Popularity: 6 (history)
Director: | Clint Eastwood |
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Writer: | Paul Haggis, F.X. Toole |
Staring: |
Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her. | |
Release Date: | Dec 15, 2004 |
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Director: | Clint Eastwood |
Writer: | Paul Haggis, F.X. Toole |
Genres: | Drama |
Keywords | transporter, suicide attempt, fight, strong woman, boxer, dying and death, stroke of fate, training, advancement, sports, tragedy, female protagonist, brutality, boxing trainer, unlikely friendship, female boxing, knockout, euthanasia, determination, boxing |
Production Companies | Lakeshore Entertainment, Malpaso Productions, Warner Bros. Pictures, Epsilon Motion Pictures, ASR Productions |
Box Office |
Revenue: $216,763,646
Budget: $30,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Clint Eastwood | Frankie Dunn |
Hilary Swank | Maggie Fitzgerald |
Morgan Freeman | Eddie Scrap-Iron Dupris |
Jay Baruchel | Danger Barch |
Mike Colter | Big Willie Little |
Lucia Rijker | Billie 'The Blue Bear' |
Brían F. O'Byrne | Father Horvak |
Anthony Mackie | Shawrelle Berry |
Margo Martindale | Earline Fitzgerald |
Riki Lindhome | Mardell Fitzgerald |
Michael Peña | Omar |
Benito Martinez | Billie's Manager |
Bruce MacVittie | Mickey Mack |
David Powledge | Counterman at Diner |
Joe D'Angerio | Cut Man |
Marcus Chait | J.D. Fitzgerald |
Tom McCleister | Lawyer |
Erica Grant | Nurse |
Naveen | Pakistani |
Morgan Eastwood | Little Girl in Truck |
Jamison Yang | Paramedic |
Dean Familton | Ref #1 |
Louis Moret | Ref #2 |
Vincent Foster | Ref #3 |
Jon D. Schorle II | Ref #4 |
Marty Sammon | Ref #5 |
Steven M. Porter | Ref #6 |
Ray Corona | Ref #7 |
Ming Lo | Rehab Doctor |
Miguel Pérez | Restaurant Owner |
Jim Cantafio | Ring Doctor #1 |
Ted Grossman | Ring Doctor #2 |
Ned Eisenberg | Sally Mendoza |
Marco Rodríguez | Second (at Vegas Fight) |
Roy Nugent | Fan in Vegas |
Don Familton | Ring Announcer |
Mark Thomason | Radio Commentator |
Brian T. Finney | Irish Fan #1 |
Spice Williams-Crosby | Irish Fan #2 |
Kim Strauss | Irish Fan #3 |
Rob Maron | Irish Fan #4 |
Kirsten Berman | Irish Fan #5 |
Susan Krebs | Rehab Nurse |
Sunshine Chantal Parkman | Rehab Nurse #2 |
Kim Dannenberg | Rehab Nurse #3 |
Eddie Bates | Rehab Resident |
Jimmy Alioto | Las Vegas Fight Fan (uncredited) |
Jason Williams | Las Vegas Fight Fan (uncredited) |
Nina Avetisova | VIP Girl (uncredited) |
Michael Bentt | Boxer (uncredited) |
Bruce Gerard Brown Jr. | Boxer (uncredited) |
McKay Stewart | Sparring Boxer (uncredited) |
Jude Ciccolella | Hogan (uncredited) |
Kimberly Estrada | Perez (uncredited) |
Sean LoGrasso | Fight Fan (uncredited) |
Sean O'Kane | Additional Voices (voice) (uncredited) |
Vladimir Rajčić | Yugoslavian Judge (uncredited) |
Rosine 'Ace' Hatem | Maggie's First Opponent (uncredited) |
Bridgett Riley | Maggie's Second Opponent (uncredited) |
Boni Yanagisawa | Maggie's Third Opponent (uncredited) |
Christina Cox | Maggie's Fourth Opponent (uncredited) |
Mimi Lesseos | Billie's Opponent (uncredited) |
Name | Job |
---|---|
Robert Lorenz | Assistant Director |
Christopher Boyes | Sound Re-Recording Mixer |
Henry Bumstead | Production Design |
Paul Haggis | Screenplay |
Tom Stern | Director of Photography |
Buddy Van Horn | Stunt Coordinator |
Kyle Eastwood | Additional Music |
Bub Asman | Sound Editor |
Mimi Lesseos | Stunts |
Lennie Niehaus | Orchestrator, Conductor |
Erin Carufel | Stunt Double |
Rosine 'Ace' Hatem | Stunts |
Bridgett Riley | Stunts |
David Potaux-Razel | Additional Soundtrack |
Deborah Hopper | Costume Design |
Mark Thomason | Stand In |
Richard C. Goddard | Set Decoration |
Nancy Hancock | Makeup Artist |
Liz Radley | Visual Effects |
James D. Tittle | Visual Effects Coordinator |
Phyllis Huffman | Casting |
Jack G. Taylor Jr. | Art Direction |
F.X. Toole | Story |
Deena Adair | Hairstylist |
Tim Moore | Unit Production Manager |
Steve Riley | Special Effects Coordinator |
Darin McCormick-Millett | Digital Producer |
Michael Cipriano | Assistant Editor |
Kurt Smith | Color Timer |
Stephen S. Campanelli | Camera Operator, Steadicam Operator |
Terry Kramer | Electrician |
Michael Muscarella | Construction Coordinator |
Gary A. Lee | Set Designer |
Lynda Foote | Costume Supervisor |
Ann Culotta | Set Costumer |
Nancy G. James | Craft Service |
Paulina Quaranta | Production Office Assistant |
Michael Sexton | Property Master |
Charles Ramirez | Transportation Captain |
Keith Dillin | Transportation Coordinator |
T. Daniel Scaringi | Rigging Grip |
Karen Shaw | Production Coordinator |
Jonathan Fuh | Boom Operator |
Donald Harris | Music Editor |
David Grimaldi | Sound Effects Editor |
Judith M. Brown | Studio Teachers |
Donald Murphy | Second Assistant Director |
Scott M. Anderson | Assistant Property Master |
William A. Barry III | Swing |
Thomas J. O'Connell | ADR Mixer |
James Ashwill | Foley Mixer |
Nicholas Korda | Supervising ADR Editor, ADR Editor |
Ante Dugandzic | Special Effects Technician |
Doug Wall | Best Boy Grip |
James D. Wickman | Dolly Grip |
Geoffrey Miclat | Casting Assistant |
Elisa Ann Conant | Assistant Location Manager |
Gary D. Roach | First Assistant Editor |
Mable Lawson-McCrary | Script Supervisor |
Bill Coe | First Assistant Camera |
Pam Cartmel | Art Department Coordinator |
John Schacht | Leadman |
Charles Saldaña | Grip |
Merie Weismiller Wallace | Still Photographer |
Carol A. O'Connell | Key Hair Stylist |
Brian Bilson | Set Dressing Artist |
James R. Lord | Carpenter |
Robert Aaron Brown | Driver |
Robert Silcock | Propmaker |
Scooter Perrotta | Set Production Assistant |
Dillin Craig | Transportation Co-Captain |
Sean Higgins | Rigging Gaffer |
Jason S. Gondek | Production Accountant |
Juno J. Ellis | ADR & Dubbing |
William Cawley | First Assistant Sound Editor |
Walt Martin | Sound Mixer |
Ryan Craig | Additional Second Assistant Director |
Katie Carroll | Second Second Assistant Director |
Christine Fegley | Set Painter |
John T. Cucci | Foley Artist |
Brian Magerkurth | Sound Mix Technician |
Lucy Coldsnow-Smith | Supervising Dialogue Editor |
Matthew A. Del Ruth | Assistant Camera |
Trevor Carroll-Coe | Camera Loader |
Bobby McMahan | Second Assistant Camera |
Mo Henry | Negative Cutter |
John Lacy | Assistant Chief Lighting Technician |
Tony Hobbs | Extras Casting |
Don Dinkins | Technical Advisor |
Susan Hartmann | Assistant Production Coordinator |
Rose Mesa | Assistant Accountant |
Ross Dunkerley | Chief Lighting Technician |
Lucy Ramirez-Ewart | Production Assistant |
Gloria D'Alessandro | Dialogue Editor |
Clint Eastwood | Original Music Composer, Director |
Joel Cox | Editor |
Name | Title |
---|---|
Paul Haggis | Producer |
Albert S. Ruddy | Producer |
Robert Lorenz | Executive Producer |
Tom Rosenberg | Producer |
Bobby Moresco | Co-Producer |
Gary Lucchesi | Executive Producer |
Clint Eastwood | Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Picture | N/A | Won |
Academy Awards | Best Supporting Actress | Morgan Freeman | Nominated |
Golden Globes | Best Director | Clint Eastwood | Won |
Golden Globes | Best Supporting Actor | Morgan Freeman | Won |
Academy Awards | Best Director | Clint Eastwood | Won |
BAFTA Awards | Best Director | Clint Eastwood | Won |
SAG Awards | Best Picture | N/A | Won |
SAG Awards | Best Actor | Clint Eastwood | Nominated |
BAFTA Awards | Best Picture | N/A | Nominated |
Spirit Awards | Best Director | Clint Eastwood | Won |
SAG Awards | Best Director | Clint Eastwood | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 45 | 88 | 31 |
2024 | 5 | 76 | 90 | 63 |
2024 | 6 | 54 | 83 | 29 |
2024 | 7 | 40 | 56 | 28 |
2024 | 8 | 36 | 91 | 24 |
2024 | 9 | 27 | 35 | 18 |
2024 | 10 | 31 | 55 | 22 |
2024 | 11 | 35 | 64 | 22 |
2024 | 12 | 32 | 53 | 23 |
2025 | 1 | 35 | 47 | 26 |
2025 | 2 | 27 | 44 | 6 |
2025 | 3 | 12 | 37 | 3 |
2025 | 4 | 9 | 15 | 5 |
2025 | 5 | 7 | 15 | 5 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 6 | 4 |
Trending Position
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2024 | 9 | 878 | 933 |
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2024 | 8 | 743 | 846 |
***Female “Rocky” with a downbeat and contradictory close*** Released in 2004 and directed by Clint Eastwood, “Million Dollar Baby” stars Eastwood as a cantankerous boxing trainer who owns a working class gym in Los Angeles, which is maintained by one of his former boxers, the narrator of the sto ... ry (Morgan Freeman). A waitress from the sticks of Missouri (Hilary Swank) shows up and asks that Frankie (Eastwood) train her, which he refuses to do because she’s too old at 32 and he “doesn’t train girls,” probably because he had an unexplained falling out with his daughter years earlier. Eventually he begrudgingly agrees. The bulk of the film is basically a female version of “Rocky” (1976), except that I prefer the potent drama in this one. The three main characters are well fleshed-out with an all-around reverent tone, not to mention an occasional bit of mild amusement. Frankie and Maggie (Swank) slowly develop a father/daughter-type relationship and it’s touching. The third act, however, takes a left turn that is seriously downbeat. It departs from sports movie formula with a message that contradicts everything the first two acts pushed, which is inexplicable. Sure, I ‘get’ the point: A certain person basically sacrifices everything to do what’s (supposedly) best for the situation and honor the will of a dearly loved soul. Nevertheless, it’s a dark turn that leaves a sour taste because it refutes the positive message of the first two-thirds of the story. The film runs 2 hours, 12 minutes and was shot in Los Angeles. GRADE: B-/C+
Unreal! I didn't expect <em>'Million Dollar Baby'</em> to be so astonishingly brilliant. I've said it many a time before but for full context, I do not read up about films before watching them - aside from making sure the film isn't part of a franchise, checking the run time and seeing the genre ... - so I was expecting this to be a cliché-filled, but still great, sports flick. It's so much more than that. It's way more deeper and has an everlasting impact that I hadn't anticipated. Even across the opening chunk I was predicating the obvious cliché ending, but as the film progresses and, especially, as the final portion rolls around it just absorbed my total attention - I was fully engrossed... hook, line, and sinker. Some film! The cast are simply stunning. Clint Eastwood gives an absolutely fantastic performance, Hilary Swank is truly sensational - especially at the end, damn - and Morgan Freeman is Morgan Freeman; what an actor and what a voice, using him as narrator was a great move. Elsewhere, and though less dramatically, Jay Baruchel, Anthony Mackie, Margo Martindale and Michael Peña also feature interestingly. It's quite the journey the film takes you on, which I just found utterly enthralling to watch unfold. Perfect pacing, perfect acting. I loved watching every second of it and will undoubtedly be revisiting it. I noted days ago that I was rather surprised to learn that Eastwood's <em>'<a href="https://letterboxd.com/film/unforgiven/" rel="nofollow">Unforgiven</a>'</em> had been so heavily acclaimed, on this occasion with this 2004 film I am the complete opposite. I don't care much for awards et al., but I am delighted to see all involved receive their props for this. Chapeau! Marvellous, just marvellous.
**Million Dollar Baby is an extremely well-done film that takes an abrupt turn to deal with incredibly sobering subjects that are definitely not what I thought I signed up for.** I know it’s supposedly a masterpiece, and I will lose some cred for saying this, but Million Dollar Baby was a dreadfu ... l movie. I spent the first half of the film falling in love with the hopeful, talented, and inspiring Maggie Fitzgerald and her redeeming of the cranky and lonely trainer, Frankie Dunn. But when the second half takes its giant turn, the story shifts from an endearing sports narrative about overcoming opposition and redemption to hopelessness and agony. Clint Eastwood directed a powerful story with impressive mastery, but the subject matter robbed the film of any enjoyment. For many, Million Dollar Baby deserved Best Picture at the Oscars. For me, I wish The Incredibles had claimed that victory.