Popularity: 4 (history)
Director: | Woody Allen |
---|---|
Writer: | Woody Allen |
Staring: |
While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight. | |
Release Date: | May 11, 2011 |
---|---|
Director: | Woody Allen |
Writer: | Woody Allen |
Genres: | Comedy, Fantasy, Romance |
Keywords | based on novel or book, screenwriter, diary, forbidden love, midnight, past, sculpture, magic realism, art history, wine drinking, paris, france, detective, camping, time travel, painter, nostalgia, versailles, romance, nostalgic, back in time |
Production Companies | Gravier Productions, Versátil Cinema, Mediapro, Pontchartrain Productions |
Box Office |
Revenue: $151,119,219
Budget: $17,000,000 |
Updates |
Updated: Sep 07, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Owen Wilson | Gil |
Rachel McAdams | Inez |
Kathy Bates | Gertrude Stein |
Kurt Fuller | John |
Adrien Brody | Salvador Dalí |
Carla Bruni | Museum Guide |
Marion Cotillard | Adriana |
Michael Sheen | Paul |
Nina Arianda | Carol |
Tom Hiddleston | F. Scott Fitzgerald |
Mimi Kennedy | Helen |
Alison Pill | Zelda Fitzgerald |
Léa Seydoux | Gabrielle |
Corey Stoll | Ernest Hemingway |
Maurice Sonnenberg | Man at Wine Tasting |
Thierry Hancisse | 1920's Partygoer |
Guillaume Gouix | 1920's Partygoer |
Audrey Fleurot | 1920's Partygoer |
Marie-Sohna Condé | 1920's Partygoer |
Yves Heck | Cole Porter |
Sonia Rolland | Joséphine Baker |
Daniel Lundh | Juan Belmonte |
Laurent Spielvogel | Antiques Dealer |
Thérèse Bourou-Rubinsztein | Alice B. Toklas |
Marcial Di Fonzo Bo | Pablo Picasso |
Emmanuelle Uzan | Djuna Barnes |
Tom Cordier | Man Ray |
Adrien de Van | Luis Buñuel |
Serge Bagdassarian | Détective Duluc |
Gad Elmaleh | Détective Tisserant |
David Lowe | T.S. Eliot |
Atmen Kelif | Hotel Doctor |
Yves-Antoine Spoto | Henri Matisse |
Laurent Claret | Leo Stein |
Sava Lolov | Belle Époque Couple |
Karine Vanasse | Belle Époque Couple |
Catherine Benguigui | Maxim's Hostess |
Vincent Menjou Cortes | Henri de Toulouse-Lautrec |
Olivier Rabourdin | Paul Gauguin |
François Rostain | Edgar Degas |
Marianne Basler | Versailles Royalty |
Michel Vuillermoz | Versailles Royalty |
Kenneth Edelson | Guest at Maxims (uncredited) |
Name | Job |
---|---|
Patricia Kerrigan DiCerto | Casting |
Juliet Taylor | Casting |
Darius Khondji | Director of Photography |
Alisa Lepselter | Editor |
Stéphane Foenkinos | Casting |
Matthieu Rubin | Unit Production Manager |
Morgan Neville | First Assistant Editor |
Gil Kenny | First Assistant Director |
Angélique Bosio | Production Secretary |
Ryan Collison | Foley Recording Engineer |
Ani Simon-Kennedy | Camera Trainee |
Cyril Kuhnholtz | Key Grip |
Woody Allen | Director, Writer |
Hélène Dubreuil | Set Decoration |
Jean-Yves Rabier | Art Direction |
Anne Seibel | Production Design |
Sonia Grande | Costume Design |
Mohan Valmy | Electrician |
Yann Jouannic | Location Scout |
Jean-Marie Blondel | Sound mixer |
Jan Rubens | Camera Operator, Steadicam Operator |
Natasha Ladek | Wigmaker |
Scott Kordish | Production Coordinator |
Olivier Seyfrid | Hairstylist |
Pascal Fauvelle | Special Effects |
David Wahnon | Sound Editor |
Roger Arpajou | Still Photographer |
Catherine Leblanc | Hairstylist |
Georges Demétrau | Special Effects Supervisor |
Véronique Boslé | Hairstylist |
Thomas Kodros | Dolby Consultant |
Tatiana Bouchain | Art Department Coordinator |
Nathalie Anselme | Transportation Coordinator |
Glenfield Payne | Sound Effects Editor |
Jessica Drake | Dialect Coach |
Paul Yurt | Mixing Engineer |
Charles-Axel Vollard | Special Effects |
Lydia Pujols | Makeup Artist |
Helen Robin | Unit Production Manager |
Lee Dichter | Sound Re-Recording Mixer |
Julien Civange | Thanks |
Anne Wermelinger | Script Supervisor |
Patricia Planche | Makeup Artist |
Sid Karne | Assistant Director |
Robert Hein | Supervising Sound Editor |
Harry Muller | Color Timer |
Charles Heidet | Transportation Coordinator |
Matt Breitenbach | Editorial Services |
Bernard Lamy | Production Accountant |
Thierry Baucheron | Gaffer |
Eric LeBlond | Production Office Assistant |
Deborah Alexander-Lee | Producer's Assistant |
Melissa Tomjanovich | Other |
Laurence Coutaud-Garnier | Production Coordinator |
Sylvia Menno | Dialogue Editor |
Kate Rose Itzkowitz | Assistant Editor |
Jay Peck | Foley Artist |
Rachel Chancey | Foley Editor |
Matthew Haasch | Foley Editor |
Benoît Bechet | Assistant Art Director |
Georges Kafian | Graphic Designer |
Lilith Bekmezian | Production Illustrator |
Samudrika Arora | Art Department Assistant |
Jean Miel | Dressing Prop |
Gilles Geraud | Dressing Prop |
Antonio Nogueira | Swing |
Nicolas Brechat | Swing |
Tanty Lokonga | Swing |
Dominique Gréau | Swing |
Thomas Lemierre | Swing |
Thomas Beele-Chanvril | Swing |
Olivier Crespin | Standby Property Master |
Patrick Veron | Construction Manager |
William Clément | Construction Buyer |
Patrick Tombette | Key Construction Grip |
Christophe Lunay | Construction Grip |
Christophe De Vos | Construction Grip |
Hervé Pesquer | Construction Grip |
Alain Guenier | Construction Grip |
Bertrand Laval | Construction Grip |
Fabienne Octobre | Focus Puller |
Julien Andreetti | Clapper Loader |
