had good promise. The idea of getting to know the origin of the aliens intrigued me and the basic plot idea was cool. However, the film was really ruined by a script obviously written by total morons.

May 16, 2024
tanty
6.0

Although this is not a great movie, I was positively surprised, given the tons of bad references I got from this movie. The background story is interesting and the cast is quite decent. Theron and Elba played well but specially remarkable are Rapace and Fassbender. In any case, it does have ma ... ny flaws in the script. Several characters are stupid beyond comprehension, several things are completely unexplained, Pearce character is really bad and the crashing of the alien spaceship is just ridiculous, as it is the killing of Theron's character. In any case, it doesn't leave a bad after taste and I am looking forward to the continuation of the story.

Jun 23, 2021
r96sk
7.0

Looks good, but feels a bit hollow to me. <em>'Prometheus'</em> - which serves as a (loose) prequel to <em>'Alien'</em> - didn't excite me and I didn't feel like I got anything from it. It's still a good film and it is a pleasant looking one at that, with neat special effects et al. I also like t ... he casting for this 2012 release. Noomi Rapace is probably the film's standout, though Michael Fassbender, Guy Pearce, Charlize Theron and Idris Elba are also involved - the latter two feel a bit underused, we get a fair bit of them both but still I wanted to watch them more - especially Theron, who feels a bit tacked on.

Feb 24, 2022
GenerationofSwine
1.0

What? Seriously...WHAT?! I don't understand what I watched. Alien was a monster movie in space. It was a great movie, it was scary and you could taste the tension....but it was just a monster movie in outer space. It was really just a merger of horror and science fiction. Aliens was a fun m ... ovie. But it was just Space Marines v Monsters. It was just a merger of action and science fiction. We can go on and on and on but, I think Scott is buying the fanboys that are reading too deeply into the Alien franchise. It's not "Chinatown" it's just the Alien movies. Prometheus was just too much for the franchise, FAR TOO MUCH. Watching it felt like that moment when you realize that the top came off of the salt shaker and now you're going to have to just bare threw the mess bite by bite. There was so much that, in the end, there wasn't really anything at all. Everything that was good about Alien and Aliens was totally forgotten here and you were left with, well, pretentious ramblings. This is a monster movie that thinks it's "Taxi Driver." It's putting on airs and you can see straight through it.

Jan 13, 2023
CuzzinCoo
7.0

Good Sci-fi 👍🏾 Finding a map left by our creators and then following it lightyears away for the search of the meaning of life, and immortality... Forget the horror part of the film, that plot alone had me fully immersed. _I watch this one at least twice a year. _ ...

Apr 18, 2023
ermozart
10.0

Follows greatly the Hero with a Thousand Faces, very well executed. Probably the best science-fiction ever made, along Kubrick's Space Odyssey 2001, where you can actually learn something about true **technology**. Well done for those who can see. We need more! ...

Dec 11, 2023
Geronimo1967
6.0

Isn't "Elizabeth Shaw" the woman who makes the Christmas mints? Anyway, here she's been persuaded by "Meredith" (Charlize Theron) to diversify into the intergalactic travel game with a trip aboard the eponymous science vessel. She (Noomi Rapace) is travelling with her boyfriend "Charlie" (Logan Mars ... hall-Green) to a remote moon where there might be the glimmer of a clue as to the origins of not just our species, but of life in general. Their team, augmented by the android "David" (Michael Fassbender) arrive on LV-223 to discover clear evidence of a civilisation - well of engineering effort, anyway. Thing is though - has anything survived in the bleak and hostile environment and if it has - is it friend or foe. Now the visual effects are excellent across the board; the use of darkness, shadow, intermittent light and some marvellous creativity from Neal Scanlan and Conor O'Sullivan really do make this at times a menacing and compelling adventure to watch. Sadly though, it all takes far too long to get going, it recycles a little too much from it's parent film ("Alien") and there's just far too much chatter cluttering up the closing stages. The acting is competent, no more, and it could easily lose twenty minutes of preamble and ramble and just focus on the "can they survive" bit. This has got to be seen on a big screen. The 70mm print I saw showcases what this film is really about - a scary looking sci-fi horror that we've all seen in some guise before, but maybe not quite this technically proficient. Is it a reboot or a reimagining? I'm not sure we really needed either.

Jul 18, 2024