Popularity: 2 (history)
| Director: | Eric Valette |
|---|---|
| Writer: | Neal Marshall Stevens |
| Staring: |
| Late one night, a mysterious car is brought into the Chicago police impound garage after a deadly traffic accident. The on-call mechanics soon discover the car has a mind of its own. With hundreds of horsepower and two tons of reinforced steel at its command, it's a seemingly unstoppable killing machine capable of outrunning -- and outwitting -- humans. | |
| Release Date: | Jan 28, 2011 |
|---|---|
| Director: | Eric Valette |
| Writer: | Neal Marshall Stevens |
| Genres: | Horror |
| Keywords | special car |
| Production Companies | TADORA Filmproduktions, Voltage Pictures, Stallion Media, Studio 407 |
| Box Office |
Revenue: $0
Budget: $13,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Shannon Beckner | Tilda |
| Oded Fehr | Ray |
| Ryan Kennedy | Bobby |
| Adrien Dorval | Gordy |
| Melanie Papalia | Maria |
| John Reardon | David |
| Josh Strait | Al |
| John Mariano | (Additional Voices) |
| Ben Diskin | (Additional Voices) |
| Kent Nolan | Teenager |
| Duncan Fisher | Teenager |
| Jennifer Selvig | Female Officer |
| Tim McGrath | Officer Oliver |
| Name | Job |
|---|---|
| Neal Marshall Stevens | Screenplay |
| James Coblentz | Editor |
| Eric Valette | Director |
| Ben Diskin | Sound Recordist, Sound Effects |
| Daryl Hartwell | Dolly Grip |
| John R. Leonetti | Director of Photography |
| Name | Title |
|---|---|
| Tim McGrath | Executive Producer |
| Organization | Category | Person |
|---|
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Trending Position
Should have been much worse than it was. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._ ...
**_A night of vehicular hell at a Chicago impound garage_** After a street accident, a mysterious car is brought to the city parking lot whereupon the midnight crew are thrust into an unbelievable life-or-death situation. “Super Hybrid” (2010) meshes ideas from “Killdozer” and “Christine” but ... adds a fresh concept and the milieu of a big city impound garage. It’s superior to the former, but not great like the latter. Shannon Beckner is effective as the protagonist, Tilda, while Melanie Papalia is worth a mention as Maria. The first act is compelling in the manner of, say, “The Hidden,” but I started losing interest a little by the last act. There’s some predictableness and, while I don’t mind the trope of the unlikely female rising to the challenge, it wasn’t necessary to paint the ex-military guy in such a negative light (Oded Fehr). Just because someone’s a boss and tells subordinates what to do in order to get things done, it doesn’t automatically make him/her evil incarnate. The switch to coldhearted bumbling moron doesn’t ring true. Meanwhile the parting shot is eye-rolling in the manner of “Abominable” and the future “Dark Was the Night.” Still, if you can roll with its weaknesses, “Super Hybrid” is thrilling enough, albeit one-dimensional, if you want something along the lines of “Killdozer” or “Christine.” The movie runs 1 hour, 34 minutes, was shot in Regina, Saskatchewan. GRADE: B-/C+