Johanne Debas | Second Unit Director of Photography |
Thi Thanh Tu Nguyen | Makeup Supervisor |
Garance Garnier | Camera Trainee |
Thibaut Guenois | Grip |
Arnaud Imbert | Grip |
Christian Martinello | Grip |
Jean-Christophe Duwez | Best Boy Electric |
Sidney Baucheron | Electrician |
Benjamin Prevost | Electrician |
Eric Monin | Electrician |
Sol Saban | Assistant Costume Designer |
Claire Chanat | Costume Supervisor |
Catherine Jabes | Hair Supervisor |
Delphine Bertrand | Second Assistant Director |
Aurore Coppa | Third Assistant Director |
Elodie Demey | Casting Assistant |
Joe Gawler | Digital Intermediate Colorist |
Jonathan Sanden | Digital Intermediate Editor |
Darrell R. Smith | Digital Intermediate Producer |
Jérôme Miel | Special Effects |
Name | Title |
---|---|
Letty Aronson | Producer |
Jack Rollins | Co-Executive Producer |
Stephen Tenenbaum | Producer |
Eva Garrido | Associate Producer |
Helen Robin | Co-Producer |
Jaume Roures | Producer |
Raphaël Benoliel | Co-Producer |
Javier Méndez | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Director | Woody Allen | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 40 | 55 | 29 |
2024 | 5 | 42 | 62 | 27 |
2024 | 6 | 33 | 54 | 23 |
2024 | 7 | 33 | 50 | 26 |
2024 | 8 | 34 | 54 | 23 |
2024 | 9 | 28 | 35 | 20 |
2024 | 10 | 27 | 44 | 18 |
2024 | 11 | 33 | 68 | 21 |
2024 | 12 | 34 | 45 | 26 |
2025 | 1 | 36 | 46 | 25 |
2025 | 2 | 37 | 51 | 7 |
2025 | 3 | 12 | 38 | 3 |
2025 | 4 | 9 | 12 | 4 |
2025 | 5 | 6 | 13 | 4 |
2025 | 6 | 5 | 7 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 4 | 5 | 2 |
2025 | 9 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 426 | 693 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 529 | 741 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 224 | 667 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 284 | 749 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 460 | 834 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 625 | 822 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 299 | 839 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 430 | 732 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 749 | 913 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 599 | 844 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 583 | 759 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 737 | 811 |
Really nice movie, done with a great delicacy. Worth watching to get in love with Paris but it is also a great story of self knowledge and evolution. ...
**Magnificent, it is a love declaration for Paris.** With this film, Woody Allen makes, in the background, a love declaration for Paris, a city he already knows very well and for which he seems to feel a great affection. In addition to the beauty of the city, especially in the opening sequence, t ... he script revisits the history and importance of the French city, as a meeting point for artists and writers. The film begins very well, introducing us to an American engaged couple who came to Paris on their father's business trip. From the start they seem a bit strange: she is quite frivolous and seems to feel that she is doing him a huge favor by marrying him, and it is perfectly obvious that her parents do not approve of the match; in turn, the young man is an aspiring writer who has grown tired of making Hollywood screenplays and wants to dedicate himself to writing and stay in Paris, ideas seen with disdain by the bride. However, everything will change when, after a disagreement, he walks back to the hotel and ends up having a meeting with a series of famous artists and writers from Paris in the 1920s: Scott Fitzgerald, Ernest Hemingway, Picasso, Dali, Buñuel, Gertrude Stein and others. That is, the film starts from a basic romantic comedy situation and creates a story where time travel ends up happening in a way that seems like the character is just dreaming, or in an illusion. Owen Wilson was impeccable in the lead role and gives us one of his best serious performances, which is no small feat. He is credible and convincing. Equally pleasant and sympathetic is Marion Cotillard, who gave life to the “soul mate” of Wilson's character, a dreamer and idealist who would rather live on a page of the past. In addition to being smart and sensitive, she is beautiful and attractive. Kathy Bates, Tom Hiddleston, Alisson Pill, Corey Stoll and Marcial Di Fonzo have given life to a series of artists and writers, each of whom played their part with aplomb and care. Rachel McAdams is good at her tiresome and irritating character. Technically, the film is flawless. The cinematography is exquisite, has ideal light and color, sharpness and depth. The city scenes are magnificent, and it's very easy to see the movie and want it all to be real. The sets are very good, and the same can be said for the choice of filming locations, made with care and method. Comedy is very present in the film and has elements with a certain quality, being in the dialogues and puns that it thrives. The entire film has a very good rhythm, which does not tire the audience or allow us to lose sight of it. Finally, a word of appreciation for the jazz soundtrack